Massimo Bernardinello

P-01

Die überarbeiteten RockBoard® MODs V2 sind einfache all-in-one Patchbays für die RockBoard Pedalboard Series mit einem neuen, überarbeiteten Design und einem kompakten Gehäuse. Passend für alle neuen RockBoards® (außer der DUO-Serie) mit einem MOD-Slot, bieten sie als komfortable Patchbay verschiedene Kabelverbindungen, um eine weite Reihe von Bedürfnissen abzudecken. Mit den RockBoard® MODs kannst du deine Pedale dauerhaft unter dem Board verkabeln und alle Verbindungen zu und von deinem Effektsetup in einem praktischen Modul organisieren. Die RockBoard® MODs bieten einen zentralen Zugangspunkt vom Instrument zum Verstärker sowie eine praktische und einfache Stromversorgung des Boards über einen IEC- und einen 2,1 x 5,5 Barrel-Through-Stromanschluss. Das RockBoard® MOD 3 V2 ist eine Patchbay für Sänger und Akustik-Musiker. Über die zwei XLR-Ausgänge kannst du ein Stereo-Signal von dein MOD senden und an den XLR-Eingang lässt sich ein Mikrofon anschließen. Mit drei TRS-Through-Verbindungen lässt sich das MOD 3 V2 außerdem als zentraler Zugang und Ausgang des Boards nutzen um zum Beispiel Effektpedale in den FX-Loop eines Verstärkers einzuschleifen.
- All-in-One Patchbay für Pedalboards
- passend für MOD slots in RockBoard Pedalboards
- kompatibel mit einer weiten Reihe and anderen Pedalboards
- fungiert als zentraler Zugangspunkt zu deinem Effekt Setup
- etabliert klare Kabelwege zum und vom Pedalboard
- abnehmbare Frontplatte für Montage auf oder unter Pedalboards
- 3 x 6,3 mm TRS thru
- 2 x XLR thru (männlich vorne / weiblich hinten)
- 1 x XLR thru (weiblich vorne / männlich hinten)
- 1 x DC 2,1 x 5,5 mm Hohlstecker thru
- 1 x AC IEC thru (männlich vorne / weiblich hinten)
- alle Anschlüsse gespiegelt auf der Rückseite
- Abmessungen exkl. Frontplatte (B x T x H): 160 x 60 x 33 mm
- Abmessungen der Frontplatte (B x H): 175 x 48 mm
- Gewicht 450 g
- inkl. Montageschrauben, Kontermuttern und TX Schlüssel


The improved RockBoard® MODs V2 are simple all-in-one patchbays for RockBoard pedalboards with a new, refreshed design, and compact housing. Utilizing the MOD slot on all new RockBoards® (except the DUO series), they provide various cable connections to fit a wide variety of needs as a convenient patchbay. With the RockBoard® MODs, you can permanently connect your pedals underneath your board and organize all connections to and from your effects setup in one convenient module. The RockBoard® MODs provide a central access point from your instrument to your amp, as well as your power supply via IEC, and a 2.1 x 5.5 barrel thru power connector. The RockBoard® MOD 3 V2 is a pass-thru box designed for use by vocalists and acoustic players. The 2x XLR outputs allow you to send a stereo signal from your MOD and the 1x XLR input can be used to connect your microphone. You can also use it to run several pedals from your board through the effects loop of your amp, or simply use the MOD as a central access point to your pedalboard.
- all-in-one patchbay for pedalboards 
- fits MOD slots in RockBoard pedalboards
- compatible with a wide variety of other pedalboards
- acts as the central access point to your effects setup
- establishes clean cable paths to and from the pedal board
- detachable front plate for mounting on top or underneath pedalboards
- 3 x 6,3 mm / ¼" TRS thru
- 2 x XLR thru (male front / female back)
- 1 x XLR thru (female front / male back)
- 1 x DC 2,1 x 5,5 mm barrel thru
- 1 x AC IEC thru (male front / female back)
- all connections mirrored on the backside
- dimensions excl. front plate (W x D x H): 160 x 60 x 33 mm / 6 19/64" x 2 23/64" x 1 19/64"
- dimensions of the front plate (W x H): 175 x 48 mm / 6 57/64" x 1 57/64"
- weight 450 g / 0.99 lbs
- incl. mounting screws, counter nuts, and TX wrench

All-in-One TRS & XLR Patchbay for Vocalists & Acoustic Players

The Doom

Jonathon Hunter Hill

The Intelligent Footswitch is an intuitive yet versatile accessory for our amplifiers. One tap will engage and disengage the Microtubes Engine, while holding for 3 seconds will Mute the amplifier. It is connected to the head via a standard 1/4″ cable and it’s powered by a microcontroller that sends commands to the head using a proprietary communication protocol.

Darkglass Electronics

Product Page

Review by Sweetwater Customer

Manual

Intelligent Footswitch

David Litaba

Electro-Harmonix

SINGLE EXPRESSION PEDAL

QuickMount Type M

Pedal-Montageplatte für Dunlop Cry Baby Wah-Pedale

Pedal Mounting Plates For Dunlop Cry Baby Wah Pedals

Lee Atkin

Entwickelt in Zusammenarbeit mit Bass-Professor und Klangkenner Ian Martin Allison ist der MXR Bass Synth ein Kraftpaket unter den Pedalen, das donnernde Sub-Oktaven, expressive Hüllkurven und üppige Modulationseffekte mit erstklassigem Tracking und Sustain bietet – dazu alle Funktionen, die Sie benötigen, um jeden einzelnen Aspekt Ihres Klangs zu formen.

Designed with low-end professor and tone connoisseur Ian Martin Allison, the MXR Bass Synth is a powerhouse of a pedal offers thunderous sub-octave, expressive envelope, and lush modulation effects with killer tracking and sustain—plus all the features you need to shape every detail of your tone.

Demo by Nate Navarro

Official Product Video

Review by No Treble

Review by Gear News

Bass Synth MB301

Tester

The Tri-Mod Wah is an evolutionary outgrowth of the original Hot Hand® Wah Filters system in a compact and accessible format. There are 11 Wah effects that range from Classic Wah through Low, Band Pass and Multipeak variations, that can all be further modified using either a Hot Hand motion controller, LFO (Low Frequency Oscillator) or Envelope Follower.

All Soundblox effects pedals are compatible with the Hot Hand Motion Controller — available separately in wireless or wired configurations — or an extensive range of on-board controls. Soundblox pedals provide a wide variety of original sounding effects in a sleekly designed, rugged package that is easy to use and highly flexible. Features• 11 Wah sounds, including Classic Wah, 2 Low Pass filters, 2 Band Pass filters and 6 Multipeak filters.

Source Audio

Review: Source Audio Soundblox Tri-Mod Effects

Users Manual

Soundblox Tri-Mod Wah pedal ...Ultra-smooth auto wah and filter sounds

Soundblox Tri - Mod Wah

Kompressor Pedal für E-Bass
CHT "Constant Headroom Technology" für klare und saubere Tonqualität
Regler für Output, Input, Release, Attack und Ratio 
Led Kette mit 10 LED für "Gain reduction" Anzeige
Status-LED
True Bypass
stabiles Metallgehäuse
Betrieb mit 9V-Batterie oder Dunlop ECB-003 AC Adapter (optional)
Made in USA


Take your favorite studio compressor to the stage with the MXR M87 Bass Compressor. A complete array of controls (Attack, Release, Ratio, Input, and Output) makes it easy to fine-tune your sound, from subtle peak limiting to hard squashed compression effects. Its Constant Headroom Technology gives you plenty of headroom and clear performance. This totally transparent compressor allows your full dynamic range to shine through until your signal reaches the compression threshold, which is indicated by the ten, highly visible gain-reduction status LEDs. It´s all packed into a durable, lightweight aluminum-housing pedal that´s the size of a Phase 90.

Official Product Page

Review by awkwardsounds

Review by PREMIER Guitar 

Review by Compressor PedalReviews

Official Product Video 

Demo by Bass The World 

M87 Bass Compressor

When it was introduced in 2010, the original POLYTUNE forever revolutionized the way musicians tune their instruments. Praised by professional and amateur players, guitar tuning instantly became as simple as Strum - Tune - Rock! So how do you make the best-selling polyphonic tuner even better? You take it to the next level by: providing multiple tuning modes, including polyphonic, chromatic, strobe and a variety of altered tunings; adding an onboard BONAFIDE BUFFER to preserve your tone over long cable runs and pedal board signal paths; and upgrading the LED display for even higher tuning accuracy. Say hello to your next tuner – POLYTUNE 3.

TC Electronic

Review by Charleston Classical Guitar

Review by musicradar

Demo by American Musical Supply

Demo by Addicted to Gear

Demo by realbeal

Polytune 3

PedalSafe Type G

QuickMount Type G 

Pedal-Montageplatte für Standard TC Electronic Pedale

Pedal Mounting Plate For Standard TC Electronic Pedals

Schutzabdeckung & RockBoard Montageplatte für Standard TC Electronic Pedale

Protective Cover & RockBoard Mounting Plate For Standard TC Electronic Pedals

Schutzabdeckung & universelle Montageplatte für Standard TC Electronic Pedale

Protective Cover & Universal Mounting Plate For Standard TC Electronic Pedals

Teeratai Kaewmanee

The greatest pieces of studio gear studio gear are the ones that add something special to the sound of an instrument, going beyond the job they were designed for and enhancing anything that passes through the circuit. One such piece is the UA 610 preamp, which was the inspiration for the DCX Bass. This retro console preamp is famous for adding vintage, analogue colour to a signal, as well as precise control of level and EQ. Push the level harder and you get rich, harmonic saturation of the kind that makes analogue hardware a must-have in any present-day studio.

The DCX Bass reimagines this classic preamp as a tone-shaper and drive pedal for bass guitar, with a wide range of clean and overdrive tones, EQ frequencies optimised for the instrument, and our Adaptive Circuitry providing a treble response that reacts to playing dynamics. It’s a signal-boosting, tone-enhancing pedal straight from the studio!

Origin Effects

Review by Talk Bass.com

Review by reddit /basspedals

Review by Gitarre & Bass

Review by bonedo

Sound Samples w/ Ian Martin Allison

DCX BASS

QuickMount Type B1

Pedal-Montageplatte für FRIEDMAN, KEELEY Halo, WAMPLER EQ, VelvetFuzz, WALRUS DeepSix, JULIA V2, 385 OD, Jupiter V2 und Mooer GL 100 Pedale

Pedal Mounting Plate for FRIEDMAN, KEELEY Halo, WAMPLER EQ, VelvetFuzz, WALRUS DeepSix, JULIA V2, 385 OD, Jupiter V2 and Mooer GL 100 pedals

The Duality is a unique fuzz pedal that contains two discrete fuzz circuits—a gated saw-tooth wave and a raunchy high-gain sound—which can be mixed together to yield a vast selection of distinct sonic textures

Demo by Patrick Hunter

Product Page 

Review by Mike Brooks, musicradar.com

Review by Rainer Wind, bonedo.de

Darkglass Duality Product Video 

Duality Fuzz

MXR knows phasers. The Phase 90's compact size, superior construction, and refined sound put MXR on the map, and it set the standard by which all other phasers are judged. Two years later, MXR released the Phase 45—a mellower version of the effect favored for its ability to easily blend into a band's mix. Now, you can get both iconic circuits in a single pedal while tightening up your pedalboard at the same time. The Phase 95 combines the Phase 45 and Phase 90 circuits in a mini housing with about half the footprint of a standard MXR pedal. The 45/90 switch toggles between the Phase 45 mode's subtle two-stage phasing and the Phase 90 mode's more pronounced four-stage phasing, while the Script switch toggles between two phasing styles. The Phase 95 is set to modern style phasing by default, which relies on feedback to create light harmonic distortion and gives the effect a more accentuated swoosh. Engaging the Script switch removes feedback for a lusher, more subdued sound with higher headroom and greater clarity. The familiar Speed control sets the rate of the effect. The Phase 95 may be small, but it's full of rich phase tones, and it'll take a beating on the road.

Product Manual 

MXR Phase 95

M290 Phase 95

Antony Douch

Fusing classic BOSS octave tones with the latest tracking technologies, the BOSS OC-5 sets a new standard in octave pedal performance. Vintage mode provides a spot-on recreation of the legendary mono OC-2 from 1982, while Poly mode offers numerous enhancements for extended-range playing. And with the addition of an octave-up feature, a span of three octaves is now available for creative exploration. From fat, low mono sounds to octave-shifted chords and more, the OC-5 delivers the widest range, finest sound quality, and best playability in any octave stomp to date.

BOSS

Review by reddit /guitarpedals

Review by Six String Sensei

Review by Guitar World

Demo by  Pepe Music

OC-5

PedalSafe Type E1

QuickMount Type E

Pedal-Montageplatte für Standard-Boss-Pedale

Pedal Mounting Plate For Standard Boss Pedals

Schutzabdeckung & RockBoard-Montageplatte für BOSS Compact Serie, RC3 LoopStation & RC5 LoopStation Pedale

Protective Cover & RockBoard Mounting Plate For BOSS Compact Series, RC3 LoopStation & RC5 LoopStation pedals

Schutzabdeckung & universelle Montageplatte für BOSS Compact Serie, RC3 LoopStation & RC5 LoopStation Pedale

Protective Cover & Universal Mounting Plate For BOSS Compact Series, RC3 LoopStation & RC5 LoopStation pedals

Die Walrus Audio Julia ist ein komplett analoges Chorus/Vibrato-Pedal, das mit einigen Besonderheiten aufwarten kann. Obwohl es sich bei den beiden um alteingesessene Standard-Effektsounds handelt, versteht es der amerikanische Boutique-Hersteller, mit einigen Extras jenseits der Norm Interesse zu wecken.
So auch bei der Julia, bei der beispielsweise fließend mit einem Blend-Regler zwischen Chorus und Vibrato gewechselt werden kann. Dazu lässt ein Schalter die Wahl, den LFO zu Sinus- oder Dreieck-Wellenformen zu überreden. Was diese Funktionen klanglich bewirken, schauen wir uns im Folgenden an.

The Julia is a fully analog, feature-rich chorus/vibrato packed with a wide array of tonal landscapes begging to be explored. Updated for 2020, Julia now has top mounted jacks, soft switch bypassing and updated art from Adam Forster. 

Julia is able to produce mild smooth chorus, to seasick vibrato and everywhere in between. With controls like Lag, Dry-Chorus-Vibrato Blend, and selectable analog LFO wave shapes, you are able to dial in all types of classic and unique chorus/vibrato sounds; some settings giving a familiar feel while others are not found on traditional chorus pedals.

A special feature of the Julia is the Lag control. The Lag knob lets you set the center delay time that the LFO effect modulates from. From smooth and tight modulation at lower settings, to warbling detune at maximum, the Lag knob adds a new dimension to the traditional Chorus/Vibrato landscape. 

Walrus Audio

Review by guitar 

Review by bonedo 

Demo by Mike Hermans 

Demo by SweetWater 

Demo by Nobel Music 

Julia V2

PedalSafe Type B1

Schutzabdeckung & RockBoard-Montageplatte für FRIEDMAN, WAMPLER EQ, VelvetFuzz, WALRUS DeepSix, JULIA V2, 385 OD & Jupiter V2 Pedale

Protective Cover & RockBoard Mounting Plate For FRIEDMAN, WAMPLER EQ, VelvetFuzz, WALRUS DeepSix, JULIA V2, 385 OD & Jupiter V2 pedals

Schutzabdeckung & universelle Montageplatte für FRIEDMAN, WAMPLER EQ, VelvetFuzz, WALRUS DeepSix, JULIA V2, 385 OD & Jupiter V2 Pedale

Protective Cover & Universal Mounting Plate For FRIEDMAN, WAMPLER EQ, VelvetFuzz, WALRUS DeepSix, JULIA V2, 385 OD & Jupiter V2 pedals

Jonathan Nicholson

Four different preamps in a single box in a pedalboard-friendly format.
From studio-grade clean sounds up to heavy saturations, passing through endless overdrive flavors with amp-like dynamics and harmonic content.
More than just a pedal, a real studio-in-a-box.

Jad Freer Audio 

Review by Basschat

Demo by Philip Conrad

Demo by

Capo Preamp

Voodoo Lab

Pedal Power x8

Für 9-15 FX-Pedale, 1 MOD-Slot - **622 x 330 mm / 24.49" x 12.99"** - erhältlich mit Gig Bag oder Flight Case

For 9 - 15 FX pedals, 1 MOD slot - **622 x 330 mm / 24.49" x 12.99"** - available with Gig Bag or Flight Case

Source Audio SA 221 Soundblox2 Multiwave Bass Distortion - Official Demo Video

Soundblox 2 - Multiwave Bass Distortion

Das Pathways Reverb + Tremolo vereint zwei klassische Effekte in einem kompakten, flexiblen Pedal.
Separate Reverb- und Tremolo-Sektionen lassen sich einzeln oder kombiniert nutzen, mit intuitiver Bedienung.
Die Reverb-Sektion bietet Spring, Plate, Room, Hall sowie kreative Modi wie Slapback und Echo.
Drei Tremolo-Typen stehen zur Verfügung, Bias, Opto und Harmonic, von vintage bis moduliert.
Zu den Features gehören Tap Tempo, MIDI, Stereo I/O, USB-C und bis zu 128 Presets, davon 16 direkt abrufbar.
Über die Neuro 3 App sind tiefgehende Anpassungen und Preset-Verwaltung möglich.

The Pathways Reverb + Tremolo combines two classic effects in a compact, flexible pedal.
Independent reverb and tremolo sections can be used separately or together with an intuitive interface.
Reverb options include spring, plate, room, hall, plus creative modes like slapback and echo.
Three tremolo types are included, bias, opto, and harmonic, covering vintage to modulated textures.
Features include tap tempo, MIDI, stereo I/O, USB-C, and up to 128 presets with 16 onboard.
Deep editing and preset management are available via the Neuro 3 app.

Pathways

Der ZIO Analog Bass Preamp + DI ist ein ultra-rauscharmes, rein analoges Klangformungswerkzeug, das speziell für Bass entwickelt wurde. Der Bass ZIO bietet eine große Bandbreite an Klangoptionen in einem kompakten Gehäuse mit intuitiven Bedienelementen. Dieser erstklassige Vorverstärker/DI wurde in Zusammenarbeit zwischen Source Audio Ingenieur Jesse Remignanti und Christopher Venter von SHOE Pedals (Schöpfer des DOD Looking Glass und der SHOE Savior Machine) entwickelt. Es verwendet hochwertige Burr-Brown-Operationsverstärker, die einen maximalen Headroom und eine einfache, aber leistungsstarke Reihe von Equalizer-, Gain- und Klangfarbenreglern bieten. Außerdem bietet er drei unabhängige Ausgänge: einen Standard-¼"-Ausgang, einen symmetrischen XLR-Ausgang und einen zusätzlichen Kopfhörerausgang.
Bass ZIO ist sehr einfach zu bedienen. Er verfügt über eine Reihe intuitiver Regler, mit denen sich eine außergewöhnlich vielfältige Auswahl an Bass-Sounds erzielen lässt. Der OUTPUT-Regler bietet eine Gesamtverstärkung von +16 dB über dem Unity Gain sowie eine Absenkung von -6 dB. BASS und FOCUS bieten eine enorme Flexibilität, wenn sie zusammen verwendet werden. Der BASS-Regler sorgt für eine deutliche Anhebung der tiefen Frequenzen bei etwa 100 Hz, während der FOCUS-Regler den Cut-Off-Punkt eines Hochpassfilters verschiebt, um zu tiefe Frequenzen zu zähmen. Zusammen sorgen BASS und FOCUS für die nötige Power, um kolossale Bässe mit einem kräftigen Punch zu erzeugen, ohne dass diese durch schwammige Bässe behindert werden. Der TREBLE-Regler hebt die hohen Frequenzen an oder senkt sie ab, um entweder die Artikulation zu verstärken, ohne dabei zu hart zu klingen, oder um die Attack-Transienten weicher zu gestalten.
Mit den GRIT- und SCOOP-Schaltern bietet der ZIO außerdem zwei dynamische, äußerst nützliche Optionen zur Klangfärbung. Der GRIT-Schalter ermöglicht eine natürlich klingende Verzerrung, die die Magie des transformatorartigen Aufbrechens einfängt, den Ton, der entsteht, wenn ein leistungsstarker Bassverstärker an seine Grenzen gebracht wird. Die Verstärkung des GRIT-Schalters kann mit einem GAIN-Regler an der Seite des Pedals eingestellt werden. Der SCOOP-Kippschalter aktiviert eine spezielle Mittenabsenkung, um "matschige" Frequenzen zu bereinigen. Das Cut-Profil des SCOOP basiert auf dem legendären "Pultec Trick" - einer altehrwürdigen Pultec EQP-1A Equalizer-Einstellung (ein Studio-Rack-Equalizer, der ursprünglich in den 1950er Jahren auf den Markt kam), die Studiotechniker regelmäßig wählen, wenn sie einen klaren Bass-Sound benötigen.
Das Pedal verfügt außerdem über drei Ausgänge, die einzeln oder gleichzeitig verwendet werden können. Die ¼" OUTPUT-Buchse wird an einen Verstärker oder ein Pedalboard angeschlossen. Der DIRECT OUT ist ein symmetrischer XLR-Ausgang mit einem Ground LIFT-Schalter. Der XLR-Ausgang erzeugt einen Verstärkercharakter, wenn er direkt an ein Mischpult oder ein Audio-Interface für Aufnahme- oder Live-Sound-Anwendungen angeschlossen wird. Die HEADPHONE-Buchse verfügt über einen rauscharmen Verstärker mit hohem Dynamikbereich, der auch Studio-Kopfhörer mit niedriger Impedanz ansteuern kann.

The ZIO Analog Bass Preamp + DI is an ultra-low noise, all-analog tone shaping tool voiced specifically for bass. Bass ZIO offers an expansive range of tonal options in a compact housing with an intuitive set of controls. This first-rate preamp/DI was a collaborative between Source Audio engineer Jesse Remignanti and Christopher Venter of SHOE Pedals (creator of the DOD Looking Glass and the SHOE Savior Machine). It utilizes high-quality Burr-Brown Op-Amps which provide maximum headroom and a simple yet powerful set of equalization, gain, and tone coloring controls. It also offers three independent outputs: a standard ¼”, a balanced XLR, and a dedicated headphone jack. 
Bass ZIO is very simple to use. It features an intuitive set of controls that can achieve an exceptionally diverse collection of bass tones. The OUTPUT knob offers +16db of overall boost above unity gain as well as -6db of cut. The BASS and FOCUS offer tremendous flexibility when used in tandem. The BASS knob provides a significant low-end boost at around 100Hz, while the FOCUS knob sweeps the cut-off point of a high-pass filter to tame excessively low frequencies. Together the BASS and FOCUS provide to power to dial in colossal low-end with a powerful punch, without being hampered by floppy bottom. The TREBLE knob boosts or cuts the high frequencies, which can be adjusted to either enhanced articulation without adding harshness, or smooth attack transients for a softer approach. 
ZIO also features a dynamic pair of highly beneficial tone coloring options in the GRIT and SCOOP toggles. The GRIT toggle enables a natural sounding distortion that captures the magic of transformer-style breakup, the tone that occurs when a high-powered bass amp gets pushed to its limit. The amount of gain engaged by the GRIT toggle can be adjusted with a “set-it-and-forget-it” GAIN control located on the side of the pedal. The SCOOP toggle engages a special midrange cut to clean up “muddy” frequencies. The SCOOP’s cut profile is based on the legendary “Pultec Trick” - a time-honored Pultec EQP-1A Equalizer (a studio rack equalizer originally released in the 1950s) setting that studio engineers have regularly dialed up whenever they need added clarity in a bass tone.
The pedal also includes three outputs that can be used individually or simultaneously. The ¼” OUTPUT jack connects to an amplifier or pedalboard. The DIRECT OUT is a balanced XLR output with a ground LIFT switch. The XLR Out brings amplifier character when connected directly to a mixer or audio interface for recording or live sound applications. The HEADPHONE jack features a high dynamic range, low-noise amplifier that is capable of driving low impedance studio headphones.

ZIO Analog Bass Preamp + DI: Official Source Audio Demo - sourceaudioeffects

ZIO Analog Bass Preamp + DI by SOURCE AUDIO || Demo by Nate Navarro

Simple, Powerful & LOUD! - Source Audio ZIO Bass Preamp - Patrick Hunter

Source Audio ZIO Analog Bass Preamp + DI - The Bass Channel

ZIO Analog Bass Preamp + DI

The Spectrum Intelligent Filter is the most powerful stereo filter effect pedal ever created. Building on almost 15 years of filter pedal technology and know-how, Spectrum is the culmination of Source Audio's finest envelope sounds and best thinking on how to easily incorporate those sounds into rigs of all types. The pedal not only features finely crafted envelope filter effects inspired by some of the most iconic and sought-after effects pedals on the market, it also includes buzzing, synth-like octave/distortion/filter effects. The pedal is a cleverly integrated, all-in-one funk/psych/electronic/jam machine. Whether you want to easily plug and play with its six carefully crafted factory sounds, browse the ever-growing Neuro library for additional sounds created by Source Audio and other Spectrum owners, or use the Neuro’s deep sound editing tools to create your own highly personalized presets, this filter pedal will satisfy the needs of any guitar, bass, keyboard, horn, or (insert your instrument here) player. 