Der Explorer Deluxe, benannt nach dem ersten US‑Satelliten und mit kosmischem Strahlendetektor, ist ein lichtgesteuerter Sechs‑Stufen‑Optik‑Phaser aus einer anderen Dimension.
Mit Level‑ und Mix‑Reglern lässt sich Pegel und Effektanteil von dezentem Wirbeln bis hin zu vollem Raumteppich einstellen, wobei Mix bei 100 % Wet als Pitch‑Modulator fungiert.
Speed, Resonance und Range erlauben von ultralangsam bis ultraschnell jede Modulationsgeschwindigkeit sowie erweiterte Bass‑Phasen für tiefere Klangwelten.
Der fünffache Shape‑Schalter bietet Sinus, Dreieck, Rechteck, ansteigendes und abfallendes Sägezahn‑LFO oder im Manual‑Modus frierst du den Sweep ein und steuerst ihn per Hand.
Expression-/CV‑Eingang ermöglicht wah‑ähnliche Steuerung von Tempo oder Sweep‑Position – perfekt für freihändiges Modulieren.
Handverdrahtet in Portland, mit True‑Bypass und Switchcraft‑Buchsen, ist er eine handwerkliche Inspirationsquelle für Entdeckerklänge.

Named after America’s first satellite and sporting its own onboard cosmic ray detector, the Explorer Deluxe is a photocell‑driven, six‑stage optical phaser that sounds out of this world.
Level and Mix knobs let you dial in perfect volume and blend for everything from subtle swoosh to full‑on wash, with Mix doubling as pitch modulation at 100 % wet.
Speed, Resonance, and Range controls deliver everything from molasses‑slow spirals to razor‑sharp sweeps, plus low‑end extension for deeper, dreamier tones.
A five‑position Shape switch offers Sine, Triangle, Square, Saw‑Up, and Saw‑Down waves—or Manual mode to freeze and manually sweep your phase.
Expression/CV input brings wah‑style control over speed or sweep position, unlocking hands‑free modulation magic.
Hand‑soldered in Portland with true bypass and Switchcraft jacks, it’s artisan built to inspire sonic exploration.

Spaceman Effects

Demo by Bass Stuff

Demo by Mike Hermans

Product Page

Manual

Explorer Deluxe

Von transparentem, amp‑ähnlichem Overdrive bis hin zu einer satten Wand aus Sustain‑Fuzz bietet der Rumblefuzz II eine riesige Bandbreite an harmonischer Verzerrung.
Als echtes Instrument‑Extension reagiert er dynamisch auf dein Spielgefühl und die Regler deiner Gitarre.
Mit vollmundigen Tiefen und markantem Biss glänzt er ebenso an Bass und Bariton wie an der Gitarre.
Zur Feier von Spaceman Effects’ 15 Jahren erhält er +10 dB Ausgang, eine dritte Schaltstellung und größere Klangvielfalt.
Das klare Bedienfeld steuert Bass‑Rumble, Gain‑Bite und Lautstärke‑Fuzz mit intuitiven Reglern.
In Portland handverdrahtet mit BC108‑Transistoren, True Bypass und Schmuck‑LED – gebaut für die Ewigkeit.

From transparent, amp‑like overdrive to a thick, sustain‑laden wall of fuzz, the Rumblefuzz II offers a vast palette of harmonic distortion.
Designed as a true extension of your instrument, it responds dynamically to your playing and guitar controls.
With full, round lows and a distinctive bite, it excels on bass, baritone, and guitar alike.
Celebrating Spaceman’s 15th anniversary, it adds 10 dB of output, a third toggle‑switch voicing, and expanded tonal range.
A simple, focused panel gives Rumble control over bass response, Bite for gain stages, and Fuzz for output volume.
Hand‑wired with BC108 transistors, true bypass, and a jewel indicator light, it’s built to last in small Portland batches. 

Demo by MAS Distro

Demo by Demos In The Dark

Review by Guitar Pedal X

Rumblefuzz II

Der Atlas IV ist eine diskrete FET‑Preamp‑Booster, der bis zu 15 dB sauberen Boost und zwei Stufen harmonischer Anreicherung liefert – für röhrenähnlichen Glanz.
Mit dem Thrust‑Schalter fügst du mehr harmonische Sättigung und leicht weniger Headroom hinzu, während Axis für einen höhenbetonten Klang sorgt, der sich im Mix durchsetzt.
Der einzelne Boost‑Regler und der lautlose Soft‑Click‑Fußschalter eignen sich gleichermaßen für dezenten Lautstärkegewinn und kraftvolle Amp‑Crunch‑Slam‑Momente.
Verwende ihn, um deinen Röhrenverstärker in herrlichen Overdrive zu treiben, Soli zu beleben oder anderen Verzerrern neue harmonische Texturen zu verleihen.
Handverdrahtet in Portland, sorgen True Bypass, Schmuck‑LED und robustes Aluminiumgehäuse für kompromisslose Zuverlässigkeit.
Die limitierten Farbvarianten (Grau, Schwarz und Weiß) sind nummeriert und bieten exklusive Zugang zu dynamischeren Klangwelten.

The Atlas IV is a discrete FET preamp booster that adds up to 15 dB of clean boost and two levels of harmonic enhancement, enriching your tone with tube‑like sparkle. 
Spaceman Effects

Flip the Thrust switch for extra harmonic saturation and a slight headroom drop, or engage Axis for a treble‑focused voice that cuts through the mix. 
Guitar Pedal X

Its single Boost knob and silent soft‑click footswitch make it perfect for both subtle lift and amp‑crunch slams.
Use it to push a tube amp into glorious overdrive, enliven solos, or spice up other dirt pedals with fresh harmonic textures.
Hand‑wired in Portland, its true bypass, jewel‑indicator light, and rugged aluminum chassis ensure rock‑solid reliability.
Limited‑edition Grey, Black, and White versions each carry a unique serial number—your passport to a richer, more dynamic sound.

Demo by  Lounging Guitars

Atlas IV

The Ixion is an extremely smooth, clean, and low-noise optical compressor that gives you an astronomical amount of variation, depth and dimension. It features an ultra-wide tonal palette, comprehensive controls, and an exceptional signal-to-noise ratio. You get the gain-reduction power of an optical photocell, a parallel-compression mix control, and Spaceman's signature discrete FET stages.

The Ixion also provides numerous sidechain features like an equal-loudness filter, an external input jack for signal processing or use with an external expression pedal. There’s also harmonically rich make-up gain, a treble-centric tone control, and the ability to accept up to 18V for higher headroom. Regardless of your configuration, the Ixion always offers the fattest, juiciest tone with a warm, vintage appeal. Use it on guitar, bass or your tabletop and push beyond boundaries into uncharted realms of sonic possibility.

Demo by Mark Johnston

Review by guitar pedal X

Review by The Gear Page

Review by Compressor Pedal Reviews

Ixion Optical Compressor (yellow edition)

The Saturn V features a simple two knob control layout for Boost and Drive. The Boost control alone can deliver 18db of boost, with a hint of added sparkle. Adjusting the Drive control will add more harmonic distortion, while also increasing the total output level of the pedal. Cranking both controls to max will yield 35db of boost, full of complex harmonic character.

The overall tone of the Saturn V gives an openness to the top end of the frequency spectrum. It works equally well with bass and baritone guitar, as it keeps the bass frequencies present, tight and controlled. In good Spaceman fashion, the harmonic distortion present in the Saturn V is extremely dynamic. Play with a light touch and you’ll get a clean tone, but dig in and the Saturn V will react. It feels like playing a tube amp on the edge of breakup.

The drive texture in the Saturn V is comprised of a mix of odd and even harmonics. The Boost side of the pedal is focused on even-order harmonics. While the Drive side of the pedal increases these even-order harmonics, it noticeably adds odd-order harmonics to the mix. While it excels as a harmonic booster, the Saturn V crosses the line into the realm of light overdrive when the Drive control is maxed. It also works well with other pedals, opening up new possibilities with other boost, fuzz, and overdrive effects.