Splyce

Eine Stereo-Pedalversion der Vorverstärkersektion eines Vintage-Reel-to-Reel-Tonbandgeräts von Revox, mit unserem Modell 33 Smooth Vibrato, um ernsthaft wackelige Tapesounds zu erzielen.
Aufgrund der Beliebtheit des Reel Dealuxe als „always on“-Sound für viele Templo-Benutzer war es klar, dass eine Stereoversion angeboten werden musste, die sich speziell an diejenigen richtet, die den einzigartigen Sound zu Aufnahmezwecken nutzen. 

Also packte ich zwei Reel Dealuxes in eine Box, entfernte die Fußschalter und fügte ein paar ausgefallene Extras hinzu, darunter die beiden neuen Schalter, von denen einer die Richtung des Vibratos umkehrt und der andere beide Vibratos miteinander verbindet, um ein interessantes, instabiles Pulsieren und Wackeln zu erzeugen.


A stereo pedal version of the preamp section from a vintage Revox reel-to-reel tape recorder, with our Model 33 Smooth vibrato built in to get some seriously wobbly tape sounds.
Due to the popularity of the Reel Dealuxe as an "always on" sound for many Templo users, it became clear it was necessary to offer a stereo version aimed squarely at those using its unique sound for recording purposes. 

So I put two Reel Dealuxes in the same box, got rid of the footswitches and added a few funky extras, including the two new switches, one of which reverses one of the vibrato's sweep direction and the other links both vibratos together to get some interesting unstable pulsing and lurching.

Demo by Signal Path

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Reel Deal Studio

After 3 years of research and development, it is finally ready!

Inspired by the joy experienced while using high-quality compressors when recording, this device is meant bridge the gap between guitar pedal and a rackmount unit.

The heart of it is a low-noise, high headroom, completely analog OTA compressor which alone is a versatile tool. What really makes the PSC an indispensable piece of gear are its features. 

Equally adept at handling instrument and microphone signals, it features a combination input jack that accepts either standard 1/4" instrument cable or XLR.

Likewise, the OUTPUT allows you to use either instrument or XLR cable, even both at once.

With the addition of switchable +48V Phantom power, those attributes alone make this device a veritable multi-tool for music making, taking on the roles of preamp, active D.I, Mic-to-instrument converter AND condenser mic power supply before we even get to the compression function.

Official Product Video

Review by Gearspace

Manual

Pocket Studio Comp

STUDIO STYLE DIODE COMPRESSOR (CLEAN, SMOOTH)
The Outer Limit is a studio-style diode compressor using a charge pump to get 18V internal voltage and achieve very smooth, very linear compression, all the way to limiting.

It sports only two knobs to keep things simple. Input volume adds tons of clean volume, and determines how hard the compressor is triggered. Output volume simply attenuates the total output of the pedal after compression.

While it may be simple, there is still tons of flexibility. The three slide switches each have three positions, allowing for a wide range of combinations

The Outer Limit Diode Compressor

The Reel Deal A is designed to give the experience of finding an old tape machine at a thrift store, plugging it in and seeing what kind of unique sounds can be wrangled out of it.

Combining the popular "always on" tone of the Reel Deal preamp with two delay chips, the Reel Deal A is packed full of functions to make it not only toneful, but extremely versatile.

With the beloved crunchy sound of the Reel Deal preamp, you can get some pretty satisfying tones in all knob positions, as well as getting a powerful clean boost. Overdrive light indicates preamp clipping.

The delay has a vu meter for each delay head, so you can visualize the delayed sound.

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