Cici Powell

My main board, used for gigging and bass videos/demos. 

Effects on the Line 6 HX are as follows (top left to right):
Chorus, Sweep Echo, Tremolo (Twem Roy)
Plate Reverb (always on), Digital Delay, Particle Verb
Compressor is always running in the background on this pedal as well!

The Mothership

ABM 600 Evo IV

Tester

Das Tone City Golden Plexi V2 ist ein Distortion Pedal mit dem klassischen Sound eines legendären britischen Rock-Amps 'auf Elf' gedreht. Das Pedal verfügt über ein Plexi-Style Voicing, bietet einen schönen Clean-Up und eine dynamische Reaktion auf den Volume-Regler der Gitarre. Die detaillierte, genaue Definition und die hervorragende Saiten-Trennung machen das Golden Plexi zu einer perfekten Wahl für Blues, Rock und sogar Metal. Der breite Gain-Bereich reicht von einem schönen Crunch bis hin zu einer fetten, satten High-Gain Distortion. Die überarbeite V2-Version bietet eine noch größere Gain Range und eine verbesserte Signal-To-Noise Ratio.

The Tone City Golden Plexi V2 is a distortion pedal with the classic sound of a legendary British rock amp 'turned up to eleven'. The pedal features a Plexi-style tone, a good clean-up and dynamic reaction to guitar's Volume control. The detailed, accurate definition and the excellent string separation make the Golden Plexi a perfect choice for blues, rock and even metal. The wide gain range goes from a sweet crunch all the way to a fat, crushing high-gain distortion. The updated V2 version provides an even larger gain range and an improved signal-to-noise ratio.

Official Product Page

Tone City Golden Plexi - Demo / Review Video - Have Guitar

Tone City Golden Plexi - Demo / Review Video - intheblues

Tone City Golden Plexi - Demo Video - Dan Leggatt

Tone City Golden Plexi - Demo Video - Andertons Music Co

Tone City Golden Plexi - Demo Video - W-Music Distribution

Manual

Golden Plexi 2

Polara Stereo Reverb

Guitarists always want to have a space pedal with collection of effects, Space Station Pro is perfectly achieved this wish. Users can get three space effects by using Space Station Pro, digital delay, digital delay-verb and digital reverb. Space Station Pro made up of two independently modules, digital delay-verb module and digital reverb module with all adjustable parameters, users can select the two modules by the MODE switch in the middle of the pedal. Each module is independently work and correspond to itself parameters, and the parameters of four knobs are reused. As everybody knows, the delay effect is indispensable, but sometimes we need to add a little reverb effect to enhance the sense of space, this time, the digital delay-verb module is the best choice. When the digital delay-verb module is available, just turning on the REVERB knob, you can immediately get atmospheric and psychedelic space effect. The digital delay-verb module provides 2000ms of delay time, and the DELAY knob and REGEN knob can be used to respectively adjust delay time and feedback level, In other applications, if you need professional level reverb, just switching the MODE switch to the top, Space Station Pro is immediately became a reverb pedal with all adjustable parameters. The digital reverb module provide four parameters, PREDELAY, DAMPING, DECAY and MIX, through adjusting them, any delicate reverb tone all can be obtained easily. The digital reverb module can provide a atmosphere reverb for a long time, the decay time can last tens of seconds, it’s very important to make atmosphere music. There is only conversion between digital signal and analog signal inside Space Station Pro, this guarantees the best signal integrity, and you can get higher tone quality than using a delay in series a reverb.

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Space Station Pro

Doctor Strange Fuzz

HX Effects

Now any electric guitar player can have access to nine magically quirky, dark and unique Mellotron® sounds. No more extra devices such as special and cumbersome 13-pin MIDI pickups! In addition to electric guitar, you can trigger the MEL9 with any instrument that produces an electrical output, such as a keyboard or a bass, down to 55 Hz or A1.

The polyphonic EHX MEL9 has superior tracking; you can create single notes or chords with ease. The MEL9 will follow guitar bends, dive bombs, slurs, and any other guitar expression/performance techniques you can throw at it!

Pays homage to nine of the coolest Mellotron® sounds: Orchestra, Cello, Strings, Flute, Clarinet, Saxophone, Brass, Low Choir and High Choir
Works on guitar without modifications, special pickups or MIDI implementation and tracks bends, slides, even whammy dive bombs!
Also works with bass guitar down to the open A string as well as keyboards within the limits of its polyphony (5 notes) and range (A1 to A5)
Includes independent Effect and Dry volume controls so you can create the perfect mix at the Effects output
Dry Output jack outputs your input signal at unity gain
Attack control sets the volume swell speed. As it’s turned clockwise the notes fade in more gradually
Sustain control adjusts the release time after a sound is stopped. As it’s turned clockwise, the fade out time increase
Power adapter included

Product Page 

Review by Paul White, soundonsound.com

Review by Michael Behm, bonedo.de

Mel9 Tape Replay Machine

90s Pro Wah Volume

Playing a bass through a guitar fuzz pedal will work OK but the majority of fuzz pedals have the EQ matched to the higher frequencies of a guitar.

The Del Fuego Bass is a variation of our Del Fuego guitar fuzz but with many component changes to match the EQ to a bass guitar.

Del Fuego Bass has its own totally independent boost. 

Most boost pedals are very similar in terms of design, and their main function is simply to kick your signal up by a significant notch. Many guitarists use boost pedals to raise the volume of their amplifiers, to pronounce certain sections in songs and bring them forward in a mix.

Bright mode is the most transparent setting. When engaged, the low end will tighten and a smooth bump will be applied to the mid range. It sounds amazing in all applications (especially bass work).

Deep mode when engaged gives additional boost to the low frequencies – useful for basses with low output pickups.

Del Fuego has the facility to switch the order of the Fuzz and the Boost giving even more versatility. With the boost driving the fuzz sounds ranging from clean, to a mild fuzz to a heavy metal fuzz or with the fuzz driving the boost it becomes more like an overdrive.

 

Technical Explanation of controls:-

SUSTAIN – adjusts the amount of distortion and sustain of the fuzz

PRESENCE – adjusts the cut off frequency of the tone control

TONE – adjusts the fuzz EQ from deep bass to high mids

FUZZ VOLUME – adjusts the output level of the fuzz side of the pedal

BRIGHT -  This is a clean boost which when used in conjunction with the boost volume control gives up to 30db’s of gain.

DEEP  – Boosts the frequencies from lower mids to low frequencies. Cuts the higher frequency below about 1.5KHZ z giving a BASS boost. Used with basses when lower frequencies need enhancing.

BOOST VOLUME - This is the overall volume of the boost side of the pedal. In its highest position (fully clockwise) the pedal gives around 30db of gain which borders into the realms of a mild overdrive.

The Del Fuego Fuzz & Boost - Bass Version

How can you get more fans on their feet? Add more freedom to your performance— without pushing a single button. Ideal for small and medium stages, GLX-D® Digital Wireless is the easy way to go wireless with less worry.

Review by Guitar Fella

Review by Talk Bass

GLXD16 Wireless System

Das RockBoard RBO B 4.2 QUAD B Pedalboard bietet Platz für ca. 9 bis 15 Pedale (entsprechend der Größe der Pedale) und wird mit einem ideal abgestimmten Gig Bag geliefert. Die robuste, wasserabweisende RokTex Oberfläche, der verstärkte Boden aus PVC (Polyvinylchlorid) und die 10 mm Polsterung bieten den perfekten Schutz bei leichtem Transport. Die RockBoard Pedalboard Serie wurde komplett designt, um ein Pedalboard zu schaffen, das leicht, verwindungssteif und robust ist und vor allem die Nutzung einer weiten Bandbreite an Pedalen, als auch Stromversorgungen und deren Montagelösungen erlaubt. Sein einzigartiges und geniales Design basiert auf nur einem einzigen kaltgewalztem Aluminiumblech und hat keine einzige Schweißnaht. Dadurch bietet es eine absolut flache Oberfläche, die komplett genutzt werden kann. U-förmige vertikale Streben geben dem Board zusätzliche Stabilität, ohne es merklich schwerer zu machen, dadurch ist das Board komplett verwindungssteif und verbiegt sich nicht unter maximaler Auslastung. Das innovative Slot-Design funktioniert mit gängigen Montage-Lösungen oder, perfekt, mit unserem RockBoard QuickMount System. Außerdem machen die Slots es einfach, Kabel für einen sauberen Aufbau unter der Board-Oberfläche zu verlegen. Nahezu alle gängigen Netzteile lassen sich entweder direkt unter der Board-Oberfläche oder mit unserem optional erhältlichen The Tray oder BasePlates montieren. Alle RockBoard Modelle (außer der DUO Serie) sind mit den RockBoard All-in-One PatchBays kompatibel, die jedes RockBoard sinnvoll erweitern.

Pedalboard für Effektgeräte
für ca. 9 bis 15 Effektpedale (je nach Größe)
verwindungssteife und leichte Aluminium-Konstruktion
Slot Design für einfache Pedal-Montage
beidseitige Montagebohrungen für RockBoard LED Light (nicht im Lieferumfang enthalten)
hergestellt aus 1 kalt-gewalztem Aluminium Blech
zusätzliche Versteifung durch U-Förmige Stützstreben
absolut flache, 10° angewinkelte Boardfläche - keine Schweißnähte
Einschub für RockBoard® Module Patchbays
kompatibel mit RockBoard® The Tray - universelle Power Supply Montage Lösung
robuste schwarz pulver-beschichtete Oberfläche
Breite 622 mm
Tiefe 330 mm
Höhe inkl. Gummifüßen 37 - 71 mm
Gewicht Board 2,05 kg
inklusive Gigbag
Gewicht Bag ca. 1,75 kg
Innenmaße Gigbag (B x T x H) 660 x 370 x 130 mm
inklusive selbstklebendem Klett- (50 mm breit) und Flauschband (25 mm breit) sowie Kabelbindern

The RockBoard RBO B 4.2 QUAD B pedalboard offers space for approx. 9 to 15 pedals (depending on the size of the pedals) and comes with a perfectly matched gig bag. The robust, water-repellent RokTex surface, the reinforced PVC (polyvinyl chloride) bottom, and the 10 mm padding offer perfect protection while providing easy transportation. The RockBoard pedalboard series has been designed to create a pedalboard that is lightweight, warp resistant, and robust, and above all, allows the use of a wide range of pedals, as well as power supplies and their mounting solutions. Its unique and ingenious design is based on only a single cold-rolled sheet of aluminum without a single weld. As a result, it offers a flat surface that can be fully utilized. U-shaped vertical braces give the board extra stability without making it noticeably heavier, making the board completely torsion-resistant and preventing bending even under maximum load. The innovative slot design works with common mounting solutions or, perfectly, with our RockBoard QuickMount system. In addition, the slots make it easy to route cables under the board surface for a clean setup. Almost all common power supplies can be mounted either under the board surface directly or by using our optionally available RockBoard The Tray or BasePlates. All RockBoard models (except the DUO series) are compatible with our RockBoard All-In-One PatchBays, which are a useful addition to any RockBoard.

pedalboard for effects pedals
for approx. 9 to 15 effects pedals (depending on size)
sturdy and light aluminum construction
slotted design for easy pedal mounting
mounting holes for RockBoard LED Light (not included) on both sides
made from 1 cold-rolled aluminum sheet
additional U-shaped support braces for added rigidity
10 degrees angled and absolutely plain board surface - no weld seams
slot for RockBoard® MOD patch bays
compatible with RockBoard® The Tray - universal power supply mounting solution
robust black powder-coated surface
width 622 mm / 24 31/64"
depth 330 mm / 12 63/64"
height incl. rubber feet 37 - 71 mm / 1 7/16" - 2 13/16"
weight 2.05 kg / 4.5 lbs.
including gig bag
approx. weight bag 1,75 kg / 3.9 lbs.
interior dimensions gig bag (L x W x D) 660 x 370 x 130 mm / 26" x 14 9/16" x 5 1/8"
including self-adhesive hook (50 mm / 1 15/16" wide) & loop tape (25 mm / 1" wide) and cable ties

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The Mothership

Tone City

Golden Plexi 2

Digitech

Polara Stereo Reverb

Ckk Electronic

Space Station Pro

Hubcap John

Doctor Strange Fuzz

LINE 6