Tech 21’s all-analog circuitry squeezes righteous, vintage tones out of every Boost Series pedal with modern dependability. Designed and built from the ground up utilizing the best individually-selected, hand-biased discreet components, each unit delivers optimized performance with studio-quiet operation. And we call them Boost pedals for a reason. Alongside a wealth of hot driven tones, there is a powerful boost function that delivers up to an incredible 21dB of clean boost, which can be used independently from the effect. It is a true post-boost, punching up the tone you dialed in, not smothering it in unwanted distortion. From the high-impedance input to the sweepable low-pass filter in the tone control, your tone will be open and controllable in every setting.

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Review by Premier Guitar

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Bass Boost Fuzz

Frank Bello ist dafür bekannt, dass er Anthrax seinen eigenen Stil und seine energiegeladene Leidenschaft einbringt. Er schafft es irgendwie, komplexe melodische Riffs, die in diesem Genre normalerweise nicht vorkommen, mit schwindelerregender Geschwindigkeit und Genauigkeit zu verschmelzen – und das alles, während er headbangt, auf der Bühne herumtollt und ans Mikrofon stürmt, um Harmonien zu singen.

Zusätzlich zu den spezifischen Tönen, die Frank wollte, lag die Hauptpriorität darin, den Street Driver 48 einfach zu bedienen. Er wollte keine Unmengen von Knöpfen, Schaltern oder unnötigen Schnickschnack. Er wollte, dass Spieler direkt nach dem Auspacken einen großartigen Sound bekommen, egal ob es sich um Metal, R&B oder Prog-Rock handelt, ob Anfänger oder Experte, ob jung oder schon fortgeschritten. 

Frank Bello is known for bringing his own distinct style and energetic passion to Anthrax. He somehow manages to merge complex melodic riffs, not typically associated within that genre, with dizzying speed and accuracy —all while headbanging, romping around the stage, and dashing up to the mic to sing harmonies.

In addition to the specific tones Frank wanted, a major priority was to make the Street Driver 48 simple to operate. He didn’t want a zillion knobs, switches, or gratuitous bells & whistles. He wanted players to be able to get a great sound right out of the box, whether it’s for metal or R&B or prog rock, whether novice or expert, whether young or advanced in years. 

Review by Talk Bass.com

Street Driver 48 -  FB48

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A super-compact adaptation of his Tech 21 Ultra Bass 1000 Signature head, the DP-3X also recreates the sound dUg originally developed way back in the ‘80s, merging high-end distortion with low-end bass. Prior to his signature head, this involved running a guitar amp and a bass amp together, along with rack full of effects. Wanting to further streamline his gear for occasions when his full Tech 21 rig simply isn’t practical, dUg collaborated on the all-analog DP-3X pedal. Personally beta-testing the DP-3X on a European tour, dUg encountered a different backline in each and every venue. But no matter which amp was on stage, dUg was able to nail his immense tone each and every night.

In addition to achieving dUg’s unique tone, the DP-3X has the flexibility to provide traditional bass amp sounds as well. Mix mode engages Drive to bring in distortion and Chunk for upper harmonics. A Gain button provides additional distortion and compression. In clean/full-range mode, Drive and Chunk disengage, while Comp and Gain remain active. Other controls include 3-band active EQ with switchable Mid and a master Volume. Features include chromatic tuner, headphone capability, and an XLR Output to go direct to the PA desk or studio board without compromising detail, warmth or responsiveness.

dUg DP3X

This floor version of our RPM rackmount provides the same detailed tone shaping possibilities for any signal source. It is particularly useful with acoustic, electric and bass guitars, and upright bass, either direct to a mixing console or with an instrument amplifier. The Para Driver DI gives your instrument a natural warmth and presence, as if miking it through a tube pre-amp. The SansAmp circuitry eliminates the harsh, unnatural harmonics of piezo pickups, while the Drive control offers some tasteful edge — just a little or over-the-top.

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