Tommaso Favero

Das RockBoard MOD 4 - All-in-One Wireless System Receiver + Patchbay für Pedalboards bietet eine einfach zu realisierende, kabellose Verbindung zwischen deinem Instrument und deinem Pedalboard. Dabei nutzt es eine digitale Wireless Technologie, die eine beeindruckende Klangqualität, ein einfaches Setup und eine zuverlässige Nutzung für aktive Musiker garantiert. Das Wireless System arbeitet im 2,4 GHz ISM Band und kann so weltweit ohne Beschränkungen genutzt werden. Mit einem nutzbaren Frequenzbereich von 20 Hz - 20 kHz und nur 5 ms Latenz bleiben keine Wünsche offen. Die Patchbay-Sektion wurde entwickelt um Verbindungen und Anschlüsse des Pedalboards von der Unterseite nach außen zu führen, dir einen zentralen Zugangspunkt zu deinem Setup zur Verfügung zu stellen und um deine Kabelwege aufzuräumen und sortieren zu können. Die A, B, C und D TRS Buchsen sind als direkte, durchgängige Verbindungen von der Vorderseite des MOD 4 zu den entsprechenden Buchsen auf der Rückseite verkabelt. Damit kannst du deine Effekt-Kette so einrichten, dass du bei der Vorbereitung auf den Gig lediglich Kabel an der Vorderseite des Boards einstecken musst, anstatt unter dem Board zu hantieren.
- Wireless System Receiver + Patchbay für Pedalboards, inkl. Wireless Transmitter
- 2,4 GHz ISM Band für weltweite Nutzung
- 30 m durchschnittliche Reichweite (ohne Hindernisse)
- 24 bit / 48 kHz unkomprimierte digitale Signalübertragung
- 20 Hz - 20 kHz Frequenzbereich
- 5 ms Latenz
- 103 dB Dynamikbereich
- 85 dBm HF-Empfindlichkeit
- 0.2% Verzerrung (THD)
- 4 wählbare Kanäle
- passend für MOD Slots in RockBoard Pedalboards
- kompatibel mit einer weiten Reihe anderer Pedalboards
- fungiert als zentraler Zugangspunkt zu deinem Effekt Setup
- abnehmbare Frontplatte für Montage auf oder unter Pedalboards
- 4x 6,3 mm Stereo-Klinke Thru (TRS)
- 1x 6,3 mm Mono-Klinke Receiver Audio Ausgang (TS)
- 1x DC 2,1 x 5,5 mm Hohlstecker Thru
- 1x AC IEC Thru
- 1x USB Type A Charge Ausgang
- Stromversorgung via optionalem 9V DC Netzteil, 2.1 x 5.5 mm Hohlstecker, Polarität (-) innen
- Batteriebetrieb nicht unterstützt
- Stromaufnahme 500 mA
- passiver Betrieb möglich (nur Patchbay, ohne Wireless System)
- Abmessungen mit Frontplatte (B x T x H): 175 x 85 x 47 mm
- Abmessungen ohne Frontplatte (B x T x H): 160 x 85 x 33 mm
- Gewicht 500 g
- Wireless Transmitter, zwei Antennen, ein USB Kabel, Montageschrauben und Muttern im Lieferumfang enthalten

The RockBoard MOD 4 - All-in-One Wireless System Receiver + Patchbay for Pedalboards offers an easy-to-use wireless connection between your instrument and your pedalboard, featuring digital wireless technology that delivers incredible audio quality, a simple setup procedure, and reliable use for any gigging musician. The wireless system works in the 2.4 GHz ISM band for unlimited worldwide use and offers a full 20 Hz - 20 kHz frequency range with only 5 ms of latency. The patchbay module is designed to route connections from underneath your pedalboard to its front, giving you a central access point and tidying up your connections. The A, B, C, and D TRS sockets are wiring thru-connections from the front of MOD 4 to the corresponding sockets on the back. This allows you to connect your pedals permanently underneath the board, so you only have to connect cables to and from the front of the board, instead of having to route underneath it when setting it up for a gig.
- wireless system receiver + patchbay for pedalboards, incl. wireless transmitter
- compatible with guitar wireless system
- 2.4 GHz ISM band for worldwide use
- 30 m / 100 ft. approx. range (without obstacles)
- 24-bit / 48 kHz uncompressed digital transmission
- 20 Hz - 20 kHz frequency range
- 5 ms latency
- 103 dB dynamic range
- 85 dBm RF sensitivity
- 0.2% total harmonic distortion
- 4 selectable channels
- fits MOD slots in RockBoard pedalboards
- compatible with a wide variety of other pedalboards
- acts as the central access point to your effects setup
- detachable front plate for mounting on top or underneath pedalboards
- 4x 6.3 mm / 1/4" stereo thru (TRS)
- 1x 6.3 mm / 1/4" mono receiver audio output (TS)
- 1x DC 2.1 x 5.5 mm barrel thru
- 1x AC IEC thru
- 1x USB Type A charge output
- power supply via optional 9V DC power adapter, 2.1 x 5.5 mm barrel plug, polarity (-) center
- battery operation not supported
- current draw 500 mA
- passive operation possible (patchbay only, without wireless system)
- dimensions with front plate (W x D x H) 175 x 85 x 47 mm / 6 57/64" x 3 11/32" x 1 27/32" 
- dimensions without front plate (W x D x H) 160 x 85 x 33 mm / 6 19/64" x 3 11/32" x 1 19/64"
- weight 500 g / 1.1 lbs
- incl. wireless transmitter, two antennas, USB charging cable, mounting screws, and counter nuts

2.4 GHz Guitar Wireless Receiver, Transmitter + TRS Patchbay

Die RockBoard® MOD 5 Cab SIM + DI Patchbay bietet wählbare, IR-basierte Stereo-Lautsprecher Simulation, eine aktive DI-Box, sowie eine einfache Lösung, um alle Verbindungen zu und von deinem Effekt Setup zu organisieren. Egal, ob du ein RockBoard® oder ein anderes Pedalboard einer anderen Marke verwendest - die MOD 5 eröffnet völlig neue Möglichkeiten. Mit der Speaker-Cab-Simulation und DI kannst du direkt loslegen und hast DEINEN Sound parat, unabhängig davon, welche Backline an der jeweiligen Venue zur Verfügung steht. Du möchtest deine persönliche Lieblings-Cabinet benutzen? Kein Problem, lade eine Impulse Response des Sounds in die MOD 5 und du hast sie überall dabei. Der Patchbay-Teil dient dazu, Verbindungen von unterhalb deines Pedalboards nach vorne zu leiten, um dir einen zentralen Zugangspunkt zu deinem Setup zu geben und deinen Kabelsalat aufzuräumen. Für geräuschloses Üben auf der Straße bietet der MOD 5 auch einen Kopfhörerverstärker mit einstellbarer Ausgangslautstärke.
- Cabinet Simulation & DI Patchbay
- IR basierte Lautsprecher Simulation
- 6 integrierte IRs wählbar
- Unterstützung von zusätzlichen Custom IRs (max. 1024 pts.)
- integrierte aktive DI Box
- Kopfhöhrer Verstärker
- passend für MOD Slots in RockBoard® Pedalboards
- kompatibel mit einer weiten Reihe anderer Pedalboards
- fungiert als zentraler Zugangspunkt zu deinem Effekt Setup
- etabliert klare Kabelwege zum und vom Pedalboard
- abnehmbare Frontplatte für Montage auf oder unter Pedalboards
- wählbarer MONO / STEREO Input
- wählbarer UN- / BALANCED Output
- Ground Lift Schalter
- Regler für Phones Volume
- 3 x 6,3 mm TRS Thru
- XLR DI Out
- 6.3 mm Parallel TRS Output
- 3.5 mm Stereo Kopfhöhrer Ausgang mit einstellbarer Lautstärke
- micro USB Anschluss für Firmware Updates und zum Hochladen von Custom IRs
- Stromversorgung via optionalem 9V DC Netzteil, 2.1 x 5.5 mm Hohlstecker, Polarität (-) innen
- Stromaufnahme 300 mA
- Batteriebetrieb nicht unterstützt
- Abmessungen mit Frontplatte (B x T x H) 175 x 85 x 47 mm 
- Abmessungen ohne Frontplatte (B x T x H) 160 x 85 x 33 mm
- Gewicht 470 g
- inkl. Montageschrauben, Kontermuttern und TX Schlüssel

The RockBoard® MOD 5 Cab SIM + DI Patchbay offers customizable, IR-based stereo speaker cabinet simulation, an active DI box, as well as a simple solution to organize all the connections to and from your effects setup. Whether you are using a RockBoard® or any other brand pedalboard - the MOD 5 will open completely new possibilities. The speaker cab simulation & DI let's you go direct, providing YOUR sound, whatever backline is being provided at the venue you're playing. Do you want to use your favorite cab? No problem, load an impulse response of its sound into the MOD 5 and you have it with you, wherever you go. The patchbay part is designed to route connections from underneath your pedalboard to its front, in order to give you a central access point to your setup and tidy up your connections. For silent and on the road practicing, the MOD 5 also provides a headphone amplifier with adjustable output volume.
- cabinet simulation & DI patchbay
- IR-based speaker cabinet simulation
- 6 integrated IRs selectable
- support of additional Custom IRs (max. 1024 pts.)
- integrated active DI box
- headphone amplifier
- fits MOD slots in RockBoard® pedalboards
- compatible with a wide variety of other pedalboards
- acts as the central access point to your effects setup
- establishes clean cable paths to and from the pedal board
- detachable front plate for mounting on top or underneath pedalboards
- selectable MONO / STEREO input
- selectable UN / BALANCED output
- ground lift switch
- control for Phones Volume
- 3 x 6.3 mm / ¼" TRS thru
- XLR DI Out
- 6.3 mm / ¼" Parallel TRS output
- 3.5 mm / 1/8" stereo headphone output with adjustable volume
- micro USB connection for firmware updates and loading custom IRs
- power supply via optional 9V DC power adapter, 2.1 x 5.5 mm barrel plug, polarity (-) center
- current draw 300 mA
- battery operation not supported
- dimensions with front plate (W x D x H) 175 x 85 x 47 mm / 6 57/64" x 3 11/32" x 1 27/32" 
- dimensions without front plate (W x D x H) 160 x 85 x 33 mm / 6 19/64" x 3 11/32" x 1 19/64"
- weight 470 g / 1.04 lbs.
- incl. mounting screws, counter nuts, and TX wrench

Cab SIM + DI Patchbay

Electric Pedal Board

Ej Santos

Discover the ultimate blend of vintage charm and modern innovation with the new Antique Classic Drive.

Redesigned under the Cornerstone Phase 3 style, this pedal draws open inspiration from the iconic vintage Italian Vespa.

Offering not just an innovative neo-vintage tool for your music but a piece of art for your pedalboard.

Discover the renewed versatility and style of the Antique Classic Drive.

Cornerstone Music Gear 

Review by The Gear Page

Review by gearnews.de

Review by delicious audio

Official Product Video

Demo by Kris Barocsi

Product Page

Antique V3

Tester

El Capistan vereint drei verschiedene Bandmaschinentypen in einem Pedal, jeweils mit drei einzigartigen Modi und umfassender Kontrolle über Bandqualität, Maschinenzustand und Klangformung.

Wechseln Sie von der vollen Klangstabilität einer fabrikneuen Echomaschine bis zum stark schwankenden Klang eines renntauglichen Geräts. Genießen Sie den vollen Klang eines neuen Bandes oder die dunklen, rauen und vibrierenden Eigenschaften eines abgenutzten Bandes.

El Capistan provides three different tape machine types in one pedal, each with three unique modes and extensive control over tape quality, machine health and tone shaping.

Go from the full-range sonic stability of a fresh-from-the-factory echo machine, to the heavily fluctuating sound of a road-worn unit in need of service. Enjoy the full bodied sound of fresh tape, or dial in the dark, gnarled and vibey qualities of worn out tape.

Strymon

Review by reddit /guitarpedals

Review by Elektronauts

Review by Guitar.com

Manual

Demo by strymon

El Capistan v2

Nicolas Wilfer

Volta Custom

Demo by Sasha Ivantic

Demo by TheGuitarGeek

Black Tweed Plus

Kick your playing into high gear with SPARK MINI BOOSTER, a stompbox-wonder for the initiated that features a completely clean boost with some serious tone enhancement under the hood once you really start cranking things.

With a full 20 dB of boost, SPARK MINI BOOSTER is a great clean booster. But that’s not all it does – keep turning that knob and it’ll start working its magic driving gear into peak performance! No matter what your style or set-up, this musical miracle will maximize your potential – but let your core tone shine through completely unaltered.

PrimeTime is a radical new feature that is exciting guitarists around the globe. Put simply, SPARK MINI BOOSTER instantly understands whether you want the pedal to be on permanently when you hit the footswitch, or just when you hold the footswitch down. Which totally rocks for both ‘always-on’ and ‘emphasizing passages’ situations.

By adding a discrete, fully analog circuit, SPARK MINI BOOSTER adds a purely magical sense of life and excitement to your gear and tone. Each part of the circuit is carefully selected, from transistor to capacitor and from resistor to diode. What does that mean? Sweet, pure tone in all of its glory in an unparalleled clarity with zero coloration. Whether you want to make things sing or roar, this circuit ensures to maximize your tone.

TC Electronic

Review by bonedo

Review by Daniel Rettberg

Demo by Reverb

Spark Mini Booster

QuickMount Type UV

Universal-Pedal-Montageplatte für vertikale Pedale

Universal Pedal Mounting Plate For Vertical Pedals

Forest Green Compressor (FGC) is designed to meet the highest standards of guitar and bass compression.There is extremely low noise throughout the range and a high overload margin, which allows also a wide dynamic input range at minimum distortion and noise.
FGC is equipped with a special tone control to fine-tune the compressed sound for most transparent tone and effect. The pedal has a switchable compressor and sustainer mode. In Sustain mode, you can get a very dynamic, touch-sensitive tone with a long sustain. Here the attack is not lost, making the pedal suitable even for blues players and works great with slide playing.

Mad Professor

Demo by 【ムツミ】Mutsumi

Demo by ProGuitarShopDemos

Forest Green Compressor

PedalSafe Type A1.1

QuickMount Type A

Pedal-Montageplatte für Standard-Einzelpedale

Pedal Mounting Plate For Standard Single Pedals

Schutzabdeckung & RockBoard-Montageplatte für MXR® Standardgröße und Dunlop® Echoplex Delay Pedale

Protective Cover & RockBoard Mounting Plate For MXR® standard size and Dunlop® Echoplex Delay pedals

Schutzabdeckung & universelle Montageplatte für MXR® Standardgröße und Dunlop® Echoplex Delay Pedale

Protective Cover & Universal Mounting Plate For MXR® standard size and Dunlop® Echoplex Delay pedals

The CopperSound Daedalus is a luscious, plate-style reverb with two independent levels, accessible on the fly. As opposed to using a chip, we wanted to build Daedalus off the newest Belton 3 brick. The Reverb knob controls the amount of reverberation, while the Depth control handles the decay length. The Preamp is the “special sauce” here. It has the ability to add volume to whatever pedal is in the expression loop – enough volume that the external pedal is almost as loud as the initial reverberated note. This can be very useful for swells and experimental players.

The Preamp knob also adds volume to the decay and length of the reverberation, making it a dual purpose knob. The EXP jack allows the user to insert any pedal into the decay of the reverb using a TRS Y cable (not included). The Blend knob gives the user control over the amount of external effect being placed into the decay. A separate reverberation amount can be achieved with the Reverb II knob. This addition allows for two separate reverberation levels on the fly with independent footswitches. Set one for shorter, traditional sounds and the second for longer, drawn out sounds. Both Reverb knobs work with the rest of the controls.

Try the EXP jack with an expression pedal! Simply set the max amount with the Reverb knob. This amount sets the “toe down” position and the “heal down” position is fully dry.

Coppersound

Demo by shnobel

Demo by Aaron Sternke

Review by Premier Guitar

Review by AMAZONA

Deadalus

Franko Teston

It's o-fish-ial. Deliver a boatload of vintage-style fuzz with a super-simple single-knob format, all from a can of tuna. Its “Stinker” knob controls the amount of volume boost for you to cut through the mix without spilling your gills. This description is starting to feel a little fishy - time to scale back.

The unique tuna can format embodies the creative spirit that has always been the heart of Beetronics, but don’t let the unusual package fool you: the Tuna Fuzz is a serious pedal with great tone - you will have a whale of a time.

You can control the amount of fuzz with your guitar’s volume knob, and the Tuna Fuzz cleans up amazingly well when you roll back the volume on your guitar. To top it off, Beetronics has added a cool Tunabee design on the PCB, visible through the plastic back cover.

Beetronics

Demo by Mark Johnston

Demo by Eric Merrow

Review by musicradar

Review by Guitar World

Tuna Fuzz

Michał Wrzos

Der D’Addario Chromatic Pedal Tuner vereint Innovation, Benutzerfreundlichkeit und ansprechendes Design perfekt. In einem robusten Aluminiumgehäuse untergebracht, bietet er eine schnelle Notenerkennung, höchste Präzision, einen breiten Kalibrationsbereich und einen True-Bypass-Schalter, der bequem mit dem Fuß bedient werden kann. Das farbige, vertikale Display ermöglicht ein schnelles und intuitives Stimmen – ob zu Hause, im Studio oder auf der Bühne.

The D’Addario Chromatic Pedal Tuner is the perfect combination of innovation, simplicity, and style. Housed in a rugged aluminum enclosure, the tuner features fast note detection, superb accuracy, wide calibration range, and true bypass wiring with an easily accessible foot switch. The tuner’s full-color vertical display allows for quick intuitive tuning at home, in the studio, or onstage. 

D'Addario

PW-CT-20

Chris Killick-Moran

The Maestro Orbit Phaser is a descendent of the very first phaser pedal ever produced - the legendary Maestro PS-1. This classic effect has been re-engineered and tailored to the needs of today’s players. The Maestro Orbit Phaser is designed to optimize all the character and vibe you expect from an all-analog phaser. Warm and smooth, the Maestro Orbit Phaser offers all the versatility needed to dial in the tastiest of phaser effects. Its two-position Mode switch gives you a choice of 4 or 6-stage phasing. The intuitive 3-knob control layout lets you quickly set the desired Width (the intensity of the phaser effect), Feedback (emphasizing the amount of vocal phase effect), and adjust the Rate (speed) of the phasing effect. The true bypass footswitch triggers the LED lights in the bugles in the Maestro logo when it’s on, so you’ll always know when the effect is active.

Maestro 

Demo by Buddy Blues

Demo by Edge of Breakup

Orbit Phaser

Der Volta Custom Jailbreaker ist ein Boutique-Overdrive-Pedal aus italienischer Fertigung, das den Klang und das dynamische Ansprechverhalten eines Marshall JTM45 „Bluesbreaker“-Combo-Verstärkers emuliert. Im Gegensatz zu herkömmlichen Bluesbreaker-Pedalklonen zielt diese Schaltung darauf ab, die Interaktion einer echten Röhrenendstufe und die Kompression eines Röhrengleichrichters nachzubilden. Das Pedal verfügt über zwei Kanäle, wobei der „Hot“-Kanal zusätzliche Sättigung und Lautstärke für Soli bereitstellt. Mit den „Tight“- und „Mojo“-Schaltern lässt sich die Bassansprache straffen bzw. die charakteristische Sättigung der Endstufe aktivieren. Es ist als „Amp-in-a-Box“-Lösung konzipiert, die sowohl vor cleanen Verstärkern als auch in direktem Setup mit Cab-Simulatoren funktioniert.

The Volta Custom Jailbreaker is a boutique overdrive pedal handmade in Italy, designed to emulate the specific tone and dynamic response of a Marshall JTM45 "Bluesbreaker" combo amplifier. Rather than being a clone of the classic Bluesbreaker pedal circuit, this design focuses on capturing the power-amp saturation and tube-rectifier compression of the original amplifier. The pedal features dual-channel functionality, with a "Hot" channel providing stackable gain and a dedicated level control for lead boosts. Integrated "Tight" and "Mojo" switches allow users to refine low-end clarity and engage authentic vintage sag and harmonic richness. It serves as a comprehensive "Amp-in-a-Box" solution, optimized for use with clean amplifiers or direct recording rigs.

Demo by 

Jailbreaker

Ein zweikanaliges Overdrive-Pedal, das zwei unabhängige Klon-artige Gain-Stufen in einem einzigen, pedalboardfreundlichen Gehäuse kombiniert. Der Normal-Modus liefert klassische, transparente, mittenbetonte Boost- und leichte Overdrive-Sounds, die nahtlos auf die Anschlagsdynamik reagieren. Das Aktivieren des zweiten Fußschalters schaltet den Hot-Modus ein, der eine interne zweite Gain-Stufe für mehr Sättigung, Kompression und längeres Sustain einführt. Ein stufenloser Clip-Regler ermöglicht es, das Clipping-Profil nahtlos von einem weichen, asymmetrischen Overdrive mit viel Headroom zu einer strafferen, symmetrisch komprimierten Sättigung zu regeln. Das Regler-Layout wird durch einen globalen Tone-Regler und einen dedizierten Bright-Schalter für den Hot-Modus vervollständigt, um Höhenpräsenz oder einen fokussierten Sound hinzuzufügen, ohne den Hauptkanal zu verändern.

Dual-channel overdrive pairing two independent Klon-style gain stages inside a single, pedalboard-friendly enclosure. The Normal mode delivers classic, transparent mid-focused boost and light overdrive tones that respond seamlessly to picking dynamics. Engaging the second footswitch activates the Hot Mode, which introduces an internal second gain stage for increased saturation, compression, and longer sustain. A continuous Clip knob allows players to continuously sweep their clipping profile from soft, high-headroom asymmetrical overdrive to a tighter, more symmetrical compressed saturation. The control layout is completed by a global Tone control and a dedicated Hot Mode Bright switch to add high-end presence or tight focus without altering the primary channel.

Demo by Michael W. Westbrook

Demo by Shawn Tubbs

Review by Guitar Bomb.com

Review by Gear News

Centurio

Ward Tinjum

Dieses kompakte digitale Modeling-Effektpedal für Gitarre und Bass nutzt fortschrittliche, proprietäre KI-Maschinen-Modeling-Technologie, um das komplexe dynamische Ansprechverhalten, die harmonischen Nuancen und die Berührungsempfindlichkeit physikalischer Verstärker, Boxen sowie Overdrive-Stompboxen zu replizieren. Das Gerät arbeitet als eigenständiges Mikro-Rig und verfügt über eine Dual-Kanal-Konfiguration zum Wechseln zwischen zwei verschiedenen Presets oder einen traditionellen On-Off-Stompbox-Modus. Es erweitert frühere digitale Mikro-Profiling-Hardware-Designs erheblich durch die Integration einer drahtlosen Bluetooth-Verbindung, mit der Benutzer Presets direkt von Mobilgeräten über eine dedizierte Steuerungs-App durchsuchen, bearbeiten und übertragen können. Die Hardware bietet eine vollständige MIDI-Integration über moderne Mini-TRS-Anschlüsse zur nahtlosen Anbindung an automatisierte Switcher-Setups sowie anpassbare, RGB-hintergrundbeleuchtete Regler, die mehrere Parameter wie einen Drei-Band-Equalizer, ein Noise Gate, einen Kompressor und verschiedene Stereo-Reverbs steuern.

This compact guitar and bass digital modeling effects pedal employs advanced proprietary AI Machine Modeling technology to replicate the complex dynamic response, harmonic nuances, and touch sensitivity of physical amplifiers, cabinets, and distortion or overdrive stompboxes. Operating as a standalone micro rig, the unit functions in either a dual-channel configuration to alternate between a pair of distinct presets or a traditional on-off stompbox mode. It expands significantly upon previous digital micro-profiling hardware designs by integrating wireless Bluetooth connectivity, allowing users to browse, edit, and transfer presets directly from mobile devices via a dedicated control application. The hardware features full MIDI integration using modern mini TRS connections to seamlessly interface with automated switcher setups alongside customizable RGB retro-illuminated encoders that map multiple parameters such as a three-band equalizer, noise gate, compressor, and various stereo reverbs.

IK Multimedia

Demo by The Studio Rats

TONEX ONE+

Für 9-14 FX-Pedale, 2 MOD-Slots - **722 x 236 mm / 28.43" x 9.29"** - erhältlich mit Gig Bag oder Flight Case

For 9 - 14 FX pedals, 2 MOD slots - **722 x 236 mm / 28.43" x 9.29"** - available with Gig Bag or Flight Case

The Stage Phaser is a very old a rare, yet unique look into how pedals could have looked today. 

Demo by  AtomicMusicStore

Demo by Jay Graf

Stage Phaser

DESIGNED BY SYNTH PIONEER TOM OBERHEIM

The Maestro FSH-1, also known as the Filter Sample/Hold, was an innovative pedal released in the late 1960s. This pedal produced unpredictable filter sweeps and sample/hold effects, making it ideal for experimental and psychedelic guitarists. Its scarcity and unique sound have made it highly sought-after among collectors and sonic explorers.

The sample/hold settings allow players to add rhythmic patterns to their playing far beyond the typical vibrato and tremolo. The filter is classic low pass and sounds incredibly smooth. Controls allow you to tweak the rate of the sample/hold as well as the frequency of the filter. This is truly a fantastic pedal.

 

The controls

Filter Range: Probably the width of range in which the filter moves. Could also be a fixed width with knob controlling the center frequency (high/low) of that range.

 

Filter/Sample/Hold: Switches the effect to envelope filter or sample/hold.

 

S/H Speed: Controls the speed of the sample/hold effect.

 

The controls consist of knobs for range (depth) and sample/hold speed. A switch that engages either the sample/hold random filter effect or an envelope follower for a unique auto wah sound.

Review by Catalinbread

Demo by rousejeremy

Demo by Geoff Barden

Demo by J Chris Griffin

Demo by Bennett /Berner Project

FSH-1 Filter/Sample Hold

The Maestro Invader Distortion is a high-gain, all-analog modern distortion pedal with a heavy, aggressive, dominant sonic character and loads of rich harmonics. With the Maestro Invader Distortion, users can generate a wide range of distorted sounds. The 3-knob control layout gives users intuitive control over Gain (distortion amount), Tone, and output Level, with more than enough volume on tap to easily exceed unity gain when you want to. Users can also engage a built-in noise gate with the top panel toggle switch. An internal trim pot mounted on the circuit board inside the pedal allows the user to adjust the level of the noise gate's Threshold.

Review by guitarplayer

Demo by Russo Music

Demo by Pedal of the Day

Invader Distortion

Das Mariner Tremolo verfügt über einen vollanalogen Signalweg mit einer vielseitigen Zwei-in-Eins-Konfiguration, die von Vintage-Verstärkern inspirierte Modulationsstile bietet. Der Kippschalter wählt zwischen dem Classic-Modus, der eine standardmäßige, sanfte Amplitudenmodulation bietet, und dem Harmonic-Modus, der zweibandige Frequenzsplitting-Texturen liefert, die an die Brown-Panel-Verstärker der frühen 1960er Jahre erinnern. Drei Regler bestimmen die LFO-Parameter und ermöglichen die Anpassung von Modulationsgeschwindigkeit, Tiefenintensität und einer kontinuierlichen Wellenformung, die sich stufenlos von einer Dreiecks- zu einer hart abgehackten Rechteckwelle regeln lässt. Das robuste, keilförmige Gehäuse verfügt über oben angebrachte Ein- und Ausgangsbuchsen für ein pedalboardfreundliches Routing. Die Statusanzeige erfolgt über einen integrierten True-Bypass-Fußschalter, der das historische Drei-Bugle-Emblem beleuchtet.

Mariner Tremolo features an all-analog signal path with a versatile two-in-one configuration, offering vintage amp-inspired modulation styles. The toggle switch selects between Classic mode, providing standard smooth amplitude modulation, and Harmonic mode, delivering dual-band frequency-splitting textures reminiscent of early 1960s brown-panel amplifiers. Three controls dictate the LFO parameters, allowing adjustment over the modulation rate, depth intensity, and continuous wave shaping that smoothly sweeps from a triangle to a hard-chopped square wave. The rugged wedge-shaped enclosure includes top-mounted input and output jacks for pedalboard-friendly routing. Status indication is handled via an integrated true bypass footswitch that illuminates the historic three-bugle emblem.

Demo by gearfever

Mariner Tremolo

Erfahre mehr über das Orbit Phaser phaser-Pedal von Maestro  auf PedalPedia – der umfassendsten Online-Ressource für Effektpedale ▶️ Offizielle Spezifikationen, Handbücher, Produktvideos und mehr