Lee Atkin

Lee's PBOD Board

ch ray

Der Thorn Black Swamp - Flex Fuzz ist ein äußerst vielseitiges Fuzz-Pedal, das Ihnen volle Kontrolle über den Fuzz-Sound gibt. Mit einer breiten Palette von Kontrolloptionen, einschließlich Gain, Damping, Mid Freq, Volume, Bass, Mid und Treble, können Sie mit diesem Pedal alles von subtiler Wärme bis hin zu intensiven, zornigen Fuzz-Klängen fein abstimmen. Der Mid Freq-Regler sorgt für zusätzliche Flexibilität, indem er die Mittenfrequenz für den Mid Regler für noch mehr klangliche Vielfalt einstellbar macht.
Darüber hinaus verfügt das Pedal über zwei einzigartige Schalter. Mit Character S/N/H können Sie zwischen verschiedenen Fuzz-Charakteristika (Smooth, Normal oder Hot) wählen, während Sie mit dem Hard Clip O/I-Schalter zwischen weichem und hartem Clipping für unterschiedliche Verzerrungsgrade umschalten können.
Der Thorn Black Swamp - Flex Fuzz ist ein unverzichtbares Werkzeug für Gitarristen, die eine breite Palette von Fuzz-Sounds mit maximaler Kontrolle und Flexibilität erkunden wollen.


The Thorn Black Swamp – Flex Fuzz has the control and versatility always desired. In addition to the Volume, gain, and 3 band EQ, you can now cut/boost specific mid frequencies, and the damping knob, tightens up the low end. These, of course help keep you heard in the mix, but we’ve also equipped the Black Swamp with two toggle switches. Character S/N/H (Smooth / Normal / Hot) lets you choose between different fuzz character settings, while the Hard Clip O/I switch allows you to toggle between soft and hard clipping for varying degrees of distortion.
All together this allows for great edge of break up tones at one end, world ending doom tones at the other, and an infinite amount of range in between, making The BLACK SWAMP an essential tool for guitarists who want to explore a wide range of fuzz tones with maximum control and flexibility.



Thorn Soundlabs

Official Product Page

Manual

This is what our pedals ACTUALLY sound like (Full Demo) | THORN SOUNDLABS 

Most Flexible Pedals Yet? | Thorn Soundlabs Pedals - New at Thomann!

Thorn Soundlabs Pedals | Review | Guitar Interactive - Review Video - Guitar Interactive Magazine

 Thorn Black Swamp Flex Fuzz - Demo Video - Mike Hermans

Thorn Soundlabs: BLACK SWAMP Flexible Fuzz / Overdrive - Demo Video - Brett Kingman

 Is This the Most Underrated Fuzz of 2025?! Thorn Soundlabs Black Swamp - Demo Video - Leigh Fuge

Am I really abandoning digital? Here's a €1500 analog pedalboard - Demo Video - Gaetano lo Surdo

Thorn SoundLabs Black Swamp - Demo Video -  Alberto Barrero

Fuzz Pedal That CHUG! | Thorn BLACK SWAMP FLEX FUZZ Pedal

‪@ThornSoundlabsOfficial‬ BLACK SWAMP ✔️ #osmator #ossypfeiffer #mehrbrettnummern

They discover the SECRET of the ROCK sound of Led Zeppelin, Muse and Jimmy Hendrix... and more... - Demo Video - guitarraviva

Amazing Tone, Flexibility & Fair Price... Wow | Thorn Soundlabs Black Swamp & Silver Spurs - Demo Video - Kris Barocsi

Windhand Tone from this NEW Fuzz - Demo Video - The Distortion Principle

Thorn Black Swamp Flex Fuzz  - Demo Video - Musiker TV

 Thorn Black Swamp Flex Fuzz - Review - Review Video - Musiker TV

Black Swamp

Der Thorn The FreaQ - Double Stage Booster ist ein hochgradig flexibler Booster, entwickelt, um Ihrer Gitarre zusätzlichen Punch und Sound-Kontrolle zu verleihen. Mit seinen intuitiven Kontrolloptionen - Damping, Gain, Boost und Freq - können Sie mit diesem Pedal alles von subtilen Boosts bis hin zu kraftvollen Live-Sounds einstellen. Mit dem Freq-Regler können Sie einen bestimmten Frequenzbereich zur Anhebung oder Absenkung anwählen und so noch mehr klangliche Vielseitigkeit erreichen.
Der Thorn The FreaQ- Double Stage Booster ist ein unverzichtbares Werkzeug für Gitarristen, die ihren Sound auf ein neues Niveau heben wollen, egal ob sie die Lautstärke erhöhen, den Ton klarer machen oder den Frequenzgang feiner anpassen wollen.


The Thorn The FreaQ – Double Stage Booster is a highly flexible booster pedal designed to provide an extra punch and tonal control for your guitar. With its intuitive controls—Damping, Gain, Boost, and Freq—this pedal allows you to dial in everything from subtle boosts to powerful, stage-ready tones. The Freq control lets you fine-tune a targeted frequency range of additional boost or cut, offering even more tonal versatility.
The Thorn The FreaQ – Double Stage Booster is a must-have tool for guitarists who want to push their sound to new levels, whether boosting volume, adding tonal clarity, or fine-tuning the frequency response.



 Most Flexible Pedals Yet? | Thorn Soundlabs Pedals - New at Thomann!

 Thorn Soundlabs The Freaq - Demo Video - Mike Hermans

 This Pedal Made Me Stop Scooping My Mids - Thorn Freaq Pedal - Demo Video - Jamie Slays

 The Boost I Needed - Thorn Soundlabs FreaQ - Review Video - Leigh Fuge

Pedals That Are More Flexible Than The Player 😮 | Thorn Soundlabs Magma & FreaQ - Demo Video - Kris Barocsi

Thorn The Freaq Double Stage Booster Guitar Gear Test - by Darkstars

 Is The FreaQ Pedal Really That Cool? - Review Video - The Distortion Principle

Thorn The FreaQ - This Boost Cuts Through The Mix - Demo Video - The Studio Rats

Am I really abandoning digital? Here's a €1500 analog pedalboard - Thorn Soundlabs - Demo Video - Gaetano lo Surdo

Thorn The FreaQ Double Stage Booster & Bad Cash Flex Drive,  review - Gitarre & Bass

The FreaQ

Tester

This is the crazy effect heard on Jimmy Page's "Fool in the Rain" solo. The Blue Box Octave Fuzz takes your guitar signal and duplicates it two octaves down for a huge, subterranean tone. The Blend knob lets you control how much of the fuzz tone is mixed with the two octaves down signal. Not for the timid—there is truly nothing like the Blue Box.

User Manual

Product Page 

Demo by Science of Loud

Official Product Video

M103 Blue Box

Offering a universe of rich, analog-inspired polyphonic tones in a small footprint, the SY-200 makes it simple to weave BOSS’s expressive guitar and bass synth technology into all of your musical journeys. Building on the fun, instant-gratification experience of the acclaimed SY-1, this blue inspiration machine features an expanded sound set, more tone-shaping possibilities, and 128 memories for storing your sonic creations. Two onboard footswitches provide deep real-time performance control, and you can take things even further with external footswitches, an expression pedal, and MIDI.

BOSS

Demo by  Six-String Samurai

Product Page

Review by The Gear Page

Review by reddit /guitarpedals

Review by Sound on Sound

Review by musicradar

SY-200 Synthesizer

Mark Boton

Envelop your music in vibrant rhythmic energy with the SL-2 Slicer, an inspiring creative tool filled with colorful sonic grooves. This BOSS original chops your sound into unique percussive patterns—including many processed with internal filters and effects—and provides multiple output options that bring grooves to life across the stereo field.

Evolved from the legacy SL-20 Slicer, the SL-2 offers expanded capabilities while shrinking the size to the pedalboard-friendly BOSS compact format. Instantly elevate performances with 88 onboard patterns and tap into more via the BOSS Tone Studio app. Grab the knobs to tweak audio slices on the fly and sync to songs with tap tempo and MIDI. Fun and easy to use, the SL-2 brings fresh musical power to all types of creators, from guitarists and keyboardists to loop performers, DJs, beatmakers, and beyond.

Review by guitar pedal X

Review by MusicTech

Manual Pages

Demo by McRocklin

SL-2 Slicer

PedalSafe Type E1

QuickMount Type E

Pedal-Montageplatte für Standard-Boss-Pedale

Pedal Mounting Plate For Standard Boss Pedals

Schutzabdeckung & RockBoard-Montageplatte für BOSS Compact Serie, RC3 LoopStation & RC5 LoopStation Pedale

Protective Cover & RockBoard Mounting Plate For BOSS Compact Series, RC3 LoopStation & RC5 LoopStation pedals

Schutzabdeckung & universelle Montageplatte für BOSS Compact Serie, RC3 LoopStation & RC5 LoopStation Pedale

Protective Cover & Universal Mounting Plate For BOSS Compact Series, RC3 LoopStation & RC5 LoopStation pedals

Michael Hodgson

Der EP-25K verfügt über ein 25-kOhm-Potentiometer, das von einigen Geräten benötigt wird, im Gegensatz zum 10-kOhm-Potentiometer des Mission EP-1. Über die beiden isolierten Ausgänge lassen sich zwei Effekte gleichzeitig steuern.

The EP-25K features a 25K Ohm potentiometer that is required by some devices compared to the 10K potentiometer in the Mission EP-1. The two isolated outputs can be used to control two effects simultaneously.

Mission Engineering

Demo by Sean Pierce Johnson

EP-25K Expression pedal

Dunlop

CM95 Clyde McCoy Cry Baby Wah

QuickMount Type M

Pedal-Montageplatte für Dunlop Cry Baby Wah-Pedale

Pedal Mounting Plates For Dunlop Cry Baby Wah Pedals

Der BOSS ES-8 ist ein 8-fach Effekt-Loop-Switcher. Für Gitarristen mit vielen Einzel-Effektpedalen und einem umfangreichen Pedalboardsystem wird das Leben nun viel leichter. Alleine die Tatsache, dass man seine Effekte mit dem ES-8 sowohl einzeln als auch in Gruppen schalten und auf vielen Speicherplätzen verwalten kann, ist eine wahre Wohltat. Das können andere Loopswitcher auch! Der ES-8 geht jedoch noch viele Schritte weiter. Durch das komplett analog aufgebaute Schaltungsdesign erreicht der Signalfluss eine Qualität, die sich alle Gitarristen wünschen. Zu den 8 Effektloops, von denen einige sogar mit Stereo-Return ausgestattet sind, gesellen sich zusätzlich 3 Control-Switches welche die Umschaltung von externem Equipment, wie z.B. mehrkanalige Verstärker, problemlos ermöglicht. Natürlich ist auch eine umfangreiche MIDI-Schnittstelle vorhanden die ausgefuchste, moderne Setups unterstützt. Der zusätzliche Anschluss von 2 externen Expressionpedalen macht den ES-8 endgültig zur ultimativen Zentrale deines Pedalboards.

The ES-8 Effects Switching System begins life with a sharp and clear mission: to provide pro and high-end users with cool and creative solutions. The new and innovative ES-8 is a system that represents a major leap “out of the box” from the standard individual stomp box utility. It is a whole new way of providing unprecedented capability without sacrificing sound quality. The ES-8 combines far-reaching flexibility with total freedom of expression. All this, in one cool device.

Not just another utility tool, the ES-8 kicks down the door to unlimited possibilities in the universe of musical expression. From this day on, the use of stomp boxes will never be the same. Using BOSS’ advanced technology the ES-8 is designed for spontaneity on the stage. So, go ahead. Jump out of the box. Take the plunge into a whole new world of musical expression. Celebrate the birth of the cool at BOSS with the hot new ES-8 Effects Switching System. It’s a total game changer that will take you to places no musician has ever gone before.

Review by Musiker-Board

Review by bonedo

Demo by Omilion Audio

ES-8 Effects Switching System

chris wilson

You always wanted to have the perfect, organic drive tone. Jump into the Kernom world and take your creativity to the next level with the RIDGE.
No matter if you are looking for an overdrive to play blues or heavy guitar riffs, the MOOD knob on the RIDGE is an intuitive and unique way to access all clipping flavors : symmetrical, asymmetrical, soft or hard clipping, and everything in between. 

Kernom

Demo by Tone Factory

Demo by Andertons

Ridge

Tom Page

EVH und BOSS präsentieren das SDE-3000EVH Dual Digital Delay, eine authentische Nachbildung des Stereo-Delays, das den Live-Sound von Eddie Van Halen und seinem gewaltigen 3-Cabinet-Setup entscheidend geprägt hat. Das leistungsstarke SDE-3000EVH basiert auf dem Roland SDE-3000 Vintage-Rack-Delay und kombiniert zwei SDE-3000 in einem Bodentreter-Pedal, erweitert um vielfältige Anschlüsse für den Aufbau eines Wet/Dry/Wet-Rigs – wie bei Eddie. Darüber hinaus erhältst du acht Presets von EVH, die direkt aus seinen Delay-Units stammen. Auf diese Weise kannst du den raumgreifenden Delay-Sound des Meisters auch in deinem Setup nutzen.

EVH and BOSS join forces to bring you the SDE-3000EVH Dual Digital Delay, an authentic recreation of the stereo delays at the heart of Eddie Van Halen’s massive three-cabinet live stage guitar sound. Based on the vintage Roland SDE-3000 rackmount delay, this powerhouse processor puts two fully featured SDE-3000s in one floor-based pedal, coupled with extensive connectivity to build a wet/dry/wet rig just like Eddie’s. You also get eight presets curated by EVH with the exact settings from his actual delay units, allowing you to experience the master’s expansive spatial delay tone in your own setup.

Review by DelayDude, amazona.de

Review by Chris Gill, guitarworld.com

Demo by Simon Hosford

Demo by BOSSchannel

SDE 3000 EVH

David Litaba

Discover why top artists and producers have chosen Eventide for over 50 years with the H90 Harmonizer®, Eventide’s next-generation multi-effects pedal. Whether you want high-quality bread-and-butter effects or experimental sounds unheard, the H90 has everything you need to inspire your creativity with an intuitive UI designed with players in mind, 62 effect algorithms, and hundreds of Program combinations curated for a variety of instruments and genres. With its comprehensive I/O and flexible routing options, the H90 is designed to be the heart of your rig.

Eventide

Demo by Andertons Music Co

H90 Harmonizer®

Muldee

Der Jack ist das Multitalent der Victory V4-Verstärkerserie und der Verstärker, den wir zusammen mit Guthrie Govan“ entwickelt haben. Vier Röhren in der Front, 180-Watt-Endstufe, zwei Kanäle, Reverb und Two Notes-Technologie. Nur 1,7 kg / 3,75 lbs - alle Jack-Sounds in einer kleinen Box!

Kanal eins ist clean bis zu leichtem Breakup, während Kanal zwei ein glorreicher Overdrive ist. Der Jack ist so konzipiert, dass er jede Situation meistern kann, und im V4-Verstärkerformat ist er tragbar, leistungsstark und praktisch.

The all-rounder of the Victory V4 amp range, the Jack is the amp we developed with ‘Guthrie Govan’. Four valves in the front end, 180-watt power section, two channels, reverb and Two notes technology. Only 1.7kg / 3.75lbs – all the Jack tones in a small box!

Channel one is clean to mild breakup while Channel two is glorious overdrive. The Jack is designed to be able to handle any situation and in the V4 amp format it’s portable, powerful and practical.

Victory

Review by Guitar World

Demo by Gooswyn Guitars

Demo by Jack Gardiner

V4 The Jack Guitar Amp

thuy nguyen

Four valves in the front end, 180-watt power section, two channels, reverb and Two notes technology. Only 1.7kg / 3.75lbs – all the Kraken tone in a small box!

The V4 The Kraken guitar amp partners a V4 Series all-valve preamp with a solid-state, 180-watt Class D power amp. Building on the success of the V4 The Duchess, the V4 Kraken guitar amp continues the ultra-compact size and huge tones by adding even more features. The V4 Kraken guitar amp features Two notes audio engineering Torpedo-embedded DynIR Virtual Cabinet technology making it easy to take your cabinets anywhere!

Review by Premier Guitar

Demo by Rabea Massaad

V4 The Kraken Guitar Amp

Für 15-25 FX-Pedale, 6 MOD-Slots – zwei Ebenen - **826 x 498 mm / 32.52" x 19.61"** - erhältlich mit Gig Bag oder Flight Case

For 15 - 25 FX pedals, 6 MOD slots, two levels - **826 x 498 mm / 32.52" x 19.61"** - available with Gig Bag or Flight Case

Thomas & Simone RhPf Electronics

Signature soundscapes, dual-amp split, and a fuzz born from their own music—Théo’s board is more than functional, it’s autobiographical.

At its heart lies Capharnaüm, the signature fuzz RhPf Electronics designed for KAHFA, from KAHFA. Inspired by the band’s own track, it’s a sonic tribute to their emotional weight—tight grooves, saturated riffs, and shouted sermons. Thick, snarling, and elemental, it’s more than a fuzz. It’s their sound, etched in circuitry.

From there, the board unfolds in two paths:

Signal A: Creative chaos—starting with rhythmic pulses from the BOSS SL-2 Slicer, through wah, Triplegraph, and Whammy Ricochet. A clever loop setup allows toggling between the Plasma Coil and Capharnaüm, before delay from the EHX Canyon and out to the Victory V4 The Jack amp.
In the amp’s loop: a second Canyon, Walrus Slö, and MXR Phase 90 for ambient tail sculpting.

Signal B: Sub-heavy grit. Runs from the Lehle Little Dual II into a BOSS TU-3, down to a separate board with the EHX Nano POG (-1 octave), Mosferatwo overdrive, NS-2 Noise Suppressor, and Mimiq Doubler, landing in a Peavey bass amp for devastating low-end punch.

Hidden underneath: Lehle switching and Strymon power, mounted on a custom Rolf pedalboards board built in Jura, Switzerland.

This board doesn’t just shape Théo’s tone—it documents it.

KAHFA - Théo

DELETED USER

Der Dunlop CBM95 Cry Baby Mini ist ein kompaktes Wah-Pedal, das klassische Cry-Baby-Wah-Sounds in einem verkleinerten Gehäuse bietet. Es verfügt über einen dreistufigen Voicing-Schalter, mit dem sich verschiedene Wah-Frequenzbereiche auswählen lassen, die auf Vintage-Cry-Baby-Schaltungen basieren. Das Pedal verwendet denselben Fasel-Induktor wie traditionelle Cry-Baby-Modelle, um den vertrauten Klangcharakter zu erhalten. Das kleinere Gehäuse ist für Pedalboards mit begrenztem Platz konzipiert und bewahrt dennoch das Spielgefühl und den Regelweg eines Full-Size-Wahs. Das CBM95 besitzt ein robustes Metallgehäuse für den Einsatz auf der Bühne. Es gehört zur modernen Cry Baby Mini Serie von Dunlop.

The Dunlop CBM95 Cry Baby Mini is a compact wah pedal designed to deliver classic Cry Baby wah tones in a reduced footprint enclosure. It features a selectable three-position voicing switch that allows the player to choose between different wah frequency ranges inspired by vintage Cry Baby circuits. The pedal uses the same Fasel inductor found in traditional Cry Baby models to maintain familiar tonal character. Its smaller housing is intended for pedalboards where space is limited while retaining the feel and sweep of a full-size wah. The CBM95 is built with a durable metal chassis for live performance use. It is part of Dunlop’s modern Cry Baby Mini series.

Review by Music Radar

Guide to Cry Baby Wahs by Jim Dunlop

CBM95 Cry Baby Mini Wah

MIMIQ DOUBLER läutet eine neue Ära für Live-Gitarrendubbel ein. Indem MIMIQ jedes Quäntchen Leistung aus unserem neuen proprietären Doubler-Algorithmus nutzt, gelingt es ihm, die Magie und Einzigartigkeit von echtem Double-Tracking in Studioqualität in ein kompaktes Pedal zu packen. Einfach drauftreten und hören, wie Ihre rockigen Riffs an epischer, leviathanhafter Kraft gewinnen und Ihre Lead-Lines mit beispielloser Erhabenheit hervorstechen, als ob sie von bis zu vier Gitarristen gleichzeitig gespielt würden. Bei MIMIQ ist mehr definitiv mehr!

MIMIQ DOUBLER ushers in a new era for live guitar doubling. By harnessing every ounce of power from our new proprietary doubler algorithm, MIMIQ manages to distill the magic and uniqueness of actual studio-grade double tracking into a compact pedal. Just stomp it and hear your rockin’ riffs gain epic leviathan-like strength, and your lead-lines stand out with unprecedented grandeur, as if played by up to four guitarists at once. When it comes to MIMIQ, more is definitely more!

TC Electronic

Demo by Prymaxe

Demo by EytschPi42

Mimiq Doubler

Der NS-2 eignet sich hervorragend, um Signal-Rauschen und lästige Brummgeräusche zu eliminieren, wobei der Klangcharakter des originalen Eingangssignals unberührt bleibt. Attack und Hüllkurve des Signals werden in keinster Weise beeinträchtigt, dank eines von BOSS entwickelten, einzigartigen Noise Detection-Schaltkreises, der den Gitarrenklang präzise von sämtlichen Störgeräuschen zu separieren vermag.

The NS-2 Noise Suppressor eliminates unwanted noise and hum without altering an instrument's natural tone. It's the perfect pedal to quiet down any pedalboard or effects setup.

Demo by  Charly G.- Sound & Demo

Demo by Riffs, Beards & Gear

Review by Pedal Authority

NS-2 Noise Suppressor

Ein fetter, rauer MOSFET-Overdrive mit kräftiger Sättigung und nuancierter Dynamik. Drei fein abgestimmte Gain-Stufen liefern wahlweise klassischen Blues-Crunch oder fokussierter Schärfe. Von rauchigen Bässen bis zu kristallklaren Höhen – dieser Sound lebt von Spielgefühl und Charakter.

A swampy, greasy bold overdrive packed with touch-sensitive dynamics and three gain stages stacked for bluesy grit or focused bite. From smoky lows to glassy highs, it’s all about feel and attitude.

RhPf Electronics

Demo by We As A Company

Demo by Philip Czarnecki

3D Viewer and AR tool

Interactive Demo

Interactive Frequency Response

News Letter

Mosferatwo

Der EHX Nano POG kann gleichzeitig mehrere Oktaven aus deinem Eingangssignal erzeugen. Egal, ob du Einzelnoten, Arpeggios oder volle Akkorde spielst, der Nano POG wird jede Note oder jeden Akkord, den du spielst, präzise verfolgen.

Mit dem Nano POG kannst du dein trockenes Signal mit zwei verschiedenen Oktaven (eine oberhalb und eine unterhalb deiner ursprünglichen Note) mischen, um völlig neue, inspirierende Töne zu erzeugen.

Separate Lautstärkeregler für das trockene Signal, die Sub-Oktave und die Oktave nach oben sowie ein zusätzlicher Dry-Out und lautloses Umschalten per Fußschalter bieten die perfekte Formel für dieses kompakte Schmuckstück.

The EHX Nano POG can simultaneously generate multiple octaves from your input signal. Whether you play single notes, arpeggios, or full chords, the Nano POG will precisely track every note or chord that you play.

With the Nano POG, you can mix together your dry signal with two different octaves (one above and one below your original note) to create totally new, inspiring tones.

Separate level controls for dry, sub octave and octave up plus an extra Dry out and silent footswitching provide the perfect formula for this compact jewel.

Electro-Harmonix

Demo by PMTVUK

Nano POG

PedalSafe Type A2

QuickMount Type A

Pedal-Montageplatte für Standard-Einzelpedale

Pedal Mounting Plate For Standard Single Pedals

Schutzabdeckung & RockBoard-Montageplatte für ELECTRO HARMONIX Nano Series und MXR Effektpedale mit Standardgehäuse (2 In & 2 Out) und für die meisten Effektpedale mit den Gehäusemaßen von ca. 112 x 60 x 30 mm

Protective Cover & RockBoard Mounting Plate For ELECTRO HARMONIX Nano Series and MXR effect pedals with standard enclosure (2 In & 2 Out) as well as for most other effect pedals with enclosure dimensions of about 112 x 60 x 30 mm

Schutzabdeckung & universelle Montageplatte ELECTRO HARMONIX Nano Series und MXR Effektpedale mit Standardgehäuse (2 In & 2 Out) und für die meisten Effektpedale mit den Gehäusemaßen von ca. 112 x 60 x 30 mm

Protective Cover & Universal Mounting Plate For ELECTRO HARMONIX Nano Series and MXR effect pedals with standard enclosure (2 In & 2 Out) as well as for most other effect pedals with enclosure dimensions of about 112 x 60 x 30 mm

Philippe Kirsch

LINE 6

Relay G10S

Whammy effects in a single stompbox pedal
7 pitch intervals shift across a 4 octave range

DigiTech

Demo by ProGuitarShopDemos

Whammy Ricochet

Capharnaüm ist roher, chaotischer Fuzz mit Biss – laut, lo-fi und kompromisslos. Mit gezackter Sättigung, aggressivem Low-End und bröckelnder Gating-Struktur liefert er pure Zerstörung. Scorch formt den Klang, Wrath stapelt Texturen – wenn Ordnung endet, beginnt Capharnaüm.

Capharnaüm is raw fuzz with a serrated edge—loud, lo-fi, and full of chaos. It delivers jagged saturation, gated sag, and aggressive low-end punch. With tone-sculpting Scorch and dual-texture Wrath, it thrives where polish ends and mayhem begins. No cleanup. No compromise.

Review by KAHFA

Demo by Philomena Music and Demo

Capharnaüm

The Triplegraph is a digital octave pedal designed by CopperSound Pedals and Jack White, featuring three proprietary telegraph keys and an integrated auxiliary loop. Utilizing a high-power DSP Blackfin Processor, Triplegraph triggers an octave down with the left key, octave up with the right key, while the middle key activates a killswitch or auxiliary loop. In KILL mode, the middle key acts as a momentary killswitch, allowing the player to remove their dry signal and attain a fully wet octave up and/or down when used in conjunction with the octave keys. In AUXILIARY mode, the player can connect one or more of their favorite effects in parallel with the octaves via the send/return jacks, and trigger them in momentary bursts. The high and low octaves can be triggered in parallel with the dry signal when the octave keys are pressed independently. The octaves themselves track seamlessly with zero latency, and can be triggered in latching or momentary modes, using our “Loctave” toggle switches. The telegraph keys themselves are composed of custom stainless steel and aluminum components, making them indestructible and exceedingly durable for both hand and foot operation. Over four years in the making, the collaborative result is an innovative, state of the art clean-tracking octave pedal, capable of standing its own against industry standards.

Coppersound

Third Man Records

Demo by BOB BRADLEY

Third Man Triplegraph

Oft kopiert aber nie erreicht, rangiert das schwer zu findende, originale, Phase 90 bei den Sammlern alter Bodentreter ganz weit oben. Das Original - seit der Gründung der Firma Dunlop bis in die späten 70er Jahre erhältlich – definierte den klassischen Phase Shifter Sound und war in allen Musikstilen zu hören, egal ob Hard Rock, Jazz-Fusion oder Funk-Hits. Der nach dem Kultpedal der Firma designte Phaser kommt puritanisch mit einem Regler aus, über den der Phaser-Speed einstellbar ist. Eine rote LED über dem stabilen Fußschalter zeigt den Schaltstatus an. Das massive Spritzgußgehäuse verfügt über jeweils 1/4" Klinke In- und Out-Eingänge. Betrieben wird der Kulttreter mit einer 9V Batterie, die in einem leicht zugänglichen Batteriefach auf der Unterseite Platz findet. Es ist erhältlich in der ursprünglichen orangenen Farbe.

This device has found its way into many of Eddie Van Halen's recordings, adding a shimmery velocity to lead passages or a more dramatic swoosh to muted strumming. Not just for guitars; it works well with bass, keyboards and even vocals. Vary the speed from a subtle, long cycle to a fast, watery warble...and myriad vintage vibrations in between. Power: Single 9 volt battery or Dunlop ECB-003 AC Adapter - Controls: Footswitch toggles effect on/bypass (red LED indicates on) Speed knob varies rate of phase sweep

Review by Guitar Player

Demo by Reverb

M101 Phase 90

The Slö Multi Texture Reverb allows players to create lush, modulated, sleepy and ambient soundscapes. Stocked with three different algorithms specifically designed to invoke textures for bringing dreams from your subconscious to reality. Want these sounds but need presets? Check out the Slötvå.

Walrus Audio

Tech Demo by Walrus Audio

SLÖ

PedalSafe Type B1

QuickMount Type B1

Pedal-Montageplatte für FRIEDMAN, KEELEY Halo, WAMPLER EQ, VelvetFuzz, WALRUS DeepSix, JULIA V2, 385 OD, Jupiter V2 und Mooer GL 100 Pedale

Pedal Mounting Plate for FRIEDMAN, KEELEY Halo, WAMPLER EQ, VelvetFuzz, WALRUS DeepSix, JULIA V2, 385 OD, Jupiter V2 and Mooer GL 100 pedals

Schutzabdeckung & RockBoard-Montageplatte für FRIEDMAN, WAMPLER EQ, VelvetFuzz, WALRUS DeepSix, JULIA V2, 385 OD & Jupiter V2 Pedale

Protective Cover & RockBoard Mounting Plate For FRIEDMAN, WAMPLER EQ, VelvetFuzz, WALRUS DeepSix, JULIA V2, 385 OD & Jupiter V2 pedals

Schutzabdeckung & universelle Montageplatte für FRIEDMAN, WAMPLER EQ, VelvetFuzz, WALRUS DeepSix, JULIA V2, 385 OD & Jupiter V2 Pedale

Protective Cover & Universal Mounting Plate For FRIEDMAN, WAMPLER EQ, VelvetFuzz, WALRUS DeepSix, JULIA V2, 385 OD & Jupiter V2 pedals

Canyon

PedalSafe Type A1.1

Schutzabdeckung & RockBoard-Montageplatte für MXR® Standardgröße und Dunlop® Echoplex Delay Pedale

Protective Cover & RockBoard Mounting Plate For MXR® standard size and Dunlop® Echoplex Delay pedals

Schutzabdeckung & universelle Montageplatte für MXR® Standardgröße und Dunlop® Echoplex Delay Pedale

Protective Cover & Universal Mounting Plate For MXR® standard size and Dunlop® Echoplex Delay pedals

V4 The Jack Guitar Amp von Victory