Cici Powell

My main board, used for gigging and bass videos/demos. 

Effects on the Line 6 HX are as follows (top left to right):
Chorus, Sweep Echo, Tremolo (Twem Roy)
Plate Reverb (always on), Digital Delay, Particle Verb
Compressor is always running in the background on this pedal as well!

The Mothership

ABM 600 Evo IV

How can you get more fans on their feet? Add more freedom to your performance— without pushing a single button. Ideal for small and medium stages, GLX-D® Digital Wireless is the easy way to go wireless with less worry.

Shure

Review by Guitar Fella

Review by Talk Bass

Manual

Demo by sillennium

Demo by Michael Seebass

Product Page

GLXD16 Wireless System

Playing a bass through a guitar fuzz pedal will work OK but the majority of fuzz pedals have the EQ matched to the higher frequencies of a guitar.

The Del Fuego Bass is a variation of our Del Fuego guitar fuzz but with many component changes to match the EQ to a bass guitar.

Del Fuego Bass has its own totally independent boost. 

Most boost pedals are very similar in terms of design, and their main function is simply to kick your signal up by a significant notch. Many guitarists use boost pedals to raise the volume of their amplifiers, to pronounce certain sections in songs and bring them forward in a mix.

Bright mode is the most transparent setting. When engaged, the low end will tighten and a smooth bump will be applied to the mid range. It sounds amazing in all applications (especially bass work).

Deep mode when engaged gives additional boost to the low frequencies – useful for basses with low output pickups.

Del Fuego has the facility to switch the order of the Fuzz and the Boost giving even more versatility. With the boost driving the fuzz sounds ranging from clean, to a mild fuzz to a heavy metal fuzz or with the fuzz driving the boost it becomes more like an overdrive.

 

Technical Explanation of controls:-

SUSTAIN – adjusts the amount of distortion and sustain of the fuzz

PRESENCE – adjusts the cut off frequency of the tone control

TONE – adjusts the fuzz EQ from deep bass to high mids

FUZZ VOLUME – adjusts the output level of the fuzz side of the pedal

BRIGHT -  This is a clean boost which when used in conjunction with the boost volume control gives up to 30db’s of gain.

DEEP  – Boosts the frequencies from lower mids to low frequencies. Cuts the higher frequency below about 1.5KHZ z giving a BASS boost. Used with basses when lower frequencies need enhancing.

BOOST VOLUME - This is the overall volume of the boost side of the pedal. In its highest position (fully clockwise) the pedal gives around 30db of gain which borders into the realms of a mild overdrive.

Sutton Instruments

Official Product Video

Demo by Cici Bass (Powell)

The Del Fuego Fuzz & Boost - Bass Version

Morley

90s Pro Wah Volume

Tester

Electro-Harmonix

Mel9 Tape Replay Machine

PedalSafe Type C

QuickMount Type C

Pedalmontageplatte für große vertikale Pedale

Pedal Mounting Plate For Large Vertical Pedals

Schutzabdeckung & RockBoard-Montageplatte für große vertikale Pedale

Protective Cover & RockBoard Mounting Plate For Large Vertical Pedals

Schutzabdeckung & universelle Montageplatte für große vertikale Pedale

Protective Cover & Universal Mounting Plate For Large Vertical Pedals

Der HX Effects™ -Prozessor wurde entwickelt, um in traditionelle Verstärker- und Pedal-Setups integriert zu werden und kann als dediziertes Multieffektgerät oder als Kommandozentrale für Ihr gesamtes Rig dienen. Trotz seiner kompakten Größe liefert er die gleiche professionelle Klangqualität und das authentische HX® Modeling wie unsere marktführenden Helix®Prozessoren.

The HX Effects™ processor was designed to be integrated into traditional amp and pedal setups and may serve as anything from a dedicated multi-effects unit to the command center for your entire rig. Although compact in size, it delivers the same professional-grade sound quality and authentic HX® Modeling found in our market-leading Helix® processors.

LINE 6

Review by That Guitar Lover

Review by Music Radar

Review by Gitarre&Bass

Review by Wampler Pedals

Review by Bonedo

Demo by Guitar Bonedo

Demo by  Steven Anthony

Demo by  Justin Meyers – Nashville Guitarist

Demo by  Bernd Kiltz - Gitarrenvideos

HX Effects

Hubcap John

Instagram Page

Review by Cici Bass (Powell)

Doctor Strange Fuzz

Guitarists always want to have a space pedal with collection of effects, Space Station Pro is perfectly achieved this wish. Users can get three space effects by using Space Station Pro, digital delay, digital delay-verb and digital reverb. Space Station Pro made up of two independently modules, digital delay-verb module and digital reverb module with all adjustable parameters, users can select the two modules by the MODE switch in the middle of the pedal. Each module is independently work and correspond to itself parameters, and the parameters of four knobs are reused. As everybody knows, the delay effect is indispensable, but sometimes we need to add a little reverb effect to enhance the sense of space, this time, the digital delay-verb module is the best choice. When the digital delay-verb module is available, just turning on the REVERB knob, you can immediately get atmospheric and psychedelic space effect. The digital delay-verb module provides 2000ms of delay time, and the DELAY knob and REGEN knob can be used to respectively adjust delay time and feedback level, In other applications, if you need professional level reverb, just switching the MODE switch to the top, Space Station Pro is immediately became a reverb pedal with all adjustable parameters. The digital reverb module provide four parameters, PREDELAY, DAMPING, DECAY and MIX, through adjusting them, any delicate reverb tone all can be obtained easily. The digital reverb module can provide a atmosphere reverb for a long time, the decay time can last tens of seconds, it’s very important to make atmosphere music. There is only conversion between digital signal and analog signal inside Space Station Pro, this guarantees the best signal integrity, and you can get higher tone quality than using a delay in series a reverb.

Ckk Electronic

YouTube Channel

Facebook Page

Demo by Mike Hermans

Demo by Brett Kingman

Demo by Pete Thorn

Demo by Cici Bass

Space Station Pro

Featuring seven inspirational Lexicon® reverbs, the DigiTech® Polara will be the new architect of your soundscape, defining space and adding dimension to your playing. The Polara’s flexible reverbs cover a full spectrum, from the intimate warmth of “Room”, to the vast expansiveness of “Hall”, through time with the cosmic power of “Reverse”, and anchored by Lexicon’s revered “Modulated”, “Plate” and “Spring” reverbs. In addition to those classics, the Polara introduces the new “Halo” reverb. The “Halo” reverb with cascading octaves interspersed in the reverb decays will cast a heavenly glow over your tone. With its new, compact size and soft-touch vacuum-style footswitch, the Polara truly represents the latest evolution in DigiTech pedal design. We’ve put years of experience into every detail of its mechanical and sonic blueprint. The Polara offers independent Level, Liveliness, Decay and Type controls; Stereo Inputs and Outputs; a Soft Click Footswitch; and a Reverb Tails On/Off Toggle Switch. It is true bypass, and uses a 9V DC power supply to easily integrate into your existing pedalboard.

DigiTech

POLARA

QuickMount Type A

Pedal-Montageplatte für Standard-Einzelpedale

Pedal Mounting Plate For Standard Single Pedals

Polara Stereo Reverb

Das Tone City Golden Plexi V2 ist ein Distortion Pedal mit dem klassischen Sound eines legendären britischen Rock-Amps 'auf Elf' gedreht. Das Pedal verfügt über ein Plexi-Style Voicing, bietet einen schönen Clean-Up und eine dynamische Reaktion auf den Volume-Regler der Gitarre. Die detaillierte, genaue Definition und die hervorragende Saiten-Trennung machen das Golden Plexi zu einer perfekten Wahl für Blues, Rock und sogar Metal. Der breite Gain-Bereich reicht von einem schönen Crunch bis hin zu einer fetten, satten High-Gain Distortion. Die überarbeite V2-Version bietet eine noch größere Gain Range und eine verbesserte Signal-To-Noise Ratio.

The Tone City Golden Plexi V2 is a distortion pedal with the classic sound of a legendary British rock amp 'turned up to eleven'. The pedal features a Plexi-style tone, a good clean-up and dynamic reaction to guitar's Volume control. The detailed, accurate definition and the excellent string separation make the Golden Plexi a perfect choice for blues, rock and even metal. The wide gain range goes from a sweet crunch all the way to a fat, crushing high-gain distortion. The updated V2 version provides an even larger gain range and an improved signal-to-noise ratio.

Tone City

Official Product Page

Tone City Golden Plexi - Demo Video - W-Music Distribution

Tone City Golden Plexi - Demo Video - Andertons Music Co

Tone City Golden Plexi - Demo / Review Video - intheblues

Tone City Golden Plexi - Demo / Review Video - Have Guitar

Tone City Golden Plexi - Demo Video - Dan Leggatt

Golden Plexi 2

Für 9-15 FX-Pedale, 1 MOD-Slot - **622 x 330 mm / 24.49" x 12.99"** - erhältlich mit Gig Bag oder Flight Case

For 9 - 15 FX pedals, 1 MOD slot - **622 x 330 mm / 24.49" x 12.99"** - available with Gig Bag or Flight Case

The fuzz pedal is one of the most important distortion tones for guitar (and bass!) that's heard on countless recordings. lt provides a wild and woolly sound that is practically synonymous with 70s Hard Rock.

Del Fuego is  our take on the 70’s Muff but with additional features such as a clipping option to emulate a SuperTone Bender plus an additional presence control to enable a wider range EQ.

Del Fuego has its own totally independent boost. 

Most boost pedals are very similar in terms of design, and their main function is simply to kick your signal up by a significant notch. Many guitarists use boost pedals to raise the volume of their amplifiers, to pronounce certain sections in songs and bring them forward in a mix.

Deep mode is the most transparent setting. When engaged, the low end will tighten and a smooth bump will be applied to the mid range. It sounds amazing in all applications (especially lead work).

Bright mode brings a glassy presence boost whilst tightening up the lows even more than standard mode. This is perfect for achieving detail and clarity when operating in higher gain situations.


Del Fuego has the facility to switch the order of the Fuzz and the Boost giving even more versatility. With the boost driving the fuzz sounds ranging from clean, to a mild fuzz to a heavy metal fuzz or with the fuzz driving the boost it becomes more like an overdrive on steroids.

The Del Fuego Fuzz & Boost

BOOSTOPIA offers a LOT more output than the average boost pedal if you need it, and the tone can be shaped to suit the players needs with the 3 distinctive EQ modes before hitting the front end of a tube amp (or modeller).

Standard mode is the most transparent setting. When engaged, the low end will tighten and a smooth bump will be applied to the mid range. It sounds amazing in all applications (especially lead work).

High mode brings a glassy presence boost whilst tightening up the lows even more than standard mode. This is perfect for achieving detail and clarity when operating in higher gain situations.

Low mode offers a looser low end frequency response whilst proving a top end roll off. This setting is comparatively lo-fi and almost fuzz like in its character.

Boostopia Boost

An overdrive pedal increases the gain of the signal between the amp and guitar. Overdrive is the tone behind many rock ‘n roll, blues, and classic rock tracks.

Igneus is the definitive overdrive based on the best features of many overdrive pedals from the 70’s.  Suitable for guitar and bass by simply switching between heavy (bass) and light (guitar) and having separate bass and treble controls giving a wide range of EQ

Igneus also has its own totally independent boost. 

Most boost pedals are very similar in terms of design, and their main function is simply to kick your signal up by a significant notch. Many guitarists use boost pedals to raise the volume of their amplifiers, to pronounce certain sections in songs and bring them forward in a mix.

Deep mode is the most transparent setting. When engaged, the low end will tighten and a smooth bump will be applied to the mid range. It sounds amazing in all applications (especially lead work).

Bright mode brings a glassy presence boost whilst tightening up the lows even more than standard mode. This is perfect for achieving detail and clarity when operating in higher gain situations.

Igneus has the facility to switch the order of the Overdrive and the Boost giving even more versatility. With the boost driving the overdrive sounds ranging from clean, to a mild overdrive to a heavy metal overdrive or with the overdrive driving the boost it becomes more like a Tube Screamer on steroids.

Igneus Distortion & Boost

The Del Fuego Fuzz & Boost - Bass Version von Sutton Instruments