Vorverstärkerpedal mit 11 vollständig analogen Verzerrungsmodi, digitaler Umschaltung und 9-Volt- oder 18-Volt-Eingang für die Headroom-Steuerung.

Preamp pedal with 11 fully analog distortion modes, digital switching, and 9 volt or 18 volt input for headroom control.

Subdecay

Demo by Premier Guitar

Demo by Brett Kingman

Product Page

Review by Delicious Audio

Review by Premier Guitar

Vector

Based on the Korg MS-20, the M3 brings the sounds of 70s monophonic synthesizers without the modular complications.

Instead of dual oscillators, the M3 employs 3 digitally controlled oscillators for super fat synth sounds that never go out of tune.

Eleven oscillator combinations cover string sounds, analog bass, bell tones, fifths and more. The algorithm knob’s eleven settings further shapes the sound controlling everything from the filter, two envelope generators, LFOs, portamento and more.

Review by guitar pedal X

Review by BassChat

Manual

Demo by  SpiralCasterPlaysPedals

Demo by collector//emitter

Review by The Gear Page

Take a trip back in time to the underappreciated 12bit era of synthesis. A time of experiments built for mass appeal. Finally, synthesizers were available to the everyday musician. One new idea was phase distortion synthesis.  Casio sold it as the answer to Yamaha’s FM synthesis. Ultimately, Casio discontinued the CZ phase distortion synthesizers, but these synthesizers garnered a cult following for their versatility and relative affordability.

The PixelWave covers a wide range of synthesizer sounds. From string ensembles to filter sweeps and resonant noise. Oscillators can be offset over four octaves by half-step increments and fine-tuning. Use this to create massive 80s unison leads or modern one key dance chords.

Review by Gearspace

Review by reddit /guitarpedals

Quick Start Guide

Official Product Video

Pixelwave Phase Distortion Synthesizer

The Starlight MKIII brings back some favorite features of the Starlight DLX and introduces exciting new ones, including through-zero flanging, MIDI control, and savable presets. With an ultra-wide sweep range (0-21ms), the Starlight MKIII offers unparalleled versatility, allowing you to dial in everything from smooth, classic flanging to boldly experimental.

Starlight Flanger MKIII

The Stupid Box from Sub-Decay Studios. This stomp box is not very intelligent, but works as a super versatile distortion. The Stupid Box employs soft clipping just like vintage tube screamers, but driven much harder and with a full range frequency response. This Dumb Box can go from high gain to blues, with a twist of the gain knob.

What's it all about?

If you play a clean open cab 6L6-based amp, and don't want to give up your great clean tone, but have always been jealous of those guys with the half stacks, the stupid box is what you have been waiting for. If you play a 2 channel high gain amp, and struggle for those in-between tones this is a great pedal to have as well. The Stupid Box has a variable frequency filter unlike most distortion boxes which only let you control the roll off, making it much easier to match the pedal to the natural voicing of your amp.