Anthony DeGirolamo

ADG Fly Rig-copy

David Litaba

Mit dem JHS Pedals Summing Amp habst du die Möglichkeit, zwei Eingangssignale in einem Ausgangssignal zu mischen. Dies ist ideal, um Effekte parallel zu betreiben, so dass sie nicht voneinander beeinflusst werden. The Edge verwendete diese Technik beispielsweise in den 80er Jahren mit seinen Delays. Wenn du ein Viertel-Delay und ein Punktierte-Achtel Delay hast und beide gleichzeitig benutzen möchtest, kannst du sie mit dem Summing Amp zusammen führen und die Delays des einen Pedals werden nicht weiter vom anderen verzögert. Er kann auch mit Overdrives verwendet werden damit sich diese nicht gegenseitig pushen. Eine weitere Möglichkeit besteht darin, Fuzz und Kompressor parallel zu kombinieren, damit das Fuzz nicht durch die Kompression zerdrückt wird. Mit dem Summing Amp hast du die Möglichkeit, Effekte auf völlig neue Art und Weise zusammen zu nutzen, die du dir vielleicht nie vorgestellt hast. Und der JHS Summing Amp eröffnet dir mit deinen alten Effekten völlig neue und inspirierende Klänge.

The JHS Pedals Summing Amp gives you the ability to take two inputs and blend them into one output. This is perfect for putting effects in parallel so that they are not affected by one another. The Edge used this technique in the 80s with his delays. When you have a quarter note delay and a dotted eighth delay and you place them in parallel then sum them back together, the effect is that both delays come through more clearly and are not "delaying the delays". This can also be used with overdrives so that they are not pushing each other as in series, but sit atop one another in parallel. Another use is combining fuzz and compression in parallel so the fuzz isn't getting choked by the compression. The Summing Amp gives you the ability to use effects together in completely new ways that you may never have imagined and can open up new and inspiring sounds with your old effects.

Manual

JHS Summing Amp - Review by Muzikus [CZ], [08-2019]

JHS Summing Amp - Review by TopGuitar [PL], [06-2019]

JHS Switchback, Summing Amp, Active ABY - Review by Gitarre & Bass [DE], [05-2019]

Demo by Double D guitar

Demo by Sound Affects

Summing Amp

QuickMount Type UV

Universal-Pedal-Montageplatte für vertikale Pedale

Universal Pedal Mounting Plate For Vertical Pedals

Tester

Sonic Stomp Mini MS-92

Andre Keller

Die Ladestation für einen Akku kann von einem Netzteil oder über einen USB-Anschluss gespeist werden, um einen Shure SB904 Lithium-Ionen-Akku zur Verwendung mit GLX-D+ Sendern aufzuladen.

The battery charging cradle can be powered by an AC adapter or via a USB port to charge a Shure SB904 lithium-ion battery for use with GLX-D+ transmitters.

Shure

Product Page

SBC10-904

Franko Teston

Our DB200 Mini DI Box converts any high-impedance 1/4" source to a low-impedance XLR signal ready to send via a long cable run to a mixer or PA system. A cab simulator switch enables sending the input signal through an emulated amp directly to a mixer without using a physical amp. There's a switch for either +20 dB of gain to boost weak signals or a -20 dB pad to prevent clipping from louder sources. A ground-lift switch defeats ground-loop hum. When not using the DI, the true-bypass switch eliminates the circuitry of the pedal from the signal path. Balanced and unbalanced outputs provide the option to send the signal to an amp, a mixer, or both. This pedal includes hook-and-loop strips for convenient pedalboard mounting. Its heavy-duty metal enclosure protects the internal components and ensures reliable performance.

On-Stage

Review by Gearnews

Demo by Berger

Official Product Video

DB200 Active Mini DI Box

Denis Raff

The SansAmp XB Driver is the culmination of over 30 years designing gear for bass. We have integrated key elements from our most popular bass products –the SansAmp Bass Driver DI, Para Driver DI, Q\Strip and the dUg Pinnick Ultra Bass 1000– and condensed them into a single sleek machine. And just like that, you can go from traditional to diabolical.

The 100% analog, dual-channel SansAmp XB Driver is a veritable vault of treasured bass tones. It is a sophisticated dual-amp, bi-amp, DI toolbox with 15 knobs and 3 switches. Intuitively arranged, like familiar amplifier controls, you can craft a broad range of bass tones without a PhD. The Clean and Drive channels are full-frequency, independent channels that can be used individually or blended together via the Mix footswitch. In Mix mode, you can engage the crossover switch to activate the sweepable LPF & HPF filters, which enables you to even further carve out your own tone footprint.

Tech 21

Review by Bass Musician Magazine

Review by bonedo

Demo by Mad Steex

SansAmp XB Driver

Nathan Rapheld

Seit über 75 Jahren vertrauen einige der größten Namen auf der Bühne und im Studio auf Peterson als Maßstab in Sachen Stimmpräzision. Der StroboStomp Mini™ bietet die unübertroffene Stimmgenauigkeit von 0,1 Cent aller authentischen Peterson Strobe Tuner im Format eines Mini-Pedaltuners. Mit einem hochauflösenden LCD-Strobe-Display mit variabler LED-Farbhintergrundbeleuchtung klingen Ihre Instrumente nie besser gestimmt. Ein True-Bypass-Modus ohne Knackgeräusche und ein gepufferter Ausgabemodus geben Ihnen die Kontrolle über Ihren kostbaren Klang ohne Kompromisse. Mit über 80 exklusiven Sweetened Tunings® und Guided Tunings an Bord können Sie Ihren Sound einstellen und stimmen wie die Profis!

For over 75 years, Peterson has been trusted by some of the biggest names on stage and in the studio as the standard in tuning precision. The StroboStomp Mini™ delivers the unmatched 0.1 cent tuning accuracy of all authentic Peterson Strobe Tuners in a mini pedal tuner format. Featuring a high-definition LCD strobe display with variable LED color backlight, your instruments will never sound more in tune. A pop-less true bypass mode and a buffered output mode place you in command of your precious tone without compromise. With over 80 exclusive Sweetened Tunings® and Guided Tunings on-board, you'll be able to dial in your sound and tune like the pros!

Peterson

Demo by The Time Preservation Society

Review by reddit /guitarpedals

Review by guitar pedal X

Quick Start Guide

Strobostomp Mini

The Darkglass Alpha Omicron Beautifully Brutal

With its distinct design, unparalleled versatility and shear display of brutality, the Alpha Omega is relentlessly carving a path to becoming the new standard for bass players in need of a preamplifier to be apologetically heard in any musical context.

With the Alpha Omega’s popularity and momentum, Darkglass decided it was time for an uncompromising option to those in search of the same bone-crushing sound and exibility but in a smaller, more affordable format.

It is our pleasure to introduce to you our new Alpha•Omicron.
With the double distortion engine (Alpha and Omega), this latest creation from Darkglass Electronics can deliver the same harmonically rich, varied textures that its bigger brother can, but all at a fraction of the size and cost

Darkglass Electronics

Demo by The Bass Channel

Demo by  Patrick Hunter

Review by Oliver Poschmann, bonedo.de

Demo by The bass channel 

Alpha Omicron

Cici Powell

How can you get more fans on their feet? Add more freedom to your performance— without pushing a single button. Ideal for small and medium stages, GLX-D® Digital Wireless is the easy way to go wireless with less worry.

Review by Guitar Fella

Review by Talk Bass

Demo by sillennium

Demo by Michael Seebass

GLXD16 Wireless System

Eine gute, solide A/B Box kann des Gitarristen bester Freund sein. JHS bauen ihre mit einem winzigen Hammond Gehäuse mit hochwertigen Buchsen und Schaltern. Außerdem ist eine Bi-Color LED (rot/blau) verbaut, sodass du sofort siehst, ob du A oder B nutz. Sehr nützlich für Live-Situationen

A good solid A/B box can be a guitarist's best friend. JHS make theirs from a Hammond 3.8 x 9.1 cm metal enclosure with high quality jacks and switch. JHS also includes a dual color (red/blue) LED to let you know by sight if you're using A or B. This is very practical in a live situation.

Official Product Page

Mini A/B

QuickMount Type L

Pedal-Montageplatte für Standard-Mini-Pedale

Pedal Mounting Plate For Standard Mini Pedals

Paulo  Duarte

Clock, countdown timer, and stopwatch modes
Internal coin cell battery keeps clock running while unplugged
External 80mA@9V power required to light the display
Configurable display blink setting warns you when time is expiring
Compact size fits on any pedalboard

DS Guitar Engineering

Demo by  Jonathan Diaz

Review by JediStar

Chronograph

BOSS

Demo by PMTV UK

Review by Guitar World

Review by Sound Crunch

RC-5 Loop Station

PedalSafe Type E1

QuickMount Type E

Pedal-Montageplatte für Standard-Boss-Pedale

Pedal Mounting Plate For Standard Boss Pedals

Schutzabdeckung & RockBoard-Montageplatte für BOSS Compact Serie, RC3 LoopStation & RC5 LoopStation Pedale

Protective Cover & RockBoard Mounting Plate For BOSS Compact Series, RC3 LoopStation & RC5 LoopStation pedals

Schutzabdeckung & universelle Montageplatte für BOSS Compact Serie, RC3 LoopStation & RC5 LoopStation Pedale

Protective Cover & Universal Mounting Plate For BOSS Compact Series, RC3 LoopStation & RC5 LoopStation pedals

Josh Johnson

The MC3 is a fully programmable controller, capable of sending up to 16 different MIDI messages per switch.

Morningstar Engineering

CIOKS

Paulo Damasceno Nepomuceno

These are the drives and preamps that i like or want to have(most of them i don't have lol)

The Sauce PT.1

ch ray

SIGNIERT VON EINEM DER RESPEKTIERTESTEN GITARRISTEN AUF DEM MARKT.
Das Pedal hat die gleichen Klangeigenschaften wie Multi Fuzz und Vintage Distortion, ist aber optisch individuell gestaltet, weist eine differenzierte Verpackung auf, verfügt über ein Echtheitszertifikat und ist vom Künstler selbst handsigniert.

SIGNED BY ONE OF THE MOST RESPECTED GUITARISTS IN THE MARKET.
The pedal has the same sonic characteristics of Multi Fuzz and Vintage Distortion, but with customization in its visual, differentiated packaging, certificate of authenticity and hand signed by the artist himself.

GNI Music

Review by Gearspace

Demo by Loucos por Pedais

Review by Fractal Audio Forum

Demo by Guitarrista de Apartamento

FZD-AT Andy Timmons Ltd

Romain Bourlier

The Duality Dual Fuzz from Darkglass Electronics offers not one but two distinct fuzz circuits, which can be blended any way you choose with your clean signal, therefore creating a whole range of fuzztone filth.

Classily presented in a brushed silver matte finish with a mirror chromed top facing, the four black controls all turn reassuringly smoothly while the stomp button is solid and firmly operated: the whole pedal is evidently built to last.

The Blend control ranges from a clean signal when turned fully left to a positively dripping fuzztone when panned fully right, although it is possible to hear both the clean and effected signals simultaneously. Level adds grit and distortion, while the Filter control increases the resonance, top end clarity and definition.

Impressively, articulation is never lost with this pedal, although if  you prefer to lessen the high-end characteristics (we're after fuzz, not fizz, after all), roll off the Filter control to your preference as any dodgy fretting or mistakes will stand out like a sore thumb. Warm and rich, just as a great fuzz pedal should be, the power and aggression which this pedal is able to conjure up is mightily impressive.

Review by musicradar 

Demo by Darkglass  Electronics 

Demo by The bass channel

Duality

DER GNI BASS PLUS IST VON FELIPE ANDREOLI, EINEM DER GRÖSSTEN BRASILIANISCHEN BASSSPIELER – EHEMALIG BEI ANGRA – SIGNIERT. DER BASS PLUS WURDE VON ERFAHRENEN TECHNIKER UND INGENIEURE ZUSAMMEN MIT DIESEM GROSSARTIGEN KÜNSTLER ENTWICKELT UND BIETET OVERDRIVE, SUPER OVERDRIVE, SHAPE UND EQUALIZATION.

VIELE FUNKTIONEN IN KOMPAKTEM FORMAT MIT HOCHTECHNOLOGIE. IN LUXURIÖSER VERPACKUNG UND ECHTHEITSZERTIFIKAT IST DIES EINE PRODUKTEINFÜHRUNG, DIE DEN BESTEN PEDALSETS DER WELT WÜRDIG IST.

THE GNI BASS PLUS IS SIGNED BY FELIPE ANDREOLI, ONE OF THE GREATEST BRAZILIAN BASS PLAYERS – FORMERLY WITH ANGRA. DEVELOPED BY SKILLED TECHNICIANS AND ENGINEERS, ALONG WITH THIS GREAT ARTIST, BASS PLUS FEATURES OVERDRIVE, SUPER OVERDRIVE, SHAPE AND EQUALIZATION.
MANY FEATURES IN COMPACT FORMAT WITH HIGH TECHNOLOGY. IN LUXURY PACKAGING AND CERTIFICATE OF AUTHENTICITY IS A LAUNCH WORTHY OF THE BEST PEDAL SETS IN THE WORLD.

Bass Plus

Bass Shaper bietet eine Vielzahl von Funktionen, die alle speziell für den Musiker entwickelt wurden.
Vorverstärker mit 3-Band-Entzerrung, Shape-Taste; Overdrive mit Super-Modus; Lärmschutzgitter; symmetrischer Ausgang (XLR) mit Vor-/Nachsteuerung und Ground-Lift-Funktion; Kopfhörerausgang und unabhängiger Booster.
All dies wurde von großartigen Bassisten getestet und bestätigt, mit einfacher und intelligenter Aktivierung.

The Bass Shaper comes with a multitude of features, all of which have been designed with the musician in mind.

Pre-amp with 3-band equalization, shape button; overdrive with super mode; noise gate; balanced output (XLR) with pre/post control and ground lift feature; headphone output and independent booster.

All of this has been tested and approved by great bass players, with easy and intelligent activation.

Demo by Canuto

Demo by Felipe Jeronymo

Review by Forum ContrabaixoBR

Review by Talk Bass.com

Bass Shaper

Das Aguilar Agro Pedal ist dem Saturation-Kanal des AG 500 Topteils entnommen. In der Lage, alles von einem warmen, röhrenähnlichen Vintageton bis hin zu aggressiver Distortion zu reproduzieren, bietet der Agro die benötigte Zerre ohne die Tiefen und somit den Druck zu verlieren.

The Aguilar Agro has an AG500 saturation channel-based pedal effect that provides a warm tube-sounding overdrive & distortion. With it, the Aguilar company has built an overdrive pedal specifically for the bass
The high level of bass control invested in the Aguilar Agro makes it indispensable in the overdrive and distortion community. It is a great pick for your pedalboard.

Aguilar

Demo by Aquilar

Demo by Bass the World 

Demo by the bass Channel 

Agro

Based on our coveted Tone Hammer amplifier, the Tone Hammer preamp/DI is our swiss-army knife for your pedalboard. Featuring fully sweepable midrange frequencies in addition to bass and treble controls the Tone Hammer gives you studio-inspired EQ paired with a pristine D.I. for the studio and stage. To give this tone shaping unit the ultimate flexibility we introduce our proprietary Adaptive Gain Shaping circuitry (AGS). AGS allows the player to kick in an additional gain structure allowing you to go from modern tones to vintage, tube-like saturation with the stomp of a button. It’s 18 volt operation gives the Tone Hammer plenty of headroom to reproduce the most dynamic playing styles and it robust design makes this pedal truly road-worthy.

Review by Awkward sound

Demo by  IvanBassist 

Tone Hammer

thierry augustine

Bi-amplification preamp bass pedal based on Orange bass and guitar amps.

Back in the good ol’ days, it was a popular practice to send a bass guitar signal to a bass amp and a guitar amp at the same time – known as Bi-Amping. This allows the player to keep their low end deep, clean and defined whilst amplifying the mids and top end separately, adding distortion or crisp highs with total control.

This type of setup can produce some enormous tones but typically requires a huge and complicated rig, only possible if you’re Rock ‘n’ Roll royalty. But, if you have to get all this together by yourself? Forget it!

Enter The Bass Butler…


Orange

Review by bassgearmag

Demo by Bonedo

The Bass Butler

The result is hard-hitting distortion with a big low end that is similar to what you'd expect from a large amp stack driven hard. Gain and tone controls make it possible to dial in anything from a natural crunch to fuzzy, dirty distortion, providing a broad spectrum of tones that can add new dimensions to your music.

Providence

Review by No Treble

Review by Premier Guitar

Demo by Masaki Murashita

Brick Drive BDI-1

Jonathan Nicholson

Four different preamps in a single box in a pedalboard-friendly format.
From studio-grade clean sounds up to heavy saturations, passing through endless overdrive flavors with amp-like dynamics and harmonic content.
More than just a pedal, a real studio-in-a-box.

Jad Freer Audio 

Review by Basschat

Demo by Philip Conrad

Demo by

Capo Preamp

Dual Vacuum Tube Preamp, Direct Box, and DC Power Supply

Noble

Demo by Noble Amplifier Company 

Noble Preamp DI

The Microtubes Infinity shares the footmark of our programmable line, packed with our three legendary Microtubes distortions: B3K, Vintage, and X. Moreover, it allows multiband compression on every mode, blending Impulse responses between distortions while adding extra controls via the Darkglass suite for an endless number of features: An infinity of possibilities.

Demo by  Pair of Pandas

Demo by Paajanenae

Review by TalkBass.com

Review by Rainer Wind, bonedo.de

Demo by Darkglass Electronics

Microtubes Infinity

Wir haben unser Alpha·Omega genommen und mit unermüdlicher Anstrengung all unsere erlernten Ingenieurkenntnisse darin verarbeitet. Indem wir die legendäre Verzerrungsschaltung in ein neues Paradigma einfügten, eröffneten wir eine Reihe von Möglichkeiten, die vorher nicht verfügbar waren.

We took our Alpha·Omega, and with relentless efforts added all the learned engineering to it. Placing the iconic distortion circuit into a new paradigm enables a range of possibilities that were never before available.

Demo by  BassTheWorld.com

Demo by Nate Navarro

Review by Joris Henke, gitarrebass.de

Alpha Omega Photon

Dieses Pedal kombiniert den satten Klang des Harmonic Booster mit der Präzision einer Parallelkompression mit einstellbarem Frequenzbereich und bietet Ihnen unübertroffene Kontrolle. Mit einem 6-Band-EQ, einer Pegelreduzierungsanzeige und der Option, 7 benutzerdefinierte Impulsantworten über USB zu laden, bietet es ultimative Klangflexibilität für Bassisten aller Genres. Pur, kraftvoll und präzise – Ihr sauberer Ton, perfektioniert.

Combining the rich tone of the Harmonic Booster with the precision of an adjustable frequency range parallel compression, this pedal gives you unmatched control. With a 6-band EQ, gain reduction meter, and the option to load 7 custom Impulse Responses via USB, it delivers ultimate tonal flexibility for bass players of any genre. Pure, powerful, and precise—your clean tone, perfected.

Demo by IvanBassist

Review by sinusoidal music

Review by Bass Musician Mag

Review by gearnews.de

Manual Page

Luminal Booster Ultra

The Aggressively Distorting Advanced Machine has three fully programmable rotating footswitch presets. Each of these stores your unique blend of compression, distortion, impulse responses, EQ parameters, and signal chain settings. Featuring a unique and innovative top-notch precision touch slider interface, for its 6-band programmable EQ.

Review by Bob Brinkman, guitarworld.com

Demo by  Joe Calderone

Aggressively Distorting Advanced Machine

DARKGLASS - ADAM // Demo by Nate Navarro

Review by reddit /Bass

ADAM

Anthony Ennen

Available as a limited special edition, this anniversary pedal covers all the expected drive tones, plus a lot more besides.

Designed in collaboration with Darkglass Electronics, the 35th Anniversary drive pedal goes full stealth with a black and gold colour scheme and a special 35th Anniversary logo box. Aside from the engage switch (which illuminates a very cool LED) and the usual in/out and DC power sockets, the pedal has three controls – level, drive and tone. As with all Darkglass pedals, you also get true bypass switching, a particularly hard-wearing footswitch and a super-bright LED.

While this is a stompbox capable of some impressive high gain sounds, it’s been designed to be equally effective at lower, more classic levels of drive and to be sensitive to bass playing dynamics. “We’ve blended old-school vibes, appealing visuals and some modern production techniques to create a pedal that has much more versatility than you might have assumed,” said Sheldon Dingwall. “It’s really been designed to capture the dynamic interaction between you and your bass. There’s plenty of dynamic range before the crunch really sets in.”
The result is a wide range of tonal possibilities from subtly distorted blues tones through to classic rock and metal. This is the perfect stompbox for Dingwall aficionados looking for something with plenty of future collectable prestige.

Demo by Erik Arkö

Demo by DingwallGuitar 

DINGWALL 35th Anniversary Gold Drive Pedal

Der Q\Strip wurde mit ausgeklügelten Funktionen ausgestattet, die es Ihnen ermöglichen, diese begehrten Klangformungsschaltungen mitzunehmen, egal ob Sie zu einem Live-Auftritt oder zum Aufnehmen im Studio oder in Ihrer DAW unterwegs sind. Es ist kompakt, äußerst kostengünstig und im äußerst praktischen DI-Format.

The Q\Strip was designed with sophisticated features that enable you to take these highly-coveted tone shaping circuits with you, whether you’re heading to a live gig or tracking in the studio or into your DAW. It’s compact, extremely cost-effective and in an ultra-convenient DI format.

Review by Sound on Sound

Demo by Pete Thorn

Q/Strip

PedalSafe Type D2

QuickMount Type D

Pedal-Montageplatte für große horizontale Pedale

Pedal Mounting Plate For Large Horizontal Pedals

Schutzabdeckung & RockBoard-Montageplatte für große horizontale Pedale

Protective Cover & RockBoard Mounting Plate for Large Horizontal Pedals

Schutzabdeckung & universelle Montageplatte für große horizontale Pedale

Protective Cover & Universal Mounting Plate For Large Horizontal Pedals

Geddy Lee tritt seit der „Test for Echo“-Tour 1996 ohne Verstärker und Lautsprecher auf der Bühne auf und bevorzugt stattdessen große Haushaltsgeräte. Um seine Ausrüstung für neue Projekte zu optimieren, entwickelte Geddy zunächst gemeinsam mit Tech 21 einen Signature SansAmp, den GED-2112. Diese anspruchsvolle Zusammenarbeit beinhaltete die Verdichtung einer Rackladung an Equipment auf einer einzigen Rackfläche. Geddy dazu: „Der GED-2112 ist im Grunde die Fortsetzung meines langjährigen Ansatzes für Basssound. Ein ‚tiefer, klarer‘ Klang gepaart mit dem ‚kantigen Crunch‘, den ich vom SansAmp RPM erreiche – alles in einem Gerät.“

Der GED-2112 Rackmount führte ein neues Konzept für paralleles Pre-Amping ein – mit zwei separaten internen Vorverstärkern. Dieses Konzept wurde auch beim kompakten SansAmp YYZ-Pedal übernommen, um die Mischung der beiden Signalwege zu vereinfachen. Der SansAmp DI-2112 vereint das Design eines Rackmount-Pedals mit der Mobilität eines Pedals und bietet ein weiteres neues Format, das sowohl auf dem Studio-Tisch als auch auf einem Amp-Topteil zu Hause ist.

Die Drive-Vorverstärkersektion basiert auf dem vielseitigen SansAmp RPM und bietet ein breites Spektrum an Klangmöglichkeiten. Die Deep-Vorverstärkersektion bietet satte, kernige Sounds. Die Sättigung reicht von Clean in niedrigen Einstellungen über verstärkte Obertöne bis hin zu röhrenartiger Kompression in höheren Einstellungen. Sie können beide Sektionen unabhängig voneinander verwenden oder sie extern direkt an ein Mischpult oder zwei Verstärker anschließen.

Jeder Geddy Lee Signature SansAmp bietet den typischen Geddy-Sound und die Vielseitigkeit für viele verschiedene Stile.

Geddy Lee has been performing without onstage amps and speakers since the Test for Echo Tour in 1996, favoring major household appliances instead. Wanting to streamline his gear for new projects, Geddy initially partnered with Tech 21 to design a Signature SansAmp, the GED-2112. This challenging collaboration involved distilling a rackload of equipment into a single rackspace. According to Geddy, “The GED-2112 is really a continuation of my long-time approach to bass tone. A ‘deep clean’ tone coupled with the ‘edgy crunch’ I get from the SansAmp RPM now all in one box.”

The GED-2112 rackmount introduced a new framework for Parallel Pre-Amping –having two separate internal pre-amps. Following this concept, the compact SansAmp YYZ pedal adapted the architectural structure to simplify blending the two signal paths. Merging the design of the rackmount and the portability of the pedal, the SansAmp DI-2112 offers yet another new format that is designed to be equally at home on a studio desk-top as well as an amp-top.

The Drive pre-amp section is based upon the versatile SansAmp RPM, for a wide range of sonic possibilities. The Deep pre-amp section offers thick, meaty tones. Saturation goes from clean in lower settings to increased harmonics and tube-like compression in higher settings. You can use either section independently or blend them externally direct to a mixing board as well as to two amplifiers.

Each Geddy Lee Signature SansAmp offers Geddy’s core sound and the versatility for many different styles.

DI-2112 GEDDY LEE SIGNATURE

SansAmp XB Driver von Tech 21