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Ultra-DI DI400P

Powerstage 200

M303 CLONE LOOPER PEDAL

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Plumes Small Signal Shredder

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Super Switcher (Programmable Effects Hub)

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MXR M108S Ten Band EQ

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1176 Studio Compressor Pedal

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M87 Bass Compressor

The EHX Stereo Pulsar Stereo Tap Tremolo generates vintage tremolo and panning that will fill any venue with rhythmic stereo energy. Its Wave Form switch allows you to change the modulation from triangle to square form. The Wave Shape control allows you to control transitions from negative to positive saw tooth or adjust pulse width. This all means you can create any type of stereo tremolo from pure vintage to ones never heard before.

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Review by Chris Vinnicombe, musicradar.com

Review by Josh Gardner, guitar.com

Manual

Stereo Pulsar

The Ripped Speaker is a modern fuzz with old school roots and pays homage to one of the ways that early, distorted guitar and bass sounds were made. At low fuzz settings the pedal emulates the lo-fi distortion sounds of yesteryear, the kinds of sounds created by a razor blade applied to a speaker cone, a loose tube or a faulty channel on a recording console. When you crank the fuzz up the sound is transformed. It’s modern and monumental with a searing, fully saturated, fuzz tone.

The Ripped Speaker’s RIP knob is a bias control which sets the amount of clipping at the top and bottom of the signal wave form. It adds a lot of versatility and lets you tailor the character of the fuzz. Noon is neutral, a position where the fuzz is perfectly biased… fat, with a great low end and top end bite without being harsh. As you turn the knob clockwise the pedal produces a hard gating effect and the signal sputters and chokes. It’s great for creating a dying battery effect. Turning the knob CCW produces yet a different style of fuzz with a smoother gating effect where the signal fades out quickly.

The Ripped Speaker’s TONE control is active and delivers a tilt-shift type EQ. That means at noon the EQ is flat. As you turn the knob counter-clockwise the frequency response gets darker with more pronounced lows and less highs. Going clockwise yields a brighter tone with more highs and rolled back lows.

The Ripped Speaker features true bypass switching, comes equipped with a 9 Volt battery and accepts a standard EHX 9 Volt power supply.

Versatile pedal delivers fuzz that goes from old school to modern
Bias control
Active tone control
True bypass switching
Pedalboard-friendly size
9V battery included

Product Page 

Review by Richard Purvis, guitar.com

Review by Dimitri, amazona.de

Ripped Speaker Fuzz

Now any electric guitar player can have access to nine magically quirky, dark and unique Mellotron® sounds. No more extra devices such as special and cumbersome 13-pin MIDI pickups! In addition to electric guitar, you can trigger the MEL9 with any instrument that produces an electrical output, such as a keyboard or a bass, down to 55 Hz or A1.

The polyphonic EHX MEL9 has superior tracking; you can create single notes or chords with ease. The MEL9 will follow guitar bends, dive bombs, slurs, and any other guitar expression/performance techniques you can throw at it!

Pays homage to nine of the coolest Mellotron® sounds: Orchestra, Cello, Strings, Flute, Clarinet, Saxophone, Brass, Low Choir and High Choir
Works on guitar without modifications, special pickups or MIDI implementation and tracks bends, slides, even whammy dive bombs!
Also works with bass guitar down to the open A string as well as keyboards within the limits of its polyphony (5 notes) and range (A1 to A5)
Includes independent Effect and Dry volume controls so you can create the perfect mix at the Effects output
Dry Output jack outputs your input signal at unity gain
Attack control sets the volume swell speed. As it’s turned clockwise the notes fade in more gradually
Sustain control adjusts the release time after a sound is stopped. As it’s turned clockwise, the fade out time increase
Power adapter included

Review by Paul White, soundonsound.com

Review by Michael Behm, bonedo.de

Mel9 Tape Replay Machine

The Analogizer works via a simple principle. It uses an all-analog circuit to process the incoming signal of a digital effect placed a head of it in a chain and adds the subtle lo-fi nuances that analog devices are known for.

Review by Stuart Williams, musicradar.com

Review by Jordan Wagner, premierguitar.com

Analogizer

The EHX Super Switcher, as its name implies, offers a powerful solution for players who are tired of “tap dancing” around their pedalboard. In effect, it moves all of your pedals to your pedalboard’s front row while delivering control of them with one button push. The result is that it puts the player back in control of an unruly pedalboard!

It’s also perfect for any guitarist using the “four-cable method” because it makes it easy to properly route effects that should go in front of an amp and those that are best in the effects loop.

When it comes to live performance, the Super Switcher can efficiently organize presets into banks that are easy to recall and match your show’s set list. If you’re playing to a click track and want to have the presets recalled via MIDI programmed to a song, the Super Switcher can handle that, too. It’s also a great way to sync time-based effects to the same master clock.

Review by bonedo 

Super-Switcher-Programmable-Effects-Hub by electro-harmonix

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Stereo Pulsar

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Ripped Speaker Fuzz

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Mel9 Tape Replay Machine

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Analogizer

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