The FrantaBit is a digital bit crusher and sample rate reducer. It offers a wide array of glitchy digital tones, lo-fi crunchiness, video game synth sounds and buzzsaw harmonics. It is designed to be extremely powerful, but simple to use and dial in.

The FrantaBit includes an expression jack which can be assigned to bit depth, sample rate, both, or clean/effect mix – expanding performance possibilities in a live environment and in the studio.

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Nimbus SE

Create massive, multi-faceted and shimmering sounds with the Polytope four-voice detuner/chorus/vibrato.

 The Polytope creates up to four copies of the input signal, which can be detuned in pitch from subtle thickening to huge multi-voice detuned synth sounds. The detuned voices maintain the timbre of the input and respond well to polyphonic signals. In addition to the static detune mode, the included LFO (low frequency oscillator) can be used to sweep the pitches of all four voices to create wide and deep chorus ensembles when combined with the clean signal.

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Polytope

The Xerograph Deluxe is a 4-pole resonant lowpass filter, inspired by synthesizers, with deep envelope capabilities and expression control, which can be used together or separately.
In addition to the dubby static lowpass sounds and foot-swept resonant filter sweeps of the original Xerograph, the Xerograph Deluxe can create envelope filter sounds from classic auto-wah to modern subtractive synthesis, downward envelopes, and triggered slow synth sweeps.

Xerograph Deluxe

Arcing Prisms combines a frequency shifter and a comb filter/delay line, locked together in a spiraling feedback loop of warped modulation.

 The frequency shifter is placed inside the feedback loop of a delay line, so that every time the sound is repeated, it gets shifted again. With subtle shift amounts and short delay times, this feedback accentuates the phaser-like filtering and cancellation of various frequencies, accessing an unexplored realm of sounds with elements of phasing, flanging, filtering, and vibrato all at the same time. With larger shift amounts and longer delay times, this feedback creates otherworldly gamelan-like arpeggios with timbres that shift with each repeat, or evolving synthetic textures.

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