Der Flying Tomato ist der Nachfolger des Birthday Fuzz. Er verfügt im Kern über fast genau die gleiche Schaltung, aber mit einigen Verbesserungen und einigen wichtigen Ergänzungen.

Im Gegensatz zu vielen anderen Fuzz-Schaltungen hat der Flying Tomato einen Eingangspuffer vor dem Effekt. Dadurch kann man ihn nach praktisch jedem Pedal oder mit aktiven Tonabnehmern verwenden. Ein hoher und ein niedriger Tonregler wurden hinzugefügt, sowie ein „Squish“-Regler.

Hier wird es verrückt. Der „Squish“-Regler senkt im Wesentlichen die Versorgungsspannung des Fuzz-Schaltkreises. Dies kann besonders bei der Aufnahme von Overdubs und Hintergrundgeräuschen im Studio nützlich sein. Wenn man einen Overdrive davor oder Delay- oder Modulationseffekte danach einsetzt, kann man sehr interessante Sounds erzeugen. Da dieser Regler die verfügbare Leistung direkt verändert, verursacht er beim Drehen leichte Kratzgeräusche.

The Flying Tomato is the successor to the Birthday Fuzz. It features almost exactly the same circuit at its core, but with a few improvements, and some major additions.

Unlike many fuzz circuits the Flying tomato has an input buffer in front of the effect. This allows you to use it after virtually any pedal, or with active pickups. A high and low tone control have been added, as well as a "squish" knob.

This is where it gets crazy. The squish knob essentially lowers the voltage supply to the fuzz circuit. This can be especially useful for recording overdubs, and back ground noises in the studio. Running an overdrive before it or delay or modulation effects after it can produce some very interesting sounds. Due to this knob directly altering the available power it will make some minor scratching sounds when its turned.

Review by Harmony Central

Review by Talk Bass.com

Review by The Gear Page

Demo by  HEWAN GITAR REBEL 

Demo by MrExcane

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Flying Tomato Fuzz

Review by delamar

Official Product Video

Demo by Prymaxe

Product Page

Blackstar w/ Girth

By analyzing the design, sound and physics of real spring tanks we captured the nuances of tube driven spring reverb. Even something as innocuous as unplugging your guitar cable (kerplangagnangang)  sounds like real deal. A tone control allows you to dial in the perfect timbre. There is also an internal reverb send trimmer serving two purposes- 1. It allows you to turn down for hotter input signals. 2. It does essentially what the dwell control does on an outboard reverb tank. You can turn it up for a more dramatic effect or back it off for subtlety.

Unlike a real spring tank the the decay knob allows you to dampen the springs for shorter reverb or bend the laws of physics resulting in long psychedelic resonating trails.

The clean signal path is all analog. JFET amplifiers carryout the send and recovery of the reverb signal for even more tube like dynamics. The Super Spring Theory is equally at home in front of a clean or dirty amp.

Review by TDPRI

Review by Premier Guitar

Demo by  HarryAndAGuitar

Super Spring Theory

Take a trip back in time to the underappreciated 12bit era of synthesis. A time of experiments built for mass appeal. Finally, synthesizers were available to the everyday musician. One new idea was phase distortion synthesis.  Casio sold it as the answer to Yamaha’s FM synthesis. Ultimately, Casio discontinued the CZ phase distortion synthesizers, but these synthesizers garnered a cult following for their versatility and relative affordability.

The PixelWave covers a wide range of synthesizer sounds. From string ensembles to filter sweeps and resonant noise. Oscillators can be offset over four octaves by half-step increments and fine-tuning. Use this to create massive 80s unison leads or modern one key dance chords.

Review by Gearspace

Review by reddit /guitarpedals

Quick Start Guide

Pixelwave Phase Distortion Synthesizer

Vorverstärkerpedal mit 11 vollständig analogen Verzerrungsmodi, digitaler Umschaltung und 9-Volt- oder 18-Volt-Eingang für die Headroom-Steuerung.

Preamp pedal with 11 fully analog distortion modes, digital switching, and 9 volt or 18 volt input for headroom control.

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