Saulo Silveira

The Strip

Tester

Neo Instruments

Mini Vent II

David Litaba

Das Bucket Brigade Analog Delay ist ein robustes, kompaktes Delay-Pedal mit einer klassischen Bucket Brigade Device (BBD)-Schaltung für eine authentische, analoge Vintage-Atmosphäre. Es bietet eine Verzögerungszeit von bis zu 600 ms, was bei maximal aufgedrehtem Feedback-Regler zu wilder Selbstdoszillation führen kann. Eine sorgfältig abgestimmte Reihe von Filtern in der Feedback-Schaltung sorgt für warme, musikalische Wiederholungen. Das Pedal verfügt auch über einen optionalen Modulationseffekt, der über einen Mod-Schalter aktiviert wird, mit einem externen Depth-Regler und einem internen Trimmpotentiometer zur Einstellung der Modulationsgeschwindigkeit.

The Bucket Brigade Analog Delay is a tough, compact delay pedal featuring a classic Bucket Brigade Device (BBD) circuit for an authentic, vintage analog vibe. It offers a delay time of up to 600ms, which can lead to wild self-oscillation when the Feedback knob is maxed. A carefully crafted series of filters in the feedback circuit ensures warm, musical repeats. The pedal also includes an optional modulation effect, engaged via a Mod switch, with an external Depth control and an internal trim pot for adjusting the modulation speed.

TC Electronic

Product Page

Review by Sound on Sound

Review by Bonedo 

Manual

Demo by The Guitar Geek 

Demo by Mike Hermans 

Bucket Brigade Analog Delay

QuickMount Type UV

Universal-Pedal-Montageplatte für vertikale Pedale

Universal Pedal Mounting Plate For Vertical Pedals

The A+ Astronaut III is more than just another reverb pedal. It is the third generation of an atmospheric powerhouse which boasts a rich tonal palette and a huge range of flavors: from traditional reverb algorithms to complex acoustic structures and arpeggios.

The pedal contains 22 varied algorithms — including extended versions of some from the Astronaut, Astronaut V.2 and Shift Line Force — as well as an infinite sustain mode (Infinity Mode). Among other nice features are top-mounted jacks, switchable tails, a soft bypass switch, and a full-range wet/dry mix with an option to go 100% wet. Just like the previous generations, the Astronaut III is flexible, easy to use, and very musical. With this inspiring device, crafting complex soundscapes is a breeze!

Shift Line

Review by 

Review by reddit /guitarpedals

Astronaut III

Bîrleanu Bogdan

All the aggressive bass overdrive tones you want, without the low end loss!
Capable of producing everything from warm, tube-like overdrive to full-on distortion, this pedal will give you the grind you need without sucking out your low end. The SATURATION control offers a tremendous range of distortion while the CONTOUR control allows you to dial in a scooped or a more aggressive, boosted midrange sound. The PRESENCE knob adds 'attack' to your sound, ensuring that your bass remains defined even with the most saturated settings. The output LEVEL control guarantees that you'll be able to get the distortion you want at any volume level. *Pedal powered by universal 9-volt power supply only. Not included.

'Saturation' controls how distorted your tone is, with a range from subtle tube-like to aggressive
'Contour' controls your midrange, from scooped to bumped
Pedal powered by universal 9-volt power supply only. Not included.

Aguilar

Official Product Video

Demo by Gregor Fris

Review by Talk Bass.com

Review by reddit /basspedals

Review by Guitar World

Review by bassic.de

Agro v2

Tuwi Yuwi

Der Lusithand Alma MKIII ist ein handgefertigter Bass-Kompressor mit opto-isolierter Kompressionsschaltung, der gegenüber früheren Versionen zusätzliche Flexibilität und mehr Headroom bietet. Er verfügt über wählbare Kompressionsverhältnisse (2:1, 4:1, 8:1), einen Clean-Blend-Regler für parallele Kompression und einen Tilt-EQ, dessen Mittenfrequenz verschoben werden kann, um den Klang anzupassen. Das Pedal besitzt zudem einen Angriffs-(Attack)-Schalter für schnelle/langsame Kompressionsreaktion und eine -6 dB-Eingangsabschwächung zum Umgang mit hohen Signalpegeln sowie einen internen Spannungsverdoppler für mehr Headroom bei Betrieb über 9 V. Sein Klang ist transparent und musikalisch und eignet sich sowohl für Bass als auch andere Instrumente.

The Lusithand Alma MKIII is a boutique bass compressor pedal featuring an opto-isolator compression design that builds on earlier versions with added flexibility and headroom. It offers selectable compression ratios (2:1, 4:1, 8:1), a clean blend control for parallel compression, and a tilt EQ section that can be shifted between center frequencies to tailor tone. The pedal also includes a fast/slow attack switch and a -6 dB input attenuation to manage hot signals, plus an internal voltage doubler for increased headroom when powered above 9 V. Its circuitry aims for transparent, musical compression suitable for both bass and other instruments.

Lusithand

Review by Compressor Reviews

Alma MKIII

Jakub Jostiak

Der SolidGoldFX Imperial MKII ist ein Gatete-Fuzz-Effektpedal, das vom JEN Jumbo Fuzz der 1970er-Jahre inspiriert ist und satte, kraftvolle Fuzz-Sounds sowie eine dynamische Ansprache für Gitarre, Bass oder Synth bietet. Es verwendet eine JFET-Vorverstärker-Schaltung mit hoher Impedanz für ein geringes Rauschverhalten und feine Detailwiedergabe, vier Slideregler zur Kontrolle von Volume, Tone, Contour (Mittenformung) und Fuzz sowie ein verbessertes Rauschgate für nahezu kein Rauschen bei hohen Verzerrungsstufen. Das Pedal hat oben angeordnete Buchsen, zwei LED-Anzeigeleuchten für Bypass- und Gate-Status und eine True-Bypass-Schaltung für unbearbeiteten Klang im Bypass-Modus. Es wird in Kanada handgefertigt und hat ein retro-inspiriertes Design.

Upon first glance at the Imperial MKII, you might be intrigued by its charmingly retro appearance. Inspired by the JEN Jumbo fuzz, which is one of our personal favorite vintage fuzzes, the Imperial MKII’s four sliders, textured black paint and bold red graphics show that this pedal means business.

If a ripping, royally raucous fuzz, with impeccable manners, is what you seek in your tone conquest or whether you are chasing those soaring Gilmour-esque leads that propel you to the far side of the moon, then look no further than the Imperial MKII.

So, what is the JEN Jumbo Fuzz and what makes it so awesome? JEN Elettronica was an Italian manufacturer who made pedals for Vox, Dallas Arbiter and Sound City (among others), in addition to making equipment under their own brand. The Jumbo Fuzz was their spin on the venerable EHX Big Muff® that swapped the knobs out for sliders and added a nifty germanium noise gate. In terms of sound, the tuning of the Jumbo Fuzz lies somewhere in the Ram’s Head camp - not overly scooped or woofy, with a nice gain range - just a great sounding pedal!

While the Jumbo’s noise gate is a great feature and gives this BMP variant a unique attack with practically zero noise, vintage units vary greatly from one unit to another, with some gating too much and others not at all. Capturing the Jumbo Fuzz’s vibe and redesigning the gate was essential to our Imperial redesign. Let’s dive in…

SolidGoldFX

Demo by The Pedal Zone

Review by Premier Guitar

Imperial MKII

AZRAEL

Wenn Sie glauben, Sie haben Flangers durchschaut und ordentlich in Ihre kleine, quadratische, genredefinierte Box gepackt, dann machen Sie sich darauf gefasst, dass der Oblivion Quad Flanger Ihre Welt auf den Kopf stellt. Mit diesem Gerät erwartet Sie ein überirdisches, riesiges Klangmeer, denn jede Drehung eines Knopfs und jeder Druck auf einen Schalter setzt umwerfende Töne frei. Von episch üppigen modulierten Bewegungen bis hin zu intensiv regenerierenden Alien-Airwaves, Lo-Fi-Bit-Crush-Texturlandschaften und vielem mehr – Oblivion ist nicht hier, um eine Momentaufnahme der Vergangenheit festzuhalten, sondern um Portale in die Zukunft zu öffnen!

Mit dem OBLIVION haben Sie die traditionellen Geschwindigkeits-, Reichweiten- und Regen-Regler, aber wo dieses Pedal wirklich glänzt, sind die drei verschiedenen verfügbaren Flange-Modi.

Wir beginnen mit einem klassischen Flanger und fügen Thru-Zero-Funktionen hinzu, um Sie in den Weltraum und wieder heraus zu ziehen. Um die Dinge noch ein wenig weiter voranzutreiben, haben wir den Bi-Flange-Modus entwickelt – ein Paar modulierender Verzögerungsleitungen, um eine noch umfassendere Bewegung zu erzielen.

If you think you have Flangers all figured out and placed neatly in your little square genre-defined box, then get ready to have your world turned upside down by the Oblivion Quad Flanger. An otherworldly vast sonic sea awaits you with this device, as every turn of a knob and flick of a switch unlocks mind-melting tones. From epically lush modulated movements to intense regenerating alien airwaves, lo-fi bit-crushed textural landscapes and much more, Oblivion is not here to capture a snapshot of the past, it’s here to open portals to the future!

With the OBLIVION, you have the traditional Speed, Range and Regen controls, but where this pedal really shines is in the three distinct Flange modes available.

We start with a classic Flanger and throw in Thru-Zero capabilities to pull you in and out of space. To push things a little bit further, we then came up with the Bi-Flange mode - offsetting a pair of modulating delay lines for even more sweeping movement.

Review by Offset Guitars

Review by The Gear Page

Review by musicradar

Demo by Knobs

Oblivion - Quad Flanger

PAUL MARSHALL

The Surf Rider IV brings the surf and sand in a ground-up redesign which packs 3 distinct spring tank emulations, based on some of our favorite vintage spring-laden pieces. The available reverb modes include a tight tank, based on our 60s Reverberocket, the classic splash of our early silver panel Super Reverb and our SGFX fantasy tank, with a slightly exaggerated drip and decay for when you want Misirlou to sound certifiably otherworldly.

Housed in a compact package, with expanded controls and added features like soft-touch bypass switching with trails, selectable momentary or latching modulation and top-mounted jacks, the Surf Rider IV is guaranteed to satisfy like a cool breeze in the sweltering heat. So, plug in honey bunny, crank it up and get your Dick Dale on!

Demo by  The Pedal Zone

Demo by  The Surfrajettes

Review by delicious audio

Review by bonedo

Surf Rider IV

Für 7-11 FX-Pedale - **722 x 142 mm / 28.43" x 5.59"** - erhältlich mit Gig Bag oder Flight Case

For 7 - 11 FX pedals - **722 x 142 mm / 28.43" x 5.59"** - available with Gig Bag or Flight Case

The BETA-V is a Bass Preamp pedal that kicks! This latest incarnation of our top selling Beta Series is designed to capture the warmth and grit of favorite vintage tube amps. You know, that distinctive drive and tone that seems to be lacking from much of today’s modern bass amplification. 

Review by guitar pedal X

Demo by BassTheWorld.com

Demo by Patrick Hunter

Beta-V Bass Preamp

Beta MKII is a beefed-up version of the original Beta circuit, giving you plenty of tube-like gain without the fizz or hassle. Two modes of operation dictate the amount of grime, tonal colorization, or both. These modes are Preamp and Overdrive.

The Beta MKII’s Preamp side disengages the Gain control for a smooth, even-keeled preamp colorization. Both Tone and Volume controls are active in this position, for a subtle sweetening that you’ll never turn off—think of those old Muscle Shoals tones or an Ampeg B15 Portaflex.

Demo by the wetter bass

Beta MKII

Der SolidGoldFX Lysis MKII ist ein polyphoner Oktav-Fuzz-Modulator, der eine diskrete analoge Fuzz-Schaltung mit digitaler polyphoner Ton- und Filtererzeugung kombiniert. Er bietet mehrere Klangvarianten einschließlich Oktav-Down, Oktav-Up und Power-Chord-Einstellungen, wählbare Hoch- und Tiefpassfilter mit einstellbarer Resonanz sowie drei Wellenformen mit insgesamt 33 voreingestellten LFO-Einstellungen. Der Pedal verfügt über Tap-Tempo-LFO mit Ramp- und Brake-Funktionen, einen voll zuweisbaren Expression-Eingang und einen Soft-Touch-True-Bypass-Schalter. Das Design soll kreative Möglichkeiten durch die Verbindung von synth-artigen Modulationen und Filtern mit satten Fuzz-Klangfarben erweitern.

The SolidGoldFX Lysis MKII is a polyphonic octave fuzz modulator pedal that blends a discrete analog fuzz circuit with digital polyphonic voice and filter generation. It offers multiple voicings including octave down, octave up, and power chord settings, selectable high-pass and low-pass filters with adjustable resonance, and three wave modes with 33 different preset LFO settings. It includes a tap tempo LFO with ramping and braking features, fully assignable expression input, and soft touch true bypass switching. The design is intended to expand creative possibilities by merging synth-like modulation and filtering with rich fuzz tones.