Rob Vasko

I dont own the rockboard, but this is the current setup, going into an Ampeg RB-210 with a Portaflex 1x15 HE 

Currently owned pedals.

RB210

Fabian Förster

LEKATO Guitar Looper Effect Loop Pedal 5 Minutes Looping Time ONE Looper Unlimited Overdubs — dare to adventure!

Solid, 24-bit audio construction, convenient USB to upload/download, single-knob operation, 5 min looping w/unlimited overdubs-- LEKATO Looper Pedal has it all.

Lekato

Product Page

Demo by 57studio

Demo by Photo reviews

Review by consordini.com

Manual

Looper Stage 5 Mins

Tester

DigiTech

Review by Gitarre & Bass 

Demo by A2a - Music Encyclopedia

Demo by Austin Bazaar

X-Series Bass Driver Overdrive/Distortion

Isolated Guitar Pedal Power Supply - 1 SPOT Pro models have outputs that can put out 9Vdc, 12Vdc or 18Vdc. The CS12 even has a variable voltage output for old-style fuzz pedals, and a 9Vac output for certain Line6 and Digitech pedals. And if you need to change the voltage of an output, Truetone also makes inexpensive converter cables to help you. There’s the Voltage Doubler, which does exactly what its name says, and the 18V to 9V Converter... which also does what its name says. 

Truetone

1Spot Pro CS7

Mariano del Moral

The Cali76 FET Compressor is a studio-grade compressor pedal inspired by the world-famous Urei® 1176® studio compressor, heard on many of the greatest studio recordings since the 1960s. The Cali76 FET Compressor uses uncompromising all-analogue circuitry to make these distinctive, ultra-fast FET compression tones available to the modern guitarist.

Origin Effects

Official Product Video

Review by Compressor Pedal Reviews

Review by Gearnews

Review by OVNI LABS

Manual download

Cali76 Fet Compressor (Brushed Aluminium)

Danelectro

New Pedal

Bacon N' Eggs

Der gewaltige Bass Big Muff-Sound jetzt in einem Nano-Paket. Die Klangfarbe ist vom tankgrünen Russian Big Muff inspiriert, mit dem klassischen Big Muff Pi-Layout der Sustain-, Ton- und Lautstärkeregler.

Mit den Reglern für Lautstärke, Ton und Sustain können Sie Ihre Verzerrung und Ihren Drive formen, während der Dry-Schalter Ihren trockenen Bass mit der Verzerrung des EHX Nano Bass Big Muff mischt.

The huge Bass Big Muff sound now in a nano-sized package. Voicing inspired by the tank green Russian Big Muff with the classic Big Muff Pi layout of Sustain, Tone and Volume controls.

Controls for Volume, Tone and Sustain let you sculpt your distortion and drive, while the Dry switch mixes your dry bass with the EHX Nano Bass Big Muff’s distortion.

Electro-Harmonix

Review by reddit /guitarpedals

Review by Premier Guitar

Review by Talk Bass.com

Demo by Juanka Trujillo

Nano Bass Big Muff PI

PedalSafe Type A1.1

QuickMount Type A

Pedal-Montageplatte für Standard-Einzelpedale

Pedal Mounting Plate For Standard Single Pedals

Schutzabdeckung & RockBoard-Montageplatte für MXR® Standardgröße und Dunlop® Echoplex Delay Pedale

Protective Cover & RockBoard Mounting Plate For MXR® standard size and Dunlop® Echoplex Delay pedals

Schutzabdeckung & universelle Montageplatte für MXR® Standardgröße und Dunlop® Echoplex Delay Pedale

Protective Cover & Universal Mounting Plate For MXR® standard size and Dunlop® Echoplex Delay pedals

Badger

R-28 DOUBLE THRUSTER is an Overdrive pedalspecially designed for Bass. It sculpts clear and punchy lows, delivering sharp and grainy mid and high frequencies.Compact and portable.

JOYO

Demo by The Bass Channel

R-28 Double Thruster

Elod Bajrami

Altoids

ju.h_mn

Fender

Demo by Steven twangs

Demo by Mic Sustianevo

1-Button Footswitch

The MXR Carbon Copy Analog Delay features a completely analog audio path for the ultimate in rich, warm delay-made possible only by old-school bucket brigade technology. This design boasts an amazing 600ms of delay time with optional modulation via a top-mounted switch and a simple, three-knob layout that controls Delay time, Mix (dry/wet blend), and Regen (delay repeats)-all in a pedal no bigger than a Phase 90. In addition, two internal trim pots offer user-adjustable width and rate control of the modulation for even more tonal options. The Carbon Copy will take you from crisp “bathroom” slap echoes to epic, Gilmour-esque delays with a twist of a knob. True hardwire bypass, single 9-volt operation, and stage-ready blue LEDs round out the package.

Demo by PMTVUK

Demo by Marty Music

M169 Carbon Copy Analog Delay

BOSS

CH-1 Super Chorus

PedalSafe Type E1

QuickMount Type E

Pedal-Montageplatte für Standard-Boss-Pedale

Pedal Mounting Plate For Standard Boss Pedals

Schutzabdeckung & RockBoard-Montageplatte für BOSS Compact Serie, RC3 LoopStation & RC5 LoopStation Pedale

Protective Cover & RockBoard Mounting Plate For BOSS Compact Series, RC3 LoopStation & RC5 LoopStation pedals

Schutzabdeckung & universelle Montageplatte für BOSS Compact Serie, RC3 LoopStation & RC5 LoopStation Pedale

Protective Cover & Universal Mounting Plate For BOSS Compact Series, RC3 LoopStation & RC5 LoopStation pedals

Die Darkglass Mircrotubes-Serie hat Familienzuwachs bekommen: Mit dem Microtubes X und seinem größerem Bruder Microtubes X7 ergänzt die finnische Effektschmiede ihr Programm um zwei neue Preamp/Overdrive-Pedale, die erstmals mit Multiband-Technologie arbeiten und den Tieftönern damit noch mehr Flexibilität für verzerrte Sounds bieten. In der Ausstattung unterscheiden sich die beiden Modelle deutlich – wer sich für das kleinere und günstigere Microtubes X entscheidet, muss nämlich auf den D.I.-Ausgang, den 5-Band-Equalizer sowie den Onboard-Kompressor des X7 verzichten. Ob das Microtubes X soundmäßig mit seinem größeren Bruder mithalten kann und für wen die abgespeckte Version vielleicht sogar die bessere Wahl ist, wollen wir in diesem Test herausfinden.

The Microtubes X multiband distortion engine brings into controls producers have been using for years in the studio, allowing you to separate and sculpt the portions of the spectrum that are distorted and remain untouched for ultimate flexibility.

Darkglass Electronics

Demo by  HugoBass

Review by David Abdo, premierguitar.com

Review by Rainer Wind, bonedo.de

Demo by patric hunter 

Demo by darkglass electronics 

Microtubes X

Dave Snippe

DOOM 2 is an original fuzz circuit that turns your input signal into something resembling the sawtooth wave of a vintage synthesizer. Unlike most fuzz-style circuits, DOOM 2 responds to your playing technique and retains note dynamics.
New for version 2 is the you’re / your switch. You’re is the classic DOOM sound - strong upper harmonics, a mid-focused sound, and octavia / ring modulator effects as you play up the neck. Your is a new mode that has a stronger fundamental, more low end and fewer harmonics. This mode sounds more like a traditional fuzz.

3 Leaf Audio

Review by guitar pedal X

Demo by BAssTheWorld

Doom 2

The OptoStomp is a audio compressor that utilizes an optical  sensor to control signal levels.

Website

Review by audiofanzine

Review by Compressor Pdals Reviews

Demo by Peter S

Demo by Simon Smith

Opto Stomp Optical Compressor

Tuwi Yuwi

Make way for the new heir to the octave fuzz throne, the Lizard King from Electro-Harmonix. Directly inspired by the EHX x JHS collaboration released in 2023, the Lizard King takes the gnarly and responsive octave fuzz circuit from the Lizard Queen and optimizes it for bass and beyond. With updated tone controls and a new Blend knob, the bass’s fundamental tone and low-end is preserved while the top-end of the fuzz tone is shaped to fit or dominate any mix!

The EHX Lizard King is a fixed-gain fuzz that is dynamically responsive. Adjustments to your instruments volume affects the amount of fuzz. Lower instrument volumes create a clear, fuzzy overdrive, while full instrument volume sends the gain over the top for ripping riff and searing solo tones. The familiar VOLUME and OCTAVE knobs control overall output and octave blend volume respectively. New to the Lizard King, the BLEND knob sets the mix between your clean and fuzz tones to create the perfect balance of fuzz while retaining your bass’s attack and low-end. The TONE knob is a low pass filter that rolls off the highs, while the SUN/SHADOW switch further enhances the tone of the octave fuzz and clean tones. SUN boosts the octave fuzz with a more driving midrange, and the clean tone accessed by the BLEND knob has more treble and bass frequencies. When the switch is set to SHADOW, the clean tone is unchanged, and fuzz tone is tighter.

Demo by Nate Navarro

Lizard King

KORG

Website 

Pitchblack

Für 9-15 FX-Pedale, 1 MOD-Slot - **622 x 330 mm / 24.49" x 12.99"** - erhältlich mit Gig Bag oder Flight Case

For 9 - 15 FX pedals, 1 MOD slot - **622 x 330 mm / 24.49" x 12.99"** - available with Gig Bag or Flight Case

Die polyphone Electro-Harmonix Superego Synth Engine erfindet Sample and Hold neu, erzeugt flüssige Glissandos und produziert oszillator-artige Syntheziser-Effekte. Unterschiedliche Sounds lassen sich im Latch Mode übereinander legen und eröffnen völlig neue Klangwelten!

The polyphonic Electro-Harmonix Superego synth engine reinvents sample and hold, creates fluid glissandos and produces oscillator-like synth effects. Different sounds can be layered in Latch Mode and open up completely new worlds of sound!

Demo by Pro Guitar Shop 

Demo by Reverb

Demo by Prymex

Demo by Bill Ruppert

EHX website product page

Superego Synth Engine

Holiest Grail

Im Black Finger steckt die gleiche hochprofessionelle Technik, wie in teuren "vintage-high-end-Studiocompressoren". Allerdings in Form eines erschwinglichen und sehr kompakten Fußpedals! Zwei unterschiedliche Lichtquellen (LED und Lampe) liefern deutlich unterschiedliche Messwerte und bieten einzigartig mannigfaltige Kompressionen an. Eine Röhre steuert die Kompression, während die andere den Gain regelt. Ein echter Röhren-Kompressor in jeder Hinsicht. Kann als Teil eine Effekt-Kette oder direkt an Gitarre, Bass oder Gesang verwendet werden.

Dual tube magic! Using the same professional-grade techniques as the most revered, vintage, high-end studio compressors, the Black Finger delivers truly professional performance compression. Unlike other “tube hyped” products on the market, which use 9 to 50 volts, the Black Finger’s toroidal transformer allows for a full 300 volts of swing, preserving the attack while providing the warmest compression imaginable. Fantastic sustain, and a must for any amplified acoustic guitar.