Cables lengths and impedance variations often damage sound.

 Placing this really small pedal (2 square inches) directly in front of your guitar will recover your genuine signal and avoid line losses.

In addition, a switch will allow you to transform your guitar pickups!

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Bumper

Custom boost to push yourself through the mix

This is a boost where we find at the same time a transparent and clean boost and a really typed and settable crunch.

In addition to that you have possibility to stay in the middle mode or to select the frequencies you want to add, so bass or trebles.

An internal setting allows to set the nature of the overdrive while at the same time, this is matching the whole chain between guitar and amplifier.

Review by Pedal of the Day

Freq Up

If you’re looking for a nice delay with many options and a sound that evokes a nice clean vintage tape echo without being unpredictable,
the Anasounds Utopia Deluxe is exactly what you need.
At the heart of the Anasounds Dystopia, we used the same PT2399 chip as the Utopia Deluxe, but the delay has a dirty voicing made even more obvious by a noisier and crunchier preamp. It is more of a booster than an overdrive, and it is also
placed after the delay.

Review by delicious audio

Review by guitar pedal X

Dystopia

Organic, psychedelic, atmospheric phaser

The anasounds phase lag is a mesmerizing vintage phaser. The 100% analog modulation use the ota technology that allows not only a beautiful sound rendering but also a great effect stability. The modulation sweeps all the frequencies of your sound wether the rate is slow or fast, from a gorgeous spatialization effect to a vibrato.

Review by The Guitar Channel

Phase Lag

Much more than a simple booster

We all know the legendary green mid-boost overdrive, it’s not as if we all have one at home!
We have been using it as the best tool to boost an amp already crunched.
Gain at 0, volume at full and here we go!
We cut through the mix, we are in the spotlight and we avoid dribbling on the spectrum of the other band mates.
There are of course other combinations and tonal experimentations to be used from this schematic,
and that’s what we’re going to study!



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