Ego Drive was designed to give you the overdrive edge that only the highest-end amps can produce – and then let you kick it into turbo with a unique boost function. Additional controls let you fine-tuneyour tone to create your own signature sound.

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Review by Thomas Dill, Bonedo

Demo by juniorf87

Demo by Wall of Sound

Manual

Ego boost n' drive

Most guitarists know how complicated it can be to switch between clean, crunchy and distorted sounds on stage. If you set your amp to a crunchy sound and use a distortion pedal for solos, you don’t have a clean option. If you run you amp clean and use a distortion pedal for solos, the only way to back down from full distortion is to lower the volume on your guitar – and lose most of your tone.

Review by Thomas Dill, bonedo.de

Demo by EytschPi42

Review by inselwissen, thegearpage.net

Dual Drive Distortion

Mit dem T-Rex Alberta II Dual Overdrive Pedal hat man zwei Zerrer in einem Kasten. Die Regelmöglichkeiten sind absolut identisch, allerdings unterscheiden sich die Grundsounds der beiden Einheiten leicht. Das macht auf jeden Fall Sinn, denn der erste Kanal bringt einen etwas stärker komprimierten Ton mit einer Ecke mehr Gain, während Channel 2 den offenen Overdrive mit viel dynamischen Reserven zelebriert. 

Alberta II’s channels are highly complementary, for a start. Set one up as your lead and the other up as your rhythm, and you can happily toggle between the two all night. Second, the pedal’s drives are eminently usable even when they’re dimmed; it’s impossible to overdo it. In a world where mega-distortion is the norm, that’s a huge boon.

Demo by Sweetwater

Demo by Audiofanzine in English

Review by Paolo De Gregorio, delicious-audio.com

Demo by Guitar World 

Review by Bonedo 

Alberta II

The T-Rex Vulture started its life, when Michael plugged in one of the very first pedals we made. That pedal had a certain sound to it that we really liked, but it was a bit grungy in the low-end. We wanted to make a pedal with that sound, but with a tighter, less fuzzy low end and with more gain.
We opened up the pedal and painstakingly measured everything in it, to find out why it sounded so good, and found a couple of resistors that would be better with other values.
Was it modified earlier in life or was this just a very good sounding mistake from when it was made in Lars´ basement way back in the 90´s?
All we know is that the basic sound was cool and we left it at that, and went on to focus on getting the low-end tight - but BIG!
The fruit of our labor is a pedal that has a great, throaty distortion with a nice bite to it but the low end and low midrange can be shaped in many ways, thanks to the low- and fat-boost knobs. This allows the player to dial in almost stupid amounts of lows, but the distortion stays tight, not muddy.

Review by Trevor Curwen, musicradar.com

Official Product Video

Demo by LukeTaylorMusic

Vulture distortion

Tremonti Phaser delivers everything you expect in a phaser and then some. The Stage switch lets you choose between a raw, vintage-sounding effect and a richer, more modern swirl. And the ingenious Bite knob adds a sexy overdrive edge to any setting. Fast or slow, deep or shallow, vintage or modern, Tremonti Phaser delivers extraordinary-sounding phased modulation that will take your playing to another world.

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