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Destroyer

Crown of Horns

Coven

Blackhole Reverb

Pitchblack

Ghost Delay

A revelation. Stripped down all out amp pusher. The Revelation has a trio of controls. Pre Gain, Gain, and Volume. LOTS of volume. Pre Gain sets the overall gain level of the device, the gain control dials in the correct amount of distortion and the volume knob absolutely slays the front end of your amp. Think of the Revelation as an extension of your amp’s pre section. Use it to push your amp into super creamy saturation, use it to boost your riffs into full and thick exaggerations of your amp’s base tone. The Revelation does not alter your tone, just makes MORE of it. Choose the Revelation to hammer your amp.

The SuperLead version of the Revelation is a rawer, more aggressive take on the circuit. A bit gnarlier, mid focused, aggressive sound. Specifically tuned for guitar, and baritone guitars, choose the SuperLead for a fuller, fatter, more saturated and aggressive sound.

The SuperBass version of the Revelation is a rounder, more dynamic take on the circuit. A bit bassier, gruffer, throatier sound. Works equally well for guitar or bass, choose the SuperBass for a fuller, fatter sound.

Black Arts Toneworks Revelation (Superlead & Superbass)

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Revelation

You’ll find sounds from a gentle full range boost, gritty treble boost, gassing up to a full aggressive fuzz.
Great for boosting and adding some edge to a dirty preamp, add definition to a saturated front end.

Controls:
Gain– Dial up harmonic content maxing up to fuzzy
Volume – Match your amp volume, then cut or boost as needed
Contour – toggle between a bassy setting and a trebly setting.
Range – toggle between lower and higher gain ranges.

Skyboost

The Fnord is a octaver / fuzz type circuit with some twists. It blends a scrambler / octaver type fuzz with a more traditional fuzz / distortion. From zipper/Velcro tones to a full throated distortion, or a combination of the two. Add a sizzle to your leads, make a rhythm sound that harkens back to the days of screwdriver modified speakers, or a tight lightly gated distortion.
If you can’t read between the lines, Fnord!

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Fnord

The Son stays true to the patriarch of the Pharaoh line. All of what you achieve with the Gold Standard Pharaoh, you will achieve with the Son of Pharaoh,with one exception:You will save pedalboard space. The Son has a footprint of 2.75×5 inches saving space on today’s crowded pedalboards.

The Son of Pharaoh has all familiar features of the Gold Standard Pharaoh and same sonic abilities. ALL parts and components are pulled from the same bins as the Gold Standard Pharaoh and Pharaoh Supreme. Sounds the same. Feels the same under your fingers, amps react the same. Same King Pharaoh tone, smaller Son stature.

Still handmade. Still handwired. Still the Pharaoh.

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Son of Pharaoh

Most families have one. One who is different, all the while resembling the others. The Crown of Horns is that one in the Black Arts Toneworks family. While the Pharaoh is the utilitarian BMP, the LSTR is the wild and outrageous brother, the Crown is the youngster with different DNA, possibly the mailman’s. Living in the BAT family, The Crown of Horns shares traits of the Pharaoh and LSTR. The heart of the Crown is that of the OpAmp muff with the addition of a hybrid Pharaoh/LSTR tone section. Not quite as middy as the Pharaoh, not quite as scooped as the LSTR. The Crown sits squarely in the middle of the two. What makes the Crown very different is the Horns. The Horns switch will bypass the tone stack altogether for a huge, flat boost of volume. The result of this is highly interactive with your amp. Different amps and settings within the amps will give results ranging from a huge volume boost to a slab of fat saturation. Your creativity will find ways to utilize the Horns. As is standard in the Black Arts family, the Crown of Horns portrait includes a big bottom, loud mouth, aggressive personality and a bit of unruly FU

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Revelation

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Fnord

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Son of Pharaoh

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