Adriano Carvalho

Adriano's Bass board

Bill ONeal

Micro-Sized MIDI Controller
The DMC.micro PRO is an updated and improved version of our most popular controller, featuring full-sized performance but in a much smaller package.

Disaster Area Designs

DMC.micro Pro

Adzim Ezani

HX® One is a powerful stereo effect pedal in an ultra-compact enclose that easily fits onto any pedalboard. It features intuitive controls, 250+ effects taken from HX family processors, a unique Flux Controller, a jack for connecting an optional expression pedal or two footswitches, adjustable input impedance, MIDI capabilities, and a choice of true or buffered DSP bypass.

LINE 6

Product Page

Demo by Line 6

HX One

QuickMount Type C

Pedalmontageplatte für große vertikale Pedale

Pedal Mounting Plate For Large Vertical Pedals

Javier Murcia Dominguez

Soul Press II ist die nächste Generation der Hotone Press-Pedalreihe. Das neu gestaltete Upgrade basiert auf den beliebten Konzepten von Soul Press und Vow Press. Es integriert bis zu vier Funktionsmodi (Volume, Wah, Volume/Wah, Expression), was die Spielbarkeit auf ein neues Niveau hebt. Die Pedalstellungsanzeige zeigt die Pedalstellung in Echtzeit an. Die Auswahl des TONE-Modus und die Einstellung des Q-Werts stellen eine absolute Verbesserung von Klang und Funktionalität dar. Mehrere E/A-Optionen bieten einen vielfältigeren Zugang. Die neu gestaltete Größe des Pedals sorgt für Tragbarkeit und optimale Ergonomie. Soul Press II ist ein wirklich vielseitiges Wah-Pedal.   

Soul Press II is a next-gen product in the Hotone Press series pedal line. It's new-designed upgrade is based on the popular concepts of both the Soul Press and Vow Press. It integrates up to four function modes (volume, wah, volume/wah, expression), taking playability to new heights. The pedal position indicator shows the pedal position in real time. The TONE mode selection and Q value adjustment represent an absolute improvement in tone and functionality. Multiple I/O options provide more diverse access. The reimagined pedal size maintains portability while delivering an optimal ergonomic experience. Soul Press II is a truly versatile wah pedal.   

HOTONE

Review by reddit /guitarpedals

Review by headliner

Review by The Gear Page

Review by Bass Musician Mag

Manual

Demo by The Pedal Guy

Demo by Nobes Music

Demo by intheblues

Demo by Pedal of the Day

Soul Press II

Tester

Der Source Audio C4 Synth kombiniert alle Sound Construction Tools eines klassischen Eurorack Modular-Synthesizers in einem kompakten, einfach zu nutzenden Effektpedal für Gitarre und Bass. Grundlegend handelt es sich bei dem C4 um ein Modular Synth, der vor allem durch ein beispiellos akkurates Tracking, extrem schnelle Reaktionen und fast unendliche Sound-Möglichkeiten überzeugt. 

Für eine einfache Plug-And-Play Anwendung kommt das Pedal mit sechs wählbaren Presets, die sich über den Toggle Switch auswählen lassen. Über einen MIDI-Controller lassen sich außerdem die 128 Factory Presets auswählen. In Kombination mit dem kostenlosen Neuro Desktop Editor oder der ebenfalls kostenlosen Neuro Mobile App erkennt man erst das eigentliche Potential des Pedals. Über die Software hat man Zugriff auf einen Editor, der sich an Euroracks orientiert und 4 parallele Voices, 3 Oszillator-Wellenformen, 11 Envelope Follower, 24 modulierende Filter, Distortion, Tremolo, Pitch Shifting, einen intelligenten Harmonizer, programmierbares Sequencing und mehr bietet. Von klassischen Synthie-Tones bis zu allen Sounds, die du dir jemals vorstellen konntest - der C4 Synth macht es möglich!

The Source Audio C4 Synth unites all the sound construction tools of a classic Eurorack modular synthesizer and packages them in a compact and easy-to-use effects pedal for guitar or bass. It is essentially a modular synth in a box with unprecedented tracking abilities, lightning-fast response, and vast universe of easy-to-access sound options.

The C4 offers multiple methods of preset storage and recall. For a straightforward plug-and-play experience, simply select one of the pedal’s six onboard presets with the center toggle switch. The addition of a third-party MIDI controller with USB host provides access to any of the C4 Synth’s 128 Factory presets. Connect the C4 to the Neuro Desktop Editor (a free download for Mac and Windows) or the Neuro Mobile App (iOS and Android) and unlock the pedal’s true power. The Neuro software features a Eurorack inspired editing interface with 4 parallel voices, 3 oscillator wave shapes, 11 envelope followers, 24 modulating filters, distortion, tremolo, pitch shifting, intelligent harmonization, programmable sequencing, and more. Use the editor to create anything from classic synth tones to the sounds you've imagined, but never actually heard. Finally, for a world of great tones without all the tweaking, download sounds from the ever-expanding collection of published presets created by the C4 Neuro Community.

Once you’ve found your sound, burn it directly to the pedal in any of the C4 Synth’s 128 preset positions, save it to your own personal effects library, or share it with the rest of the C4 Neuro Community. Never before has a guitar synth pedal offered so much is such a small package.

Source Audio

Official Product Page

Source Audio SA 249 - One Series C4 Synth - Demo Video (No Talking) - Guitar Bonedo

Source Audio SA 249 - One Series C4 Synth - Demo Video - Mike Hermans

Source Audio SA 249 - One Series C4 Synth - Bass Demo - Nathan Navarro

Source Audio SA 249 - One Series C4 Synth - Bass Demo - The Bass Channel

Source Audio Spectrum Intelligent Filter & C4 Synth - Review by Gitarre&Bass [DE], [01-2020]

Source Audio C4 Synth - Review by GrandGtrs [DE], [01-2020]

Source Audio C4 Synth - Review by Bonedo [DE], [12-2019]

Source Audio C4 Synth - Review by TopGuitar [PL], [11-2019]

Source Audio C4 Synth - Review by PremierGuitar [EN], [10-2019]

Source Audio SA 249 - One Series C4 Synth - Review by TopGuitar [PL], [08-2019]

SA 249 One Series C4 Synth

David Litaba

This pedal combines the tone-sweetening magic of the Echoplex® Preamp with a three-band EQ and midrange frequency adjustment so that you can dial in the perfect bass tone to punch up a solo, boost your signal in a live mix, sculpt more edge into the sound of a passive bass, and more.

Review by bonedo 

Demo by Bass Bonedo 

Demo by Ted Talks Bass 

Demo by jimdunlopusa

M281 THUMP BASS PREAMP

The Omni IR is a compact-sized, Impulse Response based cabinet simulator delivering organic, precise guitar/bass cabinet sounds. An internal voltage boost circuit provides tones of headroom, a clear, detailed OLED screen lets you get set up quickly, and variable I/O makes it perfect for any live or recording scenario.

Review by Pedal of the Day

Official Product Video 

OMNI IR

Die NUX Strum Tuner Pedal ist eine Multi-String-Gitarre und Bass pedal Tuner. Mit drei gut lesbare Anzeige-Modi bestehend aus klassischen Nadelart, Strobe und polyphone, die NUX Strum Tuner ermöglicht es Ihnen, sich auf eine Vielzahl von wählbaren Stimmungen einzustellen. Die pulsierende LED-Matrix-Display klar ersichtlich egal welcher Umgebung Sie in sein mögen. Mit tuning-Genauigkeit von +/-1 Cent die NUX Strum Tuner sorgt für Stimmung Ihres Instruments ist einfach und präzise. True-Bypass-Schaltung ermöglicht es Ihnen, Ihren Ton ausgekuppelten beizubehalten.

Strum Tuner

Patrick Brogan

Pigtronix Philosopher Bass Compressor Micro brings the heralded Philosopher’s Tone compressor circuit to bassists in a micro-sized stompbox format. Pigtronix Philosopher Bass Compressor Micro brings the heralded Philosopher’s Tone compressor circuit to bassists in a micro-sized stompbox format. The SUSTAIN control on this pedal varies the compression threshold to provide everything from subtle peak limiting to infinite clean sustain, all with incredible low-end response. The Philosopher Bass Compressor also sports a BLEND knob, allowing the clean sound of your instrument to be heard in parallel with the optical compression. Blending some clean signal into the mix restores the instrument’s natural string attack, while simultaneously providing the musical benefits of additional punch and sustain.

Pigtronix

Demo by Sweetwater

Review by CompressorPedalReviews.com 

Philosopher Bass Compressor

Tim Purser

Für Bassisten, die keine Vorbehalte gegen die mittlerweile doch recht ausgereifte Modeling-Technologie haben, bieten einige Hersteller zumindest für bestimmte Einsatzbereiche Alternativen zu den massigen Vorbildern an. Eine davon kommt von der in diesem Metier durchaus erfahrenen Firma Tech 21 und hört auf den Namen “Sansamp VT Bass Deluxe”.

The Deluxe version of the SansAmp VT Bass features a combination of a warm, all-analog signal path and convenient digital recall. There are 6 program locations and dual inputs for two instruments to be on-line, ready to go. Create three custom tones for each input or use all six locations for a single instrument. And you can program the FX loop to engage your favorite effect each time a so-designated preset is selected. Super simple to operate, changes can easily be made on the fly –without having to refer to the owner’s manual. You just turn the knobs to a setting you like, double click on a footswitch and it’s saved in that channel. You can custom tweak and program six of your personal sounds, from vintage clean to gnarly overdrive to crushing distortion

Tech 21

Review by reddit /basspedals

Review by Musiker-Board

Review by Talk Bass.com

Review by Gitarre & Bass

Demo by Guitar Gear

Demo by Simone Rubinato

Sansamp VT Bass Deluxe

Caline

CP-207

Paulo Damasceno Nepomuceno

These are the drives and preamps that i like or want to have(most of them i don't have lol)

The Sauce PT.1

ch ray

SIGNIERT VON EINEM DER RESPEKTIERTESTEN GITARRISTEN AUF DEM MARKT.
Das Pedal hat die gleichen Klangeigenschaften wie Multi Fuzz und Vintage Distortion, ist aber optisch individuell gestaltet, weist eine differenzierte Verpackung auf, verfügt über ein Echtheitszertifikat und ist vom Künstler selbst handsigniert.

SIGNED BY ONE OF THE MOST RESPECTED GUITARISTS IN THE MARKET.
The pedal has the same sonic characteristics of Multi Fuzz and Vintage Distortion, but with customization in its visual, differentiated packaging, certificate of authenticity and hand signed by the artist himself.

GNI Music

Review by Gearspace

Demo by Loucos por Pedais

Review by Fractal Audio Forum

Demo by Guitarrista de Apartamento

FZD-AT Andy Timmons Ltd

Romain Bourlier

The Duality Dual Fuzz from Darkglass Electronics offers not one but two distinct fuzz circuits, which can be blended any way you choose with your clean signal, therefore creating a whole range of fuzztone filth.

Classily presented in a brushed silver matte finish with a mirror chromed top facing, the four black controls all turn reassuringly smoothly while the stomp button is solid and firmly operated: the whole pedal is evidently built to last.

The Blend control ranges from a clean signal when turned fully left to a positively dripping fuzztone when panned fully right, although it is possible to hear both the clean and effected signals simultaneously. Level adds grit and distortion, while the Filter control increases the resonance, top end clarity and definition.

Impressively, articulation is never lost with this pedal, although if  you prefer to lessen the high-end characteristics (we're after fuzz, not fizz, after all), roll off the Filter control to your preference as any dodgy fretting or mistakes will stand out like a sore thumb. Warm and rich, just as a great fuzz pedal should be, the power and aggression which this pedal is able to conjure up is mightily impressive.

Darkglass Electronics

Review by musicradar 

Demo by Darkglass  Electronics 

Demo by The bass channel

Duality

DER GNI BASS PLUS IST VON FELIPE ANDREOLI, EINEM DER GRÖSSTEN BRASILIANISCHEN BASSSPIELER – EHEMALIG BEI ANGRA – SIGNIERT. DER BASS PLUS WURDE VON ERFAHRENEN TECHNIKER UND INGENIEURE ZUSAMMEN MIT DIESEM GROSSARTIGEN KÜNSTLER ENTWICKELT UND BIETET OVERDRIVE, SUPER OVERDRIVE, SHAPE UND EQUALIZATION.

VIELE FUNKTIONEN IN KOMPAKTEM FORMAT MIT HOCHTECHNOLOGIE. IN LUXURIÖSER VERPACKUNG UND ECHTHEITSZERTIFIKAT IST DIES EINE PRODUKTEINFÜHRUNG, DIE DEN BESTEN PEDALSETS DER WELT WÜRDIG IST.

THE GNI BASS PLUS IS SIGNED BY FELIPE ANDREOLI, ONE OF THE GREATEST BRAZILIAN BASS PLAYERS – FORMERLY WITH ANGRA. DEVELOPED BY SKILLED TECHNICIANS AND ENGINEERS, ALONG WITH THIS GREAT ARTIST, BASS PLUS FEATURES OVERDRIVE, SUPER OVERDRIVE, SHAPE AND EQUALIZATION.
MANY FEATURES IN COMPACT FORMAT WITH HIGH TECHNOLOGY. IN LUXURY PACKAGING AND CERTIFICATE OF AUTHENTICITY IS A LAUNCH WORTHY OF THE BEST PEDAL SETS IN THE WORLD.

Bass Plus

Bass Shaper bietet eine Vielzahl von Funktionen, die alle speziell für den Musiker entwickelt wurden.
Vorverstärker mit 3-Band-Entzerrung, Shape-Taste; Overdrive mit Super-Modus; Lärmschutzgitter; symmetrischer Ausgang (XLR) mit Vor-/Nachsteuerung und Ground-Lift-Funktion; Kopfhörerausgang und unabhängiger Booster.
All dies wurde von großartigen Bassisten getestet und bestätigt, mit einfacher und intelligenter Aktivierung.

The Bass Shaper comes with a multitude of features, all of which have been designed with the musician in mind.

Pre-amp with 3-band equalization, shape button; overdrive with super mode; noise gate; balanced output (XLR) with pre/post control and ground lift feature; headphone output and independent booster.

All of this has been tested and approved by great bass players, with easy and intelligent activation.

Demo by Canuto

Demo by Felipe Jeronymo

Review by Forum ContrabaixoBR

Bass Shaper

Das Aguilar Agro Pedal ist dem Saturation-Kanal des AG 500 Topteils entnommen. In der Lage, alles von einem warmen, röhrenähnlichen Vintageton bis hin zu aggressiver Distortion zu reproduzieren, bietet der Agro die benötigte Zerre ohne die Tiefen und somit den Druck zu verlieren.

The Aguilar Agro has an AG500 saturation channel-based pedal effect that provides a warm tube-sounding overdrive & distortion. With it, the Aguilar company has built an overdrive pedal specifically for the bass
The high level of bass control invested in the Aguilar Agro makes it indispensable in the overdrive and distortion community. It is a great pick for your pedalboard.

Aguilar

Demo by Aquilar

Demo by Bass the World 

Demo by the bass Channel 

Agro

Based on our coveted Tone Hammer amplifier, the Tone Hammer preamp/DI is our swiss-army knife for your pedalboard. Featuring fully sweepable midrange frequencies in addition to bass and treble controls the Tone Hammer gives you studio-inspired EQ paired with a pristine D.I. for the studio and stage. To give this tone shaping unit the ultimate flexibility we introduce our proprietary Adaptive Gain Shaping circuitry (AGS). AGS allows the player to kick in an additional gain structure allowing you to go from modern tones to vintage, tube-like saturation with the stomp of a button. It’s 18 volt operation gives the Tone Hammer plenty of headroom to reproduce the most dynamic playing styles and it robust design makes this pedal truly road-worthy.

Review by Awkward sound

Demo by  IvanBassist 

Aguilar Tone Hammer

thierry augustine

Bi-amplification preamp bass pedal based on Orange bass and guitar amps.

Back in the good ol’ days, it was a popular practice to send a bass guitar signal to a bass amp and a guitar amp at the same time – known as Bi-Amping. This allows the player to keep their low end deep, clean and defined whilst amplifying the mids and top end separately, adding distortion or crisp highs with total control.

This type of setup can produce some enormous tones but typically requires a huge and complicated rig, only possible if you’re Rock ‘n’ Roll royalty. But, if you have to get all this together by yourself? Forget it!

Enter The Bass Butler…


Orange

Review by bassgearmag

Review by bonedo

Official Product Video

Demo by Bonedo

The Bass Butler

The result is hard-hitting distortion with a big low end that is similar to what you'd expect from a large amp stack driven hard. Gain and tone controls make it possible to dial in anything from a natural crunch to fuzzy, dirty distortion, providing a broad spectrum of tones that can add new dimensions to your music.

Providence

Review by No Treble

Review by Premier Guitar

Demo by Masaki Murashita

Brick Drive BDI-1

Jonathan Nicholson

Four different preamps in a single box in a pedalboard-friendly format.
From studio-grade clean sounds up to heavy saturations, passing through endless overdrive flavors with amp-like dynamics and harmonic content.
More than just a pedal, a real studio-in-a-box.

Jad Freer Audio 

Review by Basschat

Demo by Philip Conrad

Demo by

Capo Preamp

Dual Vacuum Tube Preamp, Direct Box, and DC Power Supply

NOBLE AMPLIFIER COMPANY

Demo by Noble Amplifier Company 

Noble Preamp DI

The Microtubes Infinity shares the footmark of our programmable line, packed with our three legendary Microtubes distortions: B3K, Vintage, and X. Moreover, it allows multiband compression on every mode, blending Impulse responses between distortions while adding extra controls via the Darkglass suite for an endless number of features: An infinity of possibilities.

Demo by  Pair of Pandas

Demo by Paajanenae

Review by TalkBass.com

Review by Rainer Wind, bonedo.de

Demo by Darkglass Electronics

Microtubes Infinity

Wir haben unser Alpha·Omega genommen und mit unermüdlicher Anstrengung all unsere erlernten Ingenieurkenntnisse darin verarbeitet. Indem wir die legendäre Verzerrungsschaltung in ein neues Paradigma einfügten, eröffneten wir eine Reihe von Möglichkeiten, die vorher nicht verfügbar waren.

We took our Alpha·Omega, and with relentless efforts added all the learned engineering to it. Placing the iconic distortion circuit into a new paradigm enables a range of possibilities that were never before available.

Demo by  BassTheWorld.com

Demo by Nate Navarro

Review by Joris Henke, gitarrebass.de

Alpha Omega Photon

Dieses Pedal kombiniert den satten Klang des Harmonic Booster mit der Präzision einer Parallelkompression mit einstellbarem Frequenzbereich und bietet Ihnen unübertroffene Kontrolle. Mit einem 6-Band-EQ, einer Pegelreduzierungsanzeige und der Option, 7 benutzerdefinierte Impulsantworten über USB zu laden, bietet es ultimative Klangflexibilität für Bassisten aller Genres. Pur, kraftvoll und präzise – Ihr sauberer Ton, perfektioniert.

Combining the rich tone of the Harmonic Booster with the precision of an adjustable frequency range parallel compression, this pedal gives you unmatched control. With a 6-band EQ, gain reduction meter, and the option to load 7 custom Impulse Responses via USB, it delivers ultimate tonal flexibility for bass players of any genre. Pure, powerful, and precise—your clean tone, perfected.

Demo by IvanBassist

Review by sinusoidal music

Review by gearnews.de

Manual Page

Luminal Booster Ultra

The Aggressively Distorting Advanced Machine has three fully programmable rotating footswitch presets. Each of these stores your unique blend of compression, distortion, impulse responses, EQ parameters, and signal chain settings. Featuring a unique and innovative top-notch precision touch slider interface, for its 6-band programmable EQ.

Review by Bob Brinkman, guitarworld.com

Demo by  Joe Calderone

Aggressively Distorting Advanced Machine

DARKGLASS - ADAM // Demo by Nate Navarro

Review by reddit /Bass

ADAM

Anthony Ennen

Available as a limited special edition, this anniversary pedal covers all the expected drive tones, plus a lot more besides.

Designed in collaboration with Darkglass Electronics, the 35th Anniversary drive pedal goes full stealth with a black and gold colour scheme and a special 35th Anniversary logo box. Aside from the engage switch (which illuminates a very cool LED) and the usual in/out and DC power sockets, the pedal has three controls – level, drive and tone. As with all Darkglass pedals, you also get true bypass switching, a particularly hard-wearing footswitch and a super-bright LED.

While this is a stompbox capable of some impressive high gain sounds, it’s been designed to be equally effective at lower, more classic levels of drive and to be sensitive to bass playing dynamics. “We’ve blended old-school vibes, appealing visuals and some modern production techniques to create a pedal that has much more versatility than you might have assumed,” said Sheldon Dingwall. “It’s really been designed to capture the dynamic interaction between you and your bass. There’s plenty of dynamic range before the crunch really sets in.”
The result is a wide range of tonal possibilities from subtly distorted blues tones through to classic rock and metal. This is the perfect stompbox for Dingwall aficionados looking for something with plenty of future collectable prestige.

Demo by Erik Arkö

Demo by DingwallGuitar 

DINGWALL 35th Anniversary Gold Drive Pedal

Denis Raff

The SansAmp XB Driver is the culmination of over 30 years designing gear for bass. We have integrated key elements from our most popular bass products –the SansAmp Bass Driver DI, Para Driver DI, Q\Strip and the dUg Pinnick Ultra Bass 1000– and condensed them into a single sleek machine. And just like that, you can go from traditional to diabolical.

The 100% analog, dual-channel SansAmp XB Driver is a veritable vault of treasured bass tones. It is a sophisticated dual-amp, bi-amp, DI toolbox with 15 knobs and 3 switches. Intuitively arranged, like familiar amplifier controls, you can craft a broad range of bass tones without a PhD. The Clean and Drive channels are full-frequency, independent channels that can be used individually or blended together via the Mix footswitch. In Mix mode, you can engage the crossover switch to activate the sweepable LPF & HPF filters, which enables you to even further carve out your own tone footprint.

Review by Bass Musician Magazine

Demo by Mad Steex

SansAmp XB Driver

Der Q\Strip wurde mit ausgeklügelten Funktionen ausgestattet, die es Ihnen ermöglichen, diese begehrten Klangformungsschaltungen mitzunehmen, egal ob Sie zu einem Live-Auftritt oder zum Aufnehmen im Studio oder in Ihrer DAW unterwegs sind. Es ist kompakt, äußerst kostengünstig und im äußerst praktischen DI-Format.

The Q\Strip was designed with sophisticated features that enable you to take these highly-coveted tone shaping circuits with you, whether you’re heading to a live gig or tracking in the studio or into your DAW. It’s compact, extremely cost-effective and in an ultra-convenient DI format.

Review by Sound on Sound

Demo by Pete Thorn

Q/Strip

PedalSafe Type D2

QuickMount Type D

Pedal-Montageplatte für große horizontale Pedale

Pedal Mounting Plate For Large Horizontal Pedals

Schutzabdeckung & RockBoard-Montageplatte für große horizontale Pedale

Protective Cover & RockBoard Mounting Plate for Large Horizontal Pedals

Schutzabdeckung & universelle Montageplatte für große horizontale Pedale

Protective Cover & Universal Mounting Plate For Large Horizontal Pedals

Geddy Lee tritt seit der „Test for Echo“-Tour 1996 ohne Verstärker und Lautsprecher auf der Bühne auf und bevorzugt stattdessen große Haushaltsgeräte. Um seine Ausrüstung für neue Projekte zu optimieren, entwickelte Geddy zunächst gemeinsam mit Tech 21 einen Signature SansAmp, den GED-2112. Diese anspruchsvolle Zusammenarbeit beinhaltete die Verdichtung einer Rackladung an Equipment auf einer einzigen Rackfläche. Geddy dazu: „Der GED-2112 ist im Grunde die Fortsetzung meines langjährigen Ansatzes für Basssound. Ein ‚tiefer, klarer‘ Klang gepaart mit dem ‚kantigen Crunch‘, den ich vom SansAmp RPM erreiche – alles in einem Gerät.“

Der GED-2112 Rackmount führte ein neues Konzept für paralleles Pre-Amping ein – mit zwei separaten internen Vorverstärkern. Dieses Konzept wurde auch beim kompakten SansAmp YYZ-Pedal übernommen, um die Mischung der beiden Signalwege zu vereinfachen. Der SansAmp DI-2112 vereint das Design eines Rackmount-Pedals mit der Mobilität eines Pedals und bietet ein weiteres neues Format, das sowohl auf dem Studio-Tisch als auch auf einem Amp-Topteil zu Hause ist.

Die Drive-Vorverstärkersektion basiert auf dem vielseitigen SansAmp RPM und bietet ein breites Spektrum an Klangmöglichkeiten. Die Deep-Vorverstärkersektion bietet satte, kernige Sounds. Die Sättigung reicht von Clean in niedrigen Einstellungen über verstärkte Obertöne bis hin zu röhrenartiger Kompression in höheren Einstellungen. Sie können beide Sektionen unabhängig voneinander verwenden oder sie extern direkt an ein Mischpult oder zwei Verstärker anschließen.

Jeder Geddy Lee Signature SansAmp bietet den typischen Geddy-Sound und die Vielseitigkeit für viele verschiedene Stile.

Geddy Lee has been performing without onstage amps and speakers since the Test for Echo Tour in 1996, favoring major household appliances instead. Wanting to streamline his gear for new projects, Geddy initially partnered with Tech 21 to design a Signature SansAmp, the GED-2112. This challenging collaboration involved distilling a rackload of equipment into a single rackspace. According to Geddy, “The GED-2112 is really a continuation of my long-time approach to bass tone. A ‘deep clean’ tone coupled with the ‘edgy crunch’ I get from the SansAmp RPM now all in one box.”

The GED-2112 rackmount introduced a new framework for Parallel Pre-Amping –having two separate internal pre-amps. Following this concept, the compact SansAmp YYZ pedal adapted the architectural structure to simplify blending the two signal paths. Merging the design of the rackmount and the portability of the pedal, the SansAmp DI-2112 offers yet another new format that is designed to be equally at home on a studio desk-top as well as an amp-top.

The Drive pre-amp section is based upon the versatile SansAmp RPM, for a wide range of sonic possibilities. The Deep pre-amp section offers thick, meaty tones. Saturation goes from clean in lower settings to increased harmonics and tube-like compression in higher settings. You can use either section independently or blend them externally direct to a mixing board as well as to two amplifiers.

Each Geddy Lee Signature SansAmp offers Geddy’s core sound and the versatility for many different styles.

DI-2112 GEDDY LEE SIGNATURE

GILLES ESTORT

Der SansAmp Bass Driver DI ist ein vielseitiges Gerät, das weit mehr als eine einfache Direct Box ist. Es ermöglicht das Erzeugen von beeindruckenden Vintage-Röhrenklängen, modernen, klaren Slap-Sounds, knorrigen Verzerrungen und alles, was dazwischen liegt. Mit drei verschiedenen Ausgängen können Endstufen, Aufnahmepulte, PA-Mischpulte oder das aktuelle Rig gesteuert werden und verbessern somit den Sound jeder Musik. Die Regler umfassen Presence zur Definition und Anhebung der oberen Obertöne, Blend zur Kombination des Direktsignals und der SansAmp-Schaltung sowie einen aktiven EQ, der speziell für den Bass mit einer 12 dB Absenkung oder Anhebung abgestimmt ist.

Much more than just a direct box, the SansAmp Bass Driver DI is capable of dialing up big vintage tube tones, bright modern slap sounds, gnarly distortions, and all in between. Three different outputs to drive power amps, recording desks, PA mixers, or simply enhance your current rig. Controls include Presence for definition and upper harmonic content; Blend to combine the proportion of direct signal and SansAmp circuitry; and active EQ specifically tuned for bass with 12dB of cut or boost.

Demo by Tech21nyc

SansAmp Bass Driver DI

Frank Bello ist dafür bekannt, dass er Anthrax seinen eigenen Stil und seine energiegeladene Leidenschaft einbringt. Er schafft es irgendwie, komplexe melodische Riffs, die in diesem Genre normalerweise nicht vorkommen, mit schwindelerregender Geschwindigkeit und Genauigkeit zu verschmelzen – und das alles, während er headbangt, auf der Bühne herumtollt und ans Mikrofon stürmt, um Harmonien zu singen.

Zusätzlich zu den spezifischen Tönen, die Frank wollte, lag die Hauptpriorität darin, den Street Driver 48 einfach zu bedienen. Er wollte keine Unmengen von Knöpfen, Schaltern oder unnötigen Schnickschnack. Er wollte, dass Spieler direkt nach dem Auspacken einen großartigen Sound bekommen, egal ob es sich um Metal, R&B oder Prog-Rock handelt, ob Anfänger oder Experte, ob jung oder schon fortgeschritten. 

Frank Bello is known for bringing his own distinct style and energetic passion to Anthrax. He somehow manages to merge complex melodic riffs, not typically associated within that genre, with dizzying speed and accuracy —all while headbanging, romping around the stage, and dashing up to the mic to sing harmonies.

In addition to the specific tones Frank wanted, a major priority was to make the Street Driver 48 simple to operate. He didn’t want a zillion knobs, switches, or gratuitous bells & whistles. He wanted players to be able to get a great sound right out of the box, whether it’s for metal or R&B or prog rock, whether novice or expert, whether young or advanced in years. 