Alessandro Checchi

New Pedal Board

Tester

KORGs Tuner-Pedale der Pitchblack-Serie werden von Gitarristen und Bassisten auf der ganzen Welt wegen ihrer Qualität, des Designs und der robusten Bauweise geschätzt. Der Pitchblack mini bietet diese Eigenschaften ebenfalls, allerdings in einem kompakteren Gehäuse.

Korg's Pitchblack pedal tuners have earned the trust of guitarists and bassists worldwide for their quality, design and durability. The Pitchblack mini is the latest addition to the renowned tuner series, now available in a smaller, sleek size.

KORG

Pitchblack Mini

The MC404 CAE Wah was developed by Bob Bradshaw of Custom Audio Electronics and the Cry Baby design team with the goal of creating a highly versatile wah-wah of top-grade components. It features dual Fasel inductors with two distinct voices (high-end emphasis or low to mid resonance), and a built-in MXR MC401 Boost/LineDriver adds even more flexibility. Choose between inductors and turn the boost on or off with the side-mounted kickswitches; bright LEDs on each side of the wah indicate operation status. The MC404 boasts true hardwire bypass, a long-life CTS potentiometer, and internal pots for "Q" and gain adjustments.

Dunlop

Product Page

Review by PREMIER Guitar 

Manual

Official Product Video

Demo by ProGuitarShopDemos 

MC404 CAE Wah

QuickMount Type M

Pedal-Montageplatte für Dunlop Cry Baby Wah-Pedale

Pedal Mounting Plates For Dunlop Cry Baby Wah Pedals

The Classic Audio FX volume roller is a space efficient volume pedal that is designed to not only sound great but also provide a great feeling under foot. Broken string issues? Utilizing a unique kevlar drive belt system, broken strings are a thing of the past!

Classic Audio Effects

Review by guitar pedal X

Demo by Beard Tone

Demo by Chris Fisha

Volume Roller

Kim Ulmer

Ein Buffer zur Verringerung des Klangverlusts

Truetone

Pure Tone

Electro-Harmonix

C9 Organ Machine

PedalSafe Type C

QuickMount Type C

Pedalmontageplatte für große vertikale Pedale

Pedal Mounting Plate For Large Vertical Pedals

Schutzabdeckung & RockBoard-Montageplatte für große vertikale Pedale

Protective Cover & RockBoard Mounting Plate For Large Vertical Pedals

Schutzabdeckung & universelle Montageplatte für große vertikale Pedale

Protective Cover & Universal Mounting Plate For Large Vertical Pedals

David Litaba

Mit dem TC Electronic Plethora X3 setzt die dänische Effektschmiede zum Nachschlag an und bietet neben dem 2020 erschienen Plethora X5 eine kompaktere und minimal reduzierte Form dieses Pedalboards. Die grundlegende Konzeption bleibt dabei bestehen und so wartet die X3-Version ebenfalls mit der Möglichkeit auf, ein eigenes, individuelles Floorboard mit sämtlichen Toneprint-Pedalen zusammenzustellen und damit das Beste aus der Funktionsweise von klassischem Pedalboard und Multieffektpedal zu vereinen.

TonePrint Pedalboard with up to 127 Boards, 3 Pedal Slots, All Your Favorite TC Effects, 75 TonePrint Slots Per Effect, 3 MASH Footswitches and Tape Deck Looper

TC Electronic

Review by GEARNEWS 

Review by AMAZONA 

Review by bonedo 

Demo by Mike Hermans 

Demo by SweetWater 

Demo by Andertons 

Plethora X3

The Providence SLD-1F Silky Drive overdrive pedal delivers a classic sound that is reminiscent of the smooth, silky overdrive
tones produced by vintage tube amplifiers. The tone control circuitry is all passive, for natural tonal variation that is similar to the
effect of the guitar’s tone controls

Providence

Official Website

Review by musicradar

Review by Premier Guitar

Demo by K Sakuma

Demo by Wall of Sound

Silky Drive SLD-1F

Fat and juicy overdrive sounds with a hint of fuzz. Produces the sought after thick tone even when played into a clean amplifier.

Mad Professor

Review by AMAZONA

Demo by Prymaxe

Amber Overdrive

PedalSafe Type A1.1

QuickMount Type A

Pedal-Montageplatte für Standard-Einzelpedale

Pedal Mounting Plate For Standard Single Pedals

Schutzabdeckung & RockBoard-Montageplatte für MXR® Standardgröße und Dunlop® Echoplex Delay Pedale

Protective Cover & RockBoard Mounting Plate For MXR® standard size and Dunlop® Echoplex Delay pedals

Schutzabdeckung & universelle Montageplatte für MXR® Standardgröße und Dunlop® Echoplex Delay Pedale

Protective Cover & Universal Mounting Plate For MXR® standard size and Dunlop® Echoplex Delay pedals

A warm silky boost with just the right amount of bite.
True bypass for eliminating any signal interference when switched off. Can be used with AC adaptor (optional) or 9V Battery.

Xotic

Review by Squid Guitar Inc.

Demo by Living Room GD

Review by guitartest.de

AC Booster Limited Edition Gold

Kick your playing into high gear with SPARK MINI BOOSTER, a stompbox-wonder for the initiated that features a completely clean boost with some serious tone enhancement under the hood once you really start cranking things.

With a full 20 dB of boost, SPARK MINI BOOSTER is a great clean booster. But that’s not all it does – keep turning that knob and it’ll start working its magic driving gear into peak performance! No matter what your style or set-up, this musical miracle will maximize your potential – but let your core tone shine through completely unaltered.

PrimeTime is a radical new feature that is exciting guitarists around the globe. Put simply, SPARK MINI BOOSTER instantly understands whether you want the pedal to be on permanently when you hit the footswitch, or just when you hold the footswitch down. Which totally rocks for both ‘always-on’ and ‘emphasizing passages’ situations.

By adding a discrete, fully analog circuit, SPARK MINI BOOSTER adds a purely magical sense of life and excitement to your gear and tone. Each part of the circuit is carefully selected, from transistor to capacitor and from resistor to diode. What does that mean? Sweet, pure tone in all of its glory in an unparalleled clarity with zero coloration. Whether you want to make things sing or roar, this circuit ensures to maximize your tone.

Review by bonedo

Review by Daniel Rettberg

Demo by Reverb

Spark Mini Booster

QuickMount Type UV

Universal-Pedal-Montageplatte für vertikale Pedale

Universal Pedal Mounting Plate For Vertical Pedals

Der EarthQuaker Devices Plumes basiert auf dem legendären grünen Overdrive Pedal, das seit Jahrzehnten als Industriestandard gilt. Im Zusammenspiel mit einem guten Röhrenverstärker erzeugt der Plumes eine warme, transparente Sättigung. EarthQuaker verzichtet auf den bewährten JRC4558 OpAmp und die BJT Buffer und ersetzt sie in der Schaltung durch Low Noise JFET OpAmps für einen präziseren Sound mit deutlich geringerem Grundrauschen. Mit 10 Megaohm Eingangsimpedanz bietet das Pedal einen wunderbar klaren, detaillierten Sound. Der Arbeitsbereich des Tone-Reglers wurde ebenfalls angepasst um mit einem satteren Low End ein breiteres Spektrum an möglichen Sounds zu bieten. 

Zusätzlich bietet der Plumes drei wählbare Clipping-Modi um den Sound des Pedals an möglichst viele Stilrichtungen und unterschiedlichstes Equipment anpassen zu können. Mode 1 bietet symmetrisches Clipping, basierend auf einem Paar LEDs. Das Setting bietet den sattesten Crunch und den klassischen Sound eines übersteuerten Röhrenverstärkers. Mode 2 ist ein Clean Boost ohne Soft Clipping, perfekt um den Clean Sound im Mix nach vorne zu bringen oder den Preamp eines Verstärkers in die Sättigung zu fahren. Mode 3 nutzt asymmetrisches Clipping mit Silizium Dioden und klingt am ehesten nach einem originalen Screamer. Im direkten Vergleich liefert das Setting aber mehr Output und klarere Clean Sounds.

Darüber hinaus verfügt der Plumes auch über EarthQuaker Devices 'Soft Touch' Flexi-Switch-Funktion, mit der du im Handumdrehen zwischen Momentary Modus und traditionellem Latching wählen kannst.

The EarthQuaker Devices Plumes is based on the legendary green overdrive pedal, which has been the industry standard for decades. In combination with a good tube amp, the Plumes creates a warm, transparent saturation. EarthQuaker Devices relinquishes the trusted JRC4558 OpAmp and BJT Buffers and replaces them with low noise JFET OpAmps for a more robust and precise signal with a significantly lower noise floor. With 10 megohms of input impedance, the pedal provides a stronger signal with more clarity and chime. EarthQuaker Devices adjusted the cutoff of the tone control to deliver a more useful range of travel with more booming bass on the low end without sacrificing the cutting midrange and bright top end.

In addition, the Plumes offers three selectable clipping modes to ensure that it will work with a wide variety of gear and playing styles. Mode 1 is symmetrical clipping based on a pair of LEDs. This is the crunchiest setting the Plumes has to offer. When played through a clean amp, it will deliver that classic crunchy valve amp tone. Mode 2 is a clean boost without soft clipping and with straight OpAmp drive, perfect for pushing your clean tone out in front or driving the preamp of an already overdriven amp into breakup saturation. Mode 3 is an asymmetrical silicon diode arrangement like an original screamer but with more output and clean clarity.

The Plumes features EarthQuaker Devices relay-based 'soft touch' Flexi-Switch Technology for both momentary and latching footswitch operation.

EarthQuaker Devices

Official Product Page

EarthQuaker Devices Plumes - Official Video Manual

EarthQuaker Devices Plumes - Official Bass Demo

EarthQuaker Devices Plumes - Official Synth Demo

EarthQuaker Devices Plumes - Official Guitar Demo

EarthQuaker Devices Plumes - Demo Video - Guitar Bonedo

EarthQuaker Devices Plumes - Demo / Review Video - Musiker TV

EarthQuaker Devices Plumes - Demo Video - Musiker TV

EarthQuaker Devices Plumes - Guitar, Synth, Bass Demo Video - ThePedalZone

EarthQuaker Devices Plumes - Tone Report Demo Video - Reverb

EarthQuaker Devices Plumes - Demo Video - Sweetwater

EarthQuaker Devices Plumes - Review by Gitarist [NL], [12-2020]

EarthQuaker Devices Plumes - Review by Muzikus [CZ], [12-2019]

EarthQuaker Devices Plumes - Review by Gitarre&Bass [DE], [11-2019]

EarthQuaker Devices Plumes - Review by GuitarWorld [EN], [11-2019]

EarthQuaker Devices Plumes - Review by PremierGuitar [EN], [10-2019]

EarthQuaker Devices Plumes - Review by GuitarPlayer [EN], [10-2019]

EarthQuaker Devices Plumes - Review by Bonedo [DE], [09-2019]

EarthQuaker Devices Plumes - Review by Amazona [DE], [09-2019]

Plumes Small Signal Shredder

PedalSafe Type B

QuickMount Type B1

Pedal-Montageplatte für FRIEDMAN, KEELEY Halo, WAMPLER EQ, VelvetFuzz, WALRUS DeepSix, JULIA V2, 385 OD, Jupiter V2 und Mooer GL 100 Pedale

Pedal Mounting Plate for FRIEDMAN, KEELEY Halo, WAMPLER EQ, VelvetFuzz, WALRUS DeepSix, JULIA V2, 385 OD, Jupiter V2 and Mooer GL 100 pedals

Schutzabdeckung & RockBoard-Montageplatte für Standard-Einzelpedale

Protective Cover & RockBoard Mounting Plate For Standard Single Pedals

Schutzabdeckung & universelle Montageplatte für Standard-Einzelpedale

Protective Cover & Universal Mounting Plate For Standard Single Pedals

Tech 21 brings a fresh perspective to the standard delay pedal. By incorporating a clean Boost function, up to 9dB, your solos will jump out with greater dimension. The Boost D.L.A. is designed with user-tweakable, “lo-fi” analog technology. By manipulating the controls, you can infuse degrees of warmth and life characteristic of vintage delays. The circuitry intentionally injects the inherent imperfections of vintage units, which is what makes them so seductive and nostalgic. A single, continuously-variable Time control provides a full sweep, up to 1000 milliseconds, of delay. The Boost D.L.A. parameters are engineered so that you can explore and custom tailor such delay styles as digital, vintage tape and bucket brigade.

Tech 21

Review by audiofanzine

Demo by Guitar Gear

Demo by Brett Kingman

Boost DLA Tap Tempo V2

Für 9-18 FX-Pedale, 2 MOD-Slots - **722 x 330 mm / 28.43" x 12.99"** - erhältlich mit Gig Bag oder Flight Case

For 9 - 18 FX pedals, 2 MOD slots - **722 x 330 mm / 28.43" x 12.99"** - available with Gig Bag or Flight Case

Whether you’re a MIDI-meister or amongst the MIDI-mindless, the MIDI Moose is a super simple, stage-friendly alternative to access 128 patches. Tech 21’s intuitive engineering eliminates the intimidation of trying to decipher an encyclopedia-sized manual just so you can change a darn program. Like its MIDI Mouse cousin, the MIDI Moose is also battery operable and provides a minimum of 200 hours usage. Its sophisticated battery-saving feature turns off the numerical display after 5 seconds. What if you forget where you were? Just hit the footswitch of the individual patch LED that has remained lit, and it will wake up the display without making any program changes.

Housed in a sleek aluminum chassis,there are Up and Down footswitches to select groupings of five preset programs. Individual silent-switching, custom actuators instantly engage each program change directly within the selected grouping.

Operable with standard 9V alkaline battery (not included), optional power supply (Tech 21 Model #DC4-A) or phantom power via the MIDI cable.

Midi Moose

Frank Bello ist dafür bekannt, dass er Anthrax seinen eigenen Stil und seine energiegeladene Leidenschaft einbringt. Er schafft es irgendwie, komplexe melodische Riffs, die in diesem Genre normalerweise nicht vorkommen, mit schwindelerregender Geschwindigkeit und Genauigkeit zu verschmelzen – und das alles, während er headbangt, auf der Bühne herumtollt und ans Mikrofon stürmt, um Harmonien zu singen.

Zusätzlich zu den spezifischen Tönen, die Frank wollte, lag die Hauptpriorität darin, den Street Driver 48 einfach zu bedienen. Er wollte keine Unmengen von Knöpfen, Schaltern oder unnötigen Schnickschnack. Er wollte, dass Spieler direkt nach dem Auspacken einen großartigen Sound bekommen, egal ob es sich um Metal, R&B oder Prog-Rock handelt, ob Anfänger oder Experte, ob jung oder schon fortgeschritten. 

Frank Bello is known for bringing his own distinct style and energetic passion to Anthrax. He somehow manages to merge complex melodic riffs, not typically associated within that genre, with dizzying speed and accuracy —all while headbanging, romping around the stage, and dashing up to the mic to sing harmonies.

In addition to the specific tones Frank wanted, a major priority was to make the Street Driver 48 simple to operate. He didn’t want a zillion knobs, switches, or gratuitous bells & whistles. He wanted players to be able to get a great sound right out of the box, whether it’s for metal or R&B or prog rock, whether novice or expert, whether young or advanced in years. 

Review by Talk Bass.com

Demo by Rodney McG

Street Driver 48 -  FB48

Der SansAmp Bass Driver DI ist ein vielseitiges Gerät, das weit mehr als eine einfache Direct Box ist. Es ermöglicht das Erzeugen von beeindruckenden Vintage-Röhrenklängen, modernen, klaren Slap-Sounds, knorrigen Verzerrungen und alles, was dazwischen liegt. Mit drei verschiedenen Ausgängen können Endstufen, Aufnahmepulte, PA-Mischpulte oder das aktuelle Rig gesteuert werden und verbessern somit den Sound jeder Musik. Die Regler umfassen Presence zur Definition und Anhebung der oberen Obertöne, Blend zur Kombination des Direktsignals und der SansAmp-Schaltung sowie einen aktiven EQ, der speziell für den Bass mit einer 12 dB Absenkung oder Anhebung abgestimmt ist.

Much more than just a direct box, the SansAmp Bass Driver DI is capable of dialing up big vintage tube tones, bright modern slap sounds, gnarly distortions, and all in between. Three different outputs to drive power amps, recording desks, PA mixers, or simply enhance your current rig. Controls include Presence for definition and upper harmonic content; Blend to combine the proportion of direct signal and SansAmp circuitry; and active EQ specifically tuned for bass with 12dB of cut or boost.

Demo by Tech21nyc

SansAmp Bass Driver DI

A super-compact adaptation of his Tech 21 Ultra Bass 1000 Signature head, the DP-3X also recreates the sound dUg originally developed way back in the ‘80s, merging high-end distortion with low-end bass. Prior to his signature head, this involved running a guitar amp and a bass amp together, along with rack full of effects. Wanting to further streamline his gear for occasions when his full Tech 21 rig simply isn’t practical, dUg collaborated on the all-analog DP-3X pedal. Personally beta-testing the DP-3X on a European tour, dUg encountered a different backline in each and every venue. But no matter which amp was on stage, dUg was able to nail his immense tone each and every night.

In addition to achieving dUg’s unique tone, the DP-3X has the flexibility to provide traditional bass amp sounds as well. Mix mode engages Drive to bring in distortion and Chunk for upper harmonics. A Gain button provides additional distortion and compression. In clean/full-range mode, Drive and Chunk disengage, while Comp and Gain remain active. Other controls include 3-band active EQ with switchable Mid and a master Volume. Features include chromatic tuner, headphone capability, and an XLR Output to go direct to the PA desk or studio board without compromising detail, warmth or responsiveness.

dUg DP3X

Boost DLA Tap Tempo V2 von Tech 21