Giuseppe Praino

Trives

Shepp board

Tester

KORG

Website 

Pitchblack

The FX64 is an incredible sounding stereo chorus. It gives you the standard level speed and depth controls, but adds a high EQ knob for boosting your high-end edge while sweetening your tone with the thick modulating delay of a chorus.

Product Page

Review by reddit /guitarpedals

Manual

Demo by AskAGuitarPro

Demo by HeBleedsBlack

FX64 Ice Box Chorus

A prophecy once foretold of a highly-affordable, studio-quality delay pedal that could give musicians all the pristine digital delay tones they would ever want, from short reverberating slapbacks to long, stretchy beds of ambience and everything in-between. Well, thanks to the advent of THE PROPHET DIGITAL DELAY – that prophecy has finally been fulfilled!

TC Electronic

Review by Pedal of the Day

Review by mixdownmag

Quick Start Guide

Demo by Gear Forest

Official Product Video

The Prophet Digital Delay

David Litaba

Mit 6 Effekt-Loops und 36 programmierbaren Presets (6 Bänke mit jeweils 6 Presets) bietet der Mooer Pedal Controller L6 MKII die volle Kontrolle über Effekt-Setups. Der programmierbarer 6-Kanal Loop Switcher bietet Musikern zwei unterschiedliche Wege, mit dem Controller zu arbeiten: Im Play Mode können bis zu 36 frei programmierbare Preset-Konfigurationen genutzt werden, um mehrere Loops mit einem Fußschalter zu aktivieren oder zu deaktivieren. Im Live Mode ist jedem Fußschalter genau ein Loop zugewiesen, so lassen sich die einzelnen Pedale schnell in den Signalweg schalten. Zusätzlich zu den zwei wählbaren Modi bietet der Pedal Controller L6 MKII ein integriertes Stimmgerät, einen Mute Switch, ein großes LED Display und einen schaltbaren Pre- oder Post-Signal Buffer um die Impedanz bei langen Kabelwegen oder großen Setups anzupassen. Ohne den schaltbaren Buffer arbeitet der Pedal Controller L6 MKII mit True Bypass.

Featuring support for 6 effects loops with 36 programmable presets (6 banks with 6 presets each), the Mooer Pedal Controller L6 MKII can enhance and control even the most robust pedal and multi-effects setups. The programmable 6-channel loop switcher allows users to choose between two ways to interact with the unit. By choosing Play Mode, the user can save and recall up to 36 preset configurations that allow for the simultaneous engagement / disengagement of multiple loops with the press of one footswitch. By choosing Live Mode, the Pedal Controller L6 MKII can function as a traditional pedal controller with each footswitch able to quickly toggle on/off the corresponding loop. In addition to two play modes, the Pedal Controller L6 MKII also has the choice of a pre- or post- signal buffer to choose from to reduce impedance caused by instrument cables or other electronic interference. Without the buffer engaged, the Pedal Controller L6 MKII will operate in true bypass. Other bonus features for the Pedal Controller L6 MKII include a built-in tuner, dedicated mute switch, and large LED display panels to read easily from a distance.

MOOER

Official Product Page

Mooer Pedal Controller L6 MKII - Official Demo Video

Review by  stephan, gearnews.de

Demo by Goodwood Audio

Review by Guitar World

Pedal Controller L6 MKII

Der JHS Pedals 3 Series Compressor ist ein einfacher, intuitiver und leistungsstarker Kompressor, der von subtiler Kompression über eine smoothe Glättung bis hin zu einem super 'gequetschten' Sound eine Vielzahl an Möglichkeiten bietet. Mit den Attack- und Sustain-Reglern lassen sich die Ansprache und die Stärke der Kompression einstellen, während der Volume-Regler wahlweise Unity Level oder sogar einen Lautstärke-Boost ermöglicht. Der Bright-Schalter aktiviert ein helleres EQ Voicing und verhindert so, dass der Tone in bestimmten Situationen verloren geht. Jedes Pedal der 3 Series wird von JHS Pedals in Kansas City, MO, hergestellt. Wie man es von JHS Pedals kennt, überzeugen auch hier hochwertige Teile, eine zuverlässige Qualitätskontrolle und die Liebe zum Detail. Jedes Pedal kommt mit drei einfachen Regelmöglichkeiten und einem Schalter, die eine breite Palette an möglichen Sounds bieten und sowohl für Anfänger als auch für Profis geeignet sind. Die JHS Pedals 3 Series wurde entwickelt, um Musiker zu inspirieren und bei der Suche nach neuen Sounds zu einem absolut erschwinglichen Preis zu helfen.

The JHS Pedals 3 Series Compressor is a simple and powerful compressor that will give you everything from subtle tone smoothing to a super squashed sound. The Attack and Sustain knobs allow you to dial in the compression's overall feel and response to your playing, while the Volume knob enables you to set the overall volume at unity or boosted. The Bright toggle engages a brighter EQ so that your tone doesn't get lost in certain situations. Each 3 Series pedal is made by JHS Pedals in Kansas City, MO, using high-quality parts, quality control, and attention to every detail. Each pedal has three simple controls and one toggle that offer a wide range of sounds, perfect for beginners and professionals alike. The JHS Pedals 3 Series will inspire your playing and help you explore new sounds at a totally approachable price point.

JHS Pedals 3 Series - Official Demo Video

JHS Pedals 3 Series - Demo / Review Video - Musiker TV

JHS Pedals 3 Series - Demo / Review Video - Reverb

JHS Pedals 3 Series Compressor - Demo Video - Living Room Gear Demos

JHS Pedals 3 Series - Review by Muzikus [CZ], [03-2021]

JHS Pedals 3 Series - Review by Bonedo [DE], [11-2020]

JHS Pedals 3 Series - Review by Gitarre&Bass [DE], [12-2020]

3 Series Compressor

PedalSafe Type A1.1

QuickMount Type A

Pedal-Montageplatte für Standard-Einzelpedale

Pedal Mounting Plate For Standard Single Pedals

Schutzabdeckung & RockBoard-Montageplatte für MXR® Standardgröße und Dunlop® Echoplex Delay Pedale

Protective Cover & RockBoard Mounting Plate For MXR® standard size and Dunlop® Echoplex Delay pedals

Schutzabdeckung & universelle Montageplatte für MXR® Standardgröße und Dunlop® Echoplex Delay Pedale

Protective Cover & Universal Mounting Plate For MXR® standard size and Dunlop® Echoplex Delay pedals

The NUX Atlantic pedal covers several Delay and Reverb types that are very representative in history: 60's Tape-Echo, 70's BBD Analog Delay, 80's Digital Delay, Spring Reverb, Plate Reverb and Hall Reverb. The latest algorithms with Core Image Technology from NUX offers you not only these classic effects, but also modern Shimmer and Freeze effects that inspire you to create dreamy musical ideas! Its patented Smart TAP function automatically understands if you want to turn on/off the delay or tap in the tempo.

Demo by Jon is just TOO LouD!!

Review by AMAZONA

Atlantic Delay & Reverb

No you’re not hallucinating, the HELIX PHASER has finally landed and it’s ready to take your tone to new inspiring heights with all the massive mind-bending swooshes and swirly goodness you could possibly desire. But be warned! Once you turn this pedal on, you may never want to turn it off again.

HELIX PHASER enables you to dial in everything from vibrant vintage-sounding Gilmour swirls, big and bold Van Halen sweeps to more modern phaser tones a la Smashing Pumpkins and Radiohead. Now add TonePrint and True Bypass to the mix and you have your new favorite sonic drug.

Review by Premier Guitar

Review by Guitar Fella

Demo by EytschPi42

Helix Phaser

Das DOD Carcosa Fuzz ist ein Tor in ein alternatives Fuzz Universum, wo klassisch legendäre Sounds mit zerschellten pollokschen, abstraken Gemälden. Der After Bias Regler des Carcosa Fuzz in Kombination mit den beiden Kippschalter-Stellungen schafft eine episch weite tonale Bandbreite von knusprig fettiger Schweineschwarte bis hin zum Rascheln von trockenem Pergament. Seine Vielseitigkeit macht das Carcosa Fuzz zum perfekten Kumpanen für angezerrte oder cleane Amps. True Bypass, Tonnen an Output, das Antlitz des “Königs in Gelb“ setzen das Carcosa in Szene für fuzzige Crazyness! Das DOD Carcosa Fuzz verfügt über eine (leicht) übertriebene Mid-Range und sein Treble Charakter stellt im Mix ganz weit nach vorne. Designt um sich gegen stahlharte Riffs durchzusetzen und auch beim Akkordspiel ungemeine Artikulation der einzelnen Töne zu bieten. Allerdings sind mit extremen Bias (AFTER) Einstellungen eine Menge abgefahren kranke Over-the-Top Sounds möglich. Nun nach langem Warten ist dieses einzigartige und langerwartete Fuzz auch in Europa erhältlich.

The DOD Carcosa Fuzz is a doorway into an alternate fuzz universe, where classic tones of legend coexist with splattered and shattered Pollock abstractions. Combining the Carcosa’s wide-ranging AFTER bias control with two toggle positions creates tones that range from porcine fatness to dessicated shards. This versatility makes the Carcosa Fuzz a good companion for dirty or clean amps. True bypass, tons of output, and the visage of the King in Yellow sets the stage for fuzzy madness. The DOD Carcosa Fuzz has an exaggerated mid-range and treble character that help it stand out in a mix. It has been designed to cut through a dense and heavy band but still have great note articulation with chords. However, when extreme bias (AFTER) ranges are selected many wild and over-the-top sounds are possible.

DOD Carcosa Fuzz - Amazona Review DE

DOD Carcosa Fuzz - Bonedo Review DE

DOD Carcosa Fuzz - Demo Video by ProGuitarShopDemos

DOD Carcosa Fuzz - Demo Video by Livingroom Gear Demos

DOD Carcosa Fuzz - Demo Video by ProGuitarShopDemos Pt. 2

DOD Carcosa Fuzz - Demo Video by ProGuitarShopDemos Pt. 3

Users Manual 

DOD Carcosa Fuzz | Reverb Demo Video

Carcosa Fuzz

Dunlop

GCB-95 Cry Baby Wah

QuickMount Type M

Pedal-Montageplatte für Dunlop Cry Baby Wah-Pedale

Pedal Mounting Plates For Dunlop Cry Baby Wah Pedals

Seit seiner Veröffentlichung im Jahr 1981 ist das Arbeitstier SD-1 Super Overdrive das wichtigste Gain-Pedal für Generationen von Gitarristen aller Musikrichtungen. Basierend auf der revolutionären asymmetrischen Clipping-Schaltung des OD-1 Overdrive – einem der drei originalen BOSS-Kompaktpedale aus dem Jahr 1977 – liefert das SD-1 satte, weiche und hochmusikalische Overdrive-Töne, die Gitarristen überall auf der Welt noch immer inspirieren.

Since its release in 1981, the workhorse SD-1 Super Overdrive has been the core gain pedal for generations of players across every musical genre. Based around the revolutionary asymmetrical clipping circuit from the OD-1 Overdrive—one of the three original BOSS compact pedals from 1977—the SD-1 delivers rich, smooth, and highly musical overdrive tones that continue to inspire guitarists everywhere.

BOSS

Demo by  TheSuperFunAwesomeHappyTimePedalShow

Demo by GUITARGUITAR

Review by Guitar Player 

Review by The Gear Page

SD-1 Super Overdrive

PedalSafe Type E1

QuickMount Type E

Pedal-Montageplatte für Standard-Boss-Pedale

Pedal Mounting Plate For Standard Boss Pedals

Schutzabdeckung & RockBoard-Montageplatte für BOSS Compact Serie, RC3 LoopStation & RC5 LoopStation Pedale

Protective Cover & RockBoard Mounting Plate For BOSS Compact Series, RC3 LoopStation & RC5 LoopStation pedals

Schutzabdeckung & universelle Montageplatte für BOSS Compact Serie, RC3 LoopStation & RC5 LoopStation Pedale

Protective Cover & Universal Mounting Plate For BOSS Compact Series, RC3 LoopStation & RC5 LoopStation pedals

Der DigiTech Whammy bietet Ihnen dieselben haarsträubenden „Dive Bomb“-Effekte, packenden Pitch Bends und blitzschnellen Harmoniewechseln, die Sie suchen, sowie einige neue Überraschungen. Verändern Sie ganze Akkorde mit der neuen Einstellung für die Tonhöhenverschiebung von Akkorden und führen Sie klassische Single-Note-Bends aus.

The DigiTech Whammy brings you the same hair-raising “dive bomb” effects, gripping pitch bends and lightning harmony shifts you are looking for plus a few new twists. Bend entire chords with the new chordal pitch shifting setting, and execute classic single note bends.

DigiTech

Review by HORN FX

Review by musicradar

Demo by S19NAL C14AIN

Demo by Leduc's Own Music Shop

Sweetwater Exclusive Product Page

Whammy V

Für 10-20 FX-Pedale, 2 MOD-Slots - **828 x 330 mm / 32.60" x 12.99"** - erhältlich mit Gig Bag oder Flight Case

For 10 - 20 FX pedals, 2 MOD slots - **828 x 330 mm / 32.60" x 12.99"** - available with Gig Bag or Flight Case

Yuga Sato

1959 Les Paul Standard - Vintage Sunburst VOS

Versatile Compact Board

Die One Control Minimal Series AB Box kontrolliert die Signalführung im Setup und kann so flexibel eingesetzt werden um zum Beispiel zwischen zwei Verstärkern oder zwei Instrumenten zu wählen, das Signal bei Bedarf zu muten, den Signalweg zu ändern und vieles mehr. Die AB Box verfügt über einen Eingang und zwei Ausgänge bzw. zwei Eingänge und einen Ausgang - die Buchsen lassen sich in beide Richtungen nutzen. Verbindet man das Instrument mit dem Input kann man über den Fußschalter zwischen den zwei Ausgängen (A oder B) wählen und das Signal von dort weiterführen. Die Minimal Series AB Box kann auch als Eingangswahlschalter verwendet werden, um während eines Live-Gigs schnell und einfach das Instrument zu tauschen. Zwei Gitarren werden mit A und B verbunden das Signal läuft vom Input zum Verstärker. Über den Fußschalter werden die Ausgänge umgeschaltet und die rote und blaue LED zeigen an, welcher Ausgang gerade verwendet wird.

The One Control Minimal Series AB Box controls the direction of your signal path in order to select amps, mute your signal, control what effects you'd like to use, and various other uses. The AB Box has one input and two outputs or two inputs and one output - inputs and outputs can be used in both directions. Plug your guitar into the input and then run from the A or B outputs to your desired destination. The footswitch will select which output is used. The Minimal Series AB Box can also be used as an input selector. For example, if you regularly switch guitars while playing live, plug two guitars into A and B and run from the input to your amp. When the switch is pressed in the outputs will be toggled and also the red and blue LEDs will indicate which output is currently being used.

One Control

Review by Sweetwater Customers

Demo by JayLeonardJ

Minimal Series AB Box

QuickMount Type L

Pedal-Montageplatte für Standard-Mini-Pedale

Pedal Mounting Plate For Standard Mini Pedals

"Pays homage to the sonic center of the alt-rock legend’s iconic tone of equal parts thickness and clarity in a special edition white and violet finish." - electro-harmonix

Electro-Harmonix

J Mascis Ram's Head Big Muff

Der RockBoard StageTuner ST-01 vereint alle Aspekte, die Musiker in einem chromatischen Pedal-Tuner suchen. Die große, leuchtstarke, aber nicht blendende 28-Segment LED-Anzeige bietet eine gut lesbare Oberfläche, auch aus einer Entfernung von mehreren Metern. Der True Bypass hat keinerlei Einfluss auf den Klang deiner Gitarre und die beiden Ausgänge ermöglichen entweder stills oder eine hörbares Stimmen. Die Referenzfrequenz des ST-01 kann in 1-Hz-Schritten von 432 bis 445 Hz eingestellt werden und er verfügt über einen Stimmbereich von 27,5 Hz (A0) bis 4,186 kHz (C8) bis auf 1 Cent genau. Er verfügt darüber hinaus über eine praktische De-Tuning Funktion, mit der du deine Stimmung um 1, 2 oder 3 Halbtöne droppen kannst. All dies macht den StageTuner ST-01 in Kombination mit dem kompakten Metallgehäuse zum optimalen Begleiter, den du auf deinem (RockBoard) Pedalboard nicht wirst missen wollen.

The RockBoard StageTuner ST-01 combines all aspects that musicians seek in a chromatic pedal tuner. Its large, bright, but not blinding LED 28 segment display provides an easily readable interface even from meters away. The true bypass does not affect your guitar's tone at all and its two outputs allow for either silent or audible tuning. The ST-01's reference frequency can be changed in 1 Hz steps from 432 to 445 Hz with a tuning range from 27,5 Hz (A0) to 4.186 kHz (C8) accuratly down to 1 Cent. It also feature a handy detuning function, which lets you drop your tuning by 1, 2 or 3 semi-tones. All this, combined with the StageTuner ST-01's compact metal housing makes it the optimal companion you will not want to miss on your (RockBoard) pedalboard.

RockBoard

RockBoard Stage Tuner ST-01 - Demo / Review Video - Musiker TV

Stage Tuner V2

Für 4-7 FX-Pedale - **470 x 142 mm / 18.50" x 5.59"** - erhältlich mit Gig Bag oder Flight Case

For 4 - 7 FX pedals - **470 x 142 mm / 18.50" x 5.59"** - available with Gig Bag or Flight Case

Jort Smeets

les paul

Grainy Ballad

Géraud CHIEZE

The Universal Audio UAFX Heavenly Plate Reverb pedal is a compact stompbox that emulates the sound of classic 1950s studio plate reverbs, used on countless hit records. It’s built on the algorithms of the award-winning Golden Reverberator and features rich, haunting textures with a authentic, immersive sound.

The pedal offers three modes: Vintage Bright, Vintage Dark, and Modern Full, each delivering a unique tone. The Vintage Bright mode is ideal for bright, snappy plate sounds, while the Vintage Dark mode provides a warmer, more subtle ambiance. The Modern Full mode offers a more modern take on the classic plate sound.

Universal Audio

Review by Sound on Sound

Review by delicious audio

Heavenly Plate Reverb

Esben Dyrhovden

Utilizing the iconic MN3207 chip, this BBD Analog Chorus has all the swirly tones you'd expect from those classic 80's units. We wanted to put our spin on that iconic sound and create an homage that lived up to the Mythos standard. The Fates features finely tuned Rate and Depth controls so that you have the most musical range of sounds. We added Vibrato mode that turns off the clean mix portion of the Chorus but didn’t stop with just that simple mod. The Vibrato mod has been finely tuned to shift select components so that it does not have that extreme warble from the depth pot. Both the Chorus and Vibrato modes will run the gamut of swirly shimmer to rotary speaker like vibes. 

Mythos Pedals

Review by Guitar.com

Demo by Distinctive Guitar

The Fates Chorus

SW95 Slash Cry Baby Wah

Der NS-2 eignet sich hervorragend, um Signal-Rauschen und lästige Brummgeräusche zu eliminieren, wobei der Klangcharakter des originalen Eingangssignals unberührt bleibt. Attack und Hüllkurve des Signals werden in keinster Weise beeinträchtigt, dank eines von BOSS entwickelten, einzigartigen Noise Detection-Schaltkreises, der den Gitarrenklang präzise von sämtlichen Störgeräuschen zu separieren vermag.

The NS-2 Noise Suppressor eliminates unwanted noise and hum without altering an instrument's natural tone. It's the perfect pedal to quiet down any pedalboard or effects setup.

Demo by  Charly G.- Sound & Demo

Demo by Riffs, Beards & Gear

Review by Musiker-Board

Review by Pedal Authority

NS-2 Noise Suppressor

The OCD was the first pedal to use Mosfets as clipping devices. Another first was their configuration as "hard clippers connected to v-ref" instead of to ground, as was the norm. These things contribute greatly as to why the OCD has such touch-sensitivity...why they react so well when the strings are hit hard or soft, and why they sound & feel different than all other pedals out there, 90% of which are just slight tweaks of the Tube Screamer. 

Fulltone

Review by bonedo

Demo by That Pedal Show

Demo by intheblues

The Story of Fulltone OCD

PedalSafe Type FT1

QuickMount Type FT1

Pedal-Montageplatte für FULLTONE OCD & 69 MK2 Pedale

Pedal Mounting Plate for FULLTONE OCD & 69 MK2 pedals

Schutzabdeckung & RockBoard-Montageplatte für FULLTONE OCD & 69 MK2 Pedale

Protective Cover & RockBoard Mounting Plate For FULLTONE OCD & 69 MK2 pedals

Schutzabdeckung & universelle Montageplatte für FULLTONE OCD & 69 MK2 Pedale

Protective Cover & Universal Mounting Plate For FULLTONE OCD & 69 MK2 pedals

Süß, nuanciert und ultra-ausdrucksstark – der BD-2 Blues Driver ist eine bleibende Ikone in den Annalen des Gitarren-Overdrive. Sein einflussreiches analoges BOSS-Schaltungsdesign verhält sich wie ein Röhrenverstärker und bietet eine natürliche, berührungsempfindliche Verstärkung, die mit herkömmlichen Overdrive- und Distortion-Pedalen nicht möglich ist. Fast drei Jahrzehnte später verleiht der artikulierte Klang des BD-2 den Klängen von Spielern aller Musikgenres, von Blues und Rock bis hin zu Country, Jazz und darüber hinaus, weiterhin Kraft.

Sweet, nuanced, and ultra-expressive, the BD-2 Blues Driver stands as an enduring icon in the annals of guitar overdrive. Its influential BOSS analog circuit design behaves like a tube amp, providing natural, touch-responsive gain that’s not possible with standard overdrive and distortion pedals. Nearly three decades on, the BD-2’s articulate voice continues to power the sounds of players in every musical genre, from blues and rock to country, jazz, and beyond.

Demo by Wampler Pedals

Demo by The Pedal Bored

Review by Guitar Pedal Demos

BD-2 Blues Driver

Für 7-12 FX-Pedale, 1 MOD-Slot - **470 x 330 mm / 18.50" x 12.99"** - erhältlich mit Gig Bag oder Flight Case

For 7 - 12 FX pedals, 1 MOD slot - **470 x 330 mm / 18.50" x 12.99"** - available with Gig Bag or Flight Case

Landon Wolf

Jimmy Sakurai (Mr. Jimmy) pedal board for Jason Bonham’s Led Zeppelin Evening Celebrating 50 years of Physical graffiti. Note: uses a Pedal train pedal board.

Mr. Jimmy Sakurai pedal board for JBLZE 2025

Mesa Boogie

Demo by Daniel Fries

High-Wire Dual Buffer & Output Boost

Featuring the largest tuning display Peterson Tuners has ever incorporated into one of their pedal tuners, the StroboStomp HD boasts a high-definition, LCD screen that incorporates a variable color LED backlight. The user-selectable colors can be used to personalize the tuner or to increase display viewing quality in different levels of ambient lighting depending on the usage environment. The vibrant screen colors can also be assigned to stock or user presets to significantly reduce menu navigation time and increase on-stage tuning confidence at the gig.

Peterson

Review by Gitarre & Bass

Demo by The Time Preservation Society

Demo by TalkingBass

Review by The Gear PAge

Review by TDPRI

StroboStomp HD

Der GigRig QuarterMaster QMX-10 ist ein hochwertiger True-Bypass-Strip-Loop-Controller, der Gitarristen eine präzise Steuerung ihrer Effektpedale ermöglicht. Er verfügt über 10 unabhängige Loops, die eine nahtlose Integration und Umschaltung mehrerer Pedale erlauben. Der QMX-10 verwendet GigRigs 'OptoKick'-optische Fußschalter für zuverlässigen und geräuschlosen Betrieb. Sein kompaktes Aluminiumgehäuse sorgt für Langlebigkeit und nimmt nur wenig Platz auf dem Pedalboard ein.

The GigRig QuarterMaster QMX-10 is a high-quality true bypass strip loop controller designed for guitarists seeking precise control over their effects pedals. It features 10 independent loops, allowing for seamless integration and switching of multiple pedals. The QMX-10 utilizes GigRig's 'OptoKick' optical footswitches for reliable and silent operation. Its compact aluminum enclosure ensures durability while maintaining a small footprint on your pedalboard.

The GigRig

Demo by BB Made

Quartermaster QMX-10

The Demeter Amplification Tremulator in the small enclosure with red knobs is a rare, early version of the iconic optical tremolo pedal designed to emulate the classic Fender amp tremolo sound. Housed in a compact “bottom screw” box with distinctive red knobs and “The Tremulator” script on the face, it features simple controls for Depth and Speed, a footswitch, and an LED indicator. The pedal includes an internal trim pot for adjusting the bias of the optical circuit (accessible by removing the bottom plate), offers a slight clean boost, and runs on 9V power via a 1/8" mini plug rather than a standard barrel connector. Known for its warm, pulsing tremolo and legendary reliability, this version is prized by collectors and musicians for its vintage build and classic tone. The main differences between the small enclosure, red knob Demeter Tremulator and the standard TRM-1 Tremulator are cosmetic and related to production era: the early version is smaller, features red knobs, and is more collectible, while the TRM-1 is larger, uses black knobs, and is more widely available. Both share the same optical tremolo circuit and controls, so their sound and performance are virtually identical. Any minor tonal variation would be due to component age rather than design.

Demeter Amps

Demeter The Tremulator VS Tremulator

The Tremulator (Early version of TRM-1 Tremulator)

Der Disaster Transport SR ist ein Dual-Delay-Pedal mit Reverb und Modulation, das entwickelt wurde, um einen intensiven, wirbelnden Lo-Fi-Tape-Style-Echo zu erzeugen. Es verfügt über zwei unabhängige Delays: Delay A bietet 600 ms modifiziertes Delay, während Delay B 300 ms Delay mit Reverb bietet. Beide Delays können separat, in Serie, parallel oder in Serie/parallel-Konfigurationen verwendet werden. Das Pedal enthält Ausdruckskontrollen für die Wiederholungen von Delay A und eine Bleed-Funktion, um Delay A in Delay B zu speisen.

The Disaster Transport SR is a dual delay pedal with reverb and modulation, designed to create an intense wash of lo-fi, swirling tape-style echo. It features two independent delays: Delay A offers 600ms of modulated delay, while Delay B provides 300ms of delay with reverb. Both delays can be used separately, in series, parallel, or series/parallel configurations. The pedal includes expression controls for Delay A's repeats and a bleed function to feed Delay A into Delay B

EarthQuaker Devices

Demo by Best Guitar Effects

Review by Muziker

Disaster Transport SR

Nick Toye

FS-5L

Jonas Kvinge

Often imitated but never duplicated, the elusive vintage "script" Phase 90 is at the top of the list for pedal collector's world-wide. The original version—available from the company's inception to the late '70s—practically defined the classic phase shifter sound, and was heard on everything from hard rock, jazz-fusion, to funk hits. The MXR Custom Shop Script Phase 90 brings back the headroom and clarity of the original, along with its ultra warm and smooth phasing and reduced midrange swell. And it comes dressed in the original smooth orange paint job and script logo with an LED and AC power jack, direct from the MXR Custom Shop.

Script Phase 90 CSP101SL

The Prophet Digital Delay von TC Electronic