The Karen was designed to recreate the tone of the mid 70's early 80's Marshall Amps. Such as the 4 input JMP and the 2 input JCM. A rich and full sound with natural compression without any high-end loss and a thick saturated tone.

Demo by soundpurestudios

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Karen

The Shanks 4K was designed to recreate the 60’s Fuzz Face like overdrive boost. Equipped with two vintage germanium transistors. The range of the tone is very wide and has a enough head room to obtain a firm and bright clean tone to an edgy crunchy boost. When turning the FUZZ and the BASS to the highest level will get a thick Fuzz Face like distortion. The Fuzz Color trimmer allows to control the fuzz tone from spitty fuzz to a smooth overdrive fuzz.

Demo by Simon Gotthelf Gear Demos

Shanks 4K

Evolution für einen neuen Drive-Sound basierend auf den berühmten Drive-Pedalen
Char liebt seit Jahren mehrere Overdrive-Pedale. Wir haben unter anderem seinen Klon Centaur, den er speziell ausgewählt und lange Zeit genutzt hat, gründlich untersucht. Darüber hinaus haben wir bei VEMURAM unsere verschiedenen Klon Centaur-Pedale untersucht und herausgefunden, welches davon als das „bestklingende“ gilt. Wir haben uns auch mit dem Boost/Gain des Roland CE-1 und des Watkins Copicat beschäftigt, die Char seit vielen Jahren nutzt und die zu seinem ikonischen Signature-Sound wurden. Durch die Kombination von Boost/Gain mit seinem Overdrive haben wir dieses Pedal weiterentwickelt, um diese Klangnuancen widerzuspiegeln. Char und unser Team (VEMURAM) haben mehrere Prototypen getestet, überarbeitet und optimiert und dabei sein Feedback zu seinen Live-Einsätzen eingeholt. Das Ergebnis ist ein neuer, vielseitiger Drive-Sound mit mittlerer Verstärkung.

Evolution to Create a New Drive Sound based on the Famous Drive Pedals
There are several overdrive pedals Char has loved for many years. Among them, we have thoroughly researched his personal Klon Centaur, which he especially selected and used for a long period of time. In addition, we at VEMURAM researched our multiple Klon Centaur’s which one of the units was said to be the “best” sounding unit. We also focused on the boost/gain of the Roland CE-1 and the Watkins Copicat which Char has been using for many years and became his iconic signature sound. Combining the boost/gain with his overdrive, we proceeded with the development of this pedal to reflect those sound nuances. Char and our team (VEMURAM) tested, redesigned, and tweaked several prototypes while hearing his feedback using them on his live gigging scenes. As a result, we have evolved a new versatile medium-gain drive sound.

Demo by  GENMAI / Guitar ch

Demo by Char Official / ZICCA

Spiritone

The Galea was designed to recreate the legendary late 50's Fender Tweed Deluxe(5E3 Circuit)
and the Tone-Master from the 90's built by Fender Custom Shop. Equipped with 2 trimmers SAT(Saturation)
and DRV(Drive). The SAT trimmer allows you to achieve the tube like tone. The DRV trimmer lets you control the gain of the tone. The 3 EQ controls allows you to achieve many variations and controls your tone for your specific needs.

Demo by JC893 Guitar

Demo by Regent Sounds

Review by guitar pedal X

Review by The Gear Page

Galea

Collaboration with Darryl Jones.
Based off our Jan Ray, Darryl and our team wanted to recreate a pedal that can be used in a wide variety of range and tone and a LOT of headroom.
Mixing the clean channel and the overdrive channel lets you keep the bottom end to the bass.
Equipped with N.O.S parts which Darryl was also very interested in.
It's been a long 6 years to get this pedal complete. He has been using the prototype on The Rolling Stones Tour through out the years.

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