The Tri-Mod Wah is an evolutionary outgrowth of the original Hot Hand® Wah Filters system in a compact and accessible format. There are 11 Wah effects that range from Classic Wah through Low, Band Pass and Multipeak variations, that can all be further modified using either a Hot Hand motion controller, LFO (Low Frequency Oscillator) or Envelope Follower.

All Soundblox effects pedals are compatible with the Hot Hand Motion Controller — available separately in wireless or wired configurations — or an extensive range of on-board controls. Soundblox pedals provide a wide variety of original sounding effects in a sleekly designed, rugged package that is easy to use and highly flexible. Features• 11 Wah sounds, including Classic Wah, 2 Low Pass filters, 2 Band Pass filters and 6 Multipeak filters.

Review: Source Audio Soundblox Tri-Mod Effects

Users Manual

Soundblox Tri - Mod Wah

Mit dem Mercury Flanger hat Source Audio nicht nur einen beachtlichen Flanger mit einer Menge an sanften bis überwältigenden Flange Sounds geschaffen. Taucht man via Neuro App erst einmal in die fantastischen Möglichkeiten dieses Pedals ein scheinen den Soundwelten keine Grenzen mehr gesetzt. Nicht nur bietet der Flanger der Source Audio One Series drei enorm gelungene Presets – hierunter befindet sich das vielgesuchte Thru-Zero a.k.a. Tape Flanging – sondern auch die Möglichkeit über Verbindung mit dem Smartphone weitere Effektparameter zu steuern und in den Presets zu speichern. Der Nutzer hat hier Zugriff auf eine sich ständig erweiternde Sammlung von Presets oder, kann eigene Modulationswelten kreieren, die keineswegs auf Flanging beschränkt sind.

With the Mercury Flanger Source Audio has not only created an astonishing array of flanging sounds ranging from subtle to overwhelming in a handy stompbox. If one looks beneath the surface of the enclosure using the Neuro App, an entire world of sound, seemingly without limits opens up. Not only does the Mercury offer three very well designed presets, amongst which one will find the sought after thru-zero a.k.a. tape flanging. There is also the option to connect the pedal to your smartphone to control a multitude of further effects parameters and save them in the three preset slots. The user also gets access to a vast and ever increasing collection of presets or can create their own sounds which are not at all limited to mere flanging.

Official Product Page

Source Audio SA 240 One Series Mercury Flanger - Official Demo Video

Manual

Source Audio SA 240 One Series Mercury Flanger - Review by Muzikus CZ

Source Audio SA 240 One Series Mercury Flanger - Review by Bonedo DE

Source Audio SA 240 One Series Mercury Flanger - Review by Gitarre&Bass DE

Source Audio One Series - Review by Tone Report

Mercury Flanger

Der Source Audio SA 252 One Series Atlas Compressor bietet eine umfassende Sammlung unterschiedlicher Kompressor-Schaltungen, die den Klang und das Feeling der begehrtesten Kompressoren am Markt perfekt einfangen und mit einem Knopfdruck lässt sich Atlas einfach für Gitarre oder Bass optimieren. Mit den Factory Presets bietet Atlas sechs verschiedene Kompressor-Stilrichtungen, die von klassischen Stompbox-Kompressoren bis hin zu High-End Studio Rack Units reichen. Das Pedal verfügt außerdem über eine fortschrittliche Dual-Band Compression, die eine getrennte Kompression der Höhen und Bässe mit individuellen Einstellungen ermöglicht. Jede Compression Engine verfügt über Onboard-Regelmöglichkeiten für Threshold, Ratio, Attack, Release, Output, Tone und Mix, die eine fein abgestimmte Steuerung der kompakten Hardware der One Series ermöglichen. Wie bei allen Pedalen der One Series ist es möglich, noch mehr aus dem Atlas Compressor herauszuholen, wenn man das Pedal mit dem Neuro Desktop Editor oder der Mobile App verbindet. Der Neuro-Editor entfesselt die Leistung eines komplexen Studiokompressor-Moduls, ähnlich dem, was man in einem DAW Plug-In oder einem analogen Rackmount-Gerät sehen würden. Der Neuro Editor enthält eine Signalanzeige, die die Gain-Reduktion des Kompressors in Echtzeit anzeigt. Darüber hinaus verfügt der Neuro Editor über besonders tiefgreifende und leistungsstarke Parameter für weitere Optimierungen und klangliche Anpassungen. Mit dem One Series Atlas Compressor liegt Musikern die gesamte Geschichte der Audio-Kompression, von VCA über RMS bis hin zu Optical und mehr, sprichwörtlich vor den Füßen!

The Source Audio SA 252 One Series Atlas Compressor features a comprehensive collection of compression circuits that perfectly capture the tone and feel of the industry's most sought-after compressors and with the push of a button, Atlas can be easily optimized for either guitar or bass. Straight out of the box, Atlas delivers six different styles of compression, ranging from classic stompbox compressors to high-end rack units. The pedal also features advanced dual-band compression, which provides an independent set of controls for both the high and low frequencies. Each compression engine has onboard controls for Threshold, Ratio, Attack, Release, Output, Tone, and Mix, allowing for fine-tuned control over the compact One Series hardware. Like all One Series pedals, it is possible to get even more out of your Atlas Compressor by connecting to the Neuro Desktop Editor or Mobile App. Neuro editing unlocks the power of a full studio compressor module, similar to what you would see in a DAW plug-in or analog rack-mount gear. The Neuro Editor includes a signal readout display that shows the compressor's gain reduction in real time. In addition, the Neuro Editor features extra deep and powerful parameters for further tweaking and tonal exploration. Discover the full history of audio compression, from VCA to RMS to Optical and more with the one-of-a-kind Atlas Compressor.

Source Audio SA 252 - One Series Atlas Compressor - Official Demo Video (Guitar)

Source Audio SA 252 - One Series Atlas Compressor - Official Demo Video (Bass)

Source Audio SA 252 - One Series Atlas Compressor - Demo / Review Video - HarryAndAGuitar

Source Audio SA 252 - One Series Atlas Compressor - Demo Video - HarryAndAGuitar

Source Audio Atlas Compressor - Review by Gitarre & Bass, 11.22  [DE]

SA 252 Atlas Compressor

Der Kingmaker Fuzz hat ein kleines Gehäuse, aber unter der Haube verbirgt sich ein lila Power Horse an über 50 Jahren knisternden Fuzz Sounds und Overdrive Technologie. Für sich selbst featured das Kingmaker drei Fuzz Engines, aber verbindest du es mit der Neuro App (kostenlos herunterladbar für iOS und Android), hast du Zugriff auf eine Reichhaltige Kollektion an zusätzlichen, Overdrive, Fuzz und Distortion Sounds mit erweiterten Möglichkeiten, wie parametrischem EQ, Stereo Routing und internem Gain Stage Stacking. Der Kingmaker Fuzz ist die Kulmination von acht Jahren Entwicklungsarbeit und Studium klassischer Overdrive Sounds, zusammengebracht mit ausgefuchsten, modernen Technologien – ein Fuzz Pedal ohne Rivalen am Markt!

The Kingmaker Fuzz features a compact enclosure, but inside this purple powerhouse live the sizzling tones of over 50 years of fuzz and overdrive technology. On its own the Kingmaker features three killer fuzz engines, but connect it to the Neuro Mobile App (a free download for iOS and Android) and access a massive collection of additional overdrive, fuzz and distortion tones with extended parametric EQ capabilities, stereo routing options, and internal stacking functionality. The Kingmaker Fuzz is the culmination of an eight-year study of classic overdrive tones combined with highly sophisticated, contemporary technology - it is a fuzz pedal unrivaled.

Source Audio SA 245 One Series Kingmaker Fuzz - Official Demo Video

Kingmaker Fuzz

The Reflex Universal Expression Controller is the stand-alone command center for all of your expression pedal needs. It is a programmable expression pedal that connects to any effects pedal, synthesizer, or rack system with an expression or MIDI jack, and can also control DAW software via USB. Its outputs include three ¼” analog expression outs, MIDI 5-pin DIN in and out connectors, a USB port, and Source Audio’s proprietary 1/8” Sensor Out. Use the onboard control panel to program which outputs are active, the depth and direction of the expression or MIDI continuous controller signals, and the curve of the tapers. The Reflex can also send five different LFO wave shapes with expression control of the depth, modulation speed, or beat division. Save up to 128 expression configurations, recallable via the onboard controls or external MIDI program change messages.

The Reflex Universal Expression Controller allows musicians to create an endless array of unique effects by providing independent or simultaneous control over the expression function of multiple effects pedals or rack systems.

The Reflex’s bright LED display and clearly labeled control panel make it extremely easy and intuitive to program anything from very basic to highly complex expression configurations. The Reflex holds up to 128 user presets — within each preset it is possible to assign a different expression function to every expression output and MIDI port on the pedal. Use the control panel to select which outputs are active, the depth and direction of each expression signal, and the curve of the tapers.
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It is also possible to send an automated modulation signal to each expression output with LFO wave shapes. Set the expression pedal to control the LFO’s depth, modulation speed, or the beat divisions over a fixed BPM. LFO wave shapes include sine, square, saw tooth, triangle, random sample and hold, as well as a "User" position, reserved for future features. Sending LFO signals is a nice way to achieve (for example) a vibrato effect from an external pitch shifting pedal or a tremolo from the level control of an external unit.

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