The programmable EHX Stereo Talking Machine vocal formant filter presents creative vowel shaping that is controlled by the player’s dynamics. Nine selectable Voices deliver vowel sounds such as AH-OO and OW-EE, as well as Bassballs and wah-type dynamic filters.

The Voices can be shaped with individual Attack and Decay controls while Sensitivity adjusts the envelope response. The resulting effects mimic characteristics of human speech and create sounds that are both organic and harmonically rich.

As its name implies, the Stereo Talking Machine possesses true stereo outputs as well as an Effects Loop. An Expression Pedal Input provides real time control over filter sweeps, while nine preset locations let you store and instantly recall favorite programs. The Stereo Talking Machine delivers compelling sound shaping capability with advanced control.

Vocal Vowel Filter w/ 7 vowel modes
Wah and Baseballs modes
Adjustable Sensitivity control allows both up and down filter sweeps
Attack and Decay knobs control the speed of the envelope follower while it sweeps the filters
External effects loop capability allows effects to be placed on the filters without changing the envelope follower’s dynamics.
9 Presets
Power adapter included

Review by Lyle Zaehringer, premierguitar.com

Review by Johannes Krayer, amazona.de

STEREO TALKING MACHINE

We have reissued the original Version 1 Big Muff and it’s dripping with vintage Electro-Harmonix DNA and tone. Dubbed the Triangle Big Muff because of the layout of its Volume, Sustain and Tone controls, this is the one that started it all. The new EHX Triangle Big Muff is a faithful re-creation of the original circa 1969 circuit now housed in a pedalboard friendly, die-cast chassis.

Electro-Harmonix founder, Mike Matthews, says: “The Big Muff Pi is the pedal we are best known for so I wanted to commemorate EHX’s 50th Anniversary (1968-2018) by re-releasing V1, the very first Big Muff. Original pedals are now selling for hundreds of dollars and this reissue absolutely nails that creamy, violin-like sustain and musical tone at a price a working musician can afford.”

The Triangle Big Muff features the following nods to convenience: an LED to indicate effect status, true bypass switching and the option of being powered by a 9-volt AC adapter.

The authentic V1 Triangle Big Muff reissued in a nano-sized chassis
Effect status LED
True bypass
Vintage look and graphics
9V battery included

Product Page 

Review by guitar.de

Review by Bassel Hallak, bonedo.de

User Manual

Triangle Big Muff Pi

Das Electro Harmonix Oceans 12 ist ein Stereo-Reverb-Pedal, das, wie der Name schon erahnen lässt, mit gleich 12 verschiedenen Reverb-Modi den Spieler beglücken möchte. Damit hat das Oceans 12 im Gegensatz zum seinem ebenfalls von uns getesteten Vorgänger, dem Oceans 11, noch einen Algorithmus mehr an Bord. Viel entscheidender ist aber die Möglichkeit, gleich zwei Reverbs parallel oder in Serie zu schalten, und das in Stereo.

The EHX Oceans 12 is the Oceans 11’s big brother with even more reverbs and functionality. It features two simultaneous, independent, stereo reverb engines, series and parallel control for the dual reverbs, 24 presets and advanced I/O allowing for stereo in/out or mono send/return with pre and post reverb options. The pedal also includes a new Tide Control for stereo image alteration, a Lo-fi Control, an infinite attenuation control and an input jack for external expression and 3-button footswitch control.

A Tails switch provides a choice of whether the reverb effect fades out naturally or stops immediately when the pedal is switched to bypass. In most settings the pedal is also capable of producing infinite reverb which can be played over with a different reverb effect.

The Oceans 12’s reverbs are:
• ROOM – two modes: reverb algorithms modeled after a lively room and a spacious performance hall
• SPRING – two modes: vintage 1962 Fender® 6G15 tube reverb emulation and the spring algorithm from the EHX Holy Grail
• PLATE – two modes: two emulations of the smooth, metal plate reverb often used in high-end recording studios during the 1960s and ‘70s
• REVERSE – two modes: a reverse reverb effect as well as true reversed echoes
• ECHO – three modes: a digital delay with various echo rhythms feeding into a plate reverb
• TREM – three modes: a classic, periodic volume envelope with various shapes applied to both the wet and dry mix of a hall reverb
• MOD – three modes: combinations of chorus and flange reverbs that create rich reverb tails
• DYNA – three dynamic, experimental reverb algorithms: swell, gate and duck
• AUTO-INF – three modes: auto-infinite reverb (w/optional chorus or flange) that “listens” to your playing and crossfades to a new reverb wash upon detection of newly struck notes.
• SHIMMER – two modes: two configurations of a rich octave-shifted reverb wash
• POLYPHONIC – two modes: two configurable bi-directional pitch shifts that add dimensionality to the reverb tail
• RESONANT – two modes: reverb excited by tunable resonators and configurable self-oscillating filters on the reverb tail

2 simultaneous, independent, stereo reverb engines
Series and parallel control for the dual reverbs
24 presets
Stereo in/out or mono send/return with pre and post reverb options
Tide Control for stereo image alteration
Lo-fi Control
Infinite attenuation control
Tap tempo to set your pre-delay time, echo time and more
Input jack for external expression and 3-button footswitch control
Power supply included

Review by PREMIER Guitar 

Review by AMAZONA 

Review by bonedo  

Oceans 12 Dual Stereo Reverb

The Analogizer works via a simple principle. It uses an all-analog circuit to process the incoming signal of a digital effect placed a head of it in a chain and adds the subtle lo-fi nuances that analog devices are known for.

Product Page

Review by Stuart Williams, musicradar.com

Review by Jordan Wagner, premierguitar.com

Manual

Analogizer

Supreme bliss! The Holiest Grail lives up to its name by being the loftiest Grail product yet. Carve out your own private paradise by tailoring the length and sound of your reverb using a customizable pre-delay and decay time, then add feedback or adjust damping and diffusion. Recall up to eight custom presets that transport you to sonic extremes, or mix Spring and Hall reverbs together just because you can. Use the Holiest Grail as a MIDI controller with the option of adding external control for managing the sliders and loading presets. Heaven never sounded so good.

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