Braxton Blomquist

Boden classic

Die überarbeiteten RockBoard® MODs V2 sind einfache all-in-one Patchbays für die RockBoard Pedalboard Series mit einem neuen, überarbeiteten Design und einem kompakten Gehäuse. Passend für alle neuen RockBoards® (außer der DUO-Serie) mit einem MOD-Slot, bieten sie als komfortable Patchbay verschiedene Kabelverbindungen, um eine weite Reihe von Bedürfnissen abzudecken. Mit den RockBoard® MODs kannst du deine Pedale dauerhaft unter dem Board verkabeln und alle Verbindungen zu und von deinem Effektsetup in einem praktischen Modul organisieren. Die RockBoard® MODs bieten einen zentralen Zugangspunkt vom Instrument zum Verstärker sowie eine praktische und einfache Stromversorgung des Boards über einen IEC- und einen 2,1 x 5,5 Barrel-Through-Stromanschluss. Das RockBoard® MOD 3 V2 ist eine Patchbay für Sänger und Akustik-Musiker. Über die zwei XLR-Ausgänge kannst du ein Stereo-Signal von dein MOD senden und an den XLR-Eingang lässt sich ein Mikrofon anschließen. Mit drei TRS-Through-Verbindungen lässt sich das MOD 3 V2 außerdem als zentraler Zugang und Ausgang des Boards nutzen um zum Beispiel Effektpedale in den FX-Loop eines Verstärkers einzuschleifen.
- All-in-One Patchbay für Pedalboards
- passend für MOD slots in RockBoard Pedalboards
- kompatibel mit einer weiten Reihe and anderen Pedalboards
- fungiert als zentraler Zugangspunkt zu deinem Effekt Setup
- etabliert klare Kabelwege zum und vom Pedalboard
- abnehmbare Frontplatte für Montage auf oder unter Pedalboards
- 3 x 6,3 mm TRS thru
- 2 x XLR thru (männlich vorne / weiblich hinten)
- 1 x XLR thru (weiblich vorne / männlich hinten)
- 1 x DC 2,1 x 5,5 mm Hohlstecker thru
- 1 x AC IEC thru (männlich vorne / weiblich hinten)
- alle Anschlüsse gespiegelt auf der Rückseite
- Abmessungen exkl. Frontplatte (B x T x H): 160 x 60 x 33 mm
- Abmessungen der Frontplatte (B x H): 175 x 48 mm
- Gewicht 450 g
- inkl. Montageschrauben, Kontermuttern und TX Schlüssel


The improved RockBoard® MODs V2 are simple all-in-one patchbays for RockBoard pedalboards with a new, refreshed design, and compact housing. Utilizing the MOD slot on all new RockBoards® (except the DUO series), they provide various cable connections to fit a wide variety of needs as a convenient patchbay. With the RockBoard® MODs, you can permanently connect your pedals underneath your board and organize all connections to and from your effects setup in one convenient module. The RockBoard® MODs provide a central access point from your instrument to your amp, as well as your power supply via IEC, and a 2.1 x 5.5 barrel thru power connector. The RockBoard® MOD 3 V2 is a pass-thru box designed for use by vocalists and acoustic players. The 2x XLR outputs allow you to send a stereo signal from your MOD and the 1x XLR input can be used to connect your microphone. You can also use it to run several pedals from your board through the effects loop of your amp, or simply use the MOD as a central access point to your pedalboard.
- all-in-one patchbay for pedalboards 
- fits MOD slots in RockBoard pedalboards
- compatible with a wide variety of other pedalboards
- acts as the central access point to your effects setup
- establishes clean cable paths to and from the pedal board
- detachable front plate for mounting on top or underneath pedalboards
- 3 x 6,3 mm / ¼" TRS thru
- 2 x XLR thru (male front / female back)
- 1 x XLR thru (female front / male back)
- 1 x DC 2,1 x 5,5 mm barrel thru
- 1 x AC IEC thru (male front / female back)
- all connections mirrored on the backside
- dimensions excl. front plate (W x D x H): 160 x 60 x 33 mm / 6 19/64" x 2 23/64" x 1 19/64"
- dimensions of the front plate (W x H): 175 x 48 mm / 6 57/64" x 1 57/64"
- weight 450 g / 0.99 lbs
- incl. mounting screws, counter nuts, and TX wrench

All-in-One TRS & XLR Patchbay for Vocalists & Acoustic Players

New Pedal Board

Patrick Brogan

Der bisher kleinste und leistungsstärkste kompakte polyphone Oktavgenerator von EHX. Der Pico POG vereint die schnittige Einfachheit der Micro- und Nano-POGs in einem ultrakompakten Gehäuse und verfügt über eine leistungsstarke Klangregelung. Der kompakteste Oktaveffekt passt jetzt auch auf kleinste Pedalboards.

Der EHX Pico POG bietet ein blitzschnelles Spielgefühl, das jede gespielte Note und jeden Akkord präzise verfolgt. Drehen Sie „Sub Octave“ für stolperndes Grollen oder monströsen Donner. Drehen Sie „Octave Up“ für ätherischen Sound oder treiben Sie mit „Maximum“ in eine andere Galaxie. Mischen Sie dreistimmige Klänge perfekt für fetten Synthie-Wahnsinn. Mit der dreistufigen Klangregelung können Sie Ihren Sound so anpassen, dass er in jede Tasche passt, egal wie groß oder klein sie ist.

Zu den Bedienelementen des Pico POG gehören dedizierte Lautstärkeregler für die Stimmen „SUB OCTAVE“, „OCTAVE UP“ und „DRY“. Diese drei Regler fungieren als Mixer für unendlich viele mögliche Stimmenmischungen. Der TONE-Regler verfügt über drei Modi, die über die FILTER-Taste gesteuert werden. Im Tonmodus fungiert der Regler als Tilt-EQ mit flachem Frequenzgang in der Mitte, mehr Höhen und weniger Bässen beim Drehen im Uhrzeigersinn und weniger Höhen und mehr Bässen beim Drehen gegen den Uhrzeigersinn. In diesem Modus wird der EQ auf alle drei Stimmen angewendet. Im Tiefpassfiltermodus schneidet der Regler die Höhen in den Sub- und Octave-Up-Stimmen ab, während der Hochpassfiltermodus die Tiefen in den Sub- und Octave-Up-Stimmen abschneidet.

EHX’s smallest and most powerful compact Polyphonic Octave Generator yet. The Pico POG takes the streamlined simplicity of the Micro and Nano POGs and fits it all into an ultra-compact chassis and adds a powerful tone control. The tightest octave effect now fits on the tightest of pedalboards.

The EHX Pico POG features a lighting fast feel that will track every note and chord you play with precision. Dial in Sub Octave to add stumble rumble or monstrous thunder. Add Octave Up for ethereal air or max it out to shred into another galaxy. Perfectly blend 3-voice tones for fat synthy madness. The 3 mode Tone control lets you tailor your sound to fit into any pocket no matter how massive or small.

Controls on the Pico POG include dedicated volumes knobs for the SUB OCTAVE, OCTAVE UP, and DRY voices. These three controls act as a mixer for infinite possible voice mixes. The TONE knob features three modes controlled by the FILTER button. In Tone Mode, the knob acts as a tilt-EQ with a flat frequency response in the center, more treble and less bass as you turn the knob clockwise, and less treble and more bass as you turn the knob counterclockwise. In this mode, the EQ is applied to all 3 voices. In Low Pass Filter mode, the knob cuts highs in the Sub and Octave Up voices, while High Pass Filter mode cuts lows in the Sub and Octave Up Voices.

Electro-Harmonix

Product Page

Review by delicious audio

Review by Guitar World

Manual

Demo by Andertons

Official Product Video

Pico POG

QuickMount Type L

Pedal-Montageplatte für Standard-Mini-Pedale

Pedal Mounting Plate For Standard Mini Pedals

Caleb Harding

The Lamb is an op amp based overdrive circuit with soft clipping diodes placed inside the feedback loop of the op amp. While it is it's own unique circuit, it can be closely compared to similar type circuits like the Marshall BluesBreaker, Analog Man King of Tone, and JHS Morning Glory, etc. 

JET Pedals

Review by Worship Guitar Skills

Review by reddit /guitarpedals

Demo by gearfever

Demo by Hey Worship Leader

Demo by Ambient Endeavors

Demo by Nobes Music

Demo by Home Studio Simplified

LAMB

Christopher Kang

Introducing the Red Sea, an all analog signal routing matrix designed for countless stereo and mono signal path routing options.

The Red Sea gives you the ability to run a FULL Stereo wet dry wet rig using only 2 amps or just 2 signals to the FOH, while also giving you complete control over your Wet & Dry mix!

The Red Sea also has two independent stereo FX loops. Use each FX loop to run stereo delay's and reverb's in parallel, where each effect does not interact with each other. Huge soundscapes can be achieved with washy reverbs and articulate delay repeats while being able to blend between each FX loops mix level.

Review by Premier Guitar

Review by No Treble

Manual Pages

Red Sea

Jimmy  Cooper

The Unity6 is the world's first MIDI Switcher with a massive OLED touchscreen, editable scribble strips, 6 rearrangeable analog loops, and built-in wireless communication (Wi-Fi & Bluetooth) for a complete “no cables needed” programming experience.

Unity 6 Midi Controller

Szabolcs Oláh

Ibanez TUBE SCREAMER Mini Overdrive-Pedal - Mini-Ausführung für mehr Platz auf dem Pedalboard - 100% Analog, True Bypass

The Ibanez Tube Screamer is one of the most beloved pedals in the world. Its ability to be used as a medium to low gain overdrive as well as being able to run as a clean or low gain boost made this a very popular pedal. This Mini Tubescreamer will fit on even the smallest of pedalboards without losing any quality of the original signal.

Ibanez

Review by GIGS & GUITARS

Review by Tone Pedia 

Demo by Alex Dinky 

Demo by Marty Music 

Demo by Ibanez Guitar 

Tube Screamer Mini

QuickMount Type UV

Universal-Pedal-Montageplatte für vertikale Pedale

Universal Pedal Mounting Plate For Vertical Pedals

Tester

Der SP Compressor hat eine hervorragende Klangqualität und bietet eine große Auswahl an Kompressor-Sounds von Vintage über subtil bis hin zu modern.
 
Er ist sehr flexibel und verfügt über einen Dry-Blend-Regler, bis zu +15 dB Boost und einen internen Dip-Schalter zur Attack-Steuerung.

The SP Compressor has superb tone quality featuring a wide variety of compressor tones from vintage, to subtle, to modern and more.

It’s super flexible and features a dry blend knob, up to +15dB of boost and an internal dip switch for attack control.

Xotic

SP Compressor

Joey van der Loo

 The JET MCX is a three button fully editable midi controller designed to be used in conjunction with our user friendly web editor for sending and saving data to your controller.

Demo by Hey Woreship Leader

MCX (white)

John Landeck

The Revelation Reverb is engineered with six studio-grade algorithms, six onboard presets (127 with MIDI), full MIDI control over every knob, switch, algorithm, preset, etc. Additionally, it features a live mode, preset mode, kill-dry mode and full stereo analog dry thru.

We've added 3 brand new algorithms Spring, Room, and Plate, enhanced our existing algorithms, added pre delay, and a filter knob for creating darker reverbs.

Review by guitar pedal X

Demo by Sunday Tone

Revelation Reverb V3

Mark Boton

The Eternity Delay is engineered with six studio-grade algorithms, six onboard presets (127 with MIDI), full MIDI control over every knob, switch, algorithm, preset, and bpm with MIDI clock. Additionally, it features a live mode, preset mode, and kill-dry mode. It also boasts the world's most advanced tap tempo and stereo analog dry thru.

Eternity

Aarón Ayala Vásquez

The Volume (X) Mini Pedal controls volume and FX parameters without crowding your pedalboard, featuring a lightweight aluminum chassis, aggressive non-slip tread, and our patented Low Friction Band-Drive for a smooth range of motion and consistent, reliable performance. For maximum comfort and precision, the DVP4's rocker tension is fully adjustable.

Dunlop

Volume mini

Don Jordan

Ibanez is proud to announce a new addition to the MINI pedal lineup. The BTMINI booster features three controls; BASS, TREBLE and LEVEL. Unlike a single knob booster, the BASS and TREBLE EQ enables significant tonal flexibility. For example, while set to the ""Wide Range"" setting (Turing Bass and Treble all the way up) the guitar tone will become broader, with more volume and presence across the entire frequency range, and the ""Mid Boost"" setting is ideal for cutting though a band mix. All of the design, development, production, and quality control for the BTMINI has been done in Japan. The BTMINI also features a Japanese-made JRC MUSES 8820, a high-quality op-amp used in amplifiers that delivers tonal brightness, even while the amp is pushed into overdrive. A true bypass switch provides the shortest, most direct signal path, as well as the cleanest possible sound. The BTMINI offers increased tonal flexibility, enhancing creative possibilities, while occupying minimal space on your pedalboard!

Official Product Video 

BT Mini Booster

Hier hast du JHS’ Low-to-Medium Gain Pedal. Das Double Barrel gibt dir flexiblen, transparenten Overdrive mit leichtem bis medium Gain. Hier gibt’s keine brutzelnde Verzerrung, aber Overdrive mit Charakter, der sich gut stacken lässt und viele Bedürfnisse abdeckt. Die Rechte Seite ist der brandneue Moonshine V2, eine massiv getweakte Version des legendärsten aller Overdrives. mit dem neuen “Clean” Regler um dein trockenes Signal stufenlos zumischen zu können. Auf der linken Seite findest du den #1 Bestseller von JHS - den Morning Glory Overdrive. Auch hier hast du einen transparenten offenen Overdrive-Schaltkreis. Wenn du die beiden stackst, passiert aber erst wirklich die Magie… Sounds die originell und frisch sind, und dank des Order Schalters, der dich entscheiden lässt welche Seite zuerst in der Kette kommt, noch mehr Flexibilität. Schlicht eines der besten 2-in-1 Pedals die je gebaut wurden…

This is JHS’ "Everything low to medium gain" pedal. The Double Barrel is for the player who needs a versatile but transparent overdrive at medium and light gain levels. You won’t find face melting distortion here, but you will find overdrive with the character and stacking abilities to cover most any tonal need. The right side is JHS' Moonshine V2 which is a highly unique and massively tweaked version of the most famous overdrive ever created housed in a little green enclosure. It also features the new “Clean” knob to blend in the perfect amount of clean signal with your overdrive signal. The left side is JHS’s #1 selling “Morning Glory” overdrive. Transparent and open tones are what lurk inside this circuit. When these two circuits are stacked, something magic happens. Tones that are original and fresh come with ease, as well as added flexibility, due to the “order switching” toggle that lets you decide what pedal comes first in the signal chain. This is one of the greatest 2 in 1 pedals ever made...

Official Product Page

JHS Pedals Double Barrel V4 - Video Demo by Mike Hermans

JHS Pedals Double Barrel V4 - Video Demo by ProGuitarShopDemos

JHS Double Barrel V4 - Review Tonereport

Double Barrel V4

PedalSafe Type D3

QuickMount Type D

Pedal-Montageplatte für große horizontale Pedale

Pedal Mounting Plate For Large Horizontal Pedals

Schutzabdeckung & RockBoard-Montageplatte für WAMPLER Paisley Deluxe, HotWired & Dual Fusion Pedale

Protective Cover & RockBoard Mounting Plate For WAMPLER Paisley Deluxe, HotWired & Dual Fusion pedals

Schutzabdeckung & universelle Montageplatte für WAMPLER Paisley Deluxe, HotWired & Dual Fusion Pedale

Protective Cover & Universal Mounting Plate For WAMPLER Paisley Deluxe, HotWired & Dual Fusion pedals

Juan Fernandez

The brains and brawn* of the award-winning Helix family comes to a board-friendly 3-switch stomp in the Line 6 HX Stomp. The HX Stomp makes the ultimate standalone travel rig, a fully loaded modeling and effects engine to front-load an amp, and a capable audio interface with re-amping capabilities. Choose up to eight blocks — amps, cabs, and stomps — per preset, and assign switches to suit your particular needs. The HX Stomp is equipped for real-world gigging applications with 126 user presets for guitars, bass, and keys and tons of I/O, which include TRS balanced outs, traditional MIDI switching, an effects return for 4-cable amp integration, and a 2-channel expansion jack for expression pedals or additional external switches. Additionally, this special-edition HX Stomp comes in a galaxy-conquering Stomptrooper White finish.

LINE 6

Review by musicradar

Review by bonedo

Demo by John Nathan Cordy

HX Stomp Stormtrooper White

PedalSafe Type L6

QuickMount Type L6

Pedal-Montageplatte für LINE6 HX Stomp Pedale

Pedal Mounting Plate for LINE6 HX Stomp pedals

Schutzabdeckung & RockBoard-Montageplatte für LINE6 HX Stomp Pedale

Protective Cover & RockBoard Mounting Plate For LINE6 HX Stomp pedals

Schutzabdeckung & universelle Montageplatte für LINE6 HX Stomp Pedale

Protective Cover & Universal Mounting Plate For LINE6 HX Stomp pedals

Für 5-10 FX-Pedale, 1 MOD-Slot - **442 x 236 mm / 17.40" x 9.29"** - erhältlich mit Gig Bag oder Flight Case

For 5 - 10 FX pedals, 1 MOD slot - **442 x 236 mm / 17.40" x 9.29"** - available with Gig Bag or Flight Case

James Squire

Gilston Carols 2025

Miguel Angel Antonio Martínez Fuentes

Das DC7 ist ein professionelles Schaltnetzteil mit einem bemerkenswert flachen Profil von nur einem Zoll, das speziell für die Montage unter Pedalboards mit geringer Bodenfreiheit entwickelt wurde. Es bietet sieben isolierte DC-Ausgänge, von denen jeder bis zu 660 mA bei 9 V liefert, wobei pro Ausgang vier wählbare Spannungen zur Verfügung stehen. Das Gerät verfügt über einen 5V-USB-Ausgang für Mobilgeräte und einen 24V-Zusatzanschluss zur Systemerweiterung mit Einheiten wie dem CIOKS 4 oder 8. Eine fortschrittliche mehrstufige Filterung gewährleistet einen extrem rauscharmen Betrieb, ideal für stromhungrige digitale und empfindliche analoge Effekte. Das Netzteil nutzt einen universellen Netzeingang, was den weltweiten Einsatz ohne externe Transformatoren ermöglicht.

The DC7 is a professional-grade switch-mode power supply featuring a remarkably slim one-inch profile designed for low-clearance pedalboard mounting. It provides seven isolated DC outlets, each capable of delivering up to 660mA at 9V, with four selectable voltages available per outlet. The unit includes a 5V USB output for mobile devices and a 24V auxiliary port for expanding the system with additional units like the CIOKS 4 or 8. Advanced multi-stage filtering ensures ultra-low noise operation, making it suitable for high-current digital and sensitive analog effects. The power supply utilizes a universal mains input, allowing for worldwide use without the need for external transformers.

CIOKS

Review by Sound on Sound

Review by Guitar Chalk

DC 7

Robert Ossenkopp

More is More. It sounds big, warm, and punchy. It doesn’t have tone controls because it doesn’t need them, the single knob controls the overall output volume. It wasn’t designed to replace anything else, just to give you More. It’s hard to really describe the sound, because it wasn’t designed to have an overwhelming sound, but moreso to compliment the sound you already have. It wasn’t designed to be a great rig by itself, but it was designed to take your great rig and make it More.

sushiboxfx

Review by Talk Bass.com

Demo by  jbybj

More

Teeratai Kaewmanee

The greatest pieces of studio gear studio gear are the ones that add something special to the sound of an instrument, going beyond the job they were designed for and enhancing anything that passes through the circuit. One such piece is the UA 610 preamp, which was the inspiration for the DCX Bass. This retro console preamp is famous for adding vintage, analogue colour to a signal, as well as precise control of level and EQ. Push the level harder and you get rich, harmonic saturation of the kind that makes analogue hardware a must-have in any present-day studio.

The DCX Bass reimagines this classic preamp as a tone-shaper and drive pedal for bass guitar, with a wide range of clean and overdrive tones, EQ frequencies optimised for the instrument, and our Adaptive Circuitry providing a treble response that reacts to playing dynamics. It’s a signal-boosting, tone-enhancing pedal straight from the studio!

Origin Effects

Review by reddit /basspedals

Review by Gitarre & Bass

Demo by Nate Navarro

Sound Samples w/ Ian Martin Allison

DCX BASS

QuickMount Type B1

Pedal-Montageplatte für FRIEDMAN, KEELEY Halo, WAMPLER EQ, VelvetFuzz, WALRUS DeepSix, JULIA V2, 385 OD, Jupiter V2 und Mooer GL 100 Pedale

Pedal Mounting Plate for FRIEDMAN, KEELEY Halo, WAMPLER EQ, VelvetFuzz, WALRUS DeepSix, JULIA V2, 385 OD, Jupiter V2 and Mooer GL 100 pedals

Dave Snippe

Der Resonant Filter Equalizer bietet eine einzigartige Klangregelung durch die Kombination eines Hochpassfilters, eines Tiefpassfilters und eines mittleren Equalizers. Beide Filter verfügen über einen eigenen Resonanzregler, der eine Anhebung der Cutoff-Frequenz ermöglicht und die Wirkung der Filter betont. Der semiparametrische Mitten-EQ verfügt über einen variablen Frequenzregler.

The Resonant Filter Equalizer creates unique tone control by combining a high pass filter, low pass filter, and middle equalizer. Both filters have their own resonance control, allowing a bump at the cutoff frequency, accentuating the effect of the filters. The semi-parametric middle eq includes a variable frequency control.

Broughton Audio

Demo by codindebo

Review by Basschat

Review by Talk Bass

Resonant Filter Equalizer

Nathan Rapheld

Seit über 75 Jahren vertrauen einige der größten Namen auf der Bühne und im Studio auf Peterson als Maßstab in Sachen Stimmpräzision. Der StroboStomp Mini™ bietet die unübertroffene Stimmgenauigkeit von 0,1 Cent aller authentischen Peterson Strobe Tuner im Format eines Mini-Pedaltuners. Mit einem hochauflösenden LCD-Strobe-Display mit variabler LED-Farbhintergrundbeleuchtung klingen Ihre Instrumente nie besser gestimmt. Ein True-Bypass-Modus ohne Knackgeräusche und ein gepufferter Ausgabemodus geben Ihnen die Kontrolle über Ihren kostbaren Klang ohne Kompromisse. Mit über 80 exklusiven Sweetened Tunings® und Guided Tunings an Bord können Sie Ihren Sound einstellen und stimmen wie die Profis!

For over 75 years, Peterson has been trusted by some of the biggest names on stage and in the studio as the standard in tuning precision. The StroboStomp Mini™ delivers the unmatched 0.1 cent tuning accuracy of all authentic Peterson Strobe Tuners in a mini pedal tuner format. Featuring a high-definition LCD strobe display with variable LED color backlight, your instruments will never sound more in tune. A pop-less true bypass mode and a buffered output mode place you in command of your precious tone without compromise. With over 80 exclusive Sweetened Tunings® and Guided Tunings on-board, you'll be able to dial in your sound and tune like the pros!

Peterson

Demo by The Time Preservation Society

Quick Start Guide

Strobostomp Mini

Alex  Wilkins

When we released our original Compressor back in 2011, it quickly became a favourite among guitar and bass players alike who were searching for something more than the typical oversimplified controls found on most compressor pedals. Although our original Compressor sounded great on bass (and still does!) we set out to do even better. 
On top of the full range of features and controls normally only seen in high end studio equipment, such as input and gain reduction metering, independent attack and release controls, a mix knob for parallel compression, and an external sidechain insert, we’ve now added a fully variable sidechain high pass filter, and a two position ‘tone + colour’ circuit which adds gentle tone sculpting and harmonic distortion, giving your bass some delicious character.  

Empress Effects

Review by bassic

Review by CompressorPedalReviews

Demo by Pertybass

Demo by BassTheWorld.com

Bass Compressor Blue Sparkle

David Graves

The Messenger Jr captures the high quality features of its predecessors in the smallest format yet. The Messenger Jr is a high fidelity instrument preamplifier that is perfect for the studio and live performances. The preamp offers a wide array of features in a compact, easy to use format.

Up to 20 dB of clean gain
Shelving bass and treble EQ
Variable low pass and high pass filters
Middle EQ with adjustable frequency
Unbalanced line out and balanced XLR out with ground lift
Volume control for the balanced out signal
Foot switch function can be assigned to either bypass the EQ or mute the signal 

Messenger Jr

Für 4-7 FX-Pedale - **470 x 142 mm / 18.50" x 5.59"** - erhältlich mit Gig Bag oder Flight Case

For 4 - 7 FX pedals - **470 x 142 mm / 18.50" x 5.59"** - available with Gig Bag or Flight Case

Wir präsentieren den Lion, ein programmierbares Distortion-Pedal mit einem zu 100 % analogen Signalweg, integrierten Presets und vollständiger MIDI-Steuerung.

Das Lion ist ein auf einem Operationsverstärker basierendes Verzerrerpedal mit Hard-Clipping-Dioden, die hinter der Rückkopplungsschleife des Operationsverstärkers angeordnet sind. Obwohl es sich um eine einzigartige Schaltung handelt, lässt es sich gut mit ähnlichen Schaltungen wie dem Boss DS-1, dem Pro Co Rat und dem JHS Angry Charlie vergleichen. Das Lion verfügt über eine interne 18-V-Ladungspumpe, die eine standardmäßige 9-V-Stromversorgung in 18 V umwandelt, um maximalen Headroom und eine reaktionsschnelle Anschlagdynamik zu gewährleisten.

Introducing the Lion, a 100% all analog signal path, programmable distortion pedal with onboard presets and full midi control.

The Lion is an op amp based distortion with hard clipping diodes placed after the feedback loop of the op amp. While it is it's own unique circuit, it can be closely compared to similar type circuits like the Boss DS-1, Pro Co Rat, and JHS Angry Charlie, etc. The Lion features an internal 18V charge pump converting a standard 9V power supply to 18V for maximum headroom and responsive touch dynamics.

Manuals Page

Lion Distortion

The Traffic Control is an 8-port 1/4" TRS MIDI hub, used to split your 5-Pin MIDI signal out to 8 different TRS MIDI pedals. Each port can be configured to send MIDI on the Tip, Ring, or MIDI Type A. So no matter who makes a MIDI pedal with ¼" inputs, the Traffic Control can handle it.

Traffic Control

JET Micro is a 3 button midi controller designed specifically for the HX Stomp. With the JET Micro you will be able to completely unlock the HX Stomp with immediate access to bypass blocks, toggle effect parameters up & down, assign multiple blocks & effect parameters to a single button, scroll through presets, activate snapshots, tap tempo, utilize the built-in tuner & looper. It's compact, simple, intuitive, and couldn't be easier to use. Designed for the person that likes to get down to business and "plug & play" rather than trying to understand the complex ins & outs of Midi programming.