Chris Miller

My rhthym guitar sound is based on the use of a 1995 Matchless Tube Pre-amp (original Hot Box before the labeling) running dual mono into a Marshall Valvestate VS232 and to a Peavey Decade, which isn't specifically depicted on the board schematics. 

To avoid any potential impedance issues with the Matchless Tube Preamp, I use a Vertex Interface buffer to assist my pedal chain as follows: running from the guitar to the Send input, from the Send out I go to the Matchless and then back into the Guitar Input of the Vertex. Then from the Guitar output (using a Vertex Y-cable), we go to both a Sonic Research Tuner ST-300 (in true bypass, on all all the time, no output use) and the split goes to a Stone Deaf PDF-1. 

I use a Lehle mono volume pedal after my gain stages to roll up or down the overall volume while maintaining the selected gain outputs (capabilities from the Matchless Preamp, a Stone Deaf PDF-1 and an MXR Fat Sugar).  From the PDF-1 we follow a basic right of passage, going from its non-expressive output to the Fat Sugar input, then out to a Subdecay custom Envelope Filter, then to the input of a GE-7 EQ (with XTS Mod).  

From the GE-7, we go to the Lehle mono volume, then on to a JHS Kill Switch input (because I love having a panic button).  From the Kill Switch we go out to a Thorpy’s CamoFlange with dual outs.  Here, using a Lehle Little Dual amp switcher to split my mono signals to one or both amps through the Vertex, we go from one flanger output to the AB input of the Little Dual and the other output of the flanger to the input of a Foxgear EchoSex Baby. The EchoSex runs out to the A input of the Little Dual. The Little Dual then feeds the two separate amplifier input channels on the Vertex interface from its respective A & B outputs, then using both separate outputs from the Vertex Interface Buffer to both my Marshall and Peavey for a mixed blend ultimately controlled by the Little Dual. 

I use a TrueTone 1Spot CS-12 to power everything except the Matchless, which has it's own built-in power cable/requirement.

1970 Les Paul Deluxe Gold Top

Matchless Preamp Rhythm Guitar Station

'65 Twin Reverb

Cameron LeViere

The CAMOFLANGE Flanger MKII is here and more than a visual change we have made some internal changes too. We have adjusted the internal voltage regime to offer higher voltage (18v) and use higher headroom BBDs. Crucially though, all the magic that was the original Camoflange is still present. Designed as a collaboration with DAN COGGINS (Former LOVETONE Pedal designer) as his second modulation pedal design since his Lovetone pedal days. This fully Analog Flanger was designed from the ground up to provide the most incredibly versatile flanger sounds with a level of versatility unsurpassed in analog effects so far.

ThorpyFX

Demo by collector//emitter

Demo by Noise Generator

Product Page

Review by The Gear Page

Review by delicious audio

Review by reddit /guitarpedals

Manual

Camoflange MKII

JakobSlash

Das GE-7 Equalizer-Pedal bietet sieben EQ-Bänder im Bereich von 100Hz bis 6,4kHz, ideal für Gitarrensounds, mit einer Anhebung/Absenkung von +/- 15dB pro Band. Damit kannst du deinen Sound vollständig kontrollieren und unerwünschte Rückkopplungen eliminieren, insbesondere wenn du ihn nach einem Verzerrungseffekt anschließt.

The GE-7 Equalizer pedal offers seven bands of EQ ranging from 100Hz to 6.4kHz, ideal for guitar sounds, with boost/cut of +/- 15dB per band. This lets you completely control your sound and eliminate unwanted feedback, particularly when connected after a distortion effect.

BOSS

Official Website

Review by The Gear Check

Review by Audiofanzine

Review by Reddit /guitarpedals

Review by Guitar Gear

Manual's All

Demo by Law of the Riff

Demo by New Music Academy

Demo by Guitar Bonedo

Demo by Musicmaker

GE-7 Equalizer

QuickMount Type E

Pedal-Montageplatte für Standard-Boss-Pedale

Pedal Mounting Plate For Standard Boss Pedals

Filippo Rimondi

Truetone

Visual Sound 1 Spot Pro CS12

Stone Deaf Effects

Demo by Simon Smith

Demo by Pedal of the Day

Review by Premier Guitar

PDF-1

Tester

Sonic Research

Demo by StrobeTuner

ST-300 Turbo Tuner

Sean Sheppard

Vertex Effects

Buffer Interface

David Litaba

Simpel, solide und nützlich. Der JHS Mute Switch ist genau der einfache Stummschalter den du schon immer gebraucht hast. Tritt drauf und alles, was du daran anschließt ist sofort 100 % still!

Simple, solid and very useful. Have you ever needed a simple mute switch with no frills? Just hit the footswitch and anything plugged into the input is made 100% silent.

Official Product Page

Demo by Pedal Empire

Mute Switch

QuickMount Type L

Pedal-Montageplatte für Standard-Mini-Pedale

Pedal Mounting Plate For Standard Mini Pedals

Das Foxgear Echosex Baby der noch relativ jungen italienischen Marke stellt eine handliche und vor allem geldbeutelschonende Variante einer analogen Echomaschine dar, die Musikgeschichte geschrieben hat, nämlich des Binson Echorecs. Dieses Gerät hatte seinen Ursprung bereits in den 60er Jahren ebenfalls in Italien und ist auf diversen Pink Floyd- und Led Zeppelin-Aufnahmen zu hören. Längst gilt das Original als begehrtes Sammlerobjekt, das horrende Preise auf dem Gebrauchtmarkt erzielt.

FOXGEAR Echosex Baby Delay compact effect pedal is the smaller version of Guru's award-winning Echosex. This is one of the best quality stompboxes you'll find at an entry-level price.
FOXGEAR is an italian company endorsed by some huge names like Steve Lukather (Toto), Adrian Belew (King Crimson) and Phil Campbell (Motorhead)

Foxgear

Review by Guitar Interactive Magazine 

Review by bonedo 

Demo by Guitar Interactive Magazine 

Demo by Guitar Bonedo 

Demo by Pete Thorn 

Echosex Baby

Yamile Butler

Der LEHLE LITTLE DUAL II ist der Nachfolger des Lehle Little Dual und stellt einen Amp-Switcher für zwei Amps mit höchster Signaltreue dar. Mittels Soft-Touch-Schaltern kannst du zwischen zwei angeschlossenen Verstärkern brumm- und soundverlustfrei umschalten.
Dir stehen zwei verschiedene Betriebsmodi bereit. Du entscheidest, ob du jeden Ausgang einzeln aktivieren und deaktivieren willst oder klassisch hin- und herschalten möchtest und den jeweils anderen hinzufügen oder entfernen.

The LEHLE LITTLE DUAL is the LEHLE DUAL SGOS's little sister, a maximum signal-fidelity amp switcher for two amps. Both amps are activated simultaneously using the left footswitch, while the right is used to switch back and forth between them. High-intensity LEDs make it easy to read off switching state A or B, or A and B, even under high-power spots.

LEHLE

Official Product Video

Review by Samuel Roberts, guitar.com 

Little Dual II

The MXR Fat Sugar Drive brings the Sugar Drive’s diverse range of clear and transparent overdrive tones to MXR’s classic housing for players who prefer its footprint over that of the mini.

This pedal’s versatility comes from its unique Drive control—which replicates an amp’s transition from clean to dirty by blending your clean signal at the start of the sweep—and a little something called a voltage doubler, which increases overall headroom and opens up the sound of the pedal. Together, these elements allow you to serve up everything from a sauced-up boost to full-on blow-tube distortion.

The Fat Sugar Drive is set for true bypass by default, but for the tonal purists who want buffered bypass instead, just remove the bottom plate and flick the internal Buffer switch, close it up, and get to playing. This special edition comes with a custom pink sparkle finish.

Review by HOMETONEBLOG

Demo by The Music Addict

Demo by The Pedal Picassos

M94SE Fat Sugar Drive

QuickMount Type A

Pedal-Montageplatte für Standard-Einzelpedale

Pedal Mounting Plate For Standard Single Pedals

The Gurgle and Moan is an envelope filter effect. This is a prototype pedal, and it does have some quirks and rough edges. On a few of them that we have built they oscillate with the resonance knob cranked. Also there is a bit of a "gurgle" in the background due to some crosstalk issues with the control voltage circuitry. I thought it sounded cool, although it may not be what everyone wants in a filter. 

This is a prototype pedal, and has no artwork, or labeling on the face of the pedal. There is a sticker on the back with a brief explanation of what the knobs do.

Controls
Lower right knob: Shape - Varies the shape of the filter from band pass or low pass.
Lower left knob: Resonance - Accents the cut off frequency of the filter. (At max setting it may oscillate)
Upper right knob: Depth- Varies how far your playing dynamics will modulate the filter cutoff frequency.
Upper left knob: Frequency - Varies the cut off frequency of the filter

Warranty: If it ever breaks send it back to us and we will fix it, unfortunately we no longer cover polar bear attacks, alien abduction, willfully destroyed pedals, or any claims involving time travel or toaster repair.

This pedal can be powered by a 9V battery or a standard boss style barrel plug adaptor. Has an LED, True bypass, and a powder coated finish for durability.

Subdecay

Review by Talk Bass.com

Gurgle & Moan

Matchless Pre-amp 2 channel Clean and Gain

Matchless

Demo by PedalSoundMafia

Demo by funk ojisan

Review by Les Paul Forum

Review by guitartest

Schematic

Hot Box

Wenn Burkhard Lehle etwas baut, dann richtig und ohne Kompromisse. Mit seinem Mono Volume Pedal hat er ein High End Pedal ohne die sonst bei Volumenpedalen auftretenden Nachteile konstruiert. Es wird kein mechanisches Poti verwendet - das Mono Volume arbeitet mit einem Magnet Sensor der ein hochwertiges VCA steuert. Dadurch ist der gesammte Regelbereich gleichmäßig und ohne Klangverlust, Verschleiß und Potikratzen gehören der Vergangenheit an. Desweiteren besteht die Möglichkeit, das Ausgangssignal um bis zu 10 dB zu boosten. Das Pedal läuft sehr gleichmäßig und ruhig, da die Pedalwippe in Low Friction Polymer Gleitlagern läuft. Zusätzlich steht ein gebufferter Direkt Out zur Verfügung der als Tuner Out oder zur Weiterleitung an weiteres Equipment genutzt werden kann. Das Pedal läßt sich durch den niederohmigen Ausgang auch in einem seriellen FX Loops eines Amps betreiben.

When Burkhard Lehle builds something, he does it properly and without compromise. With his Mono Volume Pedal, he has constructed a high-end pedal without the disadvantages that usually occur with volume pedals. No mechanical potentiometer is used - the Mono Volume works with a magnetic sensor that controls a high-quality VCA. This means that the entire control range is even and without loss of sound, wear and potentiometer scratching are a thing of the past. There is also the option of boosting the output signal by up to 10 dB. The pedal runs very evenly and quietly because the pedal rocker runs on low friction polymer plain bearings. There is also a buffered direct out that can be used as a tuner out or for forwarding to other equipment. The pedal can also be operated in a serial FX loop of an amp thanks to the low-impedance output.

Demo by shnobel

Review by Michael Behm

Mono Volume

Für 9-18 FX-Pedale, 2 MOD-Slots - **722 x 330 mm / 28.43" x 12.99"** - erhältlich mit Gig Bag oder Flight Case

For 9 - 18 FX pedals, 2 MOD slots - **722 x 330 mm / 28.43" x 12.99"** - available with Gig Bag or Flight Case

Tim Atfield

GIO 6-string

Die überarbeiteten RockBoard® MODs V2 sind einfache all-in-one Patchbays für die RockBoard Pedalboard Series mit einem neuen, überarbeiteten Design und einem kompakten Gehäuse. Passend für alle neuen RockBoards® (außer der DUO-Serie) mit einem MOD-Slot, bieten sie als komfortable Patchbay verschiedene Kabelverbindungen, um eine weite Reihe von Bedürfnissen abzudecken. Mit den RockBoard® MODs kannst du deine Pedale dauerhaft unter dem Board verkabeln und alle Verbindungen zu und von deinem Effektsetup in einem praktischen Modul organisieren. Die RockBoard® MODs bieten einen zentralen Zugangspunkt vom Instrument zum Verstärker sowie eine praktische und einfache Stromversorgung des Boards über einen IEC- und einen 2,1 x 5,5 Barrel-Through-Stromanschluss. Das RockBoard® MOD 1 V2 ist eine Pass-Through-Box, die speziell für Gitarristen und Bassisten entwickelt wurde. Du kannst das MOD 1 V2 nutzen um mehrere Pedale deines Setups im Front End und im Effekt-Loop des Verstärkers zu postieren (4-Kabel Methode) oder die vier TRS-Anschlüsse als zentralen Zugang und Ausgang des Boards nutzen. Die XLR-Through-Verbindung kann als Signalausgang vom Pedalboard zum Mischpult oder zur PA verwendet werden.
- All-in-One Patchbay für Pedalboards
- passend für MOD slots in RockBoard Pedalboards
- kompatibel mit einer weiten Reihe and anderen Pedalboards
- fungiert als zentraler Zugangspunkt zu deinem Effekt Setup
- etabliert klare Kabelwege zum und vom Pedalboard
- abnehmbare Frontplatte für Montage auf oder unter Pedalboards
- 5 x 6,3 mm TRS thru
- 1 x XLR thru (männlich vorne / weiblich hinten)
- 1 x DC 2,1 x 5,5 mm barrel thru
- 1 x AC IEC thru (male front / female back)
- alle Anschlüsse gespiegelt auf der Rückseite
- Abmessungen exkl. Frontplatte (B x T x H): 160 x 60 x 33 mm
- Abmessungen der Frontplatte (B x H): 175 x 48 mm
- Gewicht 450 g
- inkl. Montageschrauben, Kontermuttern und TX Schlüssel

The improved RockBoard® MODs V2 are simple all-in-one patchbays for RockBoard pedalboards with a new, refreshed design, and compact housing. Utilizing the MOD slot on all new RockBoards® (except the DUO series), they provide various cable connections to fit a wide variety of needs as a convenient patchbay. With the RockBoard® MODs, you can permanently connect your pedals underneath your board and organize all connections to and from your effects setup in one convenient module. The RockBoard® MODs provide a central access point from your instrument to your amp, as well as your power supply via IEC, and a 2.1 x 5.5 barrel thru power connector. The RockBoard® MOD 1 V2 is a pass-thru box especially designed for guitar and bass players. It can also be used to run several pedals from your board through the effects loop of your amp, or as a central access point to your pedalboard via its 4x TRS thru connections. The XLR thru connection can be used as signal output from your pedalboard to the console or PA.
- all-in-one patchbay for pedalboards 
- fits MOD slots in RockBoard pedalboards
- compatible with a wide variety of other pedalboards
- acts as the central access point to your effects setup
- establishes clean cable paths to and from the pedal board
- detachable front plate for mounting on top or underneath pedalboards
- 5 x 6,3 mm / ¼" TRS thru
- 1 x XLR thru (male front / female back)
- 1 x DC 2,1 x 5,5 mm barrel thru
- 1 x AC IEC thru (male front / female back)
- all connections mirrored on the backside
- dimensions excl. front plate (W x D x H): 160 x 60 x 33 mm / 6 19/64" x 2 23/64" x 1 19/64"
- dimensions of the front plate (W x H): 175 x 48 mm / 6 57/64" x 1 57/64"
- weight 450 g / 0.99 lbs
- incl. mounting screws, counter nuts, and TX wrench

All-in-One TRS & XLR, IEC & Barrel Patchbay

Bass rig 1

Venue/studio

Rumbler 500

Tone Hammer 700

Home studio 

Cameron Taylor

The CopperSound Passive ABY pedal is a simple and handy utility device designed to split one input into two separate outputs, or combine two separate inputs into one output. Being a Bi-directional Passive device, its applications are only limited by your imagination! Use it to run and organize your stereo rig, switch between two instruments on the fly, or even as a mute switch for silent instrument changes. To make connections simple, the footswitch washers are color-coordinated to their corresponding output jack. Since this ABY is a passive device, power is only required for the status LEDs.

Coppersound

Passive ABY Switcher

Arnaud Martin

A combination of a low pass and high pass filter, as well as a clean gain.

Broughton Audio

Review by Guitars Canada

Review by Bass Musician Mag

Demo by BetweenNoiseAndMusic

Demo by Jordan Seal

Low + High Pass Filter

The first wah pedal designed by bass players for bass players. The 105Q incorporates a proprietary potentiometer and custom EQ circuitry specifically optimized for bass frequencies. The Cry Baby Bass Wah applies the wah effect to the mids and highs only, leaving a strong fundamental to hold down the bottom so you can take solos or throw in fills without ever disturbing your low end.

Dunlop

Dunlop 105Q Cry Baby Bass Wah 

Dunlop 105Q Cry Baby Bass Wah Wah

105Q Cry Baby Bass Wah

QuickMount Type M

Pedal-Montageplatte für Dunlop Cry Baby Wah-Pedale

Pedal Mounting Plates For Dunlop Cry Baby Wah Pedals

Nicolas  lopez

Ernie Ball

Review by 

Volume VP Jr

Der MXR Vintage Bass Octave bietet die warmen analogen Subbass-Vibes eines klassischen Schaltkreises mit überlegenem Tracking, sauberem Headroom und der Vielseitigkeit, die moderne Spieler verlangen. Er liefert eine beeindruckende Bandbreite an Sounds im leichten, platzsparenden MXR Mini-Gehäuse.

The MXR Vintage Bass Octave upgrades the warm analog sub-bass vibes of a classic circuit with superior tracking, cleaner headroom, and the versatility that modern players demand, delivering an impressive range of sounds in the lightweight, space-saving MXR mini housing.

Review by Harmony Central

Review by Premier Guitar 

Demo by Janek Gwizdala

Demo by The Bass Channel

M280 Vintage Bass Octave

Der EHX Bass Micro Synthesizer ist ein reiner Bassgitarren-Synthesizer mit vollständig analoger Schaltung. Einstellbare Synthesizer-Parameter erzeugen satte, kraftvolle Klänge aus einer anderen Welt.  

Die Voice-Mix-Sektion ermöglicht die Mischung aus vier verschiedenen Stimmen: Sub-Octave, Guitar, Octave und Square Wave. Besonders die Square Wave sorgt für den charakteristischen, fuzzigen Klang des Bass Micro Synthesizers, der an den kosmischen Sound der 70er Jahre erinnert.  

Mit der Attack-Decay-Steuerung lassen sich gestrichene Effekte oder bedrohliche Lautstärkeschwankungen erzeugen, während die Filter-Sweep-Sektion das gesamte Frequenzspektrum durchläuft – von schnellen, präzisen Schnitten von Hoch nach Tief bis hin zu langsamen, fließenden Anstiegen von Tief nach Hoch.

The EHX Bass Micro Synthesizer is a pure bass guitar synthesizer with all analog circuitry. Adjustable synth parameters deliver fat, sweet tones from another world.

Its voice mix section lets you bring in 4 different voices: Sub Octave, Guitar, Octave, and Square Wave. The Square Wave gives the Bass Micro Snythesizer its signature, fuzzy growl that calls back to the cosmic ’70s .

An Attack Decay control creates bowed effects or ominous volume swells while the Filter Sweep section sweeps through the full frequency spectrum for sound from quick high to low chops and slow low to high blooms.

Electro-Harmonix

Review by Pedals & Effects

Review by Bass Gear Reviews

Demo by Bassic Gear Reviews

Bass Micro Synth

PedalSafe Type O

QuickMount Type O

Pedal-Montageplatte für FRIEDMAN Overdrive Deluxe & WALRUS Descent Pedale

Pedal Mounting Plates for FRIEDMAN Overdrive Deluxe & WALRUS Descent pedals

Schutzabdeckung & RockBoard-Montageplatte für FRIEDMAN Overdrive Deluxe & WALRUS Descent Pedale

Protective Cover & RockBoard Mounting Plate For FRIEDMAN Overdrive Deluxe & WALRUS Descent pedals

Schutzabdeckung & universelle Montageplatte für FRIEDMAN Overdrive Deluxe & WALRUS Descent Pedale

Protective Cover & Universal Mounting Plate For FRIEDMAN Overdrive Deluxe & WALRUS Descent pedals

Der Electro-Harmonix Bad Stone ist ein analoges Phaser-Pedal für E-Gitarre und Bass. Es basiert auf der ursprünglichen Bad-Stone-Schaltung aus den 1970er-Jahren. Das Pedal erzeugt weiche Phaser-Effekte von dezenter Bewegung bis zu ausgeprägten Sweeps. Ein manueller Modus ermöglicht es, die Sweep-Bewegung zu stoppen und die Phase an einer festen Position einzustellen. Der Effekt wird über einfache Geschwindigkeits- und Intensitätsregler gesteuert. Das Pedal ist für den Einsatz auf der Bühne und im Studio konzipiert.

The Electro-Harmonix Bad Stone is an analog phaser pedal designed for electric guitar and bass. It is based on the original Bad Stone circuit first released in the 1970s. The pedal produces smooth phasing effects ranging from subtle movement to pronounced sweeps. A manual mode allows the user to stop the sweep and fix the phase at a specific point. The effect is controlled with simple rate and feedback style controls. The pedal is intended for use in both live performance and studio recording environments.

Demo by Reverb

Bad Stone

The EHX Deluxe Bass Big Muff is the flagship of EHX bass fuzz and delivers enhancements to the classic Bass Big Muff Pi that are specifically tailored to the needs of the modern bass player.

The sturdy foundation of the Deluxe Bass Big Muff is the thunderous tone insprired by the classic Black Russian Big Muff of the ’90s. Added to that is a Blend knob to mix back in your original tone and add definition to your low end. A Gate quiets unwanted hiss for a smooth performance.

The ultimate tone-scultor of the pedal is the Crossover section. Here the Fuzz and Dry signals are seperated and run though a High Pass Filter and Low Pass Filter respectively. This creates a tone with fiery top and and a huge, thumping bottom.

This is the most versitile Bass Big Muff ever!

Demo by Bully Thakidd

Demo by The Bass Channel 

Deluxe Bass Big Muff Pi

BASS9

QuickMount Type C

Pedalmontageplatte für große vertikale Pedale

Pedal Mounting Plate For Large Vertical Pedals

Bass Soul Food

Die Kernschaltung des EHX Bass Clone Chorus Pedals ist nahezu identisch mit der des legendären Small Clone Chorus, aber mit zusätzlichen Funktionen speziell für Bass. Chorus ist eine Kombination aus modulierten und trockenen Signalen. Der Crossover-Schalter des Bass Clone schneidet die tiefen Frequenzen des modulierten Signals ab, so dass das Pedal ein präziseres, artikuliertes Basssignal mit exzellenter Tondefinition liefert. Der Treble-Regler beeinflusst das gesamte Signal, während der Bass-Regler nur die trockene Hälfte beeinflusst. Zusammen mit dem Crossover-Schalter sorgen sie für eine präzise Klangformung, mit der Sie einen straffen, fokussierten Bassgitarren-Sound mit gut definierten Bässen und einem schimmernden Chorus erzielen können.


The EHX Bass Clone Chorus pedal’s core circuitry is nearly identical to the legendary Small Clone chorus, but with added features especially for bass. Chorus is a combination of modulated and dry signals. The Bass Clone’s Crossover switch cuts low end from the modulated signal so the pedal delivers a more accurately articulated bottom end with excellent note definition. The Treble control affects the whole signal while the Bass control only affects the dry half. Together with the Crossover switch they provide precise sound shaping that lets you achieve a tight, focused bass guitar sound with a well-defined low end and shimmering chorus on top.

Review by reddit /basspedals

Review by musicradar

Review by bassic.de

Review by Premier Guitars

Bass Clone

PedalSafe Type A1

Schutzabdeckung & RockBoard-Montageplatte für Standard Single Pedale

Protective Cover & RockBoard Mounting Plate For Standard Single Pedals

Schutzabdeckung & universelle Montageplatte für Standard Single Pedale

Protective Cover & Universal Mounting Plate For Standard Single Pedals

The GEB-7 is a seven-band equalizer created specifically for the frequency range of the electric bass. Since the frequency range extends down to 50Hz, the GEB-7 is also great for adjusting depth and bottom end of an upright bass with pickups.

GEB-7 Bass Equalizer

PedalSafe Type E1

Schutzabdeckung & RockBoard-Montageplatte für BOSS Compact Serie, RC3 LoopStation & RC5 LoopStation Pedale

Protective Cover & RockBoard Mounting Plate For BOSS Compact Series, RC3 LoopStation & RC5 LoopStation pedals

Schutzabdeckung & universelle Montageplatte für BOSS Compact Serie, RC3 LoopStation & RC5 LoopStation Pedale

Protective Cover & Universal Mounting Plate For BOSS Compact Series, RC3 LoopStation & RC5 LoopStation pedals

daniel lee

Der Cali76 Bass Compressor ist ein Kompressor-Pedal in Studioqualität, das vom weltberühmten Urei 1176 Studiokompressor inspiriert ist, der seit den 1960er Jahren auf vielen der größten Studioaufnahmen zu hören ist. Der Cali76 Bass Compressor nutzt eine kompromisslose, vollständig analoge Schaltung, um dem modernen Gitarristen diese unverwechselbaren, ultraschnellen FET-Kompressionsklänge zugänglich zu machen. 

Als neuestes Modell in einer langen Reihe von Cali76-Kompressoren verfügt der Cali76 Bass Compressor über einen vollständigen Satz an Reglern im Studio-Stil, einen DRY-Regler für Parallelkompression und einen verbesserten Sidechain, der der Ansprache unseres begehrten „Large Format“ Cali76 entspricht – dem Pedal, das Origin Effects 2012 bekannt gemacht hat.

Übersetzt mit DeepL.com (kostenlose Version)

The Cali76 Bass Compressor is a studio-grade compressor pedal inspired by the world-famous Urei 1176 studio compressor, heard on many of the greatest studio recordings since the 1960s. The Cali76 Bass Compressor uses uncompromising all-analogue circuitry to make these distinctive, ultra-fast FET compression tones available to the modern guitarist. 

The latest in a long lineage of Cali76 compressors, the Cali76 Bass Compressor features a full set of studio-style controls, a DRY knob for parallel compression and an improved sidechain that matches the response of our sought-after “large format” Cali76 – the pedal that put Origin Effects on the map back in 2012.

Origin Effects

Review by Compressor Pedal Reviews

Demo by IvanBassist

Cali76 Bass Compressor (Super Vintage Blue)

Tim Purser

Für Bassisten, die keine Vorbehalte gegen die mittlerweile doch recht ausgereifte Modeling-Technologie haben, bieten einige Hersteller zumindest für bestimmte Einsatzbereiche Alternativen zu den massigen Vorbildern an. Eine davon kommt von der in diesem Metier durchaus erfahrenen Firma Tech 21 und hört auf den Namen “Sansamp VT Bass Deluxe”.

The Deluxe version of the SansAmp VT Bass features a combination of a warm, all-analog signal path and convenient digital recall. There are 6 program locations and dual inputs for two instruments to be on-line, ready to go. Create three custom tones for each input or use all six locations for a single instrument. And you can program the FX loop to engage your favorite effect each time a so-designated preset is selected. Super simple to operate, changes can easily be made on the fly –without having to refer to the owner’s manual. You just turn the knobs to a setting you like, double click on a footswitch and it’s saved in that channel. You can custom tweak and program six of your personal sounds, from vintage clean to gnarly overdrive to crushing distortion

Tech 21

Review by Musiker-Board

Sansamp VT Bass Deluxe

Erfahre mehr über das Buffer Interface Effekt-Pedal von Vertex Effects auf PedalPedia – der umfassendsten Online-Ressource für Effektpedale ▶️ Offizielle Spezifikationen, Handbücher, Produktvideos und mehr

Buffer Interface von Vertex Effects | PedalPedia | RockBoard