GUITAR 4.1 studio

M296 Classic 108 Fuzz Mini

EP Booster

SL Drive

SP Compressor

DC-2W Dimension C (Waze Craft)

M299 Carbon Copy Mini Delay

Headroom

M279 Deep Phase

BP-1W Booster/Preamp

TU-3W Tuner

GE-7 

MT-2W Metal Zone (Waza Craft)

TR-2 Tremolo

Micro ABY MKII

Little Black Buffer

BUTTER YELLOW AUTO QUACK

Deci-Mate

GUITAR 4.1 ok

Tidewater Tremolo

Snow White AutoWah

529i USB Power Supply

PickBox

Der OctaSwitch MKII ist ein 8-fach Looper/Switcher, bei die Effektpedale in die acht Effekt-Loops auf der Rückseite dieser Einheit (alle mit True-Bypass, widerstandsfrei und mit Gold-Relais, damit alle Pedale, sowohl neue als auch alte, verwendet werden können). Durch An- und Ausstellen der nummerierten Schalter in jeder der acht DIP Bank Switches stellt man ein, welche Effekte man simultan je Bank nutzen möchte. Eine blaue LED für jeden Effekt-Loop und jede Bank. Der Octa-Switch II verfügt jedoch noch über eine Reihe weiterer Features! Der neunte Fußschalter auf der Linken Seite ist ein Bypass-Switch, der es erlaubt alle acht Pedale komplett aus der Signalkette zu nehmen und den unbeeinflussten Klang direkt an den Verstärker zu senden. Es gibt außerdem zwei externe Schaltbuchsen, welche die Verwendung von zwei Verstärkern erlauben und/oder das Umschalten der Kanäle auf diesen Amps. Der OctaSwitch bietet einen Mono Eingang (bei Bedarf gebuffert) und einen Stereo Ausgang.

Octa-Switch MK2

Ok, so you have eight effects pedals which you use regularly. You use various combinations of these pedals in various songs, but you are not good at tap dancing…or you are just clumsy and have (once or twice) stepped on the ultra tricked out-metalized-distortion pedal for the lead in your one ABBA cover. You have seen the digital effects controllers they use on the big stages, and have secretly yearned for one… even though you may never make the big stage. Enter Thomas Guldmann’s Octa-switch MK3. Your eight effects plug into the eight effects-loops on the back of this unit (all true-bypass, impedance free, gold relays so you can run any of your pedals, new and old without problem), and then by turning on or off the numbered switches in each of eight DIP Bank switches, you determine which effects you wish to use simultaneously in each Bank. There is a blue LED for every effects loop used and for each Bank (so once you are programmed, when you step on Bank 6 you will see the lights of all the effects you have assigned to Bank 6 and the Bank 6 LED). The Octa-switch MK3 has incorporated a couple new features as well! The ninth switch on the left side of the case is a BYPASS Switch….this allows you to completely bypass all eight pedals and enjoy only the unaffected sound of your amplifier. There are also two External Switching jacks which allow you to use two amplifiers and/or switch channels on those amps. Once you have all the Banks programmed, we recommend placing a piece of scotch or electrical tape over each DIP (….just to protect the switch from accidental switching, damage or floods….like beer). There is a buffered (or not….switchable) Mono input and a stereo Output, and the unit is powered by dual 9v batteries, or by a regulated power supply…like the PowerJack or the Pro Power (both by Carl Martin).

Product Page

Manual

Octa-Siwtch

Demo by Selane Productions

Demo by  Goldmusicsrl

Review by audiofanzine

Boost kick

Mit dem Carl Martin Ampster stellt der dänischen Pedalhersteller eine Vorstufe im Pedalformat vor, die sowohl bei Recording- als auch Live-Anwendungen ihre Trümpfe ausspielen kann. Damit bietet sie ein ganz klares Gegengewicht zu den unzähligen digitalen Modelern, denn das handliche Amp-Pedal setzt auf eine komplett analoge Bauweise und ist sogar mit einer 12AX7 Preamp-Röhre bestückt.

Introducing the Carl Martin Ampster…. from the company that has shone the single analog light down that deep digital tunnel.  The Ampster, a single tube driven amp/speaker simulator that can either supplement your amp, or replace it.  A fully analog unit with controls that are the same as your amplifier with the addition of a mute switch, a speaker selection switch and a voicing switch.  What’s more important, the Ampster reacts to your playing in the same way your full size amp does, giving you the same organic feel with zero latency!

Ampster

The Carl Martin Headroom is the most simple to operate reverb pedal on the market…with a couple extras. This purely analogue ‘real spring’ reverb has two identical identical channels, each with tone and level controls to select the depth and tone of your reverb. This allows you to have a soft, small room reverb on Channel A and a much more dramatic and dark large-room reverb on Channel B (or vise versa) The two foot-controlled switches control which channel you are in, and whether you wish to bypass the effect completely. It is like having two separate reverbs in your amp!

Review by musicradar

Review by bonedo

Headroom by Carl-Martin

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GUITAR 4.1 studio

GUITAR 4.1 ok

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Ampster

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