Chris Miller

My rhthym guitar sound is based on the use of a 1995 Matchless Tube Pre-amp (original Hot Box before the labeling) running dual mono into a Marshall Valvestate VS232 and to a Peavey Decade, which isn't specifically depicted on the board schematics. 

To avoid any potential impedance issues with the Matchless Tube Preamp, I use a Vertex Interface buffer to assist my pedal chain as follows: running from the guitar to the Send input, from the Send out I go to the Matchless and then back into the Guitar Input of the Vertex. Then from the Guitar output (using a Vertex Y-cable), we go to both a Sonic Research Tuner ST-300 (in true bypass, on all all the time, no output use) and the split goes to a Stone Deaf PDF-1. 

I use a Lehle mono volume pedal after my gain stages to roll up or down the overall volume while maintaining the selected gain outputs (capabilities from the Matchless Preamp, a Stone Deaf PDF-1 and an MXR Fat Sugar).  From the PDF-1 we follow a basic right of passage, going from its non-expressive output to the Fat Sugar input, then out to a Subdecay custom Envelope Filter, then to the input of a GE-7 EQ (with XTS Mod).  

From the GE-7, we go to the Lehle mono volume, then on to a JHS Kill Switch input (because I love having a panic button).  From the Kill Switch we go out to a Thorpy’s CamoFlange with dual outs.  Here, using a Lehle Little Dual amp switcher to split my mono signals to one or both amps through the Vertex, we go from one flanger output to the AB input of the Little Dual and the other output of the flanger to the input of a Foxgear EchoSex Baby. The EchoSex runs out to the A input of the Little Dual. The Little Dual then feeds the two separate amplifier input channels on the Vertex interface from its respective A & B outputs, then using both separate outputs from the Vertex Interface Buffer to both my Marshall and Peavey for a mixed blend ultimately controlled by the Little Dual. 

I use a TrueTone 1Spot CS-12 to power everything except the Matchless, which has it's own built-in power cable/requirement.

1970 Les Paul Deluxe Gold Top

Matchless Preamp Rhythm Guitar Station

'65 Twin Reverb

Cameron LeViere

The CAMOFLANGE Flanger MKII is here and more than a visual change we have made some internal changes too. We have adjusted the internal voltage regime to offer higher voltage (18v) and use higher headroom BBDs. Crucially though, all the magic that was the original Camoflange is still present. Designed as a collaboration with DAN COGGINS (Former LOVETONE Pedal designer) as his second modulation pedal design since his Lovetone pedal days. This fully Analog Flanger was designed from the ground up to provide the most incredibly versatile flanger sounds with a level of versatility unsurpassed in analog effects so far.

ThorpyFX

Demo by collector//emitter

Demo by Noise Generator

Product Page

Review by The Gear Page

Review by delicious audio

Review by reddit /guitarpedals

Manual

Camoflange MKII

JakobSlash

Das GE-7 Equalizer-Pedal bietet sieben EQ-Bänder im Bereich von 100Hz bis 6,4kHz, ideal für Gitarrensounds, mit einer Anhebung/Absenkung von +/- 15dB pro Band. Damit kannst du deinen Sound vollständig kontrollieren und unerwünschte Rückkopplungen eliminieren, insbesondere wenn du ihn nach einem Verzerrungseffekt anschließt.

The GE-7 Equalizer pedal offers seven bands of EQ ranging from 100Hz to 6.4kHz, ideal for guitar sounds, with boost/cut of +/- 15dB per band. This lets you completely control your sound and eliminate unwanted feedback, particularly when connected after a distortion effect.

BOSS

Official Website

Review by The Gear Check

Review by Audiofanzine

Review by Reddit /guitarpedals

Review by Guitar Gear

Manual's All

Demo by Law of the Riff

Demo by New Music Academy

Demo by Guitar Bonedo

Demo by Musicmaker

GE-7 Equalizer

QuickMount Type E

Pedal-Montageplatte für Standard-Boss-Pedale

Pedal Mounting Plate For Standard Boss Pedals

Filippo Rimondi

Truetone

Visual Sound 1 Spot Pro CS12

Stone Deaf Effects

Demo by Simon Smith

Demo by Pedal of the Day

Review by Premier Guitar

PDF-1

Tester

Sonic Research

Demo by StrobeTuner

ST-300 Turbo Tuner

Sean Sheppard

Vertex Effects

Buffer Interface

David Litaba

Simpel, solide und nützlich. Der JHS Mute Switch ist genau der einfache Stummschalter den du schon immer gebraucht hast. Tritt drauf und alles, was du daran anschließt ist sofort 100 % still!

Simple, solid and very useful. Have you ever needed a simple mute switch with no frills? Just hit the footswitch and anything plugged into the input is made 100% silent.

Official Product Page

Demo by Pedal Empire

Mute Switch

QuickMount Type L

Pedal-Montageplatte für Standard-Mini-Pedale

Pedal Mounting Plate For Standard Mini Pedals

Das Foxgear Echosex Baby der noch relativ jungen italienischen Marke stellt eine handliche und vor allem geldbeutelschonende Variante einer analogen Echomaschine dar, die Musikgeschichte geschrieben hat, nämlich des Binson Echorecs. Dieses Gerät hatte seinen Ursprung bereits in den 60er Jahren ebenfalls in Italien und ist auf diversen Pink Floyd- und Led Zeppelin-Aufnahmen zu hören. Längst gilt das Original als begehrtes Sammlerobjekt, das horrende Preise auf dem Gebrauchtmarkt erzielt.

FOXGEAR Echosex Baby Delay compact effect pedal is the smaller version of Guru's award-winning Echosex. This is one of the best quality stompboxes you'll find at an entry-level price.
FOXGEAR is an italian company endorsed by some huge names like Steve Lukather (Toto), Adrian Belew (King Crimson) and Phil Campbell (Motorhead)

Foxgear

Review by Guitar Interactive Magazine 

Review by bonedo 

Demo by Guitar Interactive Magazine 

Demo by Guitar Bonedo 

Demo by Pete Thorn 

Echosex Baby

Yamile Butler

Der LEHLE LITTLE DUAL II ist der Nachfolger des Lehle Little Dual und stellt einen Amp-Switcher für zwei Amps mit höchster Signaltreue dar. Mittels Soft-Touch-Schaltern kannst du zwischen zwei angeschlossenen Verstärkern brumm- und soundverlustfrei umschalten.
Dir stehen zwei verschiedene Betriebsmodi bereit. Du entscheidest, ob du jeden Ausgang einzeln aktivieren und deaktivieren willst oder klassisch hin- und herschalten möchtest und den jeweils anderen hinzufügen oder entfernen.

The LEHLE LITTLE DUAL is the LEHLE DUAL SGOS's little sister, a maximum signal-fidelity amp switcher for two amps. Both amps are activated simultaneously using the left footswitch, while the right is used to switch back and forth between them. High-intensity LEDs make it easy to read off switching state A or B, or A and B, even under high-power spots.

LEHLE

Official Product Video

Review by Samuel Roberts, guitar.com 

Little Dual II

The MXR Fat Sugar Drive brings the Sugar Drive’s diverse range of clear and transparent overdrive tones to MXR’s classic housing for players who prefer its footprint over that of the mini.

This pedal’s versatility comes from its unique Drive control—which replicates an amp’s transition from clean to dirty by blending your clean signal at the start of the sweep—and a little something called a voltage doubler, which increases overall headroom and opens up the sound of the pedal. Together, these elements allow you to serve up everything from a sauced-up boost to full-on blow-tube distortion.

The Fat Sugar Drive is set for true bypass by default, but for the tonal purists who want buffered bypass instead, just remove the bottom plate and flick the internal Buffer switch, close it up, and get to playing. This special edition comes with a custom pink sparkle finish.

Review by HOMETONEBLOG

Demo by The Music Addict

Demo by The Pedal Picassos

M94SE Fat Sugar Drive

QuickMount Type A

Pedal-Montageplatte für Standard-Einzelpedale

Pedal Mounting Plate For Standard Single Pedals

The Gurgle and Moan is an envelope filter effect. This is a prototype pedal, and it does have some quirks and rough edges. On a few of them that we have built they oscillate with the resonance knob cranked. Also there is a bit of a "gurgle" in the background due to some crosstalk issues with the control voltage circuitry. I thought it sounded cool, although it may not be what everyone wants in a filter. 

This is a prototype pedal, and has no artwork, or labeling on the face of the pedal. There is a sticker on the back with a brief explanation of what the knobs do.

Controls
Lower right knob: Shape - Varies the shape of the filter from band pass or low pass.
Lower left knob: Resonance - Accents the cut off frequency of the filter. (At max setting it may oscillate)
Upper right knob: Depth- Varies how far your playing dynamics will modulate the filter cutoff frequency.
Upper left knob: Frequency - Varies the cut off frequency of the filter

Warranty: If it ever breaks send it back to us and we will fix it, unfortunately we no longer cover polar bear attacks, alien abduction, willfully destroyed pedals, or any claims involving time travel or toaster repair.

This pedal can be powered by a 9V battery or a standard boss style barrel plug adaptor. Has an LED, True bypass, and a powder coated finish for durability.

Subdecay

Review by Talk Bass.com

Gurgle & Moan

Matchless Pre-amp 2 channel Clean and Gain

Matchless

Demo by PedalSoundMafia

Demo by funk ojisan

Review by Les Paul Forum

Review by guitartest

Schematic

Hot Box

Wenn Burkhard Lehle etwas baut, dann richtig und ohne Kompromisse. Mit seinem Mono Volume Pedal hat er ein High End Pedal ohne die sonst bei Volumenpedalen auftretenden Nachteile konstruiert. Es wird kein mechanisches Poti verwendet - das Mono Volume arbeitet mit einem Magnet Sensor der ein hochwertiges VCA steuert. Dadurch ist der gesammte Regelbereich gleichmäßig und ohne Klangverlust, Verschleiß und Potikratzen gehören der Vergangenheit an. Desweiteren besteht die Möglichkeit, das Ausgangssignal um bis zu 10 dB zu boosten. Das Pedal läuft sehr gleichmäßig und ruhig, da die Pedalwippe in Low Friction Polymer Gleitlagern läuft. Zusätzlich steht ein gebufferter Direkt Out zur Verfügung der als Tuner Out oder zur Weiterleitung an weiteres Equipment genutzt werden kann. Das Pedal läßt sich durch den niederohmigen Ausgang auch in einem seriellen FX Loops eines Amps betreiben.

When Burkhard Lehle builds something, he does it properly and without compromise. With his Mono Volume Pedal, he has constructed a high-end pedal without the disadvantages that usually occur with volume pedals. No mechanical potentiometer is used - the Mono Volume works with a magnetic sensor that controls a high-quality VCA. This means that the entire control range is even and without loss of sound, wear and potentiometer scratching are a thing of the past. There is also the option of boosting the output signal by up to 10 dB. The pedal runs very evenly and quietly because the pedal rocker runs on low friction polymer plain bearings. There is also a buffered direct out that can be used as a tuner out or for forwarding to other equipment. The pedal can also be operated in a serial FX loop of an amp thanks to the low-impedance output.

Demo by shnobel

Review by Michael Behm

Mono Volume

Für 9-18 FX-Pedale, 2 MOD-Slots - **722 x 330 mm / 28.43" x 12.99"** - erhältlich mit Gig Bag oder Flight Case

For 9 - 18 FX pedals, 2 MOD slots - **722 x 330 mm / 28.43" x 12.99"** - available with Gig Bag or Flight Case

Adrielle Machaer Suryantoro

Les Paul (magnetic output)

Les Paul (GK output)

New Pedal Board

Maz 18

Jazz Chorus JC-40 (L)

Jazz Chorus JC-40 (R)

K12.2

Mit der 200-Serie präsentiert BOSS eine neue, kompakte Pedal-Generation, die mit hochwertigem Sound, außergewöhnlicher Vielseitigkeit und minimalem Platzbedarf auf deinem Pedalboard überzeugt. Dank intuitiver Regler und multifunktionaler Schalter gestaltet sich die Bedienung einfach und intuitiv. Zusätzlichen Komfort bieten die internen Speicherplätze, über die du deine eigenen Setups bei Bedarf unmittelbar abrufen kannst. Die hohe Audioqualität der Pedale der 200-Serie basiert auf einer 32 Bit AD/DA-Wandlung, 32 Bit internen Signalverarbeitung und 96 kHz Samplingrate. Weiterhin kannst du die Pedale optional über externe Umschalter, ein Expression-Pedal oder via MIDI steuern.

With the 200 series, BOSS introduces a new generation of pedals that pack advanced sound and versatility into a streamlined size that saves space on your board. Grab-and-go controls and multi-function switches make operation easy and intuitive, while onboard memories allow you to store multiple setups for instant recall. All 200 series pedals feature premium audio quality with 32-bit internal processing and offer support for external control via footswitches, an expression pedal, or MIDI.

Review by Joe Charupakorn, premierguitar.com

Review by Dimitri, amazona.de

Review by Michael Behm, bonedo.de

Demo by Rabea Massaad

EQ-200 Graphic Equalizer

Chad Penfold

Der GM-800 hebt die Gitarrensynthese in ein neues Zeitalter natürlicher Spielbarkeit und grenzenloser kreativer Bandbreite. Angetrieben von der neu entwickelten Serial GK-Schnittstelle erschließt die fortschrittliche ZEN-Core-Engine jeden erdenklichen Sound – von akustischen Instrumenten bis hin zu klassischen und modernen Synthesizern –, während der Hochleistungs-DSP eine Tracking-Stabilität und einen Ausdrucksspielraum bietet, die noch nie zuvor möglich waren. Kombinieren und bearbeiten Sie Töne frei mit dem intuitiven Szenen-Workflow, färben Sie Sounds mit einer riesigen Auswahl an Effekten und erkunden Sie ein Universum neuer Inhalte in Roland Cloud. Der GM-800 ist kompakt, stromlinienförmig und äußerst vielseitig und verleiht Ihrer Gitarre oder Ihrem Bass unbegrenztes musikalisches Potenzial.

The GM-800 elevates guitar synthesis into a new age of natural playability and boundless creative range. Driven by the newly developed Serial GK interface, the advanced ZEN-Core engine unlocks any sound imaginable—from acoustic instruments to classic and modern synths—while high-performance DSP delivers tracking stability and expressive scope never before possible. Freely combine and edit Tones with the intuitive Scene workflow, color sounds with a huge selection of effects, and explore a universe of fresh content on Roland Cloud. Compact, streamlined, and ultra-versatile, the GM-800 infuses your guitar or bass with unlimited musical potential.

Demo by

GM-800

Greg Dunn

The new pinnacle of what a reverb pedal can be has arrived.
In BigSky MX, raw computational power meets innovative design and consummate sonic craftsmanship to give you positively sublime reverbs with stunning new levels of richness and complexity.
These are sounds to inspire new creative works and endless hours of playing.

BigSky MX features a staggering amount of computing power — it uses a high performance tri-core 800 MHz ARM processor — all dedicated to producing truly breathtaking reverbs. Our new reverb algorithms were meticulously created by hand, and then a state-of-the-art gradient descent optimization algorithm was used to dial out any undesirable ringing or artifacts. 

Strymon

Review by Synth Anatomy

Review by musicradar

Review by Guitar.com

BigSky MX

Spanning the gamut of known delay possibilities and beyond, the Echosystem could be the ultimate delay-crafting tool. Faithful emulations of classics like digital, tape and analog delays are numerous, as well as Empress' own take on each of these delay styles. Moving beyond the traditional, the vast amount of sonic ground the Echosystem can cover becomes apparent. Check out the ambient modes when you're feeling chilled out, or perhaps a visit to the multi tap modes for a taste of inspiration.

The Dual Engine functionality allows any 2 of these delays to be used together, routed in either parallel, series, or left/right configurations.

Empress Effects

Review by Gearspace

Manual download

Demo by Liam Killen

Demo by Knobs

Echosystem

Discover why top artists and producers have chosen Eventide for over 50 years with the H90 Harmonizer®, Eventide’s next-generation multi-effects pedal. Whether you want high-quality bread-and-butter effects or experimental sounds unheard, the H90 has everything you need to inspire your creativity with an intuitive UI designed with players in mind, 62 effect algorithms, and hundreds of Program combinations curated for a variety of instruments and genres. With its comprehensive I/O and flexible routing options, the H90 is designed to be the heart of your rig.

Eventide

Review by bonedo

Demo by Andertons Music Co

H90 Harmonizer®

The Zuul®+ takes everything that made the original Zuul® legendary and adds multiple new, essential, features. The first thing we wanted to do was expand the ‘Key In’ functionality (that makes the gate active after OD/Boost pedals, reacting to the pure guitar signal), Zuul®+ now boasts a ‘Key Thru’ (complete with ground lift switch), that eliminates the need to split the signal externally. We have also added all new Hold and Release controls that give you everything you need to ensure you have pristine gating response in your rig.

Fortin Amplification

Demo by Professor Killertone

ZUUL+

RockBoard

For musicians who love their guitar and amp’s tone. The Pharaoh pedal, while its roots and DNA are classic fuzz, has a few twists. The Pharaoh has a wide range of clipping and tonal options. From a cleanish boost, to a light OD, all the way to saturated fuzz. It sounds clear and natural, strong and bold. Your guitar sound isn’t high jacked, and your amp’s tone is not destroyed. The Pharaoh utilizes a dual tone control. The tone circuit is designed to suffer little volume loss, and give a natural sound. Your guitar and amp still sound like your guitar and amp. No drastic cuts or boosts. The tone section allows your amp to do the heavy lifting.

The Pharaoh starts with a hi/lo input switch, not unlike that of your favorite tube amp. Lo for more headroom/less clipping. Hi for less headroom/more clipping. A standard fuzz knob. A full range tone control with the addition of a high end compensation knob to allow you to replenish the highs cut by the tone control when boosting lows. The diode selector switch allows for different modes of clipping. Silicon Diodes for a raspy distorted sound, Diodes out for more volume /headroom and less clipping. Asymmetrical Germanium clipping diodes give a warm, tubey old school sound.

The two switches can take the Pharaoh from a clean/ fat boost to light OD which cleans up well with your guitar’s volume knob, all the way to hairy open fuzz. The Pharaoh utilizes signal caps large enough to pass all frequencies through, uncut. Again, a natural sound. This is especially important for bass player; you’ll get huge fuzz with NO low-end loss, and without squishy flubby tones.

Black Arts Toneworks 

Black Arts Toneworks Pharaoh Fuzz (DOOM METAL DEMO)

Black Arts Toneworks Pharaoh Fuzz

Product Page 

Pharaoh

Dieses „BE“ Dual-Overdrive-Pedal fängt den Klang des mittlerweile legendären Friedman BE-100 Verstärkers ein, der die Bühnen weltbekannter Musiker auf der ganzen Welt ziert. Das ursprüngliche Friedman BE-OD Single-Channel-Pedal eroberte die Branche im Sturm. Zehntausende Pedale wurden weltweit verkauft und es ist immer noch sehr beliebt! Dieses neue BE-OD Deluxe-Pedal verwendet genau denselben Schaltkreis, verfügt jedoch über einen weiteren Kanal und zwei Mittenregler. Die obere Reihe (Kanal 1) ist identisch mit dem ursprünglichen BE-OD-Pedal, während Dave die untere Reihe (Kanal 2) mit etwas geringerem Gain abgestimmt hat. Mit zwei „BE“-Kanälen in Ihrem Arsenal können Sie sowohl Ihre Rhythmus- als auch Ihre Lead-Sounds perfekt einstellen. Das BE-OD Deluxe liefert authentischen Röhrenverstärkersound mit den Reglern, die Sie zur Gestaltung Ihres Sounds benötigen. Zu den Reglern gehören: 3-Positionen-Tight-Schalter, Lautstärke, Gain, Bass, Mitten, Höhen und Presence. Mit diesen reaktionsschnellen Reglern gelangen Sie von milden Overdrives bis hin zum absoluten Gain-Nirvana. Das BE-OD Deluxe wird in den USA hergestellt und ist so konstruiert, dass es jahrzehntelangem Gebrauch standhält. Es ist ein Muss für jeden Ton-Enthusiasten.

This "BE" dual overdrive pedal captures the tone of the now legendary Friedman BE-100 amplifier, which has graced the stages of world class musicians the world over.  The original Friedman BE-OD single channel pedal took the industry by storm. Tens of thousands of pedals sold worldwide and it's still going strong!  This new BE-OD Deluxe pedal employs the exact same circuit but adds another channel and dual midrange controls. The top row (Channel 1) is identical to the original BE-OD pedal while Dave voiced the bottom row (Channel 2) with slightly lower gain.  Dual "BE" channels in your arsenal allow you to perfectly set both your rhythm and lead sounds.  The BE-OD Deluxe delivers authentic tube amplifier sound with the controls needed to shape your tone. Controls include: 3 position tight switch, volume, gain, bass, middle, treble and presence knobs.  These responsive controls will take you from mild overdrives to straight up gain nirvana.  Built in the USA and designed to withstand decades of abuse, the BE-OD Deluxe is a must have pedal for any tone enthusiast.

Friedman

Review by Bonedo 

Demo by PMTVUK 

BE-OD deluxe

The OCD was the first pedal to use Mosfets as clipping devices. Another first was their configuration as "hard clippers connected to v-ref" instead of to ground, as was the norm. These things contribute greatly as to why the OCD has such touch-sensitivity...why they react so well when the strings are hit hard or soft, and why they sound & feel different than all other pedals out there, 90% of which are just slight tweaks of the Tube Screamer. 

Fulltone

Demo by That Pedal Show

Demo by intheblues

The Story of Fulltone OCD

PedalSafe Type FT1

QuickMount Type FT1

Pedal-Montageplatte für FULLTONE OCD & 69 MK2 Pedale

Pedal Mounting Plate for FULLTONE OCD & 69 MK2 pedals

Schutzabdeckung & RockBoard-Montageplatte für FULLTONE OCD & 69 MK2 Pedale

Protective Cover & RockBoard Mounting Plate For FULLTONE OCD & 69 MK2 pedals

Schutzabdeckung & universelle Montageplatte für FULLTONE OCD & 69 MK2 Pedale

Protective Cover & Universal Mounting Plate For FULLTONE OCD & 69 MK2 pedals

Heitor Rosa

The Gladio is specifically designed to help worldwide Robben Ford fans to reach his fabulous Dumble tone. You will not only get a similar tone but you’ll find renewed inspiration and ideas thanks to Gladio’s exceptional touch sensitivity and amp-like feel.

Cornerstone Music Gear 

Demo by Kris Barocsi

Demo by Pete Thorn

Demo by Shawn Tubbs

Demo by That Pedal Show 

Gladio

The Protein is based around modified versions of two well-respected drive pedal circuits: the ‘Blue’ side is based on a 1990’s Marshall Bluesbreaker but has a tweaked tone control and extra output, while the ‘Green’ side takes its cue from that Nashville session favourite the Nobels ODR-1. 

Browne Amps

Review by ThatGuitarLover.com 

Review by Guitar World 

Demo by Alberto Barrero

Demo by Buddy Blues 

Protein

The Cali76 Compact Deluxe is an all-analogue recreation of the legendary Urei® 1176® studio compressor, with an unmistakable sound heard on countless classic albums. This studio-grade FET compressor uses Class-A, low-noise circuitry and a dedicated parallel compression control to bring your favourite recorded guitar tones to your pedalboard.

Origin Effects

Review by that guitar lover

Review by Sound on Sound

Demo by Living Room GD

Demo by Sweetwater

Cali76 Compact Deluxe

Nick Morgan

The Mastermind PBC/10 is our first switching unit designed for use on a pedalboard. This product combines best of all of the products we’ve done over the years into one compact and powerful unit. This gives for the first time, the power and flexibility of a rack switching system – on a pedalboard!

We’ve designed the Mastermind PBC/10 to get the most out of pedalboards that include MIDI controllable pedals like those made by Eventide, Line 6 and Strymon. Not only does the PBC/10 handle all of the audio routing and switching, but also its comprehensive MIDI features allow complete control over these pedals.

RJM Music Technology

Review by Music Players

PBC/10

Der LEHLE Sunday Driver ist ein kompaktes, hochwertiges Vorverstärker / Buffer / Booster-Gerät für E- und Akustik-Gitarre, Bass oder andere Saiteninstrumente. Er nutzt eine diskrete Class-A JFET-Schaltung und liefert einen sauberen, transparenten Klang mit zwei wählbaren Betriebsarten: „Driver“ (neutraler Boost) und „Sunday“ (hoch-impedante Einstellung, die mehr Details hörbar macht und Wärme hinzufügt). Im Driver-Modus bleibt Signal klar und dynamisch erhalten, auch bei langen Kabelwegen oder komplexen Effektketten; im Sunday-Modus wird die Eingangsimpedanz erhöht, zuvor verborgene Klangnuancen werden hörbar, und der Pegel kann bis zu +18 dB angehoben werden — mit sehr geringem Rauschen und voller Dynamik. Der Pedal kann als Line-Treiber, Kabel-Treiber, Booster oder sogar als DI/Vorverstärker dienen — ideal fürs Studio oder Live-Setup.

The LEHLE Sunday Driver is a compact, high-end preamp/buffer/booster for electric and acoustic guitars, basses or other string instruments. It uses discrete Class-A JFET circuitry offering a clean, transparent sound with two selectable modes: “Driver” (neutral boost) and “Sunday” (high-impedance mode that reveals extra detail and adds warmth). In Driver mode it preserves signal clarity and dynamics even through long cable runs or complex pedal chains; in Sunday mode it increases input impedance (making subtle nuances more audible) and provides up to +18 dB boost with very low noise and full dynamics. The pedal can function as a line-driver, cable driver, booster or even DI/pre-amp — ideal for studio or live use.

Demo by Euge Valovirta

Sunday Driver

Buffer Interface von Vertex Effects