The GUNSHOT was designed to be the overdrive to beat all others. Sonically most overdrives can sound thin or lack a certain “something” when compared to a real valve amplifier.  It’s an unfair comparison really, but it is possible to solve this problem. This is where the GUNSHOT comes in, at the heart of the pedal is a proprietary cascading "gain engine" tuned to deliver maximum tonality for as wide a range of amps as possible.  Through tweaking the pedals controls to taste you can achieve overdrive flavours from subtle through to searing, think slightly hairy blues to hard rock. The tones produced are addictive and inspiring in equal measure.

Review by guitar pedal X

Review by Premier Guitar

Product Page

Gunshot v2

I was asked to create the FALLOUT CLOUD by a number of vintage pedal enthusiasts I know. They were after a Triangle era style pedal that would work with a variety of guitars (Humbucker and singlecoil's including P90's) and amps and be bombproof so it could be gigged. The brief was simple, make a triangle era Fuzz that could beat their original 1971 Triangle fuzz pedals when placed head to head.

Review by Tone Pedia

Fallout Cloud

The DEEP OGGIN was designed as a collaboration with DAN COGGINS (Former LOVETONE Pedal designer) as his first modulation pedal design since his Lovetone pedal days. This fully Analog Chorus/Vibrato was designed from the ground up to provide the most incredible 3 dimensional chorus sounds with a level of versatility to meet the needs of all guitarists. Faced with hundreds of digital choruses on the market, Thorpy and Dan decided to go fully analog and deliver that vintage chorus that can only come from an analog circuit. The DEEP OGGIN is voiced to provide a variety of chorus styles from deep and wet through to more subtle and shimmery sounds.

Review by reddit /guitarpedals

Review by musicradar

Review by Guitar.com

Deep Oggin Chorus/Vibrato

Product Manual

Heavy Water

I was asked to create the FALLOUT CLOUD by a number of vintage pedal enthusiasts I know. They were after a Triangle era style pedal that would work with a variety of guitars (Humbucker and singlecoil's including P90's) and amps and be bombproof so it could be gigged. The brief was simple, make a triangle era Fuzz that could beat their original 1971 Triangle fuzz pedals when placed head to head.
Internally the pedal is immaculately built using premium 1% metalfilm resistors, Wima and Panasonic capacitors, and Neutrik jacks. These are the crème de la crème of the electronics world and when coupled with a robust gold plated PCB and dust sealed potentiometers the recipe is as good as it can possibly be.

Review by Jamie Dickson, musicradar.com

Review by Charles Saufley, premierguitar.com