Nikola Milenkovic

Bass Driver and dUg Pinnick are running paralel. The signals meet again at EQ2.

Metal Bass

DSM Noisemaker

Product Page

Sub Atomic

Tester

ISP Technologies

Deci-Mate

Giuseppe Luzzi

Das Relay G30 Funksystem für elektrische Instrumente ist zwar kompakt und federleicht, befindet sich aber trotzdem in einem robusten Gehäuse aus Polykarbonat. Das erstaunlich anwenderfreundliche Relay G30 versteht sich vor allem als zuverlässiger Partner – ganz gleich, ob man es auf den Amp stellt oder ins Pedalboard integriert.

The Relay G30 instrument wireless system is compact and lightweight, while at the same time its rugged polycarbonate shell makes it dependably roadworthy. Refreshingly easy to use, the Relay G30 offers reliable performance whether the receiver is placed on your amp top or mounted to your pedalboard.

LINE 6

Manual

Relay G30

David Litaba

Kopfhörerverstärker mit Lautsprecher-Simulation und Bluetooth

Der Darkglass Element ist ein praktischer Kopfhörerverstärker für Gitarristen und Bassisten, der sich als ideales Tool zum Üben, Proben, Aufnehmen oder Monitoring entpuppt. Dementsprechend vermitteln hochwertige Lautsprechersimulationen auf Basis von Impulse-Responses ein besonders natürliches Spielgefühl, sowohl mit dem eigenen Pedalboard als auch mit Modelern oder am Direct-Out eines Verstärkers. Während der USB-C-Anschluss das Laden eigener Impulse-Responses gestattet, können über Bluetooth oder die Aux-In-Buchse Backing-Tracks wiedergegeben werden. Außerdem stellt der Kopfhörerverstärker einen symmetrischen XLR-Ausgang für den direkten Anschluss an Mischpulte oder Audio-Interfaces bereit. Als absolutes Highlight des Darkglass Element erweist sich außerdem die intuitive Bedienung über Touch-Sensoren.

Headphone amplifier with speaker simulation and Bluetooth

The Darkglass Element is a practical headphone amplifier for guitarists and bassists that turns out to be the ideal tool for practicing, rehearsing, recording or monitoring. Accordingly, high-quality loudspeaker simulations based on impulse responses convey a particularly natural playing feel, whether you play with your own pedal board, with modelers or at the direct-out of an amplifier. While the USB-C connection allows you to load your own impulse responses, backing tracks can be played back via Bluetooth or the Aux-In socket. The headphone amplifier also provides a balanced XLR output for direct connection to mixing consoles or audio interfaces. Another highlight of the Darkglass Element is the intuitive operation via touch sensors.

Darkglass Electronics

Demo by Janek Gwizdala

Demo by  Guitar Interactive Magazine

Element: Headphone Amp · Cabsim

Review by Joris Henke, gitarrebass.de

Review by Rainer Wind, bonedo.de

Element

"Plug into Zoom's MS-60B Multistomp and bring your bass to the forefront. 58 expertly crafted DSP effects and bass amp / cabinet models give you everything you need to quickly and easily create deep, rich bass tones. Dual output jacks and a handy built-in tuner complete the package, making the MS-60B the perfect companion both onstage and in the studio." - Zoom

ZOOM

Demo by  Bass Weekly!

Demo by  PopMusicRu

Review by Ultimate Guitar

Review by Premier Guitar

Review by Talk Bass.com

Effects List

MultiStomp MS-60B

Der Source Audio SA 270 One Series EQ2 Programmable Equalizer ist wahrscheinlich das leistungsfähigste und fortschrittlichste Equalizer-Pedal auf dem Markt. Die Stompbox basiert auf dem extrem beliebten Source Audio Programmable EQ, der es unter anderem auf die Pedalboards von David Gilmour und John Mayer geschafft hat. Der überarbeitete EQ2 aus der One Series bietet eine Kombination aus grafischem und parametrischem EQ mit 10 vollständig editierbaren Frequenz-Bändern, Stereo Ein- und Ausgängen, MIDI-Funktionen, 4 bzw. 8 Onboard-Presets, 128 MIDI-Presets, einem zusätzlichen +12 dB Volume Boost, einem Noise Gate, Limiter, Stimmgerät und der Möglichkeit zwei unterschiedliche EQ-Presets parallel laufen zu lassen (ein Preset für jeden Stereo-Ausgang). Über die Regelmöglichkeiten direkt am Pedal hat man vollen Zugriff auf alle wichtigen Parameter, aber nutzt man den kostenlosen Neuro Desktop Editor oder die Mobile App zeigt das Pedal sein eigentliches Potential. In einem verständlichen Editor erhält man vollen Zugriff auf flexible Regelmöglichkeiten, die man sonst nur von hochwertigstem Studio-Equipment kennt. Im Neuro Editor lässt sich der Equalizer komplett parametrisch verändern (inklusive Q-Faktor und Frequenz-Verschiebung), die Routing- und Output-Optionen editieren oder die externe Expression Control verändern.

The Source Audio SA 270 One Series EQ2 Programmable Equalizer might be the most powerful and advanced equalizer pedal on the planet. This exceptional piece of gear builds off the legacy of its predecessor, the Source Audio Programmable EQ, a tremendously popular pedal that landed on the boards of numerous pro guitarists, including six-string icons David Gilmour and John Mayer. The updated EQ2 is a combination graphic and parametric equalizer with 10 fully adjustable frequency bands, stereo ins & outs, MIDI in and thru jacks, 4 or 8 onboard presets, 128 MIDI accessible presets, an additional +12 dB volume boost, a built in noise gate, limiter, and tuner, plus the ability to simultaneously run two discrete EQ presets (one for each stereo output). The controls on the face of the EQ2 Programmable Equalizer provide quick access to a deep set of tone-sculpting tools unmatched in traditional effects pedals, but connect your EQ2 to the free Neuro Desktop Editor and Mobile App (via the pedal's USB port) and access a beautifully laid-out set of controls ordinarily associated only with high-end rack gear. The Neuro Editor's sleek and user-friendly interface includes detailed parametric editing capabilities (Q factor and frequency shifting) for all 10 frequency bands, two-channel stereo options, noise gate and limiter controls, as well as detailed external expression control.

Source Audio

Official Product Page

Source Audio SA 270 - One Series EQ2 Programmable Equalizer - Official Demo Video

Source Audio SA 270 - One Series EQ2 Programmable Equalizer - Official Demo Video - Basic Functions & Hidden Features

Source Audio SA 270 - One Series EQ2 Programmable Equalizer - Demo / Review Video - AndyDemos

Source Audio SA 270 - One Series EQ2 Programmable Equalizer - Demo / Review Video - Pete Thorn

Source Audio SA 270 - One Series EQ2 Programmable Equalizer - Demo / Review Video - Musiker TV

Source Audio SA 270 - One Series EQ2 Programmable Equalizer - Demo Video - Musiker TV

Source Audio SA 270 - One Series EQ2 Programmable Equalizer - Demo Video - Mike Hermans

Source Audio SA 270 - One Series EQ2 Programmable Equalizer - Review by Gitarre&Bass [DE], [10-2020]

SA 270 - One Series EQ2

Mit dem AfterShock Bass Distortion wird es richtig schmutzig. Für sich alleine und direkt aus der Schachtel hat es bereits drei massive Bass Distortion Engines mit enormer tonaler Bandbreite. Das Spektrum reicht hier von Low-End Crunch über natürlichen subtilen röhren-artigen Overdrive bis zu In-Your-Face germanium-style Fuzz. Angeschlossen ans Smartphone hat man mit der Source Audio Neuro App Zugriff auf weitere Parameter und eine Bibliothek aus über 40 Overdrive, Distortion und Fuzz Algorithmen. MIDI-Kompatibilität via separat erhältlichem Source Audio Neuro Hub und Stereo In- und Outputs runden das Paket ab und machen diesen Bass Drive zu einem der flexibelsten am Markt.

With the AfterShock Bass Distortion it gets really dirty. By itself and directly out of the box, it comes with three massive bass distortion engines of enormous tonal range. Their spectrum spans from low-end crunch to subtle tube-like overdrive to in-your-face germanium style Fuzz. Plugged to a smartphone one gets access to a myriad of further parameters and a library of over 40 overdrive, distortion and Fuzz algorithms via the Neuro App. MIDI compatibility via the separately available Source Audio Neuro Hub as well as stereo in- and outputs make this one of the most flexible bass drives on the market.

Source Audio SA 246 One Series AfterShock Bass Distortion - Official Demo Video

Aftershock Bass Distortion (SA246)

PedalSafe Type SR1

QuickMount Type SR1

Pedal-Montageplatte für SOURCE AUDIO AfterShock, Vertigo, TrueSpring Reverb, Gemini Chorus, C4 Synth & EQ Pedale

Pedal Mounting Plates for SOURCE AUDIO AfterShock, Vertigo, TrueSpring Reverb, Gemini Chorus, C4 Synth & EQ pedals

Schutzabdeckung & RockBoard-Montageplatte für SOURCE AUDIO AfterShock, Vertigo, TrueSpring Reverb, Gemini Chorus, C4 Synth & EQ Pedale

Protective Cover & RockBoard Mounting Plate For SOURCE AUDIO AfterShock, Vertigo, TrueSpring Reverb, Gemini Chorus, C4 Synth & EQ pedals

Schutzabdeckung & universelle Montageplatte für SOURCE AUDIO AfterShock, Vertigo, TrueSpring Reverb, Gemini Chorus, C4 Synth & EQ Pedale

Protective Cover & Universal Mounting Plate For SOURCE AUDIO AfterShock, Vertigo, TrueSpring Reverb, Gemini Chorus, C4 Synth & EQ pedals

Logan Norcliffe

A super-compact adaptation of his Tech 21 Ultra Bass 1000 Signature head, the DP-3X also recreates the sound dUg originally developed way back in the ‘80s, merging high-end distortion with low-end bass. Prior to his signature head, this involved running a guitar amp and a bass amp together, along with rack full of effects. Wanting to further streamline his gear for occasions when his full Tech 21 rig simply isn’t practical, dUg collaborated on the all-analog DP-3X pedal. Personally beta-testing the DP-3X on a European tour, dUg encountered a different backline in each and every venue. But no matter which amp was on stage, dUg was able to nail his immense tone each and every night.

In addition to achieving dUg’s unique tone, the DP-3X has the flexibility to provide traditional bass amp sounds as well. Mix mode engages Drive to bring in distortion and Chunk for upper harmonics. A Gain button provides additional distortion and compression. In clean/full-range mode, Drive and Chunk disengage, while Comp and Gain remain active. Other controls include 3-band active EQ with switchable Mid and a master Volume. Features include chromatic tuner, headphone capability, and an XLR Output to go direct to the PA desk or studio board without compromising detail, warmth or responsiveness.

Tech 21

Demo by Tech21nyc

dUg DP3X

Much more than just a direct box, the SansAmp Bass Driver DI is capable of dialing up big vintage tube tones, bright modern slap sounds, gnarly distortions, and all in between. Three different outputs to drive power amps, recording desks, PA mixers, or simply enhance your current rig. Controls include Presence for definition and upper harmonic content; Blend to combine the proportion of direct signal and SansAmp circuitry; and active EQ specifically tuned for bass with 12dB of cut or boost.

VERSION 2
With the popularity of 5- and 6-string basses going beyond fad status and becoming mainstream, we added a switch to adjust the bass frequency to extend into those lower registers. We also added a mid-range control and a switch to adjust its frequency. The core of the SansAmp Bass Driver and all of its tones remain true to its original design.

Review by Bass Musician

Review by bonedo

Review by Guitar Interactive Magazine

Demo by Philip Brennan

Demo by Bass Stuff

Bass Driver DI, Bass Driver DI v2

PedalSafe Type D2

QuickMount Type D

Pedal-Montageplatte für große horizontale Pedale

Pedal Mounting Plate For Large Horizontal Pedals

Schutzabdeckung & RockBoard-Montageplatte für große horizontale Pedale

Protective Cover & RockBoard Mounting Plate for Large Horizontal Pedals

Schutzabdeckung & universelle Montageplatte für große horizontale Pedale

Protective Cover & Universal Mounting Plate For Large Horizontal Pedals

Designed to be the perfect complement to our distortion circuits, the flexibility and portability of the Harmonic Booster is also the perfect one-stop solution for gigging musicians in search of a precise and harmonically rich clean preamplifier.

Demo by Stuart Clayton

Official Product Video

Review by TalkBass.com

Review by Naris Sebastian Stolz, amazona.de

Demo by BassTheWorld

Harmonic Booster

The Hyper Luminal Compressor features the first hybrid design in a compressor pedal: an analog VCA controlled by a digital side-chain allowed us to capture and include the characters of some of the most legendary compressors in history while keeping the signal path completely analog.

Demo by  BassTheWorld.com

THE BEST GUITAR COMPRESSOR I'VE USED | Darkglass Hyper Luminal Compressor

Hyper Luminal · Hybrid Compressor: Demo by Or Lubianiker

Review by CompressorPedalReviews.com

Hyper Luminal

KORG

Pitchblack Custom

Für 7-12 FX-Pedale, 1 MOD-Slot - **598 x 236 mm / 23.54" x 9.29"** - erhältlich mit Gig Bag oder Flight Case

For 7 - 12 FX pedals, 1 MOD slot - **598 x 236 mm / 23.54" x 9.29"** - available with Gig Bag or Flight Case

christopher P

Tossing around configuration ideas for a bass board for ampless gigs. The tuner, compressors, and octaver run in front of the HX Stomp. The HX will be used for amps and cabs/IRs, and any additional FX. The Aftershock will run from the L mono send on the HX with dual mono returns so I can blend clean/dry or hi/low back in on separate paths in the Stomp.

The stereo Canvas will be mounted under the board where it is pictured on the layout, with holes drilled to access the XLR outputs. Unfortunately Rockboard doesn't make a patchbay that quite suits my needs. I would like it very much if, in future versions of this product line, they might consider user configurable patchbays, or just have a bunch of D style punch-outs on the front of the board. Something like that would be a better option than what they offer now, IMO. I know they make one with two XLR outs, but I like the one I have because I'd rather have the midi passthroughs for other configurations I might put together, and I don't need an XLR  in. I often need two XLR outs.

The L mono output from the HX goes to the left channel of the canvas to send my FX signal to FOH. The R send from the HX will go to the right channel on the Canvas  to send either dry or low passed clean signal to FOH. The L/R outputs from the Canvas also go to jacks 3 and 4, respectively, on the Rockboard patchbay in the event I need to utilize the 1/4" outputs for anything.

The Midi Baby will send commands to the HX, which passes or sends midi commands to the Aftershock.

I'm playing around with other ideas as well, but this seems promising for what I'm trying to accomplish.

It will be powered either with an appropriate array of Cioks stuff, or something from Sweetfoot.

Die überarbeiteten RockBoard® MODs V2 sind einfache all-in-one Patchbays für die RockBoard Pedalboard Series mit einem neuen, überarbeiteten Design und einem kompakten Gehäuse. Passend für alle neuen RockBoards® (außer der DUO-Serie) mit einem MOD-Slot, bieten sie als komfortable Patchbay verschiedene Kabelverbindungen, um eine weite Reihe von Bedürfnissen abzudecken. Mit den RockBoard® MODs kannst du deine Pedale dauerhaft unter dem Board verkabeln und alle Verbindungen zu und von deinem Effektsetup in einem praktischen Modul organisieren. Die RockBoard® MODs bieten einen zentralen Zugangspunkt vom Instrument zum Verstärker sowie eine praktische und einfache Stromversorgung des Boards über einen IEC- und einen 2,1 x 5,5 Barrel-Through-Stromanschluss. Das RockBoard® MOD 2 V2 wurde als Patchbay speziell für MIDI-basierte Setups, Verstärker und Geräte sowie eine USB-Verbindung zwischen Pedalboard und Computer oder Soundkarte entwickelt. Mit vier TRS-Through-Verbindungen lässt sich das MOD 2 V2 perfekt in True Stereo Setups von Keyboards oder Synthesizern integrieren oder als zentraler Zugang und Ausgang des Boards nutzen. Alternativ lassen sich Effektpedale im Front End und im Effekt-Loop des Verstärkers postieren (4-Kabel Methode).
- All-in-One Patchbay für Pedalboards
- passend für MOD slots in RockBoard Pedalboards
- kompatibel mit einer weiten Reihe and anderen Pedalboards
- fungiert als zentraler Zugangspunkt zu deinem Effekt Setup
- etabliert klare Kabelwege zum und vom Pedalboard
- abnehmbare Frontplatte für Montage auf oder unter Pedalboards
- 4 x 6,3 mm TRS thru
- 2 x 5-pin DIN MIDI thru
- 1 x USB Type A thru
- 1 x DC 2,1 x 5,5 mm Hohlstecker thru
- 1 x AC IEC thru (männlich vorne / weiblich hinten)
- alle Anschlüsse gespiegelt auf der Rückseite
- Abmessungen exkl. Frontplatte (B x T x H): 160 x 60 x 33 mm
- Abmessungen der Frontplatte (B x H): 175 x 48 mm
- Gewicht 420 g
- inkl. Montageschrauben, Kontermuttern und TX Schlüssel

The improved RockBoard® MODs V2 are simple all-in-one patchbays for RockBoard pedalboards with a new, refreshed design, and compact housing. Utilizing the MOD slot on all new RockBoards® (except the DUO series), they provide various cable connections to fit a wide variety of needs as a convenient patchbay. With the RockBoard® MODs, you can permanently connect your pedals underneath your board and organize all connections to and from your effects setup in one convenient module. The RockBoard® MODs provide a central access point from your instrument to your amp, as well as your power supply via IEC, and a 2.1 x 5.5 barrel thru power connector. The RockBoard® MOD 2 V2 is a pass-thru box especially designed for MIDI-controlled amplifiers and devices, USB connections to a computer, or a sound card. The 4x TRS thru connections will also work great for true stereo setups with keyboards or synthesizers. It can also be used to run several pedals from your board through the effects loop of your amp, or as a central access point to your pedalboard via its 4x TRS thru connections.
- all-in-one patchbay for pedalboards 
- fits MOD slots in RockBoard pedalboards
- compatible with a wide variety of other pedalboards
- acts as the central access point to your effects setup
- establishes clean cable paths to and from the pedal board
- detachable front plate for mounting on top or underneath pedalboards
- 4 x 6,3 mm / ¼" TRS thru
- 2 x 5-pin DIN MIDI thru
- 1 x USB Type A thru
- 1 x DC 2,1 x 5,5 mm barrel thru
- 1 x AC IEC thru (male front / female back)
- all connections mirrored on the backside
- dimensions excl. front plate (W x D x H): 160 x 60 x 33 mm / 6 19/64" x 2 23/64" x 1 19/64"
- dimensions of the front plate (W x H): 175 x 48 mm / 6 57/64" x 1 57/64"
- weight 420 g / 0.93 lbs
- incl. mounting screws, counter nuts, and TX wrench

All-in-One TRS, MIDI & USB Patchbay

Bass Board for Ampless Gigging  Tres 3.1

Danielo Olivera

Kontrolliere ein Volumen und FX-Parameter ohne dein Pedalboard mit einem weiteren großen Pedal noch voller zu packen. Platzsparen muss nicht heißen auf Funktionalität zu verzichten – das DVP Volume (X) Pedal macht alles das, was sein großer Bruder das DVP3 kann – bei halber Größe und genauso robust gebaut im leichten Alu-Gehäuse. Wie das DVP3 hat es auch die rutschfeste Pedaloberfläche und den patentierten Low-Friction-Band-Drive, der für einen sanften und gleichmäßigen Regelweg und zuverlässige Performance sorgt. Für maximalen Komfort ist die Leichtgängigkeit des Pedals vollkommen einstellbar.

Der AUX Ausgang vereint Tuner und Expression Funktion in einer Buchse, die per internem Schalter festgelegt werden kann. Über interne Trim-Potis kann das Minimum-Volumen des Pedals eingestellt werden und wenn du willst, kannst du auch die Funktionsrichtung umkehren – ein weiterer interner Schalter macht’s möglich.

Control your volume and FX parameters without crowding your pedalboard. Saving space doesn’t mean skimping on durability or functionality—the DVP4 Mini Volume (X) Pedal does everything that the larger DVP3 does at half the size, and it’s just as solidly built with a lightweight aluminum chassis, aggressive non-slip tread, and our patented Low Friction Band-Drive for a smooth range of motion and consistent, reliable performance. For maximum comfort and precision, the DVP4’s rocker tension is fully adjustable. 

The AUX output combines tuner and expression functionality into one jack that can be toggled with a switch inside the pedal. When using the DVP4 as an expression pedal, you can use an internal pot to set the minimum level of the parameter you’re controlling with the rocker. If you want to reverse the function of the heel-down and toe-down positions, the DVP4 has another internal switch that allows you to do so.

Dunlop

Dunlop Volume (X) Mini Pedal Review Premier Guitar EN

VOLUME (X) MINI (DVP4)

Patrick Dougherty

The Canvas stereo is a Direct Box/Line Isolator designed to remove any resistance between you and your audience by giving a pristine sonic foundation to build your masterpiece upon. From houses of worship to the dive bar downtown, Canvas Stereo is built to be the performance tool that goes wherever you are making your music.

Walrus Audio

Review by HAPPY MAG

Demo by Mark Johnston

Canvas Stereo Dual Line Isolator / D.I.

QuickMount Type B1

Pedal-Montageplatte für FRIEDMAN, KEELEY Halo, WAMPLER EQ, VelvetFuzz, WALRUS DeepSix, JULIA V2, 385 OD, Jupiter V2 und Mooer GL 100 Pedale

Pedal Mounting Plate for FRIEDMAN, KEELEY Halo, WAMPLER EQ, VelvetFuzz, WALRUS DeepSix, JULIA V2, 385 OD, Jupiter V2 and Mooer GL 100 pedals

An additional Pedal Creator entry for the HX Stomp, for users who configure theirs with dual mono sends so that your signal flow diagram in the Pedal Creator will work correctly.

HX Stomp (dual mono sends)

Nathan Rapheld

Seit über 75 Jahren vertrauen einige der größten Namen auf der Bühne und im Studio auf Peterson als Maßstab in Sachen Stimmpräzision. Der StroboStomp Mini™ bietet die unübertroffene Stimmgenauigkeit von 0,1 Cent aller authentischen Peterson Strobe Tuner im Format eines Mini-Pedaltuners. Mit einem hochauflösenden LCD-Strobe-Display mit variabler LED-Farbhintergrundbeleuchtung klingen Ihre Instrumente nie besser gestimmt. Ein True-Bypass-Modus ohne Knackgeräusche und ein gepufferter Ausgabemodus geben Ihnen die Kontrolle über Ihren kostbaren Klang ohne Kompromisse. Mit über 80 exklusiven Sweetened Tunings® und Guided Tunings an Bord können Sie Ihren Sound einstellen und stimmen wie die Profis!

For over 75 years, Peterson has been trusted by some of the biggest names on stage and in the studio as the standard in tuning precision. The StroboStomp Mini™ delivers the unmatched 0.1 cent tuning accuracy of all authentic Peterson Strobe Tuners in a mini pedal tuner format. Featuring a high-definition LCD strobe display with variable LED color backlight, your instruments will never sound more in tune. A pop-less true bypass mode and a buffered output mode place you in command of your precious tone without compromise. With over 80 exclusive Sweetened Tunings® and Guided Tunings on-board, you'll be able to dial in your sound and tune like the pros!

Peterson

Demo by The Time Preservation Society

Review by reddit /guitarpedals

Review by guitar pedal X

Quick Start Guide

Strobostomp Mini

Yoshi van Vroonhoven

Das Mini Mounting MOD TRS ermöglicht einen bequemen Zugang zur Signalversorgung der Pedale auf dem Board. Es passt perfekt in die Befestigungslöcher des RockBoard® LED-Lights und ist eine vielseitig einsetzbare, saubere Montage-Lösung auf allen Pedalboards der RockBoard® Serie. Der zentrale Zugang zur Signalversorgung erfolgt durch eine TRS 6,3 mm Stereoklinkenbuchse. Da es sich bei den Klinkenbuchsen um Durchgangsbuchsen handelt, ist auch in umgekehrter Richtung eine Weiterleitung von Signalen an externe Pedale, wie z.B. Wah, möglich. Auch sind, durch die Verwendung von TRS-Stereo-Buchsen, „Send/Return“-Anwendungen (A- = Tip und B- = Ring) einfach realisierbar.

The Mini Mounting MOD TRS provides convenient access to the signal supply of the pedals on the board. It fits perfectly into the RockBoard® LED Light mounting holes and is a versatile, clean mounting solution on all RockBoard® series pedalboards. Central access to the signal supply is provided by a TRS 6.3 mm stereo jack socket. Since the Mini Mounting MOD TRS uses through-connections between the inner and outer jacks, it is also possible to pass signals in the reverse direction to external pedals, such as Wah. Also, by using TRS stereo jacks, „send/return“ applications (A- = tip and B- = ring) are easy to realize.

RockBoard

MiniMod TRS

Elod Bajrami

Altoids

Diamond Pedals

Diamond Pedals Website 

Bass Comp Jr

Analog Octaver with 1 octave down. Second footswitch for sub octave only. Tone Control for OC2-like sound CCW and Mutron-like sound CW.

3 Leaf Audio

Demo by Marc-Antoine Forget

Octabvre MkIII

daniel lee

Der Cali76 Bass Compressor ist ein Kompressor-Pedal in Studioqualität, das vom weltberühmten Urei 1176 Studiokompressor inspiriert ist, der seit den 1960er Jahren auf vielen der größten Studioaufnahmen zu hören ist. Der Cali76 Bass Compressor nutzt eine kompromisslose, vollständig analoge Schaltung, um dem modernen Gitarristen diese unverwechselbaren, ultraschnellen FET-Kompressionsklänge zugänglich zu machen. 

Als neuestes Modell in einer langen Reihe von Cali76-Kompressoren verfügt der Cali76 Bass Compressor über einen vollständigen Satz an Reglern im Studio-Stil, einen DRY-Regler für Parallelkompression und einen verbesserten Sidechain, der der Ansprache unseres begehrten „Large Format“ Cali76 entspricht – dem Pedal, das Origin Effects 2012 bekannt gemacht hat.

Übersetzt mit DeepL.com (kostenlose Version)

The Cali76 Bass Compressor is a studio-grade compressor pedal inspired by the world-famous Urei 1176 studio compressor, heard on many of the greatest studio recordings since the 1960s. The Cali76 Bass Compressor uses uncompromising all-analogue circuitry to make these distinctive, ultra-fast FET compression tones available to the modern guitarist. 

The latest in a long lineage of Cali76 compressors, the Cali76 Bass Compressor features a full set of studio-style controls, a DRY knob for parallel compression and an improved sidechain that matches the response of our sought-after “large format” Cali76 – the pedal that put Origin Effects on the map back in 2012.

Origin Effects

Review by Compressor Pedal Reviews

Review by reddit /basspedals

Demo by IvanBassist

Cali76 Bass Compressor (Super Vintage Blue)

Carlos  Steinmann

MIDI Baby 3 works like three MIDI Babies in a single enclosure – three footswitches, three LEDs, triple the programmability.

Connect MIDI Baby 3 to your computer using the supplied USB cable, then launch our intuitive web configuration tool. You can then configure MIDI Baby 3 to send a wide variety of useful MIDI messages, configure its inputs and outputs, and even change the LED colors for each function.

Send program changes, continuous controller messages, MIDI notes, and more. Special “meta” commands allow you to change how the MIDI Baby 3 works on the fly, so you can invert or re-order messages. Finally, a built-in MIDI clock option allows you to send clock to your connected MIDI devices.

Disaster Area Designs

MIDI Baby 3

Für 5-10 FX-Pedale, 1 MOD-Slot - **522 x 236 mm / 20.55" x 9.29"** - erhältlich mit Gig Bag oder Flight Case

For 5 - 10 FX pedals, 1 MOD slot - **522 x 236 mm / 20.55" x 9.29"** - available with Gig Bag or Flight Case

Marlon Dorand

BASS - Spaceship 60W + HB StompControl Switcher-copy

Francisco Ferreira

The first generation of D-SEED was well received, then JOYO gathered numerous feedbacks from customers and launched D-SEED II stereo delay, which bringing brand new algorithms, and provides 8 different delays. Various effects are listed as below: Space, LO-FI, Filter, Tape, Copy, Analog, Modulation and Reverse.

Moreover, there's a neat feature, D-SEED II has a toggle that allows you to add stereo PingPong effect to the delay, which means you can hear vivid spinning sound around.

Tap Tempo is one of its functions, you can set the time of the delay with only one foot.

D-SEED II also features LOOPER function, you can get 3.5 minutes recording time in total, buy this delay and you get a looper for free!

JOYO

Demo by The ATX Gear Show

Demo by Ambient Endeavors

Review by Delicious Audio

Review by reddit.com/r/guitarpedals

Review by Gear News

Demo by Perry Frank

D-SEED II

With 15 dB of available boost or cut per band, the EQ700’s seven frequency bands were carefully optimized to provide the ultimate tools for EQ’ing your guitar. Of course, to make full use of the EQ700’s capabilities, it helps to first understand some basics about the frequency range of your axe. The EQ700 covers the audio spectrum from below 100 Hz to over 6.4 kHz, allowing you to effectively cut or boost a slew of frequencies to help bring focus to your sound. Special attention has been paid to the critical midrange frequencies, which can easily make or break your tone. The following section offers tips that will have you sculpting the perfect guitar sound in no time at all.

Behringer

Demo by PopMusicRu

BEQ700 Bass Graphic Equalizer

Aleksandr Lazarev

A clever, scalable way to power your pedals! Each one of these modular power units supplies stable power to five pedals. Need more outputs? Just plug on another one of these for five more! Now you can adapt your power supply capability when switching between different pedal rigs, for home practice, rehearsal space, studio or your go-to live rig. This unit provides five isolated, short circuit-protected, filtered outputs at 9/12 V for plenty of flexibility. The outputs even have a handy LED, so you can see which outputs are in use. Yup, we’ve pretty much thought of everything…

Harley Benton

Review by Guitar World

Demo by EytschPi42

Review by musicradar

PowerPlant ISO-1AC Pro Modular

Brian Sanderson

Die Meatbox ist mehr als nur ein Oktaver, sie ist auch ein subharmonischer Synthesizer mit dickem Schnitt. Er fügt Subtöne hinzu, die so tief sind, dass Sie aufpassen müssen, dass Sie Ihre Lautsprecher nicht zerstören. Über einen TRS-Ausgang können Sie das subharmonische Synthesizer-Signal an die PA weiterleiten, um zähneklappernde, knochenzerreißende, darmschüttelnde und bebende Bässe zu erzeugen, die buchstäblich das Haus rocken werden.

More than just an octaver, the Meatbox is a thick-cut subharmonic synthesizer as well. Adding in sub notes so low that you need to be careful not to blow your speakers. A TRS out allows you to split the subharmonic synthesized signal out to the P.A. for teeth-rattling, bone wrenching, bowel-shaking, booty-quaking bass that will rock the house, literally.

Demo by Swee Lee

Meatbox

Michal Kotarbinski

Following the amazing success of MB Octaver, we decided to offer a smaller version, part of our Raw pedals series.
As for its predecessor, the MB OCTAVER RAW SERIES delivers a super fast-tracking, even in the low range. It adds beefy bottom-end and extra funkiness to your sound, still keeping a clear and perfectly tuned sound, way better than you’d expect from an analog octaver.

This pedal features separate Dry and Octave level controls for more thickness by mixing your dry notes with the octave pitched ones.

Markbass

Demo by Toy Box Playa Reviews

Demo by azenhar

Octaver Raw

The Kolt45 is a powerful guitar amplifier in a highly portable, stomp box sized platform. The Kolt45 produces a real, 45W RMS into 4 Ohms with a responsive Treble, Middle, Bass tone stack and volume control all in a package that will fit into your jacket pocket. Just connect your guitar into the input, your cabinet to output and be blown away by its clear, fat tone with enough power for practicing, rehearsing and live gigging.

Foxgear

Review by audiofanzine

Review by The Gear Page

Demo by ksantyp77

Demo by Alberto Barrero

Kolt 45

Klingt dein Bass dumpf und leblos? Toningenieure und professionelle Bassisten wissen seit Jahren, dass hochwertige Begrenzungs- und Verstärkungsfunktionen den Bass in der Mischung hervorheben. Der BASS LIMITER ENHANCER BLE100 verleiht deinem Spiel den gleichen samtigen Schliff, indem er ungleichmäßige Lautstärkespitzen glättet. Das macht sich besonders bemerkbar, wenn deine Performance Slapping- und Popping-Stile beinhaltet. Der BLE100 macht deinen Ton so solide wie deine Performance.

Selbst wenn Sie die beste Technik anwenden, wird es in der Lautstärke Ihres Sounds Unregelmäßigkeiten geben. Das wird besonders deutlich, wenn du vom Fingerspiel zum Slapping und Popping wechselst. Mit dem BLE100 können diese Schwankungen ausgeglichen und dein Sound verbessert werden. Wie das geht? Ein Limiter reduziert den Dynamikbereich eines Signals, was oft als Kompression bezeichnet wird. Das bedeutet, dass laute Signale leiser und leisere Töne lauter gemacht werden, damit sie besser zueinander passen. Das Ergebnis ist ein kraftvoller, fokussierter und klangvoller Sound.

Es liegt in der Natur der Sache, dass extreme Kompression dazu neigt, jedem Signal die Höhen zu entziehen. Deshalb haben wir dem BLE100 eine Schaltung zur Klangkompensation hinzugefügt. Mit diesem speziellen Enhance-Regler kannst du genau das richtige Maß an Brillanz einstellen, ohne dass dein Bass zu spröde oder überbearbeitet klingt. Allein diese Funktion wird den BLE100 zu einer deiner Lieblingsgeheimwaffen machen!

Does your bass sound dull and lifeless? Sound engineers and professional bass players have known for years that high-quality limiting and enhancement makes bass tracks pop in the mix. The BASS LIMITER ENHANCER BLE100 gives your playing that same velvety finishing touch by smoothing out inconsistent volume peaks. This is especially noticeable if your performance involves slapping and popping styles. The BLE100 will make your tone as solid as your performance.

Even if you employ the best technique, there will be volume inconsistencies in your sound. This becomes really obvious when you switch from finger-style playing to slapping and popping. The BLE100 can help smooth out these inconsistencies and improve your sound. How? A limiter works by reducing the dynamic range of a signal, often referred to as compression. This means that loud signals are turned down and softer sounds are turned up, so they more closely match each other. The resulting sound is more powerful, focused and rich in tone.

By its very nature, extreme compression tends to suck the high-end out of any signal, so we added a tone compensation circuit to the BLE100. This dedicated Enhance control lets you dial in just the right amount of sparkle, without giving your bass that over-processed or brittle sound. This feature alone will make the BLE100 one of your favorite secret weapons!