Vorverstärkerpedal mit 11 vollständig analogen Verzerrungsmodi, digitaler Umschaltung und 9-Volt- oder 18-Volt-Eingang für die Headroom-Steuerung.

Preamp pedal with 11 fully analog distortion modes, digital switching, and 9 volt or 18 volt input for headroom control.

Subdecay

Demo by Premier Guitar

Demo by Brett Kingman

Product Page

Review by Delicious Audio

Review by Premier Guitar

Vector

Based on the Korg MS-20, the M3 brings the sounds of 70s monophonic synthesizers without the modular complications.

Instead of dual oscillators, the M3 employs 3 digitally controlled oscillators for super fat synth sounds that never go out of tune.

Eleven oscillator combinations cover string sounds, analog bass, bell tones, fifths and more. The algorithm knob’s eleven settings further shapes the sound controlling everything from the filter, two envelope generators, LFOs, portamento and more.

Review by guitar pedal X

Review by BassChat

Manual

Demo by  SpiralCasterPlaysPedals

Demo by collector//emitter

Review by The Gear Page

Take a trip back in time to the underappreciated 12bit era of synthesis. A time of experiments built for mass appeal. Finally, synthesizers were available to the everyday musician. One new idea was phase distortion synthesis.  Casio sold it as the answer to Yamaha’s FM synthesis. Ultimately, Casio discontinued the CZ phase distortion synthesizers, but these synthesizers garnered a cult following for their versatility and relative affordability.

The PixelWave covers a wide range of synthesizer sounds. From string ensembles to filter sweeps and resonant noise. Oscillators can be offset over four octaves by half-step increments and fine-tuning. Use this to create massive 80s unison leads or modern one key dance chords.

Review by Gearspace

Review by reddit /guitarpedals

Quick Start Guide

Official Product Video

Pixelwave Phase Distortion Synthesizer

The Starlight MKIII brings back some favorite features of the Starlight DLX and introduces exciting new ones, including through-zero flanging, MIDI control, and savable presets. With an ultra-wide sweep range (0-21ms), the Starlight MKIII offers unparalleled versatility, allowing you to dial in everything from smooth, classic flanging to boldly experimental.

Starlight Flanger MKIII

From the ringing faux sitar sound to the rise and fall of jet plane sweep, flangers fire up very specific neurons in our brains, reminding us of certain music genres and eras often to the point of being cliché. Far more interesting to us is the way flanging and “flanger like” effects are used in mixdown or soundtracks to create a sense of focus, tension or space. How does this translate to a guitar effect? This really goes beyond the scope of most simple stompboxes. The Starlight DLX lets you make new sounds that conjure up imagery and emotion.  We hope you’ll find sounds which even we couldn’t have imagined.