Glass Beams KEXP

Dream '65 Reverb-Amp

WH1 Japanese Girl Wah

LLM-2 Zero - Optical Volume

RE-202 Space Echo

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Myriad Fuzz

Little Miss Sunshine

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Polytune 2 noir

Talent Boost

The “Budi-G" is a new boost pedal followed by the legacy model the “Budi”.
The "Budi-G" is wide in range and has a large amount of headroom. Compared to the general clean boost pedals, our feature is being able to control the “Gritty Gain” which is subtle but has the perfect amount of grit for this new boost pedal. Being able to control the subtle gain, it stacks very well with other drive pedals and lets you allow to push your tube amp without lacking the bold and rich tone in a natural-sounding way. The "Budi-G" is versatile and very dynamic, it is equipped with 2 band EQs (Bass & Treble) and a SAT(saturation) trim pot which allows you to fine-tune and control your equipment and gear. Please enjoy the "Budi-G" to obtain the “GRIT” to your sound.

Demo by K Sakuma

Demo by  Ikebe Channel｜池部楽器店

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Review by guitar pedal X

Review by bonedo

Review by The GEar Page

Budi-G

The “Butter Machine” was developed in collaboration with Michael Landau to create his ideal distortion pedal. We have made countless prototypes, which took more than 2 years in R&D. Having Michael use the prototypes at his sessions and on tour, we were able to hear his direct feedback and aim straight for his ideal driven tone. In addition, new ideas were implemented, and various improvements were made by testing the prototypes at his recording sessions and at his home studio in Los Angeles as well. As a result, we were able to create a “new type" of distortion pedal that is user-friendly and wide in range. It allows you to control your picking nuance and dynamics, and the drive goes from overdrive to full-on distortion effortlessly. Please enjoy the "Butter Machine”.

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Review by musicradar

Demo by Michael Nielsen

Official Product Video

Review by The Gear Page

Butter Machine

Jan Ray

This is a single germanium full range booster, co-produced by famous Grammy Award winning producer-writer-guitarist, John Shanks. Based on the Dallas Rangemaster, used by big names like Brian May, Richie Blackmore, and Tommy Iommi, we put in some tweaks with the advice of John which then added a Sola Sound Tone Bender Professional mkII vibe, which Jimmy Page used in Led Zeppelin, giving Shanks a hybrid characteristic.
For the sound, we used difficult to find vintage hand picked N.O.S condensers. For the power outlet, we use state of the art tech which allows the great tone with a noiseless boost and wide head room.
The Bass knob allows to creat a full range boost.
From a clean sparkle to crunch and for a full boost that can drive like a Tonebender.

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