The Sarcophagus takes two massive circuits and combines them into one unit, saving space, cabling and powering. The Pharaoh and LSTR are both present in the entirety with the addition of a toggle to reverse effect order. Pharaoh into LSTR or LSTR into Pharaoh. Built especially for the gain freaks, those who love more. More gain, more low end, more volume.

A pedal of unruly proportions, taking your tone to the underworld.

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Sarcophagus

Not your dad’s overdrive…Too much gain. Too much mids and too much highs.
Add it up in excess and it screams.

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Witch Burner MkII

The Black Arts Coven takes two very useful circuits and combines them into one unit, saving space, cabling and powering. The Pharaoh and Black Forest are here in their entirety with the addition of a toggle to switch the order of the effects. Pharaoh into Black Forest or Black Forest into Pharaoh at the flick of a switch. A hugely useful tone shaping tool, the Coven is the joining of two forces to create a new unified path

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Coven

The Destroyer V2 combines the Ritual V2 and Oath into one unified assault. PART RITUAL, PART OATH. FULL DESTRUCTION. This goes from a controllable WALL OF FUZZ, to a SAVAGE PREAMP ANNIHILATOR. Use the Ritual or the OATH separately, OR STOMP BOTH AND DESTROY. New V2 version Ritual fuzz has more gain, compression and low mids on tap, roll guitar volume back to 9 for more bite and less compression. The Destroyer will make a hole that few can follow.

Destroyer

For musicians who love their guitar and amp’s tone. The Pharaoh pedal, while its roots and DNA are classic fuzz, has a few twists. The Pharaoh has a wide range of clipping and tonal options. From a cleanish boost, to a light OD, all the way to saturated fuzz. It sounds clear and natural, strong and bold. Your guitar sound isn’t high jacked, and your amp’s tone is not destroyed. The Pharaoh utilizes a dual tone control. The tone circuit is designed to suffer little volume loss, and give a natural sound. Your guitar and amp still sound like your guitar and amp. No drastic cuts or boosts. The tone section allows your amp to do the heavy lifting.

The Pharaoh starts with a hi/lo input switch, not unlike that of your favorite tube amp. Lo for more headroom/less clipping. Hi for less headroom/more clipping. A standard fuzz knob. A full range tone control with the addition of a high end compensation knob to allow you to replenish the highs cut by the tone control when boosting lows. The diode selector switch allows for different modes of clipping. Silicon Diodes for a raspy distorted sound, Diodes out for more volume /headroom and less clipping. Asymmetrical Germanium clipping diodes give a warm, tubey old school sound.

The two switches can take the Pharaoh from a clean/ fat boost to light OD which cleans up well with your guitar’s volume knob, all the way to hairy open fuzz. The Pharaoh utilizes signal caps large enough to pass all frequencies through, uncut. Again, a natural sound. This is especially important for bass player; you’ll get huge fuzz with NO low-end loss, and without squishy flubby tones.

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Weitere Pedals von Black Arts Toneworks

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Sarcophagus

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Witch Burner MkII

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Coven

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Destroyer

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