Eduard Spät

My First Pedalboard, I have no real Concept. Just put all my Padels together that I got for present or bought myself. Happy for Tips

Edi's Rakte 1

Tester

Die BOSS RC-30 ist eine leistungsstarke Twin Pedal Multitrack-Loop-Station mit zwei synchronisierten Stereospuren und integrierten Loop-Effekten. Sie bietet bis zu drei Stunden interne Stereo-Aufnahmezeit und 99 Speicherplätze für die Verwaltung von Loops. Das Gerät verfügt über einen dedizierten XLR-Mikrofoneingang mit Phantomspeisung, sodass Vokalisten und Akustikmusiker direkt neben Instrumenten aufnehmen können. Sie bietet unabhängige Lautstärkeregler für jede Spur sowie verschiedene Rhythmus-Pattern als Begleitung. Integrierte Effekte wie Transpose, Flanger und Phaser können während der Wiedergabe gezielt auf die Loops angewendet werden. Ein USB 2.0-Anschluss ermöglicht den Import und Export von WAV-Audiodateien zur externen Speicherung oder Performance-Vorbereitung.

The BOSS RC-30 is a powerful Twin Pedal multitrack looper featuring two synchronized stereo tracks and built-in loop effects. It offers up to three hours of internal stereo recording time and 99 onboard memory phrases for storing loops. The unit includes a dedicated XLR microphone input with phantom power, allowing vocalists and acoustic musicians to record directly alongside instruments. It features independent volume faders for each track and a variety of rhythm patterns to act as a backing guide. Integrated effects such as Transpose, Flanger, and Phaser can be applied specifically to the loops during playback. USB 2.0 connectivity allows for the import and export of WAV audio files for external storage or performance preparation.

BOSS

Demo by Marc Allred

Demo by Alamo Music Center

Product Page

Review by Guitar Tone Overload

Review by Premier Guitar

Manual

RC-30 Loop Station

LINE 6

Das BOSS DS-2 Turbo Distortion ist eine Weiterentwicklung des klassischen DS-1 Sounds.
Es bietet zwei wählbare Modi, die unterschiedliche Verzerrungscharaktere für Rhythmus und Lead liefern. Modus I erzeugt eine warme und gleichmäßige Verzerrung, ideal für Akkorde und Basis-Sounds.
Modus II hebt die Mitten an und sorgt für durchsetzungsfähige Soloklänge. Über die Remote-Buchse lässt sich der Modus mit einem externen Fußschalter umschalten. Das robuste Kompaktgehäuse macht es zuverlässig für Bühne und Studio.

The BOSS DS-2 Turbo Distortion delivers a powerful evolution of the classic DS-1 sound. It offers two selectable modes that provide distinct distortion voices for rhythm and lead playing. Mode I delivers a warm and even distortion ideal for chords and general drive tones. Mode II boosts the mids for sharper attack and solo tones that cut through a mix. The pedal includes a remote jack to switch modes using an external footswitch. Its rugged compact design makes it reliable for both stage and studio use.

Manual Page

Demo by Sonicstate

Demo by Ryan Lutton

DS-2 Turbo Distortion

PedalSafe Type E1

QuickMount Type E

Pedal-Montageplatte für Standard-Boss-Pedale

Pedal Mounting Plate For Standard Boss Pedals

Schutzabdeckung & RockBoard-Montageplatte für BOSS Compact Serie, RC3 LoopStation & RC5 LoopStation Pedale

Protective Cover & RockBoard Mounting Plate For BOSS Compact Series, RC3 LoopStation & RC5 LoopStation pedals

Schutzabdeckung & universelle Montageplatte für BOSS Compact Serie, RC3 LoopStation & RC5 LoopStation Pedale

Protective Cover & Universal Mounting Plate For BOSS Compact Series, RC3 LoopStation & RC5 LoopStation pedals

Zurück aufgrund überwältigender Nachfrage… im Mini-Paket! Der Kultklassiker „Green Russian Big Muff“ sorgte erstmals Mitte der 1990er Jahre für Aufsehen. Seitdem wird es von Gitarristen und Bassisten für seinen verheerenden Bass und sein einzigartiges Schlamm- und Brutzeln gelobt. Der EHX Green Russian Big Muff erzeugt einen gewaltigen Klang, der ganz für sich ist, aber unbestreitbar Big Muff ist.

Back by overwhelming demand… in a mini package! The cult classic Green Russian Big Muff first shook the ground in the mid-1990s. Since then it has been heralded by guitarists and bassists for its devastating low-end and unique sludge and sizzle. The EHX Green Russian Big Muff creates a huge tone that is all its own, but is undeniably Big Muff.

Electro-Harmonix

Manufacturers page

Review by EPBBass, musiker-board.de

Review by Charles Saufley, premierguitar.com

Official manual

Demo by Bass Stuff

Demo by Reverb

Green Russian Big Muff π reissue

PedalSafe Type A1.1

QuickMount Type A

Pedal-Montageplatte für Standard-Einzelpedale

Pedal Mounting Plate For Standard Single Pedals

Schutzabdeckung & RockBoard-Montageplatte für MXR® Standardgröße und Dunlop® Echoplex Delay Pedale

Protective Cover & RockBoard Mounting Plate For MXR® standard size and Dunlop® Echoplex Delay pedals

Schutzabdeckung & universelle Montageplatte für MXR® Standardgröße und Dunlop® Echoplex Delay Pedale

Protective Cover & Universal Mounting Plate For MXR® standard size and Dunlop® Echoplex Delay pedals

Louis Springer

Mit dem Harley Benton Power Plant ISO-2 Pro hat die Thomann-Hausmarke eine Mehrfach-Stromversorgung für Effektpedale im Portfolio, die insgesamt 2000 mA an Strom liefern kann und somit sehr gut für hungrige Digitalpedale geeignet ist. Die Ausgänge sind alle galvanisch voneinander getrennt, dazu ist das Gerät auch noch klein und leicht.

No matter how great the effects on your pedal board are: If the power supply is not up to the job, your set-up is a ticking time bomb. To guard against nasty surprises in the practice room and on stage, we developed the PowerPlant ISO-2 Pro. This multi-output PSU offers you 8 isolated, filtered and short-circuit-protected power outputs for your effect pedals that eliminate noise and hum. Each output has its own status LED. Two outputs deliver 9/12/18 V DC at max. 500 mA, while the remaining six outputs offer 9 V DC at max. 300 mA (individually isolated). A comprehensive assortment of cables is also included: Eight single cables (60 cm in length, 5.5 x 2.1 mm coaxial plug on both ends) and one Y-cable (voltage doubler, 30 cm in length, one 5.5 x 2.1 mm coaxial plug on one end, two 5.5 x 2.1 mm coaxial plugs on the other end).

Harley Benton

Demo by leothemetal 

Demo by Duesenberger

Demo by  Ginger Lefty Guitar

Demo by The Bedroom Rocker

Review by reddit.com/r/guitarpedals

Review by stinkfoot.se

Review by delamar.fm

Review by bonedo.de

PowerPlant ISO-2 Pro

Dieses digitale Multimodus-Envelope-Filter- und Auto-Wah-Pedal wurde entwickelt, um vielseitige Frequenz-Sweep-Effekte für Gitarre und Bass zu liefern. Es verfügt über einen einzigartigen „Humanizer“-Modus, der Formantfilter verwendet, um menschliche Vokallaute nachzuahmen, sowie über Standard-Up- und Down-Wah, einen scharfen Resonanzmodus und ein temposynchronisiertes Auto-Wah. Das Gerät verfügt über einen speziellen Basseingang, der für tiefere Frequenzen optimiert ist, und eine Expression/Control-Buchse, die eine manuelle Fußsteuerung oder ein externes Tap-Tempo ermöglicht. Die interne Schaltung bietet einen weiten Dynamikbereich und reagiert auf die Anschlagsstärke, um den Filter-Sweep auszulösen. Es ist im robusten BOSS-Kompaktgehäuse untergebracht und verfügt über einen gepufferten Bypass, um die Signalintegrität bei langen Kabelwegen zu erhalten.

This digital multi-mode envelope filter and auto-wah pedal is designed to provide versatile frequency-sweeping effects for both guitar and bass. It features a unique "Humanizer" mode that utilizes formant filters to mimic human vowel sounds, along with standard up and down wah, a sharp resonant mode, and a tempo-synced auto-wah. The unit includes a dedicated bass input optimized for lower frequencies and an expression/control jack that allows for manual foot control or external tap tempo. The internal circuit provides a wide dynamic range, responding to picking intensity to trigger the filter sweep. It is housed in the standard, rugged BOSS compact chassis and features a buffered bypass to maintain signal integrity over long cable runs.

Demo by Pedal of the Day

Demo by Wall of Sound

Review by Awkward Sound

Review by Amped

AW-3 Dynamic Wah

Dario Garbin

Get that mild and mellow circuit delay. This is a favorably priced way to get those great tones. True bypass design.

JOYO

Demo by HEWAN GITAR REBEL 

Demo by Addicted to Gear

Review by Trevor Curwen, musicradar.com

Review by harpforum

JF-33 Analog Delay

Gehard Zewe

The MXR Micro Amp level booster pedal lets you take control of your volume level before your signal goes to the amp! Boost your signal for leads and switch it on when you need it. Use the Micro Amp to match the output levels of your humbucker-equipped guitar and your single-coil axe. Push your tube amp into that golden tone zone. If you use several pedals, this handy unit lets you bring your signal back up to the level you need before it goes to the amp. Give your rig a boost — use the Micro Amp!

Micro Amp M133

PedalSafe Type A1

Schutzabdeckung & RockBoard-Montageplatte für Standard Single Pedale

Protective Cover & RockBoard Mounting Plate For Standard Single Pedals

Schutzabdeckung & universelle Montageplatte für Standard Single Pedale

Protective Cover & Universal Mounting Plate For Standard Single Pedals

The DT Deluxe from Donner is an exceptional chromatic tuner that comes in a classic design and compact size so it will not hog your pedalboard space. It includes true bypass, which is fundamental for this type of pedal, and a new strobe mode with +/- 1 cent accuracy. This guitar tuner pedal has a huge LCD that shows you what is going on. The footswitch lets you turn the tuner on/off, and will instantly mute your signal once the pedal is activated. The DT Deluxe is convenient to use and makes for a great entry-level tuner.

Donner

Demo by Old7StringGuy

Demo by  intheblues

DT Deluxe

QuickMount Type K

Pedal-Montageplatte für Mooer Micro Series Pedale und ToneX One

Pedal Mounting Plate For Mooer Micro Series Pedals and ToneX One

Ennio miurin

Seit über 50 Jahren ist Marshall führend bei der Entwicklung von Overdrive- und Distortion-Sounds, die ganze Genres geprägt haben. Der Jackhammer fängt den klassischen Marshall-Drive ein und geht noch einen Schritt weiter. Mit extremen Distortion-Fähigkeiten und präzisen EQ-Einstellungen ist dieses Pedal ein echtes Kraftpaket. 

For over 50 years, Marshall has been at the forefront of genre defining overdrive and distortion tone. The Jackhammer captures all that classic Marshall drive and takes it a step further. With extreme distortion capabilities alongside accurate EQ parameters, this pedal means serious business. 

Marshall

Review by guitartoneoverload

Demo by Portal Gitarowy

Official Product Video

JH-1 Jackhammer

David Litaba

Das Original Crybaby Pedal, das viele zeitlose Rocksounds erzeugte und unter anderem von Größen wie Jimi Hendrix, Eric Clapton, Buddy Guy, David Gilmour benutzt wurde.

When people talk about wah pedals, they're talking about the Crybaby. This is the original—the one that created some of the most timeless sounds in rock. Relied on by Jimi Hendrix, Eric Clapton, Buddy Guy, David Gilmour, and many other greats Features: Heavy die cast construction for years of reliability, 100K ohm Hot Potz potentiometer that allows for that quick, abrupt wah sound. Powered by the Dunlop ECB-003 AC Adapter and/or 9 volt battery.

Dunlop

Official Product Page

Guitar World Demo

Review by bonedo 

Demo by PMTVUK

Demo by SweetWater

GCB95 Cry Baby Standard Wah

QuickMount Type M

Pedal-Montageplatte für Dunlop Cry Baby Wah-Pedale

Pedal Mounting Plates For Dunlop Cry Baby Wah Pedals

Speziell für Heavy-Music im "Nu Metal"-Stil hat BOSS das MD-2 entwickelt. Es liefert satte, tiefe Distortion und ist ideal auch an 7-saitige Gitarren angepasst.

The MD-2 Mega distortion takes the bottom-heavy distortion sounds heard in today's new-school metal and pushes it to the extreme. The secret is a special dual-stage distortion circuit with an added gain boost-plus new Bottom and Tone controls--for crushing distortion with massive low end. Take your distortion into the future with the MD-2.

Demo by Leon Todd

Demo by Prymaxe

MD-2 Mega Distortion

The BOSS TR-2 Tremolo is designed to provide guitarists with classic tremolo effects in an easy-to-use compact pedal. Dedicated "Wave," "Rate," and "Depth" knobs provide a multitude of effect possibilities.

Demo by  Guitars, Music and Tech

Review by Musiker-Board

Review by Rig-Talk

Review by The Gear Check

TR-2 Tremolo

Ash Freed

A modern take on classic rock & my 90s roots.
(With options for Digital Audio Work and headphones!)

Can be powered with one BOSS PSA-AC and a daisy chain, via the TU-3w tuner.

Custom DiMarzio PAF '59 HH Bumblebee

NEO Rock Battery [ 08 DEC 25 ]

Deluxe 900 12" Celestion

Alessandro Cimoli

The Big Muff is an iconic pedal. Many versions of this classic stompbox have been created since its introduction in the 70s, and Billy Corgan of The Smashing Pumpkins is arguably the most-renowned user of the Electro Harmonix Big Muff. Pioneering the huge, engulfing "wall of fuzz" sound that defined the groundbreaking Siamese Dream album in the mid-90s, Corgan relied on a particular iteration of the circuit to attain that massive sound - the V4.

Known as the Op-Amp Big Muff, rare originals of this pedal have sold on the second-hand market for hundreds of pounds. And whilst tone-chasers have worked extremely hard to replicate his legendary sound, Electro Harmonix have listened to fans and given us a pedal that delivers Corgan's tone in a compact stompbox at an affordable price!

Collaboratively designed with the man himself, the Op Amp Big Muff has all the hi-gain, saturated goodness that fans have tried to emulate for almost 25 years. With the 3 classic controls you'd expect to find on most Big Muffs (Sustain, Tone and Volume), you can carefully craft your optimal fuzz sound. Rolling in more top-end cut the higher you turn it up, you can also bring in some sub-octave warmth when you set it lower.

So today is your chance to turn your quiet rig into one that can send you into the stratosphere like a spaceboy in a rocket. With this pedal, rock like a cherub!

OP Amp Big Muff

Alessandro Pintus

When using a regular guitar amplifier, getting consistent tones in different performance situations can sometimes be a challenge. With the compact and versatile IR-2 in your rig, you’re always ready to deliver your signature sound directly to a house PA or recording setup when needed. Choose from 11 premium amp types paired with Celestion Digital IRs and instantly tweak your sound via simple controls. Use the mono/stereo loop for post-amp effects and plug in headphones for monitoring and quiet practice. And with onboard USB-C, you can easily interface with music software and load in your favorite cab IRs.

Review by The Gear Page

Review by reddit /guitarpedals

Review by bonedo

Review by Guitar

Demo by  Nick Bowcott 

IR-2 Amp & Cabinet

With the TU-3W, BOSS brings Waza Craft mojo to the world’s leading stompbox tuner. At its core, the TU-3W provides rock-solid tuning equivalent to the industry-standard TU-3. In true Waza tradition, the pedal’s benchmark functionality is further enhanced with BOSS skill and craftsmanship. Pure, uncolored signal transfer is essential for a tuner, and the TU-3W features redesigned circuitry with selectable buffered or true-bypass operation and the most transparent audio pass-through possible. Packing high-end performance for discriminating players, the TU-3W delivers a premium pedal experience only available from BOSS.

TU-3W Tuner

Keeley Kompressoren sind wohl die beliebtesten Boutique Kompressoren am Markt. Mit weit über 50.000 gebauten Kompressoren ist die Keeley Werkstatt wohl ein Experte auf den Gebieten Kompression, Limiting und Sustain. Keeley weiß ganz genau was es braucht um ein Instrument klingen zu lassen, als wäre es professionell aufgenommen worden. Sie wissen wie sie deine Gitarre im Mix ganz nach vorn stellen und sie wissen genau, was das Spielen zur wahren Freude macht. Keeley Compression macht’s möglich! Der Keeley Compressor Plus ist der nächste Schritt nach vorne in Keeleys Reihe an 2- und 4- Knob Kompressoren. Die neuen Features sind einfach und geradeaus. Es gibt einen einfachen Release Schalter, der speziell auf Single Coils und Humbucker getunt ist. Kein rätseln mehr, ob Attack und Release richtig eingestellt sind. Deine Humbucker haben all das Attack und den Punch den sie haben sollen! Das Keeley Team hat außerdem einen fantastisch klingenden Tone Regler kreiert, der die sensiblen Obertöne, die bei komprimierten Signalen oft verloren gehen, betont. Außerdem verfügt der Compressor Plus über einen Blend Regler, der das Kompressor Signal auf bis zu 50 % im Mix absenken, und so die Dynamikspitzen in deinem Spiel und somit deine Phrasierung erhalten kann, während du zudem das nötige Sustain bekommst. Der Keeley Compressor Plus bietet denselben fabelhaften Push an süßen Frequenzen, den du von älteren Kompressoren kennst, nun mit der nötigen Flexibilität für jedes Instrument.

The Keeley Compressor is the most popular boutique compressor in the world.  With well over 50,000 compressors built in the Keeley shop we have an expert understanding of compression, limiting, and sustain.  Keeley know what it takes to make an instrument sound like it’s been professionally recorded.  They know how to make your guitar jump from the mix. They know how to make it fun and easy to play.  Keeley Compression is how.  The Keeley Compressor Plus is the next true advancement in their 2 and 4 knob compressor line.  The new features are simple and straight forward.  Now there is a simple Release Switch that is tuned for single coils or humbuckers.  No more wondering if you have the attack or release set right.  Your humbuckers will have all the attack and punch that they should.  The Keeley team designed a gorgeous sounding Tone Control that emphasizes the most sensitive harmonics that can be lost in compression.  The Compressor Plus now sports a Blend Control that retains the peaks in your playing and more importantly the proper phasing of your guitar signal.  The Keeley Compressor Plus offers the same gorgeous push of frequencies and sweetening of tone that the old comps gave you, now with the flexibility to handle any instrument.

Keeley Electronics

Keeley Compressor Plus - Demo Video - ProGuitarShop Demos

Keeley Compressor Plus - Demo Video - Livingroom Gear Demos

Review by AMAZONA

Compressor Plus

Tavish Stone

Das EHX Lizard Queen Octave Fuzz wurde ursprünglich von Josh Scott von JHS Pedals und dem Grafikdesigner Daniel Danger als Hommage an Electro-Harmonix in der Blütezeit des Unternehmens in den 1970er Jahren entworfen. Das EHX Lizard Queen Octave Fuzz ist eine Version des Pedals in Nanogröße, die von den Ingenieuren von Electro-Harmonix zum Leben erweckt wurde und alle Töne und Schwingungen des ursprünglichen Schaltungsdesigns von Josh besitzt.  

Der Sound ist inspiriert von EHXs Fuzz-Pedigree mit einer einzigartigen analogen Oktavschaltung, die den Vibe des Originaldesigns hat, das erstmals 2022 in der JHS Show vorgestellt wurde. So entsteht ein völlig neuer und einzigartiger EHX-Fuzz-Sound, den wir noch nie zuvor gehört haben. Um die Geschichte weiter zu erzählen, ist das Pedal mit Vintage EHX-inspirierten Grafiken geschmückt, die von Daniel entworfen wurden.  


Originally designed by Josh Scott of JHS Pedals and graphic designer, Daniel Danger as a homage to Electro-Harmonix in what Josh and Daniel consider the company’s design heyday of the 1970s, the EHX Lizard Queen Octave Fuzz is a nano-sized version of the pedal brought to life by the engineers at Electro-Harmonix that has all of the tones and vibes of the original circuit design by Josh. The tone is inspired by EHX’s fuzz pedigree with a unique analog octave up circuit that has all the vibe of the original design first featured on the JHS Show in 2022. This creates a completely new and unique EHX fuzz sound we’ve never heard before. To further tell the tale, the pedal is adorned with vintage EHX-inspired graphics designed by Daniel.

Housed in EHX’s Nano-sized chassis, the EHX Lizard Queen is a fixed gain fuzz pedal which features Volume, Octave, and Balance knobs. Volume controls the overall output volume level. The Octave control adjusts the level of the octave-up signal from zero to full octave chaos. Perfect for dialing in a crushing rhythm sound or a chimey, clanging lead sound. The Balance knob sets the tone balance between the smoother Shadow setting and the raspy, biting Sun setting. The effect of the Balance control is especially apparent with the octave set high.

Review by Trevor Curwen, guitarworld.com

Review by Jan Steiger, amazona.de

Demo by Roy's Studio Adventures

Demo by PJ and the Beard

Lizard Queen

Der Small Stone von Electro Harmonix ist ein Phaser-Pedal, das 1974 von David Cockerell entwickelt wurde. Im Gegensatz zu seinem Hauptrivalen, dem MXR Phase 90, der einen JFET-Transistor verwendet, um die Frequenz seiner vier Stufen zu variieren, ist seine Schaltung um einen Transkonduktanz-OP-Verstärker herum aufgebaut. Der Small Stone wurde unter anderem von David Gilmour und David Bowies Gitarristen Carlos Alomar verwendet und war von Anfang an ein großer Erfolg, so dass er noch immer im Katalog der in Long Island ansässigen Marke zu finden ist.

The Small Stone from Electro Harmonix is a phaser pedal that was developed by David Cockerell in 1974. Unlike its main rival, the MXR Phase 90, which uses a JFET transistor to vary the frequency of its four stages, its circuit is built around a transconductance op-amp. Used by David Gilmour and David Bowie's guitarist Carlos Alomar, among others, the Small Stone was a huge success from the start, so much so that it can still be found in the Long Island-based brand's catalog.

Demo by Musicmaker

Review by Reddit /guitarpedals

Review by MusicRadar

Small Stone

1978 wurde in Kalamazoo, MI, eines der vielseitigsten und einflussreichsten Distortion-Pedale aller Zeiten erfunden. Die JHS Pedals PackRat ist die ultimative Hommage an die über 40-jährige Entwicklung der Proco RAT und deren Einfluss auf den Klang der Gitarre. Künstler aller Genres haben die ikonischen Klänge in dieser bescheidenen Blackbox verwendet, um ihre Sounds zu kreieren, darunter Nirvana, John Scofield, Pink Floyd, Metallica, REM, die Eagles, Jeff Beck und Radiohead. Das JHS Pedals PackRat verwendet das gleiche einzigartige digitale Switching-System wie das Muffuletta und das Bonsai, um den Signalweg über 40 einzelne Schalter durch insgesamt 261 Komponenten zu lenken. Das bedeutet, dass in jedem der insgesamt neun wählbaren legendären oder extrem seltenen Modi (OG V1, White Face V3, Turbo V5, BRAT V6, Dirty V7, LA, Landgraff MO'D, Caroline, JHS Mode) vollständig analoge Schaltungen genutzt werden, die die Original-Vorlage bis hin zu den alternden Komponenten perfekt replizieren. 

In 1978, one of the most versatile and influential distortion pedals of all time was invented in Kalamazoo, MI. The JHS Pedals PackRat is the ultimate tribute to the 40+ years of rodent evolution of the Proco RAT and its impact on the guitar's sound. Artists from every genre have used the iconic tones in this unassuming black box to create their sounds, including Nirvana, John Scofield, Pink Floyd, Metallica, REM, the Eagles, Jeff Beck and Radiohead. The JHS Pedals PackRat uses the same unique digital runway system as the Muffuletta and the Bonsai to direct the paths of 261 components through 40 individual switches. This means that when you choose one of the nine legendary or rare modes (OG V1, White Face V3, Turbo V5, BRAT V6, Dirty V7, LA, Landgraff MO'D, Caroline, JHS Mode), you are playing fully analog circuits that perfectly replicate that mode, even down to the aging components (also known as component drift). The operation of the PackRat is about as simple as it gets. 

JHS Pedals PackRat - Official Demo Video

JHS Pedals PackRat - Demo Video - Guitar Bonedo

JHS Pedals PackRat - Demo Video - Musiker TV

JHS Pedals PackRat - Demo / Review Video - Living Room Gear Demos

JHS Pedals PackRat - Demo / Review Video -  Sweetwater

JHS Pedals PackRat - Demo / Review Video - Shawn Tubbs

JHS Pedals PackRat - Demo Video - R.J. Ronquillo

Review by Russo Music

PackRat

QuickMount Type B1

Pedal-Montageplatte für FRIEDMAN, KEELEY Halo, WAMPLER EQ, VelvetFuzz, WALRUS DeepSix, JULIA V2, 385 OD, Jupiter V2 und Mooer GL 100 Pedale

Pedal Mounting Plate for FRIEDMAN, KEELEY Halo, WAMPLER EQ, VelvetFuzz, WALRUS DeepSix, JULIA V2, 385 OD, Jupiter V2 and Mooer GL 100 pedals

Der Electro-Harmonix Bad Stone ist ein analoges Phaser-Pedal für E-Gitarre und Bass. Es basiert auf der ursprünglichen Bad-Stone-Schaltung aus den 1970er-Jahren. Das Pedal erzeugt weiche Phaser-Effekte von dezenter Bewegung bis zu ausgeprägten Sweeps. Ein manueller Modus ermöglicht es, die Sweep-Bewegung zu stoppen und die Phase an einer festen Position einzustellen. Der Effekt wird über einfache Geschwindigkeits- und Intensitätsregler gesteuert. Das Pedal ist für den Einsatz auf der Bühne und im Studio konzipiert.

The Electro-Harmonix Bad Stone is an analog phaser pedal designed for electric guitar and bass. It is based on the original Bad Stone circuit first released in the 1970s. The pedal produces smooth phasing effects ranging from subtle movement to pronounced sweeps. A manual mode allows the user to stop the sweep and fix the phase at a specific point. The effect is controlled with simple rate and feedback style controls. The pedal is intended for use in both live performance and studio recording environments.

Bad Stone

Nicolas Wilfer

For 50 years, a forgotten schematic sat buried in dust and time – a concept waiting to be born. Now, its moment has come. The EHX Dual Op-Amp Big Muff 2 is here, delivering a completely new Big Muff voice unlike anything you’ve heard before.

Demo by Jamie Slays

BIG MUFF 2

Das Original aus NYC. Hendrix und Santana gehörten zu den ersten, die ein Stück des Pi bekamen, und seit über 40 Jahren hat der EHX Big Muff Pi den Sound der Rockgitarre definiert.

Er wird von zeitgenössischen Gitarristen und Rocklegenden für sein sattes, cremiges, geigenartiges Sustain verehrt, von Pink Floyd bis zu The White Stripes, jeder will immer noch ein Stück vom Pi!

The NYC original. Hendrix and Santana were among the first to get a piece of the Pi, and for over 40 years the EHX Big Muff Pi has been defining the sound of rock guitar.

Revered by contemporary guitarists and rock legends for its rich, creamy, violin-like sustain, from Pink Floyd to The White Stripes, everyone still wants a piece of the Pi!

BIG MUFF PI

The EHX Small Clone Chorus is a reissue of the classic analog chorus pedal popularized by Kurt Cobain. Depth and Rate controls create the finest sounds, from clear, rich and dimensional to warm pulsating warbles.

Demo by Dressed In Black

Review by Catalin Bread

Small Clone

MXR knows phasers. The Phase 90's compact size, superior construction, and refined sound put MXR on the map, and it set the standard by which all other phasers are judged. Two years later, MXR released the Phase 45—a mellower version of the effect favored for its ability to easily blend into a band's mix. Now, you can get both iconic circuits in a single pedal while tightening up your pedalboard at the same time. The Phase 95 combines the Phase 45 and Phase 90 circuits in a mini housing with about half the footprint of a standard MXR pedal. The 45/90 switch toggles between the Phase 45 mode's subtle two-stage phasing and the Phase 90 mode's more pronounced four-stage phasing, while the Script switch toggles between two phasing styles. The Phase 95 is set to modern style phasing by default, which relies on feedback to create light harmonic distortion and gives the effect a more accentuated swoosh. Engaging the Script switch removes feedback for a lusher, more subdued sound with higher headroom and greater clarity. The familiar Speed control sets the rate of the effect. The Phase 95 may be small, but it's full of rich phase tones, and it'll take a beating on the road.

Product Page 

Product Manual 

MXR Phase 95

M290 Phase 95

Der EHX Neo Clone bietet alle Qualitäten des berühmten EHX Small Clone-Pedals in einem kompakteren, pedalboardfreundlichen Gehäuse. Es handelt sich um einen analogen Chorus in schlichtem Design, der Ihnen wunderschön warme, organische Analog-Chorus-Sounds bietet.

The EHX Neo Clone offers all the qualities of the famous EHX Small Clone pedal in a more compact, pedalboard-friendly chassis. It is an analog chorus in a modest design that offers beautifully warm, organic analog chorus sounds.

Neo Clone

Für 5-9 FX-Pedale - **622 x 142 mm / 24.49" x 5.59"** - erhältlich mit Gig Bag oder Flight Case

For 5 - 9 FX pedals - **622 x 142 mm / 24.49" x 5.59"** - available with Gig Bag or Flight Case