Jens Dotcom

Mainly for practicing at home and gigs with minimalistic setup. Powered by a Truetone OneSpot Pro CS6

Gigboard for Metal

Pedalboard Amp or Effect Return of an Amp 

Manuel K.

Der TC Electronic Ditto+ Looper ist ein kompakter digitaler Looper, der für eine einfache und intuitive Loop-Aufnahme entwickelt wurde. Er ermöglicht das Aufnehmen, Overdubben, Rückgängigmachen und Wiederherstellen von Loops über eine einzelne Fußtaste. Das Pedal verfügt über einen internen Speicher für mehrere Loops sowie über eine USB-Verbindung zum Sichern und Importieren von Audiodateien. Die hochwertige, unkomprimierte Audioverarbeitung erhält den Originalklang ohne Klangverfärbung. Der Ditto+ Looper richtet sich an Gitarristen, die eine unkomplizierte Loop-Lösung ohne komplexe Menüs suchen. Das robuste Metallgehäuse eignet sich ideal für den Einsatz auf dem Pedalboard.

The TC Electronic Ditto+ Looper is a compact digital looper pedal designed for simple and intuitive loop recording. It allows players to record, overdub, undo, and redo loops with a single footswitch interface. The pedal features internal loop storage that can hold multiple loops and enables transferring audio via USB for backup or import. Its high-quality uncompressed audio preserves the original signal without coloration. The Ditto+ Looper is designed for guitarists who want straightforward looping without complex menus. It is housed in a compact metal enclosure suitable for pedalboards.

TC Electronic

Review by Guitar World

Official Product Video

Demo by Andertons

Demo by Aaron Short Music

Product Page

Review by musicradar

Review by Looper Pedal Reviews

Quick Start Guide

Manual

DITTO+ LOOPER

QuickMount Type L

Pedal-Montageplatte für Standard-Mini-Pedale

Pedal Mounting Plate For Standard Mini Pedals

Tester

The Hotone Soul Press is a 3-in-1 pedal in a smart compact size. The unit features Wah, Volume, and Expression modes.

HOTONE

Demo by The Tone King

Review by Guitar Fella

Review by TDPRI

Review by Bassel Hallak, bonedo.de

Soul Press

Crank your stomp pedals to the extremes without the fear of any hiss or excess noise with the MXR Noise Clamp. By sensing your guitar's dry signal, The Noise Clamp reduces the noise level within the effect loop, coming down hard on even the noisiest signals. A single Trigger knob allows you to set the volume threshold at which the pedal is active, and a green LED shows whether the gate is on/off. This bad boy is capable of reducing Noise up to 26dB, maintaining riff definition at extreme gain levels.

Product Page 

User Manual 

MXR Noise Clamp: James

M195 Noise Clamp

David Litaba

Das Mooer E7 Polyphonic Guitar Synth Pedal kann deine Gitarre in einen typischen elektronischen Synthesizer verwandeln, ohne dass spezielle Tonabnehmer oder Modifikationen am Instrument erforderlich sind. Der Name basiert den sieben verschiedenen Synthesizer-Presets, die sich je nach Wunsch unabhängig voneinander editieren lassen. Die Presets umfassen Trompeten- und Orgel-ähnliche Sounds, Sinus- und Rechteck-LFOs, einen 8-bit Synth und ein Synth Pad. Jedes Preset verfügt über einen individuellen Arpeggiator, High und Low Frequency Cut, sowie Attack- und Speed-Funktion, mit der Gitarristen den Sound des Pedals leicht und intuitiv formen können - das E7 Polyphonic Guitar Synth bietet unzählige Möglichkeiten!

The Mooer E7 Polyphonic Guitar Synth pedal can transform your guitar into a typical electronic synthesizer without the need for special pickups or modifications to the instrument. The name is based on the seven different synthesizer presets, which can be edited independently of each other as desired. The presets include trumpet and organ-like sounds, sine and square LFOs, an 8-bit synth, and a synth pad. Each preset has its own Arpeggiator, High and Low Frequency Cut, as well as Attack and Speed, which allow guitarists to easily and intuitively shape the sound of the pedal - the E7 Polyphonic Guitar Synth offers endless possibilities!

MOOER

Official Product Page

Mooer E7 Polyphonic Guitar Synth - Official Demo Video

Mooer E7 Polyphonic Guitar Synth - Demo Video (No Talking) - Guitar Bonedo

Mooer E7 Polyphonic Guitar Synth - Demo Video - Mike Hermans

Mooer E7 Polyphonic Guitar Synth - Demo / Review Video - Brett Kingman

Mooer E7 Polyphonic Guitar Synth - Review by Gitarre&Bass [DE], [05-2021]

Mooer E7, D7 & A7 - Review by Musicmaker [NL], [04-2020]

Mooer E7 Polyphonic Guitar Synth - Review by Muzikus [CZ], [05-2020]

Mooer E7 Polyphonic Guitar Synth - Review by Gitarist [NL], [04-2020]

Mooer E7 Polyphonic Guitar Synth - Review by TopGuitar [PL], [02-2020]

Review by Guitar Interactive Magazine

Review by Michael Behm, bonedo.de

E7 Polyphonic Guitar Synth

PedalSafe Type K1

QuickMount Type K

Pedal-Montageplatte für Mooer Micro Series Pedale und ToneX One

Pedal Mounting Plate For Mooer Micro Series Pedals and ToneX One

Schutzabdeckung & RockBoard-Montageplatte für MOOER Micro Series Effektpedale

Protective Cover & RockBoard Mounting Plate for MOOER Micro Series effect pedals 

Schutzabdeckung & universelle Montageplatte für MOOER Micro Series Effektpedale

Protective Cover & Universal Mounting Plate For MOOER Micro Series effect pedals 

Das Tone City Angel Wing ist ein komplett analoges Chorus Effektpedal basierend auf BBD-Chips. Der warme, sanfte Effekt ändert den Klang Ihres Original-Signals nicht und das Pedal funktioniert mit allen verschiedenen Arten von Gitarren, Tonabnehmern und Elektronik gleichermaßen gut. Höhere Einstellungen für Rate und Depth erzeugen schöne Vintage Vibe-Sounds.

The Tone City Angel Wing is an all analog chorus effects pedal based on BBD chips. The warm, smooth effect won't change the tone of your original signal and the pedal works equally well with all different types of guitars, pickups and electronics. Higher Rate and Depth settings will create vintage Vibe tones.

Tone City

Tone City Angel Wing - Demo Video - W-Music Distribution

Tasty Tunes on a Budget | Tone City V3 Review & First Impressions

Tone City Angel Wing - Demo Video - Andertons Music Co

Tone City Angel Wing - Demo Video - Ryan Lutton

Tone City Angel Wing - Demo / Review Video - The Tone King

Tone City Angel Wing - Demo / Review Video - gearmanndude

Tone City Angel Wing - Demo Video - Budget Pedal Demos

Angel Wing

If you’ve ever needed a Classic Analog High Gain Distortion Pedal but been unable to find one with enough versatility to suit any scenario, the MAGUS PRO will be a very welcome surprise for you. Its slow slew rate, treble filter control and three different modes of operation provide more than enough variance in approach and tone to compliment any playing style.

Review by bonedo

Review by Pedal des Tages 

Review by Kohle Audio Kult

Demo by TheGuitarGeek

Magus Pro

QuickMount Type UV

Universal-Pedal-Montageplatte für vertikale Pedale

Universal Pedal Mounting Plate For Vertical Pedals

The original Fly Rig, introduced in 2014, was a true game-changer for players in all categories, from touring pros to bedroom hobbyists. At a time when pedalboards were expanding and backs were breaking, the innovative Fly Rig enabled players to slim down without sacrificing great tone, and travel without fear of baggage surcharges and dreaded mystery backlines. Going beyond being just a multi-effects unit, the all-analog SansAmp technology enables any Tech 21 Fly Rig to be an actual “rig.” You can run directly into mixers of recording desks and PA systems, as well as augment your existing amplifier set-up. Always seeking to improve our offerings and listening to customer feedback, we’ve incorporated some new features to follow the same form factor as later Fly Rigs, such as the Bass, Acoustic, and Paul Landers Signature PL1. The Fly Rig 5 v2 retains the same SansAmp heart, Plexi/Cali distortion and Delay, but adds a few twists and turns within these sections. New features include an independent reverb with choice of room size, an effect loop, a tuner, and an XLR Output.

Tech 21

Demo by Vince Genella

Fly Rig 5 v2

Für 5-10 FX-Pedale, 1 MOD-Slot - **442 x 236 mm / 17.40" x 9.29"** - erhältlich mit Gig Bag oder Flight Case

For 5 - 10 FX pedals, 1 MOD slot - **442 x 236 mm / 17.40" x 9.29"** - available with Gig Bag or Flight Case

Jort Smeets

les paul

nice stuff

Der DD-8 ist das vielseitigste und funktionsreichste Delay-Pedal der BOSS-Compact-Serie. Dieses leistungsstarke Pedal bietet mehr von allem – mehr großartige Sounds, mehr Delay-Zeit, mehr Steuerungsoptionen und mehr Anschlussmöglichkeiten. Und das alles in einem klassischen BOSS-Gehäuse, das sich problemlos in jedes Mono- oder Stereo-Setup einfügt. Elf Modi bieten Delays von klassisch bis exotisch sowie einen Looper mit unbegrenzter Overdub-Funktion und Unterstützung für externe Steuerung. Für maximale Vielseitigkeit auf kleinstem Raum gibt es kein besseres Delay-Pedal als den DD-8.

Introducing the DD-8, the most wide-ranging and feature-rich BOSS compact series delay ever. This loaded pedal delivers more of everything—more great sounds, more delay time, more control options, and more connectivity. And it does it all in a standard BOSS pedal that slides easily into any mono or stereo setup. Eleven modes provide delay colors from basic to exotic, plus a looper with unlimited overdub capability and external control support. For maximum versatility in a minimum amount of space, there’s no better delay stomp than the DD-8.

BOSS

Review by Equip Board

Review by TonePedia

DD-8 Digital Delay

PedalSafe Type E1

QuickMount Type E

Pedal-Montageplatte für Standard-Boss-Pedale

Pedal Mounting Plate For Standard Boss Pedals

Schutzabdeckung & RockBoard-Montageplatte für BOSS Compact Serie, RC3 LoopStation & RC5 LoopStation Pedale

Protective Cover & RockBoard Mounting Plate For BOSS Compact Series, RC3 LoopStation & RC5 LoopStation pedals

Schutzabdeckung & universelle Montageplatte für BOSS Compact Serie, RC3 LoopStation & RC5 LoopStation Pedale

Protective Cover & Universal Mounting Plate For BOSS Compact Series, RC3 LoopStation & RC5 LoopStation pedals

Die japanische Firma Zoom ist ja allseits bekannt durch ihre zumeist sehr günstig angebotenen Effektprozessoren. Begonnen hatte alles vor gut 20 Jahren, als die damals noch junge Company mit ihren miniaturisierten Geräten, wie etwa dem Modell 9002, die Fachwelt in Staunen versetzte. Eine komplette Gitarrenvorstufe mit allen erdenklichen Effekten in der Größe einer Jumbo Zigarettenschachtel – so etwas hatte es bis dato noch nicht gegeben. Doch im Kapitalismus schläft ja die Konkurrenz bekanntlich nie und so standen die Geräte von Zoom stets mehr oder weniger im Schatten der marktbeherrschenden Firmen, allen voran natürlich BOSS oder DigiTech. Zumindest im Pro-Sektor, denn unter den „einfachen Bodentretminen“ für günstiges Geld findet man zumeist etwas Passendes im Angebot bei Zoom. Eine Art „einfache Bodentretmine“ ist auch unser heutiges Testmodell, das Zoom Multistomp MS-50G. Obwohl das vielleicht nicht ganz der Wahrheit entspricht, denn in dem unscheinbaren Gehäuse in Form und Aussehen eines einfachen Single-Effektpedals versteckt sich durchaus mehr. Zumindest mehr, als es der Preis von unter 100,- Euro vermuten lässt. Das brandneue Zoom Multistomp MS-50G nun also im Test auf Amazona.de.

Zoom's MS-50G MultiStomp guitar pedal combines the power of a multi-effects device and the flexibility of an amp modeler in a single compact stompbox. With its 55 custom guitar effects and amp models, an easy-to-use interface, onboard chromatic tuner and versatile power options, you'll be surprised at  how much  the MS-50G has to offer.

ZOOM

Demo by 60 Cycle Hum 

Demo by SweetWater 

Review by bonedo 

Review by AMAZONA

MultiStomp MS-50G

The EHX Oceans 11 is a compact, affordable pedal packed with advanced functionality and 11 reverb styles ranging from essential to exotic.

Electro-Harmonix

Oceans 11

PedalSafe Type A2

QuickMount Type A

Pedal-Montageplatte für Standard-Einzelpedale

Pedal Mounting Plate For Standard Single Pedals

Schutzabdeckung & RockBoard-Montageplatte für ELECTRO HARMONIX Nano Series und MXR Effektpedale mit Standardgehäuse (2 In & 2 Out) und für die meisten Effektpedale mit den Gehäusemaßen von ca. 112 x 60 x 30 mm

Protective Cover & RockBoard Mounting Plate For ELECTRO HARMONIX Nano Series and MXR effect pedals with standard enclosure (2 In & 2 Out) as well as for most other effect pedals with enclosure dimensions of about 112 x 60 x 30 mm

Schutzabdeckung & universelle Montageplatte ELECTRO HARMONIX Nano Series und MXR Effektpedale mit Standardgehäuse (2 In & 2 Out) und für die meisten Effektpedale mit den Gehäusemaßen von ca. 112 x 60 x 30 mm

Protective Cover & Universal Mounting Plate For ELECTRO HARMONIX Nano Series and MXR effect pedals with standard enclosure (2 In & 2 Out) as well as for most other effect pedals with enclosure dimensions of about 112 x 60 x 30 mm

Brian  Nilton

Die chinesische Pedalfirma Joyo hat das R-09 Vision angekündigt, ein sehr preiswertes zweikanaliges Modulationspedal mit 18 Effekten an Bord. Unter 90 USD soll es im Handel kosten. Damit könnte es fortan das Pedal der Wahl für viele werden.

VISION is a dual channel modulation pedal, supporting stereo input and output. Both of the two effects have independent SPEED/RATE, CONTROL, and DEPTH/MIX knobs. In the middle of the panel, a 3-position toggle switch is used for choosing the sequence of the two effects’ output. Besides, each channel features 9 effects, you can adjust various tones with the independent Tap Tempo control.

JOYO

Review by pedal of the day 

Review by claudius, gearnews.de

Review by Matthew Holliman, premierguitar.com

Demo by Inside Audio

Demo by Victor Hugo Targino 

Demo by Pedal of the day 

VISION DUAL-MODULATION

NETHER OCTAVER
Add a heavy dose of thickness to your guitar’s tone with the vintage sounding NETHER OCTAVER, and unleash a gnarly pitch-o-rama that will devastate your would-be rivals. Use it to subtly fatten up your sound, or dial up extreme settings for a powerful barrage of all-out synth tones. And if the mood strikes you, pull out that purple satin suit hiding in the back of your closet, and play the
“When Doves Cry” solo until your fingers bleed!

Review by Talk Bass.com

Review by reddit /basspedals

Demo by KissKissKill

Nether Octaver

PedalSafe Type TC

QuickMount Type TC 

Pedal-Montageplatte für die TC ELECTRONIC Smorgasbord of Tones

Pedal Mounting Plate for the TC ELECTRONIC Smorgasbord of Tones

Schutzabdeckung & RockBoard-Montageplatte für TC ELECTRONIC Smorgasbord of Tones Pedals

Protective Cover & RockBoard Mounting Plate For TC ELECTRONIC Smorgasbord of Tones pedals

Schutzabdeckung & universelle Montageplatte für TC ELECTRONIC Smorgasbord of Tones Pedals

Protective Cover & Universal Mounting Plate For TC ELECTRONIC Smorgasbord of Tones pedals

ch ray

 Introduced by VOX in 1967, the Wah-Wah pedal stemmed from the Midrange Boost feature of a VOX amp design and was initially marketed as a way to emulate Clyde McCoy’s trumpet mute technique. However, an unintended but music-changing use with electric guitar turned the Wah pedal into a vital tool for renowned artists such as Jimi Hendrix and Eric Clapton, driving the creation of now-legendary performances and songs. From the 1960s to today, the Wah pedal has become an essential tool for guitarists.

The new Real McCoy wah pedal perfectly emulates the original wah down to the component level. VOX engineers have worked hard to unravel the mysteries of the vintage McCoy wah model, resulting in a pedal that meticulously replicates the exact tonal characteristics.

The Real McCoy is voiced for the iconic nasal tone of the original wah model, with an accentuated midrange that imparts a warm and melodic character to your guitar.

Demo by BUZZBEE TV

Demo by kisugita_DIY

Real McCoy Wah VXVRM1

With the 200 series, BOSS introduces a new generation of pedals that pack advanced sound and versatility into a streamlined size that saves space on your board. Grab-and-go controls and multi-function switches make operation easy and intuitive, while onboard memories allow you to store multiple setups for instant recall. All 200 series pedals feature premium audio quality with 32-bit internal processing and offer support for external control via footswitches, an expression pedal, or MIDI.

The OD-200 Hybrid Drive brings next-level sound, feel, and flexibility to overdrive and distortion, combining decades of BOSS tone expertise with innovative technologies. Powered by hybrid analog/digital circuitry, this dream pedal delivers any drive tone you can imagine via 12 primary modes, 15 boost types, series/parallel gain paths, and more. There’s even an advanced gate on board, ideal for both eliminating noise and adding tightness to high-gain drive tones.

Demo by Rabea Massaad

Demo by EytschPi42

Review by reddit /guitarpedals

Review by The Gear Page

Review by guitar pedal X

OD-200 Hybrid Drive

PedalSafe Type E200

QuickMount Type E200

Pedal-Montageplatte für BOSS 200-Serie

Pedal Mounting Plate for Boss 200 Series

Schutzabdeckung & RockBoard-Montageplatte für BOSS 200-Serie

Protective Cover & RockBoard Mounting Plate for BOSS 200-Series

Schutzabdeckung & universelle Montageplatte für BOSS 200-Serie

Protective Cover & Universal Mounting Plate for BOSS 200-Series

The OCD was the first pedal to use Mosfets as clipping devices. Another first was their configuration as "hard clippers connected to v-ref" instead of to ground, as was the norm. These things contribute greatly as to why the OCD has such touch-sensitivity...why they react so well when the strings are hit hard or soft, and why they sound & feel different than all other pedals out there, 90% of which are just slight tweaks of the Tube Screamer. 

Fulltone

Demo by That Pedal Show

Demo by intheblues

The Story of Fulltone OCD

PedalSafe Type FT1

QuickMount Type FT1

Pedal-Montageplatte für FULLTONE OCD & 69 MK2 Pedale

Pedal Mounting Plate for FULLTONE OCD & 69 MK2 pedals

Schutzabdeckung & RockBoard-Montageplatte für FULLTONE OCD & 69 MK2 Pedale

Protective Cover & RockBoard Mounting Plate For FULLTONE OCD & 69 MK2 pedals

Schutzabdeckung & universelle Montageplatte für FULLTONE OCD & 69 MK2 Pedale

Protective Cover & Universal Mounting Plate For FULLTONE OCD & 69 MK2 pedals

RockBoard

ISO Power Block V9 IEC

Für 7-12 FX-Pedale, 1 MOD-Slot - **470 x 330 mm / 18.50" x 12.99"** - erhältlich mit Gig Bag oder Flight Case

For 7 - 12 FX pedals, 1 MOD slot - **470 x 330 mm / 18.50" x 12.99"** - available with Gig Bag or Flight Case

Christopher Krumscheid

Under construction. So far it was always on DIY boards (plywood board, even one in a keyboard case)

- Everything that needs to be operated (not just switched, this would be done using the ES-8) during a song is in front (wah, volume, expression, flanger, looper and the switcher of course)

- Volume pedal 1 controls input volume, since I don't feel comfort with controlling the volume with the knob on the guitar (question is how to deal with pedals that like most direct contact to the guitar; ES-8 has the option to put buffers everywhere before or behind a loop, so I hope I will find the perfect setting)

- Volume pedal 2 controls overall volume into the amp (mine is a very clean one, so it does not affect overdrive that much)

- All pedals go into the ES-8. Since it has only 8 loops, I have to group pedals that I will never switch during a song, so I would not have to stomp on them. Modulation is one group (Small Stone, Zero Point, Nuvibe), overdrive is another (Tube Driver, Zendrive; ok, maybe I would sometimes stack them), Delay is a third (Echorec, Belle Epoch)

- Loop 8 of the ES-8 goes to a multi effect (Roland GP-16), that's what the EV-5 is used for

- Polytune 3 gets its signal from ES-8

- Ditto+ at the end of course

- Not sure if I really need the Quad Box. And if so it's 
maybe not necessary to put it on the board

The Sausage Full Of Secrets Board

Boonar™ ist ein Effektpedal, das genau darauf ausgelegt ist, den Sound und das Spielgefühl des legendären Binson Echorec, eines magnetischen Drum-Echos mit mehreren Abgriffen, zu liefern. Es ist alles drin und mehr: von einem dicken, saftigen Röhrenton, herrlichen mehrdimensionalen Echowiederholungen, die mit eindringlichen Hallabklängen verschmolzen sind, einer variablen Verzögerungszeit von bis zu einer vollen Sekunde und einem separaten Umschaltsystem für die Wiedergabeköpfe bis hin zu einem erstaunlichen und unverwechselbaren äußeren Erscheinungsbild, das von einem goldenen Finish und einer grün pulsierenden "Magic-Eye"-Pegelanzeige dominiert wird, alles verpackt in einer unglaublich kompakten Stompbox-Form.

Boonar hat den gleichen analogen Signalweg wie das Original Echorec, aber wir haben hochspannungsbetriebene FETs als Röhrenemulatoren verwendet und die magnetische Speichertrommel durch eine DSP-Einheit ersetzt. Wir haben einen speziellen DSP-Code entwickelt, der alle Eigenschaften des tatsächlichen Binson-Speicher-Systems, das wir virtuelle Magnettrommel genannt haben, originalgetreu nachbildet.

Erleben Sie einen authentischen Binson-Sound und genießen Sie die magischen Echos der Vergangenheit!

Boonar™ is an effects pedal precisely designed to deliver sound and feel of the legendary Binson Echorec, a multi-tap magnetic drum echo unit. Everything is in there and more: from thick, juicy tube tone, glorious multi-dimensional echo repeats melted with haunting reverb decays, variable delay time up to a full second and separate playback heads switching system to an amazing and distinctive external looks dominated by a gold finish and green pulsating "magic-eye" level indicator, all packed in an incredibly compact stompbox form.

Boonar shares the same analog signal path as original Echorec but we used high voltage driven FETs as tube emulators and replaced magnetic memory drum with a DSP unit. We developed a special DSP code that faithfully replicates all the characteristics of the actual Binson memory system that we named a virtual magnetic drum.

Reveal an authentic Binson sound and enjoy in magical echoes of the past!

Dawner Prince

Demo by Dawner Prince Electronics

Boonar MkII

Jonas Kvinge

The design and sound is the same as the original (as supplied to Eric Johnson, David Gilmour, etc) but with improved parts such as Switchcraft all metal jacks, click pots, etc.
Each unit is hand built to my specs and I personally check out each Tube Driver to perfection. Then I engrave my signature on the bottom of the case. This insures authenticity now and in the future!

Butler Audio

Demo by shnobel

Demo by Jono East

Review by audiofanzine

Tube Driver

Es war der Oktober im Jahr 1971, als die Mannen von Pink Floyd ihr berühmtes Werk „Live at the Pompeii“ im Amphitheater der gleichnamigen italienischen Stadt aufnahmen. Stets mit dabei war eines der wohl angesagtesten Effektgeräte der damaligen Zeit – das Binson Echorec. Wohl kaum ein anderes Gerät prägte so maßgeblich den Sound von Pink Floyd der frühen Jahre wie dieses Echogerät, dessen Prinzip auf einer rotierenden Magnetscheibe basierte, die mit vier Tonköpfen das Signal aufnahm bzw. abspielte. Dabei machte nicht nur Leadgitarrist Dave Gilmour vom Echorec gebrauch, auch Bassist Roger Waters und Tastenmann Richard Wright nutzen diese Maschine ausgiebig.

The Binson Echorec was so cool we had no choice but to bring it back. And we wanted to bring it back right. We wanted to take all the goodness of that huge Binson Echorec and squeeze it down into a standard sized stompbox without losing anything. In fact, in addition to not losing any of the qualities that made it such a compelling musical device, we wanted to EXTEND its capabilities because the original Binson hinted at possibilities that it couldn’t realize. We’re talking about variable delay time! We thought, “What if we had the same four playback head concept but could stretch the delay time out beyond the 300mS of the original Binson?” Then the rhythmic patterns suggested by the various combinations of those four playback heads could really come to life!

Catalinbread

Review by Amazona 

ECHOREC

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DITTO+ LOOPER von TC Electronic | PedalPedia | RockBoard