Create massive, multi-faceted and shimmering sounds with the Polytope four-voice detuner/chorus/vibrato.

 The Polytope creates up to four copies of the input signal, which can be detuned in pitch from subtle thickening to huge multi-voice detuned synth sounds. The detuned voices maintain the timbre of the input and respond well to polyphonic signals. In addition to the static detune mode, the included LFO (low frequency oscillator) can be used to sweep the pitches of all four voices to create wide and deep chorus ensembles when combined with the clean signal.

Review by Talk Bass.com

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The Nimbus is a high quality reverb designed specifically for bass and baritone instruments.

 It allows for deep and powerful reverbs to be created, with a built-in highpass filter on the reverb signal to keep the instrument’s low end intact without introducing muddiness, as well as a lowpass filter for creating darker timbres.
The Nimbus has a simple interface which allows the user to sculpt complex reverb sounds in an intuitive way, rather than being locked to presets or pre-defined tonalities.

Review by EffectsBay

Nimbus

Arcing Prisms combines a frequency shifter and a comb filter/delay line, locked together in a spiraling feedback loop of warped modulation.

 The frequency shifter is placed inside the feedback loop of a delay line, so that every time the sound is repeated, it gets shifted again. With subtle shift amounts and short delay times, this feedback accentuates the phaser-like filtering and cancellation of various frequencies, accessing an unexplored realm of sounds with elements of phasing, flanging, filtering, and vibrato all at the same time. With larger shift amounts and longer delay times, this feedback creates otherworldly gamelan-like arpeggios with timbres that shift with each repeat, or evolving synthetic textures.

Arcing Prisms

Meron is a frequency modulation (FM) synthesizer, controlled by the pitch and dynamics of your bass or guitar.

 It starts with two pure sine wave oscillators which both track the frequency of the notes you play into it. One oscillator, called the Modulator, is not heard directly – instead it's used to modulate the frequency of the main oscillator, called the Carrier. This modulation transforms the pure sine tones into all kinds of clangs, bells, and intense electronic timbres.

FMeron

The Oxide is a morphing gated fuzz, allowing the user to seamlessly morph between a raucous, industrial octave fuzz inspired by the Maestro Bass Brassmaster, to a modern synthy fuzz with a pinched, gated sound. It includes a clean blend to allow extreme amounts of fuzz without losing low end.

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