Lorenzo Tubiana

Main GIG Board. Classic Rock, Blues Rock, Hard Rock. PXL8 is useful to combine boots/overdrives, and change delay from slapback to long gilmourish delay with mag echo. Some pedals are my own build, like scarab fuzz, deep blue delay, and king of tone clone modified with 2 separate in/out for each channel. The Room 40 is quite redundant but i like it for ac dc tone.

CL. ROCK CURRENT

Tester

Electro-Harmonix

Soul Food

QuickMount Type A

Pedal-Montageplatte für Standard-Einzelpedale

Pedal Mounting Plate For Standard Single Pedals

MARCOS TAVARES

Ein hochwertiges, satt klingendes Chorus-Pedal! Demonfx MINI CHORUS basierend auf dem Analogman Mini Chorus. Das Mini Chorus-Pedal ist ein wunderbar warmer, schimmernder Chorus mit einer deutlichen Klangcharakteristik. Es bietet Regler für Speed und Depth bei allen Modellen, mit einem optionalen Mix-Regler und einem Depth-Toggle-Schalter. S-Speed steuert die Geschwindigkeit des Chorus. D-Depth steuert die Breite des Chorus, von recht flach und dezent bis hin zu super tiefem, verrücktem Pitch-Wahnsinn. Mix (Blend) steuert das Verhältnis zwischen trockenem Signal und Chorus-Signal. Mix hat eine Rastung bei zwölf Uhr, da dies eine 50/50-Mischung ist, aber wie andere erwähnt haben, ermöglicht es das Spielen mit dem Mix-Regler, einen sehr subtilen Chorus zu erzeugen, indem man ihn von zwölf Uhr zurückdreht. Wenn man den Mix-Regler voll aufdreht, kann man sogar einen richtig schönen Vibrato-Effekt erzielen. Zusätzlich kann man mit einem Kippschalter zwischen normalem und tiefem Modus umschalten, um einen tieferen Chorus-Sound zu erhalten. Depth-Option: Depth-Toggle-Schalter-Optionen – 3-Positionen-Kippschalter: satter Sound, dünner Sound und normal. Effektpedal für Gitarre Chorus True Bypass Regler für Speed, Depth, Mix (Blend), Depth-Toggle-Schalter. Design aus Japan. Betrieben mit DC 9V, Negative Center (nicht enthalten).

A high-class, rich-sounding chorus pedal!
Demonfx MINI CHORUS Based on Analogman Mini Chorus.
Mini Chorus pedal is a fabulously warm, shimmery chorus with a distinct voice.
It offers controls for Speed and Depth on all models, with an optional Mix knob and Depth toggle switch.
S-speed  controls the rate if the chorus.
D-depth" controls the width of the chorus, from pretty shallow and subtle to super deep, weird and wacky pitch craziness.
Mix(blend)" controls the wet/dry blend between your dry signal and the chorused signal;
Mix" has a detente at noon because that's a 50/50 blend, but as others have mentioned, playing with the mix knob allows you to mix in a very subtle chorus by backing it down from noon. I've found that by maxing out the "mix" control you can even achieve a really neat vibrato effect.

In addition, you can switch between normal and deep with a toggle switch, enabling a deeper chorus sound.

DemonFx

Product Page

Manual

Demo by Budget Pedal Chap

Demo by  Federico Kajganić

Mini Chorus

The Dirty Shirley Overdrive packs the same intuitive control set as the amplifier, allowing you to dial in your perfect shade of rock in no time.

Friedman

Review by bonedo

Demo by Pete Thorn

Demo by session

DIRTY SHIRLEY

Paulo Damasceno Nepomuceno

The TC Electronic Hall Of Fame Mini is a guitar reverb pedal offering TC’s critically acclaimed Hall Of Fame reverbs in a mini pedal.

TC Electronic

Official Website

Review by Premier Guitar

Quick Start Guide

Demo by Prymaxe

Official Product Video

Hall of Fame Mini

QuickMount Type L

Pedal-Montageplatte für Standard-Mini-Pedale

Pedal Mounting Plate For Standard Mini Pedals

A silicon Tonebender MKII type circuit with Variable low frequency input (FAT), Tone and Bias knobs.

Basic Audio

Review by mylespaul

Review by guitar pedal X

Review by The Gear Page

Demo by Brett Kingman

Scarab Deluxe

Tom Page

The pxl-8 is a member of the joyo pxl series programmable pedals controllers - pxl4, pxl-live, pxl-pro. the pxl-8 is a very powerful pedal controller. It has 8 outputs like the pxlpro. For musicians who own a lot of musical gear, the pxl-8 will be the perfect pedal controller to make life easier. The pedal can save up to 32 presets of combinations.

JOYO

Demo by All Things Weatherly

Review by reddit /guitarpedals

PXL8

Thomas Platzer

Das Relay G30 Funksystem für elektrische Instrumente ist zwar kompakt und federleicht, befindet sich aber trotzdem in einem robusten Gehäuse aus Polykarbonat. Das erstaunlich anwenderfreundliche Relay G30 versteht sich vor allem als zuverlässiger Partner – ganz gleich, ob man es auf den Amp stellt oder ins Pedalboard integriert.

The Relay G30 instrument wireless system is compact and lightweight, while at the same time its rugged polycarbonate shell makes it dependably roadworthy. Refreshingly easy to use, the Relay G30 offers reliable performance whether the receiver is placed on your amp top or mounted to your pedalboard.

LINE 6

Relay G30 Receiver

JakobSlash

POLYTUNE 3 NOIR is destined to become the favorite mini pedal tuner for those going for a darker, more monochromatic manner of expression. Sometimes you want to keep things understated, classical. The midnight black powder coating compliments the stylistically oriented pedalboard – while keeping your signal crisp and your tone in tune.

Review by Talk Bass.com

Demo by  Serpent Molurus

Official Product Video 

Demo by Pedals At Dawn

Polytune 3 Noir

QuickMount Type UV

Universal-Pedal-Montageplatte für vertikale Pedale

Universal Pedal Mounting Plate For Vertical Pedals

David Litaba

Das Keeley Magnetic Echo simuliert Röhren Tape Echo Sounds mit Hilfe von Delay Schaltkreisen und ein in bisschen Modulation…
Tape Echos sind aus alter Zeit bekannt für warme, sehr gitarrenfreundliche Delay Sounds. Das Mag-Echo bringt dir ähnliche Resultate mit einem Hauch von Lo-Fi Delay und leicht gefilterte Echo-Ansprache. Hier kommt die Modulation ins Spiel, oder wie Keeley es nennen “Wow and Flutter“. In der Welt der Tape Delays ist dies ein leichtes zitterndes Pitch-Shifting, das entsteht wenn man das Band über den Abspielkopf zieht. 
Kreiere einzigartige Vintage Sounds – mit dem Keeley Mag Echo!

Keeley Magnetic Echo – The Mag-Echo pedal simulates tube tape echo sounds by using the delay circuit and a little bit of modulation.  Tape echos have long been regarded as a warm and very guitar friendly form of delay.  The Mag-Echo achieves similar results by using a touch of Lo-Fi delay, a slightly filtered echo response to keep things warm, and some modulation.  Modulation, or “Wow and Flutter” in the tape world is a slight pitch shift or wavering that occurs as the tape is pulled across the heads.  The modulation we use is similar to what we use in our Seafoam Chorus, a slight wavering of pitch on the trails of the repeats.  With a simple set of controls for the delay – Time, Regen, and Level and with the “Wow and Flutter” controls – Depth and Rate you can create some very vintage or rather unique tones.

Keeley Electronics

Official Product Page

Keeley Magnetic Echo - Demo Video - Lance Seymour

Keeley Magnetic Echo - Demo Video - Living Room Gear Demos

Magnetic Echo

PedalSafe Type A1.1

Schutzabdeckung & RockBoard-Montageplatte für MXR® Standardgröße und Dunlop® Echoplex Delay Pedale

Protective Cover & RockBoard Mounting Plate For MXR® standard size and Dunlop® Echoplex Delay pedals

Schutzabdeckung & universelle Montageplatte für MXR® Standardgröße und Dunlop® Echoplex Delay Pedale

Protective Cover & Universal Mounting Plate For MXR® standard size and Dunlop® Echoplex Delay pedals

Analog Man hat in Zusammenarbeit mit Jim Weider das Pedal herausgebracht, nach dem seit vielen Jahren gesucht wurde - den King Of Tone (KoT). Es gibt viele Overdrive-Pedale auf dem Markt, aber keines von ihnen hat den Ton der Gitarre bewahrt und die richtige Menge an Overdrive ohne Kompromisse hinzugefügt. Es gibt einige gute Clean-Boosts, aber sie haben einfach nicht genug Drive, um dem Verstärker wirklich die Verzerrung zu geben, die man sich oft wünscht. Es gibt einige neuere OD-Pedale, die einen großartigen Frequenzgang haben, aber für mich klingen sie zu TROCKEN, ein bisschen steril und pappig. Es gibt auch einige gut klingende Pedale, aber ihr Sound ist zu "gesättigt", so dass der Anschlag und das Gefühl der Gitarre verloren gehen. Hier kommt das King Of Tone-Pedal ins Spiel - es hat genug warmen Overdrive, bewahrt aber trotzdem den Klang Ihrer Qualitätsgitarren und -verstärker.

Analog Man, in collaboration with Jim Weider, have come out with the pedal we have been looking for for many years - the King Of Tone (KoT). There are many overdrive pedals on the market, but none of them have been quite right, preserving the tone of the guitar and adding the right amount of overdrive without compromise. There are some good clean boosts available, but they just don't have enough drive to really give your amp the distortion you often want. There are some newer OD pedals that have a great frequency response, but to me they sound too DRY, a bit sterile and cardboardy. There are also some nice sounding pedals available but their sound is too "saturated", losing the touch and feel of your guitar. That is where the King Of Tone pedal comes in - it has enough warm overdrive but still preserves the tones of your quality guitars and amps. If you are looking for a big change in your sound, or a lot of distortion, this is probably not the pedal for you.

Analogman

Demo by Marty Schwartz

King Of Tone

QuickMount Type D

Pedal-Montageplatte für große horizontale Pedale

Pedal Mounting Plate For Large Horizontal Pedals

Deep Blue Delay is a natural sounding digital/analog delay, with the analog direct signal path. The Deep Blue Delay has about the same bandwidth as the classic tape echo units, and it can be used in front of an amplifier or in amplifier effects loops.

Mad Professor

Demo by Sound Xperience

Demo by Wall of Sound

Deep Blue Delay

Das Original Crybaby Pedal, das viele zeitlose Rocksounds erzeugte und unter anderem von Größen wie Jimi Hendrix, Eric Clapton, Buddy Guy, David Gilmour benutzt wurde.

When people talk about wah pedals, they're talking about the Crybaby. This is the original—the one that created some of the most timeless sounds in rock. Relied on by Jimi Hendrix, Eric Clapton, Buddy Guy, David Gilmour, and many other greats Features: Heavy die cast construction for years of reliability, 100K ohm Hot Potz potentiometer that allows for that quick, abrupt wah sound. Powered by the Dunlop ECB-003 AC Adapter and/or 9 volt battery.

Dunlop

Guitar World Demo

Review by bonedo 

Demo by PMTVUK

Demo by SweetWater

GCB95 Cry Baby Standard Wah

QuickMount Type M

Pedal-Montageplatte für Dunlop Cry Baby Wah-Pedale

Pedal Mounting Plates For Dunlop Cry Baby Wah Pedals

Für 7-12 FX-Pedale, 1 MOD-Slot - **470 x 330 mm / 18.50" x 12.99"** - erhältlich mit Gig Bag oder Flight Case

For 7 - 12 FX pedals, 1 MOD slot - **470 x 330 mm / 18.50" x 12.99"** - available with Gig Bag or Flight Case

Fred Petit

Die überarbeiteten RockBoard® MODs V2 sind einfache all-in-one Patchbays für die RockBoard Pedalboard Series mit einem neuen, überarbeiteten Design und einem kompakten Gehäuse. Passend für alle neuen RockBoards® (außer der DUO-Serie) mit einem MOD-Slot, bieten sie als komfortable Patchbay verschiedene Kabelverbindungen, um eine weite Reihe von Bedürfnissen abzudecken. Mit den RockBoard® MODs kannst du deine Pedale dauerhaft unter dem Board verkabeln und alle Verbindungen zu und von deinem Effektsetup in einem praktischen Modul organisieren. Die RockBoard® MODs bieten einen zentralen Zugangspunkt vom Instrument zum Verstärker sowie eine praktische und einfache Stromversorgung des Boards über einen IEC- und einen 2,1 x 5,5 Barrel-Through-Stromanschluss. Das RockBoard® MOD 1 V2 ist eine Pass-Through-Box, die speziell für Gitarristen und Bassisten entwickelt wurde. Du kannst das MOD 1 V2 nutzen um mehrere Pedale deines Setups im Front End und im Effekt-Loop des Verstärkers zu postieren (4-Kabel Methode) oder die vier TRS-Anschlüsse als zentralen Zugang und Ausgang des Boards nutzen. Die XLR-Through-Verbindung kann als Signalausgang vom Pedalboard zum Mischpult oder zur PA verwendet werden.
- All-in-One Patchbay für Pedalboards
- passend für MOD slots in RockBoard Pedalboards
- kompatibel mit einer weiten Reihe and anderen Pedalboards
- fungiert als zentraler Zugangspunkt zu deinem Effekt Setup
- etabliert klare Kabelwege zum und vom Pedalboard
- abnehmbare Frontplatte für Montage auf oder unter Pedalboards
- 5 x 6,3 mm TRS thru
- 1 x XLR thru (männlich vorne / weiblich hinten)
- 1 x DC 2,1 x 5,5 mm barrel thru
- 1 x AC IEC thru (male front / female back)
- alle Anschlüsse gespiegelt auf der Rückseite
- Abmessungen exkl. Frontplatte (B x T x H): 160 x 60 x 33 mm
- Abmessungen der Frontplatte (B x H): 175 x 48 mm
- Gewicht 450 g
- inkl. Montageschrauben, Kontermuttern und TX Schlüssel

The improved RockBoard® MODs V2 are simple all-in-one patchbays for RockBoard pedalboards with a new, refreshed design, and compact housing. Utilizing the MOD slot on all new RockBoards® (except the DUO series), they provide various cable connections to fit a wide variety of needs as a convenient patchbay. With the RockBoard® MODs, you can permanently connect your pedals underneath your board and organize all connections to and from your effects setup in one convenient module. The RockBoard® MODs provide a central access point from your instrument to your amp, as well as your power supply via IEC, and a 2.1 x 5.5 barrel thru power connector. The RockBoard® MOD 1 V2 is a pass-thru box especially designed for guitar and bass players. It can also be used to run several pedals from your board through the effects loop of your amp, or as a central access point to your pedalboard via its 4x TRS thru connections. The XLR thru connection can be used as signal output from your pedalboard to the console or PA.
- all-in-one patchbay for pedalboards 
- fits MOD slots in RockBoard pedalboards
- compatible with a wide variety of other pedalboards
- acts as the central access point to your effects setup
- establishes clean cable paths to and from the pedal board
- detachable front plate for mounting on top or underneath pedalboards
- 5 x 6,3 mm / ¼" TRS thru
- 1 x XLR thru (male front / female back)
- 1 x DC 2,1 x 5,5 mm barrel thru
- 1 x AC IEC thru (male front / female back)
- all connections mirrored on the backside
- dimensions excl. front plate (W x D x H): 160 x 60 x 33 mm / 6 19/64" x 2 23/64" x 1 19/64"
- dimensions of the front plate (W x H): 175 x 48 mm / 6 57/64" x 1 57/64"
- weight 450 g / 0.99 lbs
- incl. mounting screws, counter nuts, and TX wrench

All-in-One TRS & XLR, IEC & Barrel Patchbay

David BIET

THE GREEN WONDER ist ein vielseitiges Overdrive-/Booster-Pedal mit viel Headroom, hoher Ausgangsleistung und einem hervorragenden Klang sowohl mit Single-Coil- als auch mit Humbucker-Tonabnehmern. THE GREEN WONDER funktioniert hervorragend mit verschiedenen Verstärkern und kann sowohl mit Clean- als auch mit Overdrive-Kanälen verwendet werden, selbst bei starker Verzerrung.

THE GREEN WONDER ist eine aktualisierte Version des legendären LITTLE GREEN WONDER. Alles, was Sie am klassischen LITTLE GREEN WONDER geliebt haben, ist im neuen und sorgfältig abgestimmten THE GREEN WONDER enthalten. THE GREEN WONDER verfügt über zusätzliche Bass- und Höhenregler, mit denen Sie Ihre tiefen und hohen Frequenzen je nach verwendetem Equipment optimal einstellen können.

THE GREEN WONDER is a versatile high headroom overdrive/booster pedal, that has high output and sounds great with both single coil and humbucking pickups. THE GREEN WONDER works extremely well with different kinds of amplifiers and can be used with both clean and overdrive channels, even with heavy distortion.

THE GREEN WONDER is an updated version of the legendary LITTLE GREEN WONDER. Everything you loved with the classic LITTLE GREEN WONDER is included in the new and carefully fine tuned THE GREEN WONDER. THE GREEN WONDER has added Bass and Treble controls, that allow you to really dial in your low and high frequencies depending on other gear you are using.

Demo by GUITARS & GIZMOS

Review by delicious audio

Review by musicradar

The Green Wonder

Kari Kärkkäinen

Hand-made in Finland premium quality tremolo pedal. Mad Professor Mellow Yellow Tremolo (MYT) is a true sine wave tremolo effect designed for tremolo tones from the of 50′s type soft swing to deep modulation with great playability, regardless of tremolo depth or speed.
The strength of the incoming signal is modulated by a sinusoidal oscillator, just like in the early amps, and modulation bias is set to give symmetrical modulation. This gives a very musical tremolo effect that blend very well with both clean and distorted guitar tones

Review by musicradar 

Demo by Prymaxe 

Demo by ProGuitarShopDemos 

Demo by Wall Of Sound 

Mellow Yellow Tremolo

The tone is very musical and balanced thanks to carefully matched parts in the circuit. With the four controls, you can fine-tune the phaser effect to your taste. With the rotating switch you can choose between two different phase tones, the other is a light one and the other with the big fat low end and deep tone. With The Mix control, you can adjust phaser tones from very mild into deep phase effect. Speed range and amplitude of the internal oscillator are set to allow high phaser speeds without getting erratic.

You can find classic phasing sounds at about 12 o’clock speed setting, the lower settings produce a nice floating “Vibe”- a type of sound.

Demo by VintageandRare

Manual download

Tiny Orange Phaser

Mad Professor Sweet Honey Overdrive (SHOD) is a touch sensitive low gain overdrive pedal. It is designed to overdrive distorted amplifiers and give dynamically controlled light overdrive on clean sounds.

Distortion level can be controlled by pick attack and pickup strength. Harder picking for overdrive and softer for a cleaner tone. With the unique Focus control, you can adjust the feel and dynamics of the pedal as well as overall EQ. Turning Focus CCW you need to play harder to get distortion and the tone is softer, great for jazz and blues. Focus turned CW gives a slight treble boost and earlier distortion great for classic rock.

Sweet Honey Overdrive

A compact digital reverb pedal with pure-analog dry signal path, true-bypass switching, and controls for Time, Tone, and Reverb (depth), the Silver Spring proved a sparkling little performer in a range of settings. It ably subbed for a tube Fender Reverb Unit in front of a tweed-like combo for some surfy instrumentals, and worked equally well replacing a Bogner Goldfinger’s builtin spring reverb in the amp’s parallel FX loop. It doesn’t go splash when you kick it, and you might detect just a hair of pulsing in the wash of the effect’s decay, but all in all it’s a stellar sounding unit

Review by AMAZONA

Demo by Alberto Barrero

Demo by ProGuitarShopDemos

Silver Spring Reverb

Sie können den Ruby Red Booster als Treble Booster, Clean Booster oder als Overdrive-Einheit verwenden, oder eine beliebige Kombination der oben genannten Funktionen. Außerdem kann er mit oder ohne Buffer verwendet werden. Der Treble Booster ist ein auf die richtige Höhenfrequenz abgestimmter Booster mit einer sorgfältig konzipierten Bandbreite und einem optimierten Bass-Cut-Verlauf. Der Booster-Schaltkreis wurde entwickelt, um die Eingänge Ihres Verstärkers mit einer massiven Anhebung von 40 dB zu übersteuern - von schönem Glitzern bis hin zu starkem Overdrive. Der Booster ist so kalibriert, dass er bei höheren Boost-Einstellungen von sich aus musikalische Verzerrung erzeugt. Sie können den Gesamtpegel der beiden Booster mit dem Master-Volume-Regler steuern und den Master-Volume-Regler auch dazu verwenden, die Verzerrung des Geräts zu steuern. Der Ruby Red Booster ist der am besten klingende und vielseitigste E-Gitarren-Booster auf dem Markt!

You can use the Ruby Red Booster as a treble booster, clean booster, or as an overdrive unit, or any combination of the above. Plus, it can be used with or without a buffer. The Treble Booster is a booster tuned to the right treble frequency with a carefully designed bandwidth and an optimized bass cut slope. The booster circuit is designed to overdrive your amp's inputs from nice sparkle to heavy overdrive with a massive 40dB boost. The booster is calibrated to produce musical distortion on its own at higher boost settings. You can control the total level of the two boosters with the Master Volume control, and also use the Master Volume to dial in distortion from the unit. The Ruby Red Booster is the best sounding and most versatile electric guitar booster on the market!

Demo by EytschPi42

Review by elevea

Ruby Red Booster

Mighty Red Distortion is a high-gain distortion pedal, which was modeled after the 80′s style compressed gain sounds. It is extremely easy (and a lot of fun) to play because its texture is adjusted to give clarity and definition also at heavy distortion. The gain range allows also low distortion sounds as well as stacking with other pedals, where an overdrive (preferably MP LGW) can pre-drive MRD for extreme and highly focused sounds. To get these gain levels with their impressive signal to noise ratio, we didn’t use any noise gate or expander. Instead, we used special amplifier techniques and extremely low noise amplifier stages, which result in a natural decay and a rather high current consumption for a distortion pedal in view of battery operation.

Demo by Pedalicious

Review by Ultimate Guitar

Mighty Red Distortion

LECTRIC BLUE II - Chorus Vibrato is a super high quality modulation pedal with a small footprint. It is simple-to-use yet surprisingly versatile. Vintage technology and modern engineering ensures the most organic and purest analog tone and ultra quiet performance. Electric Blue II is innovative and beautifully complex all analog bucket brigade design.

Warm or bright? Blast from the past or from today and everything in between? You get to choose. The effective and thorough, yet simple to use, controls allow you to explore analog modulation like never before.

Demo by delamar Guitar

Review by Gearnews

Electric Blue II Chorus

Forest Green Compressor (FGC) is designed to meet the highest standards of guitar and bass compression.There is extremely low noise throughout the range and a high overload margin, which allows also a wide dynamic input range at minimum distortion and noise.
FGC is equipped with a special tone control to fine-tune the compressed sound for most transparent tone and effect. The pedal has a switchable compressor and sustainer mode. In Sustain mode, you can get a very dynamic, touch-sensitive tone with a long sustain. Here the attack is not lost, making the pedal suitable even for blues players and works great with slide playing.

Demo by 【ムツミ】Mutsumi

Forest Green Compressor

RockBoard

ISO Power Block V6

Für 5-10 FX-Pedale, 1 MOD-Slot - **442 x 236 mm / 17.40" x 9.29"** - erhältlich mit Gig Bag oder Flight Case

For 5 - 10 FX pedals, 1 MOD slot - **442 x 236 mm / 17.40" x 9.29"** - available with Gig Bag or Flight Case

Uygar Yildiz

Best Single Coil Pedalboard Ever!!!

Graham Eaton

The pedal is called Supreme because it simply excels in both tone and functionality. Supreme was born in collaboration with the world famous tone connoisseur Matt Schofield. Matt was looking after the best guitar overdrive tones possible and a specific functionality: two pedals in one, switching from one side to the other with just a single press on the switch.

The tones were set for a great all around boost to low gain drive on the A side used mostly on a neck pickup. The A side is heavily based on our famous Royal Blue Overdrive pedal. And for the B side a fat dynamic tone containing some ”power amp” response with a lot of headroom. The B side is a completely new design and is used mostly on a bridge pickup. This is the way Matt prefers to use the Supreme pedal.

Review by Guitar.com

Demo by Guitar Bonedo

Supreme

PedalSafe Type D3

Schutzabdeckung & RockBoard-Montageplatte für WAMPLER Paisley Deluxe, HotWired & Dual Fusion Pedale

Protective Cover & RockBoard Mounting Plate For WAMPLER Paisley Deluxe, HotWired & Dual Fusion pedals

Schutzabdeckung & universelle Montageplatte für WAMPLER Paisley Deluxe, HotWired & Dual Fusion Pedale

Protective Cover & Universal Mounting Plate For WAMPLER Paisley Deluxe, HotWired & Dual Fusion pedals

The Snow White Autowah (SWAW) circuit is based on a 1991 BJF rack mount remote wah circuit and is tuned like a real wah. The circuit was redesigned with envelope controls and built into small size pedal. It has very fast tracking and accuracy rarely found on auto wahs/ envelope filters. With the four knobs, you can have total control of the effect. SWAW works both with guitar and bass and you can fine-tune the pedal to suit your instrument, your playing style and your taste of tone.
The pedal has a unique decay control for the filter frequency fall speed. You can set it to be fast for wah effects on every note, or slower for a more traditional auto wah sound.

Snow White AutoWah

Lee Atkin

The Blues Power is a truly transparent overdrive, renowned for its versatility and for producing ‘always-on’ amp breakup tones. This pedal delivers a full-range, amp-like tone with responsive bass and treble controls. Its wide-range drive control allows for a broad spectrum of overdrive effects. Side switches provide adjustments to the mid-frequency range, compressed drive, and KingTone Switch tones. Additionally, the volume control offers ample output to drive even the most stubborn tube amps. With these combined features, the Blues Power might just be one of the  most versatile overdrive available. This is a mighty overdrive indeed.

KingTone

Demo by JamesOnGuitar

Demo by jessetwohands

Blues Power

ch ray

After 1000’s of requests, Pedal Pawn® are proud to be doing another LTD Edition GERMANIUM version of the Pedal Pawn® Fuzz! Equipped with a specially hand selected pair of VINTAGE British CV7003 Texas Instruments transistors (military spec OC44) in custom colour ‘Olive Drab Green’ - this small run of hand-wired pedals are set to light the world on fire

Pedal Pawn

Demo by  Advent of Gears

Review by FX Pedal Planet

Germanium Fuzz

The Centura is a true overdrive pedal, enhancing the tone and capability of your amp. Highly acclaimed one-one recreation of the Klon Centaur circuit.

Ceriatone

Review by Pedal of the Day

Manual Page 3

Manual Page 2

Manual Page 1

Demo by TheKlonWars

Demo by Andrew Cheng

Centura overdrive raw/clear coat version

The CHRONO DELAY features a simple interface that allows fast, intuitive control.

Delay time is adjustable from 1 to 2700 milliseconds. The A/B preset memory allows two different delay times settings to be memorized and recalled via the footswitch as needed.

Providence

Demo by shnobel

DLY-4 Chrono Delay

Das British Pedal Company Dumble Blackface Pedal wurde von den klassischen Sounds des Dumble Overdrive Special aus den späten 1980ern und 1990ern inspiriert. Das Pedal verfügt über vier Regler für Gain, Dynamic, Tone und Volume und einen Boost Schalter. Um mehr Headroom zu bieten kann das Pedal sowohl mit 9 Volt als auch mit 18 Volt betrieben werden. Zu den Besitzern des Dumble Blackface Verstärkers gehören Eric Clapton, Joe Bonamassa, Larry Carlton, Robben Ford und John Mayer.

The British Pedal Company Dumble Blackface pedal was inspired by the classic sounds of the Dumble Overdrive Special from the late 1980s and 1990s. The pedal has four controls for Gain, Dynamic, Tone and Volume and a Boost switch. To offer more headroom, the pedal can be operated with 9 volts as well as with 18 volts. Owners of the Dumble Blackface amp include Eric Clapton, Joe Bonamassa, Larry Carlton, Robben Ford and John Mayer.

British Pedal Company

British Pedal Company - Dumble Overdrive Special Silverface & Blackface - Deutsch - W-Music Distribution

British Pedal Company - Dumble Overdrive Special Silverface & Blackface - English - W-Music Distribution

Dumble Blackface Overdrive

Pedro Delgado

The TCHULA was originally built for Josh Smith as a “one off” 2 stage, custom tuned, COT50 and quickly became a his #1 Dirt Box.

Highly sought after by professional guitarists and collectors worldwide it has been my mission to produce this unit from time to time in custom small batch builds.. This unit blows minds! It sounds and feels so natural you will swear there is an amp in this box!