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M169 Carbon Copy analog delay

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StroboStomp HD

Terence Vignaud of Cluster

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GEC9 Effekt Routing System

105Q Cry Baby Bass Wah

Slötvå

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Canvas Tuner

Roctary

Delay

We no longer need to introduce this famous circular fuzz pedal, which produced the iconic sound of many guitarists in the 60’s.
With its two volume and gain controls forming a smiling face, it offers a unique sound going from a creamy and dynamic fuzz to a powerful and punchy fuzz with sharp trebles.

The extremely simple circuit offers a lot of space for customization, hence our own interpretation of the mythical pedal with the Feed Me.
The Feed Me mk3 is ultra versatile and customizable. You can get the classic sound of the 60’s model, rich in trebles and sustain.
But also a thick and fat fuzz, for more modern sounds close to stoner tones. Or a garage rock style gated fuzz by using the Crack and Smash controls for a velcro texture.
While remaining ultra expressive and responsive as always to the guitar’s volume and tone controls, with the Feed control, for warm cleans.

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FEED ME MK3

If you’re looking for a nice delay with many options and a sound that evokes a nice clean vintage tape echo without being unpredictable,
the Anasounds Utopia Deluxe is exactly what you need.
At the heart of the Anasounds Dystopia, we used the same PT2399 chip as the Utopia Deluxe, but the delay has a dirty voicing made even more obvious by a noisier and crunchier preamp. It is more of a booster than an overdrive, and it is also
placed after the delay.

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Review by delicious audio

Review by guitar pedal X

Dystopia

The world of harmonic tremolos such as the Ages from Anasounds can be a confusing one, the first obvious connection is with straight up and down volume swell type tremolo but it crosses into territory such as vibe, rotary speaker, vibrato, and so on. Sometimes its best just to listen to an effect and feel what it does for you personally.

Review by TonePedia

Ages

The Element is a pedal that takes back the very essence of the analogue reverb,
which is obtained by physically stimulating springs thanks to the guitar signal.
Simply. No artificials. No calculations.
From beautiful mechanics coupled to analog signal processing.

Review by mixdownmag

Review by Premier Guitar

Element

We all know about tape echoes, the first delay technology providing organic and slightly distorted repeats.
This particular tone is due to two elements: the magnetic tape and all the imperfections it implies, but also the internal preamp.
Many musicians, such as Eric Johnson, have used their tape echoes in a different way, using the preamp alone, without the echo, as a dirty boost
to overload their amps and make them saturate while bringing a unique character.

The Tape Preamp was inspired by the JFET preamp circuit of a popular tape echo from the 70’s, known for its unique delay and warm preamp.
Of course, we couldn’t stop there, and we redesigned the circuit in our own way to offer a whole new range of tones,
while keeping the original character of the effect. All of this without the need for a real tape echo.

Tape-Preamp by Anasounds

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