chris brooks

Die überarbeiteten RockBoard® MODs V2 sind einfache all-in-one Patchbays für die RockBoard Pedalboard Series mit einem neuen, überarbeiteten Design und einem kompakten Gehäuse. Passend für alle neuen RockBoards® (außer der DUO-Serie) mit einem MOD-Slot, bieten sie als komfortable Patchbay verschiedene Kabelverbindungen, um eine weite Reihe von Bedürfnissen abzudecken. Mit den RockBoard® MODs kannst du deine Pedale dauerhaft unter dem Board verkabeln und alle Verbindungen zu und von deinem Effektsetup in einem praktischen Modul organisieren. Die RockBoard® MODs bieten einen zentralen Zugangspunkt vom Instrument zum Verstärker sowie eine praktische und einfache Stromversorgung des Boards über einen IEC- und einen 2,1 x 5,5 Barrel-Through-Stromanschluss. Das RockBoard® MOD 3 V2 ist eine Patchbay für Sänger und Akustik-Musiker. Über die zwei XLR-Ausgänge kannst du ein Stereo-Signal von dein MOD senden und an den XLR-Eingang lässt sich ein Mikrofon anschließen. Mit drei TRS-Through-Verbindungen lässt sich das MOD 3 V2 außerdem als zentraler Zugang und Ausgang des Boards nutzen um zum Beispiel Effektpedale in den FX-Loop eines Verstärkers einzuschleifen.
- All-in-One Patchbay für Pedalboards
- passend für MOD slots in RockBoard Pedalboards
- kompatibel mit einer weiten Reihe and anderen Pedalboards
- fungiert als zentraler Zugangspunkt zu deinem Effekt Setup
- etabliert klare Kabelwege zum und vom Pedalboard
- abnehmbare Frontplatte für Montage auf oder unter Pedalboards
- 3 x 6,3 mm TRS thru
- 2 x XLR thru (männlich vorne / weiblich hinten)
- 1 x XLR thru (weiblich vorne / männlich hinten)
- 1 x DC 2,1 x 5,5 mm Hohlstecker thru
- 1 x AC IEC thru (männlich vorne / weiblich hinten)
- alle Anschlüsse gespiegelt auf der Rückseite
- Abmessungen exkl. Frontplatte (B x T x H): 160 x 60 x 33 mm
- Abmessungen der Frontplatte (B x H): 175 x 48 mm
- Gewicht 450 g
- inkl. Montageschrauben, Kontermuttern und TX Schlüssel


The improved RockBoard® MODs V2 are simple all-in-one patchbays for RockBoard pedalboards with a new, refreshed design, and compact housing. Utilizing the MOD slot on all new RockBoards® (except the DUO series), they provide various cable connections to fit a wide variety of needs as a convenient patchbay. With the RockBoard® MODs, you can permanently connect your pedals underneath your board and organize all connections to and from your effects setup in one convenient module. The RockBoard® MODs provide a central access point from your instrument to your amp, as well as your power supply via IEC, and a 2.1 x 5.5 barrel thru power connector. The RockBoard® MOD 3 V2 is a pass-thru box designed for use by vocalists and acoustic players. The 2x XLR outputs allow you to send a stereo signal from your MOD and the 1x XLR input can be used to connect your microphone. You can also use it to run several pedals from your board through the effects loop of your amp, or simply use the MOD as a central access point to your pedalboard.
- all-in-one patchbay for pedalboards 
- fits MOD slots in RockBoard pedalboards
- compatible with a wide variety of other pedalboards
- acts as the central access point to your effects setup
- establishes clean cable paths to and from the pedal board
- detachable front plate for mounting on top or underneath pedalboards
- 3 x 6,3 mm / ¼" TRS thru
- 2 x XLR thru (male front / female back)
- 1 x XLR thru (female front / male back)
- 1 x DC 2,1 x 5,5 mm barrel thru
- 1 x AC IEC thru (male front / female back)
- all connections mirrored on the backside
- dimensions excl. front plate (W x D x H): 160 x 60 x 33 mm / 6 19/64" x 2 23/64" x 1 19/64"
- dimensions of the front plate (W x H): 175 x 48 mm / 6 57/64" x 1 57/64"
- weight 450 g / 0.99 lbs
- incl. mounting screws, counter nuts, and TX wrench

All-in-One TRS & XLR Patchbay for Vocalists & Acoustic Players

UA Praise and Blues Board

Tester

BOSS

BD-2W Blues Driver (Waza Craft)

PedalSafe Type E1

QuickMount Type E

Pedal-Montageplatte für Standard-Boss-Pedale

Pedal Mounting Plate For Standard Boss Pedals

Schutzabdeckung & RockBoard-Montageplatte für BOSS Compact Serie, RC3 LoopStation & RC5 LoopStation Pedale

Protective Cover & RockBoard Mounting Plate For BOSS Compact Series, RC3 LoopStation & RC5 LoopStation pedals

Schutzabdeckung & universelle Montageplatte für BOSS Compact Serie, RC3 LoopStation & RC5 LoopStation Pedale

Protective Cover & Universal Mounting Plate For BOSS Compact Series, RC3 LoopStation & RC5 LoopStation pedals

Scott Smith

The miniFUZZ V2 combines the tones and options of both the miniFUZZ Si and the miniFUZZ Ge, giving you the option to switch between the distinctive  tones of silicon or germanium. The miniFUZZ has a plethora of controls  which allow you to dial in authentic vintage silicon or germanium  tones and much more! The side Dip-Switch gives fast and easy access to the amazing new tonal options.  We have added a switchable  buffer to the miniFuzz. If you chose to engage the buffer you will be able to drive long cables and complex pedal setups with no loss of tone or change of tone when engaging  the miniFUZZ. We have added a four setting tone control for tweaking the texture of the fuzz. Leave it off for bright gritty tones or select one of the options for a smoother, silkier tone.  We still have controls for boosting the output or lifting the bass response. Most fuzz pedals can sound poor when using an external DC power-supply but the  miniFUZZ’s built in battery simulator makes sure all DC plug in power sounds as good and as quiet as a battery.

KingTone

Product Page

Review by

Review by delicious audio

Manual

Demo by Buddy Blues

Official Product Video

Mini Fuzz V2 (Black Panel)

Stéphane COMBET

The Duellist features top mounted jacks, 9-18v DC, you can run it at 12 or 18v for more headroom. You can change the channel order A into B or B into A with a simple flick of the switch. Side mounted dip switch allows easy access to powerful tonal options. The new options include an amp-like setting, this gives you an open, tube-amp style tone. The SRV Mod adds attack and dynamics to the classic TS style tones, you’ll probably want to leave this option on once you’ve heard it.. With the Duellist you can also split channel A and B so you can use it with a pedalboard switcher. In ‘Split’ mode, using TRS cables the Duellist functions as two separate pedals with an in and out for each side, this allows you to place the two sides of the Duellist in “different places” on your pedalboard, e.g. you can put other pedals in-between the two sides.

Review by guitar pedal X

Review by Guitar.com

Review by reddit /guitarpedals

Demo by R.J. Ronquillo

Demo by BugBryan

The Duellist Silver

Isaac Goldstein

Das UAFX Dream '65 Reverb Amp Pedal liefert Dir den unverkennbaren amerikanischen Röhrenverstärker, der seit 60 Jahren von Künstlern und Produzenten verwendet wird, von Muddy Waters über die Beatles bis hin zu Mac Demarco.
Aufbauend auf leistungsstarker Dual-Engine-Verarbeitung und erstklassigem UAD-Modeling liefert Dream '65 fette Cleans, sanften Breakup und traumhaften Federhall und Vibrato.

The UAFX Dream '65 Reverb Amplifier pedal gives you the essential American tube amp used by artists and producers for 60 years, from Muddy Waters to The Beatles to Elvis Costello.
Built on powerful dual-engine processing and UAD audio modeling expertise, the Dream '65 effects pedal delivers bold cleans, sweet breakup, and divine spring reverb and vibrato.

Universal Audio

Demo by TomoFujitaMusic

Dream '65 Reverb-Amp

QuickMount Type N

Pedal-Montageplatte für TC Harmony Singer 2, Duplicator & MicMechanic Pedale

Pedal Mounting Plates for TC Harmony Singer 2, Duplicator & MicMechanic pedals

dewey hwang

Das UAFX Ruby ’63 ist das dritte Amp-Modeling-Pedal aus dem Hause Universal Audio und widmet sich der präzisen Nachbildung eines Vox AC30 aus der JMI-Ära der 1960er-Jahre. Drei Kanäle stehen zur Verfügung und natürlich auch eine Nachbildung des typischen Vibrato/Tremolo-Effekts. Dazu gibt es diverse Boost-Funktionen und auf der Lautsprecherseite stehen sechs verschiedene Cabs zur Auswahl.

I know that Universal Audio did a good job of capturing the spirit of an AC30 in the UAFX Ruby ’63 amp emulation, because excitement is the first thing I felt. The Ruby ’63 is lively, explosive, reactive, clear, and, yeah, even pretty chimey. And I was very impressed at how it imparted those qualities to decidedly non-Vox-y black-panel Fender amps, and vintage Fender cabinet emulations in UA’s OX Amp emulator. You know how a lot of pedals claiming to be an amp-in-a-box tend to be vaguely similar in terms of EQ and gain structure, but miss the details? The Ruby ’63 is not that. It’s an exhaustively executed emulation that takes you several miles further down the road to true amp-ness. And it sounds and feels awfully close to the real thing.

Review by PREMIER Guitar 

Review by Gitarre & Bass 

Review by AMAZONA 

Review by bonedo 

Demo by Vintage king 

Demo by SweetWater 

Demo by session 

Ruby '63

Gaun Cochran

Das UAFX Woodrow '55 Instrument Amplifier Pedal liefert Dir die legendären amerikanischen Tweed Röhren Amp Sounds, die von Künstlern und Produzenten seit Jahrzehnten verwendet werden, von den Eagles über Chuck Berry bis zu Neil Young.

The Woodrow ’55 feels more like an amp than a drive pedal, which is how most lesser, analog amp-in-a-box pedals feel at the end of the day. It’s not inexpensive. This is a high-quality pedal with a lot of research and development behind it. But if you thirst for the sonic sensations, thrills, and expressiveness of a tweed Deluxe and are reticent to pay the price in dollars or space, the Woodrow’s ability to span the expanse between a pedal solution that comes up short and the real deal makes the price look, in practical terms, like a real bargain.

Demo by Vintage King 

Demo by Universal Audio 

Woodrow

GREGORY GUENEAU

Enigmatic '82 Overdrive Special Amp gives you the heavenly guitar sounds of Stevie Ray Vaughan, John Mayer, Robben Ford, Joe Bonamassa, and Carlos Santana.*

Perfectly capturing rare ODS amps spanning 30 years, from 1970’s Santa Cruz designs to later iterations built in LA in the '80s and '90s, Enigmatic '82 gives you the sound of the most elusive guitar amps ever made.

Demo by EytschPi42

Review by The Gear Page

Review by The Gear Forum

Review by musicradar

Review by bonedo

Manual Page

Enigmatic '82 Overdrive Special Amp Pedal

UAFX Astra Modulation Machine führt Dich tiefin die Welt der klassischen analogen Modulation und bietet die klanglich authentischsten Bucket-Brigade Chorus/Vibrato, Studio Flanger/Doubler und röhrenbetriebenen Tremolo Effekte, die jemals in einer einzigen Stompbox untergebracht wurden.

Aufgebaut auf unserem leistungsstarken neuen UAFX-Dual-Engine-Processing und einem unübertroffenen Maß an eigenwilligem, analogem Realismus, liefert Astra süchtig machende Vintage-Modulationen, die Dich jahrzehntelang inspirieren werden.

Universal Audio has taken a selection of their finest DSP-powered emulations of classic effects and packed them into thoughtfully designed, ultra-robust guitar pedals that are a tone chaser’s dream come true.

The Universal Astra Modulation Machine puts three legendary modulation effects at your feet — a bucket-brigade chorus, a flanger/doubler, and a vintage amp tremolo — all of which uncannily bottle realistic analog character and vibe. With true bypass switching and an optional buffered bypass, the Astra Modulation Machine keeps your core tone intact, while allowing you to layer on swathes of gorgeous modulation.

Plus, the Astra Modulation ups the ante on all of these effects, offering stereo and dual-mono operation and a preset mode to store your favorite settings and switch between effects during a performance. With its unmatched sonic authenticity, the Universal Audio Astra Modulation Machine pedal is bound to become your new favorite pedal for infusing your playing with warbles, wobbles, and wash!

Review by AMAZONA

Demo by Vintage King

Astra Modulation Machine

Schnall Dich an und begib Dich auf eine klangliche Zeitreise mit der UAFX Starlight Echo Station, mit atemberaubende Emulationen klassischer Bandechos, Bucket Brigade und Digital Delays in einer einzigen, extrem leistungsstarken Stompbox.

Basierend auf futuristischem UAFX Dual Engine Processing und der unnachgiebigen klanglichen Präzision setzt Starlight neue Maßstäbe für Delay-Effekte, die über Jahrzehnte hinaus in die weitesten Bereiche Deiner Vorstellungskraft reisen werden.

Fasten your seatbelts for sonic time travel with UAFX Starlight Echo Station, featuring jaw-dropping emulations of classic tape echo, bucket-brigade, and digital delay units in a single, uber-powerful stompbox. 

Built upon futuristic UAFX dual-engine processing and unflinching sonic accuracy, Starlight sets a new benchmark in delay effects, beautifully crafted to travel the farthest reaches of your imagination for decades to come. 

Review by TAPE OP

Manual Pages

Demo by  Andrew Cheng - Guitarist

Starlight Delay

Mit mehr als 20 Jahren an Expertise im Bereich Reverb-Modeling legt Dir UAFX Golden Reverberator ein Trio der besten legendären Reverbs direkt zu Füßen. Der röhrenbetriebene Federhall klassischer Gitarrenverstärker der 60er Jahre. Der dichte und eindringliche Klang von 50er Jahre Studio Plate-Reverbs. Das unendliche algorithmische Wunder der frühen digitalen Reverb-Hardware.

Basierend auf dem leistungsstarken UAFX Dual Engine Processing und einem noch nie dagewesenen Maß an klanglicher Authentizität ist der Golden Reverberator ein kompromissloses Flaggschiff Hallgerät, das Dich jahrzehntelang inspirieren wird.

Harnessing more than 20 years of reverb modeling expertise, UAFX Golden Reverberator puts a trio of iconic reverbs right at your feet. The tube-driven spring reverb of classic ’60s guitar amps. The dense and haunting sound of ’50s studio plate reverbs. The endless algorithmic wonder of early digital reverb hardware.

Built upon powerful UAFX dual-engine processing and unprecedented levels of sonic authenticity, Golden Reverberator is a flagship, no-compromise reverb unit, built to inspire you for decades

Review by Sam Goffen, samgoffenguitar.com

Review by Thomas Dill, bonedo.de

Demo by Kris Barocsi

Demo by Mattjew Kelly

Golden Reverberator

Für 7-12 FX-Pedale, 1 MOD-Slot - **470 x 330 mm / 18.50" x 12.99"** - erhältlich mit Gig Bag oder Flight Case

For 7 - 12 FX pedals, 1 MOD slot - **470 x 330 mm / 18.50" x 12.99"** - available with Gig Bag or Flight Case

Saulo Silveira

Home Land

Nout Schellevis

Keeley schreibt mit dem Manis Overdrive das nächste Kapitel in der Legende des mythischen Klone. Die unverzichtbaren Germanium-Dioden bilden das Herzstück des Mythos und liefern originalgetreu ikonische Sounds, aber das ist noch lange nicht alles. Mit einem Schalter können Sie auf Germanium-Transistoren aus der Zeit des Kalten Krieges umschalten, um mehr Sustain, Sättigung und eine röhrenähnliche Ansprache zu erzielen, die Sie wirklich unter Ihren Fingerspitzen spüren können. Behalten Sie Charakter und Punch bei und reduzieren Sie die hohen Mitten. Brauchen Sie mehr Low-End? Ein spezieller Bass-Boost-Schalter senkt die Cutoff-Frequenz um eine Oktave und fügt 3 dB hinzu, ideal für die Verbesserung des Low-Ends von Single-Coil-Pickups. Robust gebaut und mit der einzigartigen Fähigkeit, mit 18 V für mehr Headroom zu betrieben zu werden, ist er ein echtes Unikat. Der Manis ist ein modernisierter Hard-Clipping-Boost mit doppelter Spannung für Puristen und Konvertiten gleichermaßen.

Keeley pens the next chapter in the legend of the mythical Klone with the Manis Overdrive. The essential germanium diodes are at the heart of the myth and faithfully deliver iconic tones but that’s far from where the story ends. Toggle to swap in cold-war era germanium transistors for more sustain, saturation, and tube-like response that you can really feel under your fingertips. Maintain character and punch, dial down the upper-mid honk. Need more low-end? A dedicated bass boost switch lowers the cutoff an octave and adds 3dB, ideal for single coil low-end recovery. Built tough and uniquely capable of running on 18V for more headroom, a true first of its kind. The Manis is a modernized voltage-doubled hard clipping boost for purists & converts alike.

Keeley Electronics

Official Product Page

Developing the Keeley Electronics Manis | with Robert Keeley - Keeley Electronics

Keeley Electronics Manis vs. Klon Shootout | w Robert Keeley and Aaron Pierce - Keeley Electronics

Keeley Electronics Manis Transparent Overdrive - Owen Barry Performance - Keeley Electronics

Keeley Electronics Manis Transparent Overdrive - Seth Lee Jones Performance - Keeley Electronics

Keeley Electronics unveils the Manis Overdrive - The Evolution of a Mythical Legend - Keeley Electronics

Keeley Manis Overdrive - Demo - Musiker TV

Demo by Premier Guitar

Demo by Mike Hermans

Demo by AndyDemos

Manis

Featuring two autonomous signal paths for pitch and phase modulation, internal controls for delay time and LFO wave shape and a circuit basis of NOS MN3007 chips, the Diamond Halo Chorus brings boutique modulation, delay, pitch-shifting and chorus together under one roof. Deceptively simple in design and capable of summoning trailing swirls, echoed rooms and endless halls, the Halo is your ticket to modulated heaven.Featuring two autonomous signal paths for pitch and phase modulation, internal controls for delay time and LFO wave shape and a circuit basis of NOS MN3007 chips, the Diamond Halo Chorus brings boutique modulation, delay, pitch-shifting and chorus together under one roof. Deceptively simple in design and capable of summoning trailing swirls, echoed rooms and endless halls, the Halo is your ticket to modulated heaven.

Diamond Pedals

Review by audiofanzine

Review by Talk Bass.com

Official Website

Demo by Guitar Gear

Demo by thejay

Halo Chorus

The very idea for the Lamplighter Optical Compressor is rooted in legendary tone and studio lore. The Lamplighter is the result of countless hours of tweaking, listening, and tweaking again. The idea is pretty simple—provide compression that doesn’t “step” on your tone like other compressors do, make it as transparent as possible, with a low noise floor, while allowing the effect to be present, and provide options that musicians the world over have asked for. This is Greer Amps’ answer to the question of wide-ranging, useable compression for all musicians. After listening to studio compressors for years, we’ve often wondered why we couldn’t find something to get the smooth and subtle compression that we hear in the studio, on a pedal board. Now we know that it can be done. Your new favorite compressor is here, and you’re going to love it.

Greer Amps

Review by reddit /guitarpedals 

Review by Compressor Pedal Reviews

Demo by shnobel

Lamplighter

Die JHS Colour Box V2 ist ein Preamp / DI-Box nach dem Vorbild legendärer Neve Studio-Konsolen. Das Pedal wurde entwickelt um den authentischen Sound eines Instruments (oder Mikrofons) am Direct-In der Mischpulte zu reproduzieren, dabei bietet die Colour Box V2 alle Features der beliebten V1-Version und kommt zusätzlich mit einer Vielzahl an Verbesserungen und neuen Features, die das Pedal zu einem perfekten Allrounder und Always-On Pedal für alle denkbaren Instrumente und sogar für Sänger machen. Zu den neuen Features zählen eine erweiterte EQ-Sektion, ein Hi/Lo Schalter für massiven, cleanen Headroom und die Möglichkeit 48V Phantom-Power an Kondensator-Mikrofone weiterzugeben. Die Gain-Sektion (Rot) bietet Regelmöglichkeiten Master, Pre-Vol und Step. Master kontrolliert das Gesamt-Volume des Pedals, Pre-Vol arbeitet als Gain-Regler zwischen den beiden internen Gain Stages und bietet bei Bedarf eine Verzerrung, die von leichten Break-Up-Sounds bis zu Fuzz reicht. Der Step-Regler verändert das Gain der Preamp Stages in fünf Schritten. Der Hi/Lo Schalter verändert den cleanen Headroom des Pedals, der -20 dB Pad Schalter passt den Input bei Bedarf an Mikrofone mit einem hohen Ausgangspegel an. Die EQ-Sektion (Blau) wurden neben den bekannten Regler für Treble, Middle und Bass (+/- 17 dB Cut / Boost in jedem Band) um drei Shift-Regler erweitert, die den Frequenzbereich der einzelnen Regler anpassen. Die Hi-Pass-Sektion wird über den Kippschalter aktiviert. Um das Pedal so flexibel wie möglich zu halten steht ein kombinierter XLR/TRS Input zur Verfügung.

The JHS Colour Box V2 has all the same functionality of the popular V1 version with many new and improved additions like expanded EQ controls, a Hi/Lo switch for massive clean headroom, and the ability to pass phantom power to your condenser mics. The Gain section in red has three controls: Master, Pre-Vol, and Step. The Master volume controls the overall volume of the unit. The Pre-Vol controls the amount of gain between the two internal gain stages. This acts as a "drive" or "gain" control, adding more grit, distortion, and even fuzz as you increase the gain. The Step control increases the gain of each preamp stage in five stages. Rotating the Step knob from left-to-right will increase the gain by the following: 1st is +18 dB, 2nd is +23 dB, 3rd is +28 dB, 4th is +33 dB, 5th is +39 dB. The JHS Colour Box V2 has a new Hi/Lo switch to control the amount of clean headroom you have available. In the Lo mode, you will easily be able to get ultra clean sounds without breakup. Lo Mode is excellent for tone shaping when distortion is not needed. In the Hi mode, the Colour Box V2 will distort much more readily, giving you a broad spectrum of overdrive, distortion, and fuzz sounds. In addition to the Hi / Lo gain switch, there is a -20 dB pad switch on the right side of the Colour Box V2. This function only works when in XLR input mode and can help tame the volume for high output microphones. The EQ section in blue has three new Shift controls correlating to its standard Treble, Middle and Bass controls. The Shift knobs adjust the range of frequencies that the Treble, Middle, and Bass knobs control. The center frequencies for the Shift knobs are Treble 10kHz, Middle 1kHz, and Bass 120Hz, while the Treble, Middle, and Bass knobs boost or cut with +/- 17 dB of control. If you want to boost high-mid frequencies, turn the Mid Shift knob to 3 o'clock or above and increase the Middle knob above 12 o'clock. If you want to cut upper treble frequencies, turn the Treble Shift knob to 3 o'clock or above and set the Treble knob below 12 o'clock. The Shift knobs give you precision control over the EQ for anything you put through the Colour Box V2. The Hi-Pass section is enabled by the toggle switch below the Hi-Pass knob. Just flip it up to engage the Hi-Pass knob, which spans from 60Hz to 800Hz with a 6dB per octave slope. The Colour Box V2 has a combination XLR and 1/4" input jack to use either an instrument or microphone. Select your input with the input selector switch on the right side of the pedal labeled INST/XLR.

JHS Colour Box V2 - Official Demo Video

JHS Colour Box V2 - Demo / Review Video - The Bass Channel

JHS Colour Box V2 - Demo Video (No Talking) - Guitar Bonedo

JHS Colour Box V2 - Demo / Review Video - Reverb

JHS Colour Box V2 - Demo Video - Living Room Gear Demos

JHS Colour Box V2 - Demo Video - Sweetwater

Colour Box V2

PedalSafe Type C

QuickMount Type C

Pedalmontageplatte für große vertikale Pedale

Pedal Mounting Plate For Large Vertical Pedals

Schutzabdeckung & RockBoard-Montageplatte für große vertikale Pedale

Protective Cover & RockBoard Mounting Plate For Large Vertical Pedals

Schutzabdeckung & universelle Montageplatte für große vertikale Pedale

Protective Cover & Universal Mounting Plate For Large Vertical Pedals

Hast du jemals die sonaren Wellen eines alten Fender-Blackface oder Vox-Amp Tremolos geritten? Dann weißt du, dass diese Tones das Gefühl geben auf einer Millionen-Dollar-Yacht zu segeln. Das Tidewater Tremolo stellt dieses beliebten Tremolo Sounds mit Wärme und Charakter originalgetreu nach, wie man sie nur von einem Vintage-Amp erwarten würde. Mit einfachen Bedienelementen und einem geringen Fußabdruck am Pedalboard fährst du mit dem Tidewater Tremolo auf hoher See. Wenn du ein einfaches Amp-ähnliches Tremolo suchst, das nicht viel Platz beansprucht, ist das Tidewater Tremolo das Mittel der Wahl.

Have you ever ridden the sonic waves of a vintage Fender blackface or Vox tremolo flowing like water from the speaker?  Then you know that this kind of tone can make you feel like you’re sailing on a million dollar yacht.  The Tidewater Tremolo faithfully recreates this beloved amp tremolo with a warmth and character you would only expect from a vintage amp. With simple controls and a small footprint, you’ll be sailing the high seas of tone with the Tidewater Tremolo. When you want a simple amp-like tremolo that doesn’t take up much space, the Tidewater Tremolo is your vessel of choice.

JHS Tidewater - Demo by Living Room

Tidewater trem - Demo by Mike Hermans

JHS Mini Foot Fuzz V2 & JHS Tidewater Tremolo - Review by Gitarre & Bass [DE], [09-2019]

Tidewater Tremolo

PedalSafe Type L

QuickMount Type L

Pedal-Montageplatte für Standard-Mini-Pedale

Pedal Mounting Plate For Standard Mini Pedals

Schutzabdeckung & RockBoard-Montageplatte für MXR, PIGTRONIX, XOTIC, XVIVE und viele weitere Pedale mit Mini Gehäusen

Protective Cover & RockBoard Mounting Plate For MXR, PIGTRONIX , XOTIC, XVIVE and many other effect pedals in mini enclosures 

Schutzabdeckung & universelle Montageplatte für MXR, PIGTRONIX, XOTIC, XVIVE und viele weitere Pedale mit Mini Gehäusen

Protective Cover & Universal Mounting Plate For MXR, PIGTRONIX , XOTIC, XVIVE and many other effect pedals in mini enclosures 

Schalte den Vintage-Charme von natürlichem Federhalls und pulsierendem Tremolo an. Source Audio macht sich nicht von Standardreverb-Effektprozessoren abhängig, wie sie in vielen modernen Reverb-Pedalen zu finden sind. Sie meißeln jede ihrer Effekt-Engines selbst von hand und laden sie in ihren eine leistungsstarken 56-Bit-Sigma-DSP. Ihr zweiköpfiges Team aus den Ingenieuren Bob Chidlaw und Jesse Remigni saß jahrelang Stunde um Stunde daran, jede Nuance und Idiosynkrasie der Federhall- und Tremolo-Effekte einiger der kultigsten Gitarrenverstärker und Outboard-Geräte der Musikindustrie einzufangen. Das Ergebnis ist unbestreitbare Klangqualität mit großartiger Klangtiefe und Präzision.

Turn on to the vintage charm of natural spring reverb coupled with pulsing tremolo. Source Audio doesn't depend on the off-the-shelf reverb effects processors found in many modern reverb pedals, they handcraft every one of their proprietary effects engines and load them to high-powered, 56-bit Sigma DSP.  Their two man engineering team of Bob Chidlaw and Jesse Remignanti put years of collective man-hours into capturing every nuance and idiosyncrasy of the spring reverb and tremolo effects from some of the music gear industry’s most iconic guitar amps and outboard gear. The result is indisputable sound quality with magnificent tonal depth and precision.

Source Audio

True Spring Reverb - Demo by Musiker TV

SA True Spring - Demo by PG

Source Audio One Series True Spring Reverb - Review by Muzikus [CZ], [08-2019]

Source Audio One Series True Spring Reverb - Review by Gitarre & Bass [DE], [07-2019]

Source Audio One Series True Spring Reverb - Review by PremierGuitar [EN], [02-2019]

Source Audio One Series True Spring Reverb - Review by Gearphoria [EN], [10-2018]

Demo by Pete Thorn

True Spring Reverb

Das Catalinbread Belle Epoch Delay-Effektpedal orientiert sich am Sound des legendären Maestro Echoplex EP-3, das in den 1970er Jahren zum Arsenal diverser Helden des Rock gehörte, darunter solche Namen wie Brian May, Jimmy Page, Eddie Van Halen, David Gilmour oder Eric Johnson. Sie setzten das Delay oft und gerne ein, neben dem warm klingenden Bandecho-Sound auch wegen seines Preamps, mit dem man einen Amp noch etwas heißer anfahren und zu etwas mehr Zerre überreden konnte.

 The Catalinbread Belle Epoch Tape Echo, has tape echo sounds so authentic you’d swear there was tape inside the pedal! Inspired by the Maestro Echoplex, EP-3 model, perhaps the most famous tape delay ever, the Belle Epoch features everything we love about the EP-3 in a small, maintenance free pedal format. We felt that a “tape echo” pedal was much more than just a standard digital delay with some “filtering” on the repeats. There are a lot of subtle and not-so-subtle traits of the Echoplex that needed to be implemented in order to be authentic. The preamp, the self-oscillation character, the ability to control the “record level” of the signal hitting “tape”, the wow and flutter, the way the repeats decay, the way the circuit interfaces with the amp and other pedals – all these things were important to get right. The original unit was used as a musical instrument unto itself and this is what we captured with the Belle Epoch.

Catalinbread

Review by Amazona 

Review by Bonedo 

Demo by Reverb 

Belle Epoch

PedalSafe Type A1.1

QuickMount Type A

Pedal-Montageplatte für Standard-Einzelpedale

Pedal Mounting Plate For Standard Single Pedals

Schutzabdeckung & RockBoard-Montageplatte für MXR® Standardgröße und Dunlop® Echoplex Delay Pedale

Protective Cover & RockBoard Mounting Plate For MXR® standard size and Dunlop® Echoplex Delay pedals

Schutzabdeckung & universelle Montageplatte für MXR® Standardgröße und Dunlop® Echoplex Delay Pedale

Protective Cover & Universal Mounting Plate For MXR® standard size and Dunlop® Echoplex Delay pedals

Mardy Wagner

Ernie Ball

VPJR Tuner

Für 7-11 FX-Pedale - **722 x 142 mm / 28.43" x 5.59"** - erhältlich mit Gig Bag oder Flight Case

For 7 - 11 FX pedals - **722 x 142 mm / 28.43" x 5.59"** - available with Gig Bag or Flight Case

One Strip

Oil can delay units were manufactured by a company named Tel-Ray who later became better known as Morley. Tel-Ray mostly focused on being the OEM utilizing their oil can technology (Patent US3530227 A), branding units for Gibson (GA-RE4), Fender (Dimension IV), Acoustic, etc. They employed an electro-static storage method where the signal is “recorded” to a spinning disk, a layer of oil (for years rumored to be a mysterious carcinogenic oil) prevented this signal from leaking into the air before a “pickup” moments later played back the signal recorded to the disk. Compared to the counterparts of the day (tape, drum, wire delay machines), their sound was more low fidelity, murky, often with a more consistent musical vibrato that correlated to the spinning disk speed. We like to describe the sound as mysterious. The Catalinbread ADINEKO pedal is an echo, reverb, vibrato pedal that faithfully models the sonic experience of these oil can units.

Review by TDPRI

Demo by The Pedal Zone

Adineko

Das Universal Audio UAFX Brigade Chorus & Vibrato ist ein kompaktes digitales Pedal, das den legendären Boss CE-1 Chorus Ensemble von 1976 authentisch emuliert. Es bietet warme, analog klingende Modulationseffekte, darunter üppigen Chorus und reichhaltiges Vibrato, sowie die charakteristische Vorverstärkerfärbung des Originals. Das Pedal verfügt über einfache Bedienelemente – Rate, Depth und Level – und bietet Schalter zur Auswahl zwischen Chorus- und Vibrato-Modus, True- oder Buffered-Bypass sowie zur Aktivierung des Vorverstärkers. Entwickelt für Mono-Ein- und -Ausgänge, ist das Brigade mit der renommierten Handwerkskunst von Universal Audio für zuverlässige Leistung gebaut.

Way back in 1976, the first commercially available chorus pedal was released. The massive tank-like piece of hardware is still touted by many guitarists as the finest chorus ever crafted due to its thick, watery, and rippling chorus (and vibrato) tones. The UAFX Brigade is Universal Audio’s ultra-precise sonic tribute to that long-discontinued pedal, sporting an immaculate bucket brigade chorus/vibrato digital emulation that builds off of UA’s modern-classic Astra Modulation Machine algorithms. However, unlike the pedal of Brigade’s inspiration (or even the Astra), this pedal comes equipped with a supremely straightforward setup of three simple knobs and a 2-way switch to swap between chorus and vibrato. Furthermore, the Brigade features spot-on modeling of an analog preamp modeling section to impart your signal with a touch of old-school character and potent vintage-style punch. Capture the chorus tone that started it all with Universal Audio’s UAFX Brigade!

Review by Sound on Sound

Demo by Sweetwater

Demo by Guitar Center

Demo by Peach Guitars

Demo by BUZZBEE TV

Review by Gearnews

Quick Start Guide

Brigade Chorus & Vibrato

David Litaba

Den 'perfekten' Sound einzustellen sollte keine entmutigende Aufgabe sein. Der Neunaber Wet Reverb V5 wurde spezielle für eine kompakte Flexibilität entwickelt und bietet Musikern die Möglichkeit, den Reverb Effekt mit drei einfachen, intuitiven Regelmöglichkeiten zu gestalten. Egal, ob man nach einem riesigen und endlosen Hall sucht, der warm und organisch sein kann oder einfach nur ein dezentes Funkeln im Sound ergänzen möchte, der Wet Reverb bietet Musikern dafür alle Möglichkeiten und genügt mit einem Studio-tauglichen Sound selbst allerhöchsten Ansprüchen. Der Wet Reverb V5 ist ein Update des bekannten und beliebten Neunaber Wet Reverb, der alles bietet, was so viele Musiker an den Vorgänger-Versionen liebten - und ein bisschen mehr!

Dialing in a great tone shouldn't be a daunting task. Designed for compact flexibility, the Neunaber Wet Reverb V5 gives you the power to craft your reverb sound with three straightforward controls. You want a reverb that can be huge and endless, warm and organic, or simply add a subtle sparkle? You set high standards for yourself and your tone, so add something special to your sound that doesn't get in the way. Introducing the Wet Reverb V5 - an update to the fan-favorite reverb pedal. The new Wet Reverb has everything so many musicians loved about its predecessor, plus a little more.

Neunaber

Wet Reverb V5

Woodrow von Universal Audio