Balley Warson

In fact, on my real board, the 1981 and the Origin Effects are colored in blue. 
The tuner lights in blue too


My "all" Blue Pedalboard

Natale Calafiore

The M-EQ DRIVER is a Mid Booster & Drive pedal, based on a vintage Pultec® studio EQ. Still sought after today, these legendary passive EQs from the 1950s can be heard on thousands of hit records thanks to their highly musical, versatile EQ curves and the ability to overdrive their push-pull output stage. Rather than making an exact replica, we have chosen to reimagine this classic piece of studio gear as a guitar-oriented, compact pedal.

Craft the perfect mid boost, add some studio-inspired saturation or push the pedal’s valve-like output stage into fierce “cocked wah” distortion. With the addition of our Adaptive Circuitry, the M-EQ DRIVER is always responsive and precise, with a character all of its own.

Origin Effects

Demo by  LambChopper678

Official Product Video

Product Page

Review by The Gear Page

Review by Gitarre & Bass

Review by Guitar World

Manual download

M-EQ Driver

Florian LE CORRE

MORPH ACROSS THE SPACETIME SPECTRUM.
Years in the making and the first of its kind, Cosmosis is a stereo, high-fidelity ambient reverb that allows musicians to tailor three original spaces—Theatre, Temple, and Cosmos—as well as manipulate them in real time. In addition to controls for the size of the reverb, wet/dry blend, and filtering, Cosmosis features a unique Morph function that allows musicians to alter their reverb settings in real-time by pressing the left footswitch. The three space algorithms found inside of Cosmosis are all-original and truly unique. Theatre puts the player in a variable room that ranges from cozy to highly reflective using multiple parallel short reverberators. Temple occupies a dramatic, large indoor space by implementing numerous long reflections in both parallel and series. And Cosmos creates an enormous spectrum of heavenly reverb derived from the harmonic content it’s fed. The Morph feature found in Cosmosis provides a simple way for players to trigger a gradual change to various reverb parameters over a specified amount of time set by the accompanying Morph Rate knob. Players can set both “red” and “green” values on their Tone, Blend, and Size knobs, then engage the Morph footswitch to oscillate between the two reverbs at their desired rate. Any combination of knobs can be assigned to morph. Create elegant morphs for subtle movement or sweeping, cinematic morphs for dramatic sound design effects. Save up to four custom reverb presets, including morphing. Cosmosis runs on standard 9VDC power.

Pigtronix

Demo by Pigtronix

Review by

Cosmosis

Tester

Das TC Flashback Triple Delay reiht sich ein in die mittlerweile recht ansehnliche Gemeinde sehr guter Emulationen klassischer Band- und Analogdelays in Pedalform. 

TC Electronic's Flashback Triple Delay steeps your rhythm parts, lead lines, and ambient swells in up to three totally independent delay generators — in series (stacked) or parallel — to create delay effects ranging from conventional to otherworldly

TC Electronic

Review by Bonedo 

Demo by Mike Hermans

Manual

FLASHBACK TRIPLE DELAY

David Litaba

Electro-Harmonix

NANO PULSAR

PedalSafe Type A1.1

QuickMount Type A

Pedal-Montageplatte für Standard-Einzelpedale

Pedal Mounting Plate For Standard Single Pedals

Schutzabdeckung & RockBoard-Montageplatte für MXR® Standardgröße und Dunlop® Echoplex Delay Pedale

Protective Cover & RockBoard Mounting Plate For MXR® standard size and Dunlop® Echoplex Delay pedals

Schutzabdeckung & universelle Montageplatte für MXR® Standardgröße und Dunlop® Echoplex Delay Pedale

Protective Cover & Universal Mounting Plate For MXR® standard size and Dunlop® Echoplex Delay pedals

Nathan Rapheld

Seit über 75 Jahren vertrauen einige der größten Namen auf der Bühne und im Studio auf Peterson als Maßstab in Sachen Stimmpräzision. Der StroboStomp Mini™ bietet die unübertroffene Stimmgenauigkeit von 0,1 Cent aller authentischen Peterson Strobe Tuner im Format eines Mini-Pedaltuners. Mit einem hochauflösenden LCD-Strobe-Display mit variabler LED-Farbhintergrundbeleuchtung klingen Ihre Instrumente nie besser gestimmt. Ein True-Bypass-Modus ohne Knackgeräusche und ein gepufferter Ausgabemodus geben Ihnen die Kontrolle über Ihren kostbaren Klang ohne Kompromisse. Mit über 80 exklusiven Sweetened Tunings® und Guided Tunings an Bord können Sie Ihren Sound einstellen und stimmen wie die Profis!

For over 75 years, Peterson has been trusted by some of the biggest names on stage and in the studio as the standard in tuning precision. The StroboStomp Mini™ delivers the unmatched 0.1 cent tuning accuracy of all authentic Peterson Strobe Tuners in a mini pedal tuner format. Featuring a high-definition LCD strobe display with variable LED color backlight, your instruments will never sound more in tune. A pop-less true bypass mode and a buffered output mode place you in command of your precious tone without compromise. With over 80 exclusive Sweetened Tunings® and Guided Tunings on-board, you'll be able to dial in your sound and tune like the pros!

Peterson

Review by reddit /guitarpedals

Review by guitar pedal X

Quick Start Guide

Demo by The Time Preservation Society

Strobostomp Mini

EQ’s may not be as sexy as overdrives, but when used properly they can add a wide variety of useful new colors to your existing guitar rig.

The GE601 Graphic Equalizer covers six carefully selected frequency bands over a five octave range with 12 dB of Boost/Cut per band (100, 200, 400 & 800 Hz, 1.6 & 3.2 KHz respectively).  There’s also a Master Level control with 12 dB of overall Boost/Cut.

Maxon

Review by Harmony Central

Demo by Rockplanet Musicstore

Demo by GodlykeInc

GE601 Graphic Equalizer

Das Apocalypse ist das 'Alleskönner' Fuzz Pedal von Death By Audio. Das Signal wird erst dramatisch übersteuert und dann auf einen von fünf wählbaren Post-Amps geschaltet, um so völlig unterschiedliche Sounds zu erzeugen. Der Sweepabale Frequency Equalizer bietet Musikern ein flexibles Werkzeug, um den Klang an die eigenen Wünsche anzupassen. Das Apocalypse kann als Solo-Boost, Fuzz Pedal, Bass Verzerrer oder in jedem anderen denkbaren Setting genutzt werden, in dem das Signal verstärkt, verzerrt, modifiziert oder überladen werden soll.

The Apocalypse is Death By Audio's jack-of-all trades fuzz pedal. After being dramatically overdriven, the signal is routed to one of five selectable post-amplifiers for five wild and unique fuzz tones. Toggle through its five signal paths and choose your desired apocalyptic sound. To further refine this beast, control the Sweepabale Frequency Equalizer and carve your tone out just the way you like it. Use this pedal as a boost for solos, an amp simulated recording DI, your main fuzz sound, a bass blitzer, or run anything into it you want to beef up, blast out, destroy, or supercharge!

Death By Audio

Official Product Page

Death By Audio Apocalypse - Demo Video - Pedal of the Day

Death By Audio Apocalypse - Demo / Review Video - ProGuitarShopDemos

Death By Audio Apocalypse - Demo Video - Guitar Bonedo

Death By Audio Apocalypse - Demo / Review Video - Nick Leonard

Death By Audio Apocalypse - Demo / Review Video - JetCityMusic

Death by Audio Apocalypse - Review by Gitarre & Bass [DE], [01-2019]

Death by Audio Apocalypse - Review by Bonedo [DE], [09-2018]

Apocalypse Fuzz

thuy nguyen

A uniquely designed steel enclosure made with quality components throughout. My goal was to spare no expense. I realize that sometimes in the world of guitar gear, there isn’t always one answer in choosing the best components and designs, so I just picked my favorites. This includes Switchcraft 11 open frame jacks, and a super quiet soft touch switching system via an internal relay.

I have been working on this project for the better part of three years, as a collaboration and with engineering by Jon Ashley of Bondi Effects. I feel that the pedal is unique in design and sonically unlike anything I have ever heard, especially in the lower gain and boost settings. There is a subtlety that feels more like a vintage pedal than a modification of a classic. There are two circuits present in the pedal, one distortion and one preamp boost, running at 18v via an internal voltage regulator. I made this pedal with the idea to create a distinction for my own sound, and what I found is that it is an extremely useful tool for capturing a lot of different types of sounds. I am most proud of the lower gain side, as I feel it is the most unique section of the pedal, but I must also include that the gain section is extremely sweet sounding throughout, especially for heavy and complex chords. There is a midrange punch that I love and a warmth and thickness that reminds me a bit of a ribbon mic. When the development of this pedal turned into something new and unique, it became the catalyst to starting 1981 Inventions, so I decided to make this the first official release.

1981 Inventions

DRV - Green Sparkle

Für 7-12 FX-Pedale, 1 MOD-Slot - **598 x 236 mm / 23.54" x 9.29"** - erhältlich mit Gig Bag oder Flight Case

For 7 - 12 FX pedals, 1 MOD slot - **598 x 236 mm / 23.54" x 9.29"** - available with Gig Bag or Flight Case

Guillaume KIEFFER

Die überarbeiteten RockBoard® MODs V2 sind einfache all-in-one Patchbays für die RockBoard Pedalboard Series mit einem neuen, überarbeiteten Design und einem kompakten Gehäuse. Passend für alle neuen RockBoards® (außer der DUO-Serie) mit einem MOD-Slot, bieten sie als komfortable Patchbay verschiedene Kabelverbindungen, um eine weite Reihe von Bedürfnissen abzudecken. Mit den RockBoard® MODs kannst du deine Pedale dauerhaft unter dem Board verkabeln und alle Verbindungen zu und von deinem Effektsetup in einem praktischen Modul organisieren. Die RockBoard® MODs bieten einen zentralen Zugangspunkt vom Instrument zum Verstärker sowie eine praktische und einfache Stromversorgung des Boards über einen IEC- und einen 2,1 x 5,5 Barrel-Through-Stromanschluss. Das RockBoard® MOD 3 V2 ist eine Patchbay für Sänger und Akustik-Musiker. Über die zwei XLR-Ausgänge kannst du ein Stereo-Signal von dein MOD senden und an den XLR-Eingang lässt sich ein Mikrofon anschließen. Mit drei TRS-Through-Verbindungen lässt sich das MOD 3 V2 außerdem als zentraler Zugang und Ausgang des Boards nutzen um zum Beispiel Effektpedale in den FX-Loop eines Verstärkers einzuschleifen.
- All-in-One Patchbay für Pedalboards
- passend für MOD slots in RockBoard Pedalboards
- kompatibel mit einer weiten Reihe and anderen Pedalboards
- fungiert als zentraler Zugangspunkt zu deinem Effekt Setup
- etabliert klare Kabelwege zum und vom Pedalboard
- abnehmbare Frontplatte für Montage auf oder unter Pedalboards
- 3 x 6,3 mm TRS thru
- 2 x XLR thru (männlich vorne / weiblich hinten)
- 1 x XLR thru (weiblich vorne / männlich hinten)
- 1 x DC 2,1 x 5,5 mm Hohlstecker thru
- 1 x AC IEC thru (männlich vorne / weiblich hinten)
- alle Anschlüsse gespiegelt auf der Rückseite
- Abmessungen exkl. Frontplatte (B x T x H): 160 x 60 x 33 mm
- Abmessungen der Frontplatte (B x H): 175 x 48 mm
- Gewicht 450 g
- inkl. Montageschrauben, Kontermuttern und TX Schlüssel


The improved RockBoard® MODs V2 are simple all-in-one patchbays for RockBoard pedalboards with a new, refreshed design, and compact housing. Utilizing the MOD slot on all new RockBoards® (except the DUO series), they provide various cable connections to fit a wide variety of needs as a convenient patchbay. With the RockBoard® MODs, you can permanently connect your pedals underneath your board and organize all connections to and from your effects setup in one convenient module. The RockBoard® MODs provide a central access point from your instrument to your amp, as well as your power supply via IEC, and a 2.1 x 5.5 barrel thru power connector. The RockBoard® MOD 3 V2 is a pass-thru box designed for use by vocalists and acoustic players. The 2x XLR outputs allow you to send a stereo signal from your MOD and the 1x XLR input can be used to connect your microphone. You can also use it to run several pedals from your board through the effects loop of your amp, or simply use the MOD as a central access point to your pedalboard.
- all-in-one patchbay for pedalboards 
- fits MOD slots in RockBoard pedalboards
- compatible with a wide variety of other pedalboards
- acts as the central access point to your effects setup
- establishes clean cable paths to and from the pedal board
- detachable front plate for mounting on top or underneath pedalboards
- 3 x 6,3 mm / ¼" TRS thru
- 2 x XLR thru (male front / female back)
- 1 x XLR thru (female front / male back)
- 1 x DC 2,1 x 5,5 mm barrel thru
- 1 x AC IEC thru (male front / female back)
- all connections mirrored on the backside
- dimensions excl. front plate (W x D x H): 160 x 60 x 33 mm / 6 19/64" x 2 23/64" x 1 19/64"
- dimensions of the front plate (W x H): 175 x 48 mm / 6 57/64" x 1 57/64"
- weight 450 g / 0.99 lbs
- incl. mounting screws, counter nuts, and TX wrench

All-in-One TRS & XLR Patchbay for Vocalists & Acoustic Players

No pedal holds more mystique than the legendary Klon Centaur overdrive. With its unique overdriven tones and boosting capabilities, this pedal has captured the imagination of players from Jeff Beck to John Mayer

The Archer is an exact tribute to the legendary Klon pedal featuring germanium diodes and captures every nuance of the original unit 

J. Rockett Audio Designs

Review by bonedo

Demo by Guitarist 

Demo by Shawn Tubbs

Demo by Pete Thorn 

Demo by J.Rockett Audio Designs

Archer

ch ray

Freeze

Der SOMA '63 Vintage Preamp ist das erste Pedal in der XFR-Serie von Greer Amps und eröffnet eine neue Klangwelt. Der SOMA '63 ist ein echter Vintage-Preamp, der auf dem Klang und dem Gefühl von Vintage-Verstärkern der braunen Ära aus Kalifornien basiert. Dieses Pedal simuliert den gesamten Vorverstärker, den Phasenumkehrer, die Leistungssektion und sogar das Gefühl der alten 10-Zoll-Utah-Lautsprecher, die in diesen berühmten braunen Verstärkern waren. Der Tone Stack ist so konzipiert, dass er dem Benutzer eine breite und dynamische Palette von Klangoptionen bietet. Der Presence-Regler arbeitet mit dem Tone-Stack zusammen und ist als Weitbereichsregler ausgelegt, der den Gesamtsound der gesamten Schaltung beeinflusst. Der SOMA '63 verfügt über einen Stahlkern-Transformator im Audio-Signalweg. Der Transformator trägt zur Klangformung des gesamten Schaltkreises bei, und wenn die Verstärkung stark angehoben wird, insbesondere bei Tonabnehmern mit höherem Output, wird der kleine Stahlkern-Transformator in die Sättigung gehen, genau wie bei einem klassischen Verstärker. Der SOMA '63 kann als tonformende Vorstufe oder als Overdrive-Pedal verwendet werden. Das SOMA '63 bietet eine große Auswahl an Sounds.

A brave new world of tone, the SOMA ‘63 Vintage Preamp is the first pedal in the XFR series of pedals from Greer Amps. The SOMA ’63 is a true vintage preamp, based on the tone and feel of vintage brown era amplifiers from California. This pedal simulates the entire preamp, phase inverter, power section, and even the feel of the vintage 10 inch Utah speakers that were in those famous brown amps. The tone stack is designed to provide a wide and dynamic range of tonal options to the user. The Presence control works with the tone stack, and is designed to be a wide range control, effecting the overall sound of the entire circuit. The SOMA ’63 features a steel core transformer in the audio signal path. The transformer lends to the overall tone shaping of the circuit, and when the gain is pushed hard, especially with higher output pickups, the small steel core transformer will saturate, just like a vintage amplifier. The SOMA ’63 can be used as a tone-shaping preamp, or as an overdrive pedal. There are a wide variety of tones available in the SOMA ’63, so spend some time with your new pedal, and find the tones that rock your world!

Greer Amps

Review by delicious audio

Review by Premier Guitar

Demo by Noise Generator

Demo by MAS Distro

Soma 63

The OCD was the first pedal to use Mosfets as clipping devices. Another first was their configuration as "hard clippers connected to v-ref" instead of to ground, as was the norm. These things contribute greatly as to why the OCD has such touch-sensitivity...why they react so well when the strings are hit hard or soft, and why they sound & feel different than all other pedals out there, 90% of which are just slight tweaks of the Tube Screamer. 

Fulltone

Demo by That Pedal Show

Demo by intheblues

The Story of Fulltone OCD

PedalSafe Type FT1

QuickMount Type FT1

Pedal-Montageplatte für FULLTONE OCD & 69 MK2 Pedale

Pedal Mounting Plate for FULLTONE OCD & 69 MK2 pedals

Schutzabdeckung & RockBoard-Montageplatte für FULLTONE OCD & 69 MK2 Pedale

Protective Cover & RockBoard Mounting Plate For FULLTONE OCD & 69 MK2 pedals

Schutzabdeckung & universelle Montageplatte für FULLTONE OCD & 69 MK2 Pedale

Protective Cover & Universal Mounting Plate For FULLTONE OCD & 69 MK2 pedals

Das Pedal, das kompakte Reverb-Pedale revolutioniert hat, hat sich weiterentwickelt. Mit blueSky erhalten Sie den üppigsten, majestätischsten Hall, den man sich vorstellen kann. Verwandeln Sie eine einzelne Note oder einen Akkord in eine riesige Klangatmosphäre mit unfassbar schönen, unglaublich langen Hallfahnen. Hören Sie das inspirierende Plätschern eines verbesserten Federhall-Algorithmus, der vor Vintage-Vibe nur so trieft. Verlieren Sie Zeit und Raum aus den Augen, während Sie mit tiefen und weitläufigen neuen Shimmer-Sounds interagieren, die Sie noch nie zuvor gehört haben.

The pedal that revolutionized compact reverb pedals has evolved. Plug into blueSky for the most lush, majestic reverbs imaginable. Transform a single note or chord into vast sonic atmospheres with impossibly gorgeous, incredibly long reverb tails. Hear the inspiring splash of an upgraded spring algorithm dripping with vintage vibe. Lose track of time and space as you interact with deep and expansive new Shimmer sounds never heard anywhere before.

Strymon

Manuals, FAQ at Strymon

Manual as PDF

Strymon blueSky V.2 – Reverberator – Intro

New blueSky Audio Examples | Strymon

blueSky reverberator V2

Javier Murcia Dominguez

Soul Press II ist die nächste Generation der Hotone Press-Pedalreihe. Das neu gestaltete Upgrade basiert auf den beliebten Konzepten von Soul Press und Vow Press. Es integriert bis zu vier Funktionsmodi (Volume, Wah, Volume/Wah, Expression), was die Spielbarkeit auf ein neues Niveau hebt. Die Pedalstellungsanzeige zeigt die Pedalstellung in Echtzeit an. Die Auswahl des TONE-Modus und die Einstellung des Q-Werts stellen eine absolute Verbesserung von Klang und Funktionalität dar. Mehrere E/A-Optionen bieten einen vielfältigeren Zugang. Die neu gestaltete Größe des Pedals sorgt für Tragbarkeit und optimale Ergonomie. Soul Press II ist ein wirklich vielseitiges Wah-Pedal.   

Soul Press II is a next-gen product in the Hotone Press series pedal line. It's new-designed upgrade is based on the popular concepts of both the Soul Press and Vow Press. It integrates up to four function modes (volume, wah, volume/wah, expression), taking playability to new heights. The pedal position indicator shows the pedal position in real time. The TONE mode selection and Q value adjustment represent an absolute improvement in tone and functionality. Multiple I/O options provide more diverse access. The reimagined pedal size maintains portability while delivering an optimal ergonomic experience. Soul Press II is a truly versatile wah pedal.   

HOTONE

Review by headliner

Review by Bass Musician Mag

Demo by The Pedal Guy

Demo by Nobes Music

Demo by Pedal of the Day

Soul Press II

Oft kopiert aber nie erreicht, rangiert das schwer zu findende, originale, Phase 90 bei den Sammlern alter Bodentreter ganz weit oben. Das Original - seit der Gründung der Firma Dunlop bis in die späten 70er Jahre erhältlich – definierte den klassischen Phase Shifter Sound und war in allen Musikstilen zu hören, egal ob Hard Rock, Jazz-Fusion oder Funk-Hits. Der nach dem Kultpedal der Firma designte Phaser kommt puritanisch mit einem Regler aus, über den der Phaser-Speed einstellbar ist. Eine rote LED über dem stabilen Fußschalter zeigt den Schaltstatus an. Das massive Spritzgußgehäuse verfügt über jeweils 1/4" Klinke In- und Out-Eingänge. Betrieben wird der Kulttreter mit einer 9V Batterie, die in einem leicht zugänglichen Batteriefach auf der Unterseite Platz findet. Es ist erhältlich in der ursprünglichen orangenen Farbe.

This device has found its way into many of Eddie Van Halen's recordings, adding a shimmery velocity to lead passages or a more dramatic swoosh to muted strumming. Not just for guitars; it works well with bass, keyboards and even vocals. Vary the speed from a subtle, long cycle to a fast, watery warble...and myriad vintage vibrations in between. Power: Single 9 volt battery or Dunlop ECB-003 AC Adapter - Controls: Footswitch toggles effect on/bypass (red LED indicates on) Speed knob varies rate of phase sweep

Review by Guitar Player

Demo by Reverb

M101 Phase 90

The MXR Carbon Copy Analog Delay features a completely analog audio path for the ultimate in rich, warm delay-made possible only by old-school bucket brigade technology. This design boasts an amazing 600ms of delay time with optional modulation via a top-mounted switch and a simple, three-knob layout that controls Delay time, Mix (dry/wet blend), and Regen (delay repeats)-all in a pedal no bigger than a Phase 90. In addition, two internal trim pots offer user-adjustable width and rate control of the modulation for even more tonal options. The Carbon Copy will take you from crisp “bathroom” slap echoes to epic, Gilmour-esque delays with a twist of a knob. True hardwire bypass, single 9-volt operation, and stage-ready blue LEDs round out the package.

Demo by PMTVUK

Demo by Marty Music

M169 Carbon Copy Analog Delay

GREGORY GUENEAU

The new Pop Top Boost from Milkman Sound takes its inspiration from the classic American recording consoles of the 1970s. We designed a discrete Op Amp which fits the standard 2520 footprint and put it into a modern pedal enclosure for use with guitar or any other instrument that uses 1/4” phone connectors.
We designed the Pop Top to run at “unity gain” with the control set at zero. At unity you can hear the discrete op amp color and find a sweet spot without dropping any signal. There is enough headroom inside to use the Pop Top at the very end of a pedal chain even in tandem with other gain and boost pedals.

Milkman Sound

Demo by Edge of Breakup

Demo by AndyDemos

Pop Top Boost

Nothing reveals the true nature of your guitar and your playing like a world-class tube amp driving a perfectly matched speaker cabinet in a great sounding room. Now there is a pedal that truly delivers that sound and feel, with simple controls for effortlessly dialing in the perfect amp tone when going direct.

Discover inspiring tube amp responsiveness, unprecedented impulse response speaker cabinet realism, and controllable natural sounding room ambience.

Review by GuitarWorld

Demo by Guitar Bonedo

Iridium

Keeley Kompressoren sind wohl die beliebtesten Boutique Kompressoren am Markt. Mit weit über 50.000 gebauten Kompressoren ist die Keeley Werkstatt wohl ein Experte auf den Gebieten Kompression, Limiting und Sustain. Keeley weiß ganz genau was es braucht um ein Instrument klingen zu lassen, als wäre es professionell aufgenommen worden. Sie wissen wie sie deine Gitarre im Mix ganz nach vorn stellen und sie wissen genau, was das Spielen zur wahren Freude macht. Keeley Compression macht’s möglich! Der Keeley Compressor Plus ist der nächste Schritt nach vorne in Keeleys Reihe an 2- und 4- Knob Kompressoren. Die neuen Features sind einfach und geradeaus. Es gibt einen einfachen Release Schalter, der speziell auf Single Coils und Humbucker getunt ist. Kein rätseln mehr, ob Attack und Release richtig eingestellt sind. Deine Humbucker haben all das Attack und den Punch den sie haben sollen! Das Keeley Team hat außerdem einen fantastisch klingenden Tone Regler kreiert, der die sensiblen Obertöne, die bei komprimierten Signalen oft verloren gehen, betont. Außerdem verfügt der Compressor Plus über einen Blend Regler, der das Kompressor Signal auf bis zu 50 % im Mix absenken, und so die Dynamikspitzen in deinem Spiel und somit deine Phrasierung erhalten kann, während du zudem das nötige Sustain bekommst. Der Keeley Compressor Plus bietet denselben fabelhaften Push an süßen Frequenzen, den du von älteren Kompressoren kennst, nun mit der nötigen Flexibilität für jedes Instrument.

The Keeley Compressor is the most popular boutique compressor in the world.  With well over 50,000 compressors built in the Keeley shop we have an expert understanding of compression, limiting, and sustain.  Keeley know what it takes to make an instrument sound like it’s been professionally recorded.  They know how to make your guitar jump from the mix. They know how to make it fun and easy to play.  Keeley Compression is how.  The Keeley Compressor Plus is the next true advancement in their 2 and 4 knob compressor line.  The new features are simple and straight forward.  Now there is a simple Release Switch that is tuned for single coils or humbuckers.  No more wondering if you have the attack or release set right.  Your humbuckers will have all the attack and punch that they should.  The Keeley team designed a gorgeous sounding Tone Control that emphasizes the most sensitive harmonics that can be lost in compression.  The Compressor Plus now sports a Blend Control that retains the peaks in your playing and more importantly the proper phasing of your guitar signal.  The Keeley Compressor Plus offers the same gorgeous push of frequencies and sweetening of tone that the old comps gave you, now with the flexibility to handle any instrument.

Keeley Electronics

Keeley Compressor Plus - Demo Video - Livingroom Gear Demos

Keeley Compressor Plus - Demo Video - ProGuitarShop Demos

Compressor +

Michał Wrzos

Der D’Addario Chromatic Pedal Tuner vereint Innovation, Benutzerfreundlichkeit und ansprechendes Design perfekt. In einem robusten Aluminiumgehäuse untergebracht, bietet er eine schnelle Notenerkennung, höchste Präzision, einen breiten Kalibrationsbereich und einen True-Bypass-Schalter, der bequem mit dem Fuß bedient werden kann. Das farbige, vertikale Display ermöglicht ein schnelles und intuitives Stimmen – ob zu Hause, im Studio oder auf der Bühne.

The D’Addario Chromatic Pedal Tuner is the perfect combination of innovation, simplicity, and style. Housed in a rugged aluminum enclosure, the tuner features fast note detection, superb accuracy, wide calibration range, and true bypass wiring with an easily accessible foot switch. The tuner’s full-color vertical display allows for quick intuitive tuning at home, in the studio, or onstage. 

D'ADDARIO

PW-CT-20

Mat Gri

We listened, and decided to do you one better: here’s the Sandman, that brings together the Savage MkI (left footswitch with the large knobs)
and the FX Teacher Ego Driver, our own upgraded version of the classic mid-boost overdrive.
If you’re lusting after the beautiful vintage sound of the Savage MkI, there it is in all its original glory with the Germanium / Silicium switch in order to choose your clipping
(that switch was called Vintage / Modern on the original Savage), except now you can also push it way beyond its limits in terms of gain and mids.

The Ego Driver still has its very potent three-position tone switch (low-mids, mids, hi-mids)
that makes it much more versatile and allows the two parts of the Anasounds Sandman to sonically interact in many ways.

We’re always trying to offer you the best pedals we can build, and the components for the Savage MkI are getting harder to come by.
That is why the Sandman is a limited edition that you can order for the low price of 299 euros from June the 2nd to the 16th.
Once that period is over, you will get a second chance in September by buying it for 369 euros from stores that got it during those crucial two weeks.
After those two deadlines, the Sandman will once again become the dream it always was, except for the lucky ones who captured it on time.

Anasounds

Review by audiofanzine 

Demo by Florent Passamonti

Demo by Florent Garcia

Demo by Nico Chona

SANDMAN

BERSERK III expands on the circuit family tree that started with the octave section of ODIN. That same circuit can be configured in four different, equally useful and exciting ways. There’s a loud and strong octave fuzz, a precise and pointy octave fuzz, a wide and kind regular fuzz and a bright and loud regular fuzz. For ODIN II and now III, I used the loud octave fuzz and the kind regular fuzz, for a very fun 1-2-punch kind of live package. The regular fuzz lets you fall back into the mix and the octave fuzz allows you to punch through anything when needed. 

Fjord Fuzz

Demo by Ambient Endeavors

Berserk V3

Whammy effects in a single stompbox pedal
7 pitch intervals shift across a 4 octave range

DigiTech

Review by musicradar

Demo by ProGuitarShopDemos

Whammy Ricochet

K+ Motherboard

Für 9-15 FX-Pedale, 1 MOD-Slot - **622 x 330 mm / 24.49" x 12.99"** - erhältlich mit Gig Bag oder Flight Case

For 9 - 15 FX pedals, 1 MOD slot - **622 x 330 mm / 24.49" x 12.99"** - available with Gig Bag or Flight Case

Edoardo Binda

Lee Atkin

Microcosm ist ein granulares Effektpedal, das Ihren Sound auf neue und aufregende Weise neu arrangiert und interpretiert, indem es eine Vielzahl von Sampling-, Pitch-Shifting-, Delay- und Looping-Techniken einsetzt. Kaskadierende Mikro-Loops können in straffe, mit dem Tap-Tempo synchronisierte Rhythmen eingebunden, in eisige Ambient-Texturen aufgelöst, zu hypnotischen Drones verwoben werden und vieles mehr.

Übersetzt mit DeepL.com (kostenlose Version)

Microcosm is a granular effects pedal that rearranges and reinterprets your sound in new and exciting ways using a variety of sampling, pitch-shifting, delay, and looping techniques. Cascading micro-loops can be locked into tight, tap-tempo synced rhythms, diffused into glacial ambient textures, woven into hypnotic drones, and much more.

Hologram Electronics

Introduction by Hologram Electronics

Demo by David Hilowitz Music

Review by Sound On Sound

Review by Magnetic Mag

Microcosm

Dana Lacono

BOSS

RE-202 Space Echo

Mercury Box ist die Overdrive/Distortion-Stompbox von Brunetti. Eine kleine Metallbox vereint die Qualitäten des bekannten Kanals 2 von CustomWork Mercury! Sie ist mit FET-Technologie ausgestattet, um das Verhalten und die Dynamik von Röhren so genau wie möglich zu reproduzieren. Die Mercury Box ist extrem vielseitig, du kannst von klaren und definierten Crunch-Sounds zu Hardrock-„flüssiger“ Verzerrung wechseln, die immer sauber und nie formlos ist, sehr glatt und respektvoll gegenüber der Klangfarbe deines Instruments, selbst bei hohen Verstärkungspegeln. Die Bedienelemente sind weich und empfindlich, aber gleichzeitig effektiv. Sie interagieren tatsächlich gründlich wie bei einem echten Röhrenverstärker. Mercury Box ist das Ergebnis sorgfältigen Designs und langjähriger Forschung von Marco Brunetti und das Ergebnis ist innovativ und technologisch einzigartig. Es ist nicht der verbesserte Klon einer bekannten Stompbox! Diese Qualitäten machen Mercury Box anders und wir sind sicher, du wirst vom ersten Ton an beeindruckt sein!

Mercury Box is the Brunetti overdrive/distortion stomp box. A small metallic box holds together the qualities of the well-known CustomWork Mercury’s channel 2! It is endowed with FET technology to reproduce tubes behavior and dynamics as accurately as possible. Mercury Box is extremely versatile, you can move from clear and defined crunch sounds to hard rock “liquid” distortion which is always clean and never shapeless, very smooth and respectful of your instrument timbre, even at high gain levels. Controls are soft and sentive, but effective at the same time. They indeed interact thoroughly as in a real tube amplifier. Mercury Box arises from careful design and long lasting research of Marco Brunetti, and the outcome is innovative and technologically unique. It is not the upgraded clone of a well-know stomp box! These qualities make Mercury Box different, we are sure you will be impressed at first note!