Brutal, earth-shaking fuzz that can destroy tall buildings in a single stomp.

Originally designed for bass, the Rhinosaur also works great on guitar.
Huge low-end and massive fuzz oozes out of this pedal while retaining clarity.
This version adds a mids control to give you more control over your tone.

Review by Talk Bass.com

Review by Premier Guitar

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Rhinosaur Bass Fuzz

The Cherry Bomb was inspired by the Dallas Rangemaster Treble Booster.

Unlike the original, I added a tone control that would let you go from treble to bass so you can tailor the boost to the amp you are using. I am also using a NOS NPN germanium transistor that allows you to use the pedal in a daisy-chain with other pedals.
Through a clean amp, the Cherry Bomb will give you a nice, low-gain break-up but running this through a dirty amp is where it really shines. This will push your dirty amp by adding more gain. This is very useful if you want to use your amp's gain for a dirty rhythm and them hit the Cherry Bomb for screaming leads.

Review by Gearnews

Cherry Bomb

This is what a muff is! My favorite version of the Triangle era fuzzes.

The biggest, meanest, grittiest and smoothest sounding Triangle.



Monstrous fuzz with a throaty, wooly, gritty break-up on the lower notes and a sweet, full, blooming, smooth fuzz on leads. The tone of the pedal is balanced with a little extra low end throughout that gives it a meaty fullness. 

1970 Tri-Muff V1

Based on the 1977 op-amp fuzz, the Pumpkin Pi is mostly associated with the fuzz tone on the Smashing  Pumpkins "Siamese Dream" album but the pedal is capable of so much more.

The velcro-like, fuzz tone is perfect for monstrous chords and cutting and full lead tones. Dialing back the gain will give you a little more control for warm and sweet lead tones.
The Pumpkin Pi is great for many styles of music including rock, blues, doom and stoner rock.

Review by TDPRI.com

Pumpkin Pi

The Dirt Preacher is a hybrid between silicon and germanium transistors that gives you a full range of fuzz tones that sounds like a mix between a Big Muff™ and a Tone Bender™ through your favorite, vintage amp.
With the gain control around 9-10 o'clock you can get an overdriven tone. When turning the gain between 11-1 o'clock you get a smooth, muff-like fuzz and with the gain all the way up you get a gnarly, gritty, wooly, fuzz that sounds like you are pushing a maxed out Tweed amp.
The specifically matched, germanium transistor gives you a vintage grittiness and a little, tube-like sag.

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Rhinosaur Bass Fuzz

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Cherry Bomb

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1970 Tri-Muff V1

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Pumpkin Pi

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