Es klingt großartig beim Strumming von Akkorden, bei Arpeggios, Palm Mutes, Power Chords oder was auch immer du ihm zumuten willst. Wie die alte Echobox verwendet es ein kompanderloses Design, um Klick- und Knack-Artefakte zu vermeiden, die bei einigen Delay-Pedalen auftreten. Anders als die ursprüngliche Echobox wurde sie ohne ein internes Noise Gate entwickelt. Wir haben viel Zeit damit verbracht, sowohl die Aussteuerungsreserve als auch das Grundrauschen zu optimieren. Deshalb nimmt es jede Subtilität und Nuance deines Spiels auf.

It sounds great simply strumming chords, on arpeggios, palm mutes, power chords, or whatever you want to throw at it. Like the old Echobox it uses a companderless design to avoid clicking and popping artifacts heard in some delay pedals. Unlike the original Echobox it has been designed without an internal noise gate. We spent a lot of time working to get both headroom and the noise floor just right. Because of this it picks up every subtlety and nuance of your playing.

Manual

Review by The Gear Page

Review by Premier Guitar

Demo by Dennis Kayzer

Demo by Prymaxe

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Anamnesis Echo

Many users of the original Liquid Sunshine described it as “tweedy” or “voxy.” While the mkIII sounds similar it is not meant to be an “amp in a can” device. It’s inspired by the idea that an overdrive should “play nice” with your tone. It works with the gear you already use. It won’t make your amplifier sound like something it’s not. It simply adds a little magic.

The Liquid Sunshine mkIII is well suited for use with a clean amplifier, or pushing a cranked amp. This is especially important for playing at different volume levels. It feels equally at home on stage, at rehearsal or simply practicing at home.

Review by The Fretboard

Demo by JayLeonardJ

Liquid Sunshine MkIII

Ein chaotisches Gebräu... Irgendwo zwischen einem chaotischen Oktavgenerator, einem Gitarrensynthesizer und einem kaputten Roboter, der in einem wütenden Bienenstock steckt. Die Noisebox wurde von additiven Synthesizern inspiriert. Dieses Pedal muss man gehört haben, um es wirklich zu verstehen, aber ich werde trotzdem versuchen, es zu erklären.
Die Noisebox ist ein Generator für harmonische Frequenzen, der einer Hüllkurve folgt. (Schon verwirrt???) Die erzeugten Frequenzen sind harmonisch auf den Eingang bezogen und werden durch den Frequency-Regler, den Sense-Regler und den Chaos-Regler gesteuert.

A chaotic concoction… Somewhere in between a chaotic octave generator, guitar synth, and a broken robot stuck in an angry bee hive. The Noisebox was inspired by additive synthesizers. This pedal needs to be heard to be truly understood, but I’ll try to explain it anyway.
The Noise Box is an envelope following harmonic frequency generator. (Confused yet???) Frequencies generated are harmonically related to the input, and controlled by the Frequency knob, the Sense knob, and the Chaos knob.

Noise Box

Take a trip back in time to the underappreciated 12bit era of synthesis. A time of experiments built for mass appeal. Finally, synthesizers were available to the everyday musician. One new idea was phase distortion synthesis.  Casio sold it as the answer to Yamaha’s FM synthesis. Ultimately, Casio discontinued the CZ phase distortion synthesizers, but these synthesizers garnered a cult following for their versatility and relative affordability.

The PixelWave covers a wide range of synthesizer sounds. From string ensembles to filter sweeps and resonant noise. Oscillators can be offset over four octaves by half-step increments and fine-tuning. Use this to create massive 80s unison leads or modern one key dance chords.

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