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Black Sheep Fuzz

Destroyer

Maryland Doomfest 23′ Massif

Bass Mountain

LSTR

Sarcophagus

Soma V2

Athos V2

Yama

Architect Of Reality

Doom Metal Board 

Black Forest Fuzz

Crown of Horns

Coven

Blackhole Reverb

Pitchblack

Ghost Delay

For musicians who love their guitar and amp’s tone. The Pharaoh pedal, while its roots and DNA are classic fuzz, has a few twists. The Pharaoh has a wide range of clipping and tonal options. From a cleanish boost, to a light OD, all the way to saturated fuzz. It sounds clear and natural, strong and bold. Your guitar sound isn’t high jacked, and your amp’s tone is not destroyed. The Pharaoh utilizes a dual tone control. The tone circuit is designed to suffer little volume loss, and give a natural sound. Your guitar and amp still sound like your guitar and amp. No drastic cuts or boosts. The tone section allows your amp to do the heavy lifting.

The Pharaoh starts with a hi/lo input switch, not unlike that of your favorite tube amp. Lo for more headroom/less clipping. Hi for less headroom/more clipping. A standard fuzz knob. A full range tone control with the addition of a high end compensation knob to allow you to replenish the highs cut by the tone control when boosting lows. The diode selector switch allows for different modes of clipping. Silicon Diodes for a raspy distorted sound, Diodes out for more volume /headroom and less clipping. Asymmetrical Germanium clipping diodes give a warm, tubey old school sound.

The two switches can take the Pharaoh from a clean/ fat boost to light OD which cleans up well with your guitar’s volume knob, all the way to hairy open fuzz. The Pharaoh utilizes signal caps large enough to pass all frequencies through, uncut. Again, a natural sound. This is especially important for bass player; you’ll get huge fuzz with NO low-end loss, and without squishy flubby tones.

Black Arts Toneworks Pharaoh Fuzz (DOOM METAL DEMO)

Black Arts Toneworks Pharaoh Fuzz

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Pharaoh

The Sarcophagus takes two massive circuits and combines them into one unit, saving space, cabling and powering. The Pharaoh and LSTR are both present in the entirety with the addition of a toggle to reverse effect order. Pharaoh into LSTR or LSTR into Pharaoh. Built especially for the gain freaks, those who love more. More gain, more low end, more volume.

A pedal of unruly proportions, taking your tone to the underworld.

Sometime ago, Black Arts worked with Mike Scheidt from YOB to design a distortion pedal which addressed the shortcomings of his favorite distortion at that time, the Ross Distortion. We used his pedal as a starting point and by adding a three band active EQ between gainstages among other tweaks we achieved the desired tonality, aggression and volume boosting capabilities need to push amps and address EQ needs of changing rooms on tour. The active EQ can control low/mid/treble but being between gain stages it can boost those frequencies into more or less distortion as needed. Low gain settings were of great importance to us and we were able to dial in clarity and articulation to make it a useful toneshaper in both live and studio applications. Mike road tested the design and it was released as the Quantum Mystic OD. It was used on the 2014 YOB album ” Clearing the Path to Ascend “.

Product Review 

Raw Heart OD

A revelation. Stripped down all out amp pusher. The Revelation has a trio of controls. Pre Gain, Gain, and Volume. LOTS of volume. Pre Gain sets the overall gain level of the device, the gain control dials in the correct amount of distortion and the volume knob absolutely slays the front end of your amp. Think of the Revelation as an extension of your amp’s pre section. Use it to push your amp into super creamy saturation, use it to boost your riffs into full and thick exaggerations of your amp’s base tone. The Revelation does not alter your tone, just makes MORE of it. Choose the Revelation to hammer your amp.

The SuperLead version of the Revelation is a rawer, more aggressive take on the circuit. A bit gnarlier, mid focused, aggressive sound. Specifically tuned for guitar, and baritone guitars, choose the SuperLead for a fuller, fatter, more saturated and aggressive sound.

The SuperBass version of the Revelation is a rounder, more dynamic take on the circuit. A bit bassier, gruffer, throatier sound. Works equally well for guitar or bass, choose the SuperBass for a fuller, fatter sound.

Black Arts Toneworks Revelation (Superlead & Superbass)

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Revelation

In all of it’s throwback glory, the Black Sheep. Dirty, mean spirited and a blast to hang around with. You can’t help but feeling a bit dirty when you plug in.

Product Review by Guitar FX Direct

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