Thomas & Simone RhPf Electronics

Silvio from Loopy Demos is a web developer, musician, and gear nerd from Germany, known for turning pedal demos into interactive web experiences. His compact pedalboard is built for quick jam sessions but reflects his refined tone philosophy and deep technical chops. At the start is a Polytune 2 Noir keeping things in tune, followed by the Boss DM-2W for warm analog delays that sit perfectly in a mix. The RhPf Mosferatwo is his main drive — delivering anything from snappy edge-of-breakup to thick, swampy fuzz, depending on how it's dialed. He complements this with the Smallsound/Bigsound Mini, a dynamic fuzz/overdrive hybrid that rewards nuanced playing. Rounding it out is the Fairfield Shallow Water, adding characterful pitch wobble and murky ambience, ideal for lo-fi textures. His primary guitar is a Fidelity Guitars Stellarosa Lite II, equipped with Lollar Firebird pickups and a Descendant vibrato, offering a glassy, punchy tone that balances Tele-style clarity with extra heft. Silvio records all his demos by reamping prerecorded DI tracks through each pedal, captured via his UAD Volt 4 interface and most recently routed through a Benson Chimera amp sim in Logic. His setup is clean, efficient, and highly musical — just like his website loopydemos.com, where visitors can tweak pedal knobs in real-time and hear the sonic results instantly.

Stellarosa Lite II

Loopy Demos - Silvio

Volt 4

Tester

Smallsound / Bigsound

Mini

Shallow water
K-Field Modulator

Poolside conversations while staring at your own reflection. The depths of which shall never be known, at least not for another couple thousand years. So it goes.

Before the reflection, is the experience. Before phenomena, or even noumena, is that which is undefinable. That which has never been heard, that which will never be heard again and that which has always been heard but never listened to.

K-field (Simulation mathematics), an  undefined, two-dimensional, non-linear field where past and future forces interact at irregular intervals. Shallow Water generates this k-field by randomly modulating a short time delay to create unexpected shifts in pitch. The result is this non cyclical vibrato/chorus/flanger-type thing favouring old tape flavours.

The water is shallow on this side of the pool. Do not dive and you will not drown.

Fairfield Circuitry

Product Page

Manual

Product Video by FairfieldCircuitry

Shallow Water

Ein fetter, rauer MOSFET-Overdrive mit kräftiger Sättigung und nuancierter Dynamik. Drei fein abgestimmte Gain-Stufen liefern wahlweise klassischen Blues-Crunch oder fokussierter Schärfe. Von rauchigen Bässen bis zu kristallklaren Höhen – dieser Sound lebt von Spielgefühl und Charakter.

A swampy, greasy bold overdrive packed with touch-sensitive dynamics and three gain stages stacked for bluesy grit or focused bite. From smoky lows to glassy highs, it’s all about feel and attitude.

RhPf Electronics

Demo by We As A Company

Demo by Philip Czarnecki

3D Viewer and AR tool

Interactive Demo

Interactive Frequency Response

News Letter

Mosferatwo

BOSS

DM-2W Delay (Waza Craft)

PedalSafe Type E1

QuickMount Type E

Pedal-Montageplatte für Standard-Boss-Pedale

Pedal Mounting Plate For Standard Boss Pedals

Schutzabdeckung & RockBoard-Montageplatte für BOSS Compact Serie, RC3 LoopStation & RC5 LoopStation Pedale

Protective Cover & RockBoard Mounting Plate For BOSS Compact Series, RC3 LoopStation & RC5 LoopStation pedals

Schutzabdeckung & universelle Montageplatte für BOSS Compact Serie, RC3 LoopStation & RC5 LoopStation Pedale

Protective Cover & Universal Mounting Plate For BOSS Compact Series, RC3 LoopStation & RC5 LoopStation pedals

ch ray

The first POLYTUNE NOIR raised the bar for how über-cool a tuner could be with its compact design and sleek black look. Now POLYTUNE 2 NOIR is here to rock pedalboards around the world! Featuring a super-bright LED display, an insanely-accurate strobe tuner and our groundbreaking polyphonic tuning mode, POLYTUNE 2 NOIR packs the most-innovative tuning technology into a tiny enclosure in the coolest color of all – basic Black. Tuning has simply never been more rock ‘n’ roll!

TC Electronic

Demo by Daniel Seriff

Demo by Nick Rees

Polytune 2 noir

QuickMount Type L

Pedal-Montageplatte für Standard-Mini-Pedale

Pedal Mounting Plate For Standard Mini Pedals

Für 4-7 FX-Pedale - **470 x 142 mm / 18.50" x 5.59"** - erhältlich mit Gig Bag oder Flight Case

For 4 - 7 FX pedals - **470 x 142 mm / 18.50" x 5.59"** - available with Gig Bag or Flight Case

Michael Eliran

Note: will likely mount a Truetone Pure Tone Buffer under the board at the end of the chain.

Big Board

Piotr Habel

DITTO X4 LOOPER ist das Pedal, mit dem du einen einzigen Moment in etwas wirklich Spektakuläres verwandeln kannst. Der DITTO X4 LOOPER vereint einfache Bedienung mit herausragenden kreativen Funktionen wie zwei Loop-Spuren, 7 Loop-Effekte, Loop-Decay und MIDI-Synchronisation und wird so zur Leinwand, auf der du deine vielschichtigen klanglichen Meisterwerke malst. Wenn du es träumen kannst, kannst du es loopen!

DITTO X4 LOOPER is the pedal that’ll let you turn a single moment in time into something truly spectacular. By perfectly merging ease of use with stellar creative features like dual loop tracks, 7 loop FX, loop decay and MIDI sync, DITTO X4 LOOPER will instantly become the canvas on which you paint your multi-layered sonic masterpieces. If you can dream it, you can loop it!

Official Product Video

Demo by Sweetwater

Demo by ProGuitarShopDemos 

Demo by Chords Of Orion

Review by musicradar

Review by Looper Pedal Reviews

Quick Start Guide

Ditto X4 Looper

John Barker

Electro-Harmonix

Pico Attack Delay

Lee Atkin

Die DMC.micro Gen4 ist die erste in einer neuen Generation von MIDI-Controllern. Ausgestattet mit allen Funktionen des vorherigen DMC.micro Pro und DMC.micro Classic, einem stark verbesserten USB-Controller und einem Dual-Core-32-Bit-Prozessor, bietet die DMC.micro Gen4 maximale MIDI-Funktionalität auf kleinstem Raum.

The DMC.micro Gen4 is the first in a new generation of MIDI controllers. Featuring all of the features of the previous DMC.micro Pro and DMC.micro Classic, with a vastly improved USB controller and a dual-core 32 bit processor, the DMC.micro Gen4 is maximum MIDI in a minimum footprint

Disaster Area Designs

Demo by Doug Hanson

DMC.micro Gen4

Chase Bliss

Chase Bliss - Blooper

Blooper

Emile Hillen

MOOD is a different kind of multi-effect. Its two channels are aware of each other, and work together. One half samples and loops brief moments, the other is a suite of real-time spatial effects.

You can even spill audio back and forth between the two channels for endless shaping: Run a time-stretched loop through a cloud of delay taps, re-sample it, and carry on.

It’s a musical chemistry set. Transfer, combine, and get lost.

Demo by Official Product Video

Midi Manual

MOOD MKI

Microcosm ist ein granulares Effektpedal, das Ihren Sound auf neue und aufregende Weise neu arrangiert und interpretiert, indem es eine Vielzahl von Sampling-, Pitch-Shifting-, Delay- und Looping-Techniken einsetzt. Kaskadierende Mikro-Loops können in straffe, mit dem Tap-Tempo synchronisierte Rhythmen eingebunden, in eisige Ambient-Texturen aufgelöst, zu hypnotischen Drones verwoben werden und vieles mehr.

Übersetzt mit DeepL.com (kostenlose Version)

Microcosm is a granular effects pedal that rearranges and reinterprets your sound in new and exciting ways using a variety of sampling, pitch-shifting, delay, and looping techniques. Cascading micro-loops can be locked into tight, tap-tempo synced rhythms, diffused into glacial ambient textures, woven into hypnotic drones, and much more.

Hologram Electronics

Introduction by Hologram Electronics

Demo by David Hilowitz Music

Review by Sound On Sound

Review by Magnetic Mag

Microcosm

Es ist wieder auf Lager und besser als zuvor. Das programmierbare Hallpedal Resound V2 wurde neu gestaltet und verfügt nun über einen dedizierten Eingang für Expression-Pedal, dedizierte Links- und Rechts-Ausgänge und aktualisierte Programme. Das Resound V2 klingt sogar noch besser als die erste Ausgabe. Wir haben auf dem Erfolg der ersten Version aufgebaut und die meisten Programme beibehalten, die die Leute lieben gelernt haben. Sie wurden jedoch optimiert und fein abgestimmt, sodass jedes Programm komplexere Eigenschaften aufweist, die einen weicheren, satteren Ton ergeben. Wir haben das 5. Programm zu einem „SWELL“ aktualisiert.

Das „SWELL“-Programm kehrt den Hall um und blüht unter Ihrem Spiel auf. Es duckt sich auch als Reaktion auf Ihren Anschlag. Dies ist ein sehr sensibles Programm für artikulierte Spieler. Es ist sehr interaktiv und reagiert auf Ihre Dynamik. Das Ducken kann perkussiv mit einem scharfen Anschlag des Plektrums verwendet werden oder mit einer sanfteren Berührung eine reiche Klanglandschaft erzeugen.

It's back in stock, and it's better than before. The Resound V2 programmable reverb pedal has been re-designed to feature a dedicated expression pedal input, dedicated Left and Right output, and updated programs. The Resound V2 sounds even better than the first edition. We built upon the success of the first version and kept most the programs that people have come to love. However, they have been tweaked and fine tuned giving each program more complex characteristics equating in a smoother, lusher tone. We have updated the 5th program to be a "SWELL". 

The "SWELL" program reverses the reverb and blossoms under your playing. It also ducks in response to your attack. This is a very sensitive program for articulate players. It is very interactive and responsive to your dynamics. The ducking can be used in a percussive manner with a sharp attack of the pick or generate a rich sonic landscape with a gentler touch.

Cusack Music

Review by delicious audio

Review by The Gear Page

Demo by Mike Hermans

Demo by Brett Kingman

Resound V2

Synthetic ambiance, sonic deconstruction and spectral choirs. FABRIKAT is a 100% inorganic,
experimental multi-effects processor featuring 16 algorithms focusing on granular synthesis and
modified sample playback. Among its algorithms you'll find granular time stretching, pitch shifting
time stretching, freeze and shuffling effects, glitching sample playback and a beat repeater.
FABRIKAT is aimed for use both as a guitar pedal and as a tabletop device as some of its
algorithms greatly reward live parameter adjustment.

FABRIKAT has been developed in tandem with the BandOrg FORM2 workshop series. Many
thanks to BandOrg for funding the software development. Additionally many thanks to Jo
Tandrevold, Sigbjørn Håland, Stephan Meidell, Bjørn Ognøy and Kent Sommer for their input on
the algorithms and hardware. FABRIKAT is dedicated to Frode Mjøs Johnsen.

Pladask Elektrisk

Official Website

Demo by aBunchOfPedals

Demo by  aBunchOfPedals

Fabrikat

The Atmosphere is a compact multi-mode Reverberator containing 16 high quality, custom DSP reverb algorithms. These include classic favourites like Spring, Hall, Plate, as well as more experimental sounds like Aether (reverse), Gated, Pitch, plus many others. The Atmosphere features a vibrant 1.8” TFT colour screen providing easy access to many in-depth functions like: On-board Presets, Internal LFO system, Expression/Control Voltage mapping, MIDI, and more. Like all Dr. Scientist pedals, the Atmosphere can be used with guitar, bass, synths, and many other instruments.

Dr. Scientist

Demo by  Devon Blue Whitaker

Demo by Pedal of the Day

Review by reddit /guitarpedals

The Atmosphere

Als wir uns entschieden, ein Stereo-Delay-Effektpedal in Studioqualität zu entwickeln, wussten wir, dass wir weit über das bisher Erreichte hinausgehen mussten – in Sachen Klangqualität, klanglicher Flexibilität, Hardware-Design und Verarbeitungsleistung. Wir verbrachten Monate in den Sounddesign-Laboren von Strymon und träumten von den geräumigsten, üppigsten, kreativsten und anpassbarsten Delay-Effekten, die man je gehört hat. Es war eine monumentale Aufgabe – ein unermüdliches Studium von Delays und ihren Nuancen und ein kontinuierliches Streben nach innovativen und musikalisch inspirierenden Klängen. Durch die Verwendung eines unglaublich leistungsstarken SHARC DSP wird jedes bisschen Verarbeitungsleistung genutzt.

TimeLine bietet Ihnen zwölf einzigartige Delay-Maschinen, jede mit umfassender Kontrolle über Klangcharakter und -gefühl. Gehen Sie von knackigen und klaren digitalen Delays in Studioqualität bis hin zu den gesättigten und schwankenden Klängen von Band-Delay-Maschinen. Erhalten Sie warme und unscharfe Wiederholungen im analogen Stil bis hin zu schimmernden, funkelnden und kristallinen Eis-Delays.

Optimieren Sie nach Herzenslust und speichern Sie bis zu 200 Voreinstellungen Ihrer Lieblingssounds. Krönen Sie das Ganze mit einer vollständigen MIDI-Implementierung und einem routingfähigen 30-Sekunden-Stereo-Looper und schon sind Sie auf dem Weg zum Delay-Glück.

When we decided to create a studio-class stereo delay effects pedal, we knew we must go well beyond what has been done in the past—in sound quality, sonic flexibility, hardware design, and processing power. We spent months locked up in the Strymon sound design labs dreaming up the most spacious, lush, creative, and tweakable delay effects ever heard. It was a monumental task—a relentless study of delays and their nuances, and a continuous pursuit of innovative and musically inspirational sounds. Utilizing a ridiculously powerful SHARC DSP, every drop of processing power is harnessed.

TimeLine provides you with twelve unique delay machines, each with extensive control over sonic character and feel. Go from crisp and clear, studio-quality digital delays all the way to the saturated and fluctuating sounds of tape delay machines. Get warm and fuzzy analog style repeats all the way to shimmery, sparkling, and crystalline ice delays.

Tweak to your hearts content and save up to 200 presets of your favorite sounds. Top it all off with full MIDI implementation and a routable, 30-second stereo looper and you’re on your way to delay bliss.

Strymon

Demo by shnobel

Demo by Mike Hermans 

Review by bonedo

Review by Amazona 

Timeline

Mit einer Verzögerungszeit von bis zu vier Sekunden und sieben separaten Verzögerungsmodi ist das Digidelay von Digitech ein vielseitiges Pedal, das auch den Geldbeutel nicht überstrapaziert. Als Teil der Digitech X-Series, die ein robustes Metallgehäuse besitzt, das für jahrelange Beanspruchung ausgelegt ist, ist dieser Effekt ein Arbeitstier, das in jedem Pedalboard-Setup zu Hause ist.

Featuring up to four seconds of delay time and seven separate delay modes, the Digitech Digidelay is a versatile pedal that also won't break the bank. Part of Digitech's X-Series, which feature a sturdy metal chassis designed to sustain years of wear, this effect is a workhorse delay at home in any pedalboard setup.

DigiTech

Review by Reddit /guitarpedals

Demo by Do Noise

Demo by The Pedal Head Show 

X-Series DigiDelay

Fab Fab

Kevin Shields gilt als Innovator und feste Größe in der Gitarrenwelt. Mit seinen experimentellen kreativen Fuzz-Nuancen setzte er Standards im Alternative Rock der 80er und 90er Jahre. Sein Lieblingsteil: ein original Fender Blender mit hochdynamischer Ansprache und intensiven, kernigen Fuzz-Facetten. Nach mehr als vier Jahren gemeinsamer Tüftelei ist es uns gelungen, den legendären 70er Jahre Fuzz mit dem Fender Shields Blender neu aufleben zu lassen. Modern, unkonventionell, inspirierend.

Das Herz des Fender Shields Blender ist bis ins Detail dem Schaltkreis aus Shields heißgeliebtem 1970er Fender Blender nachempfunden. Um diesen Vintage-Schaltkreis herum haben wir eine völlig neue Verschaltung und innovative Regler gebaut, mit denen der Fuzz variiert und gesteuert wird – natürlich bühnentauglich mit vier durchdachten Fußschaltern für die beiden Fuzz-Kanäle. Jeder Kanal hat dedizierte Lautstärkeregler zum Mischen des cleanen Signals und der Fuzz-Effekte. Auch die Effekte selbst können ineinander gemixt oder oktaviert werden. Smartes Detail: der Sag-Schaltkreis, der ebenfalls per Fußschalter aktiviert wird. Damit lassen sich je nach Anschlagsstärke krasse Stotter- und Ducking-Effekte erzeugen.

An innovator and pivotal influence on effect-laden guitar tones, Kevin Shields awakened iconic sonic walls of fuzz like the world had never heard as he defined the tone of alternative rock in the '80s and '90s. His tool of choice for fuzz laden chaos: an original Fender® Blender effect pedal, prized for its dynamic response and gripping fuzz splatter. Now, through over four years of co-development Fender and Shields have resurrected this mythical 1970's fuzz and injected a subversive feature set, creating the all-new Fender Shields Blender.

At its core, the Fender Shields Blender echoes the tone of Shields' own vintage 1970s Fender Blender, thanks to carefully hand tracing the circuit from his personal fuzz box. Built around this vintage circuit are entirely new ways of controlling and blending the original fuzz voice, all crafted with performance in mind utilizing four easy-access footswitches. Two footswitchable channels of fuzz, each with dedicated level controls, offer the ability to blend the fuzz voice with your clean signal or to blend the fuzz voice with a beefy suboctave fuzz, while the sag footswitch introduces sputtering and ducking effects like never before heard, all controlled by the intensity of your playing dynamics.

Fender

Review by ultimate-guitar.com

Review by guitar.com

Review by premierguitar.com

Review by amazona.de

Demo by Get Offset

Demo by Guitar Talk

Demo by Andertons Music Co

Shields Blender

Der Red Panda Tensor bietet Live-Reverse und Tape-Stop Effekte, Pitch Shifting, Time Stretching und Hold-Funktionen, die kreativ miteinander kombiniert werden können. Verlangsamen, beschleunigen und zurückspulen in Echtzeit! Dehnen oder komprimieren der Abspielzeit ohne Veränderung der Tonhöhe! Loop, Overdub und zufällige Slice-Phrasen bis zu 9,4 Sekunden (4,7 Sekunden in Stereo). Die Intelligent Randomization Funktion passt sich an die jeweiligen Settings an und reicht klanglich von zufälligen CD-Skips, Stutter Effekten und rhythmischen Repeats bis hin zum zufälligen Slicing und verrückten Tonhöhen-Verschiebungen (Pitch Shifts). Beide Fußschalter verfügen über Momentary- und Latching-Modi, um Tonhöhen-Sprünge, Glitches oder Instant-Rewind von gerade gespielten Phrasen einfach abrufbar zu machen. Der Tensor kommt in einem Pedalboard-freundlichen Gehäuse mit allen Buchsen an der Stirnseite. Auf alle Regelmöglichkeiten kann jederzeit zugegriffen werden und die Reglern sind mit ausreichend Platz angeordnet um auch in Live-Situationen einfachen und schnellen Zugriff zu bieten. Für Recording und Sequencing bietet USB MIDI noch mehr Möglichkeiten.

The Red Panda Tensor gives you live reverse and tape stop effects, pitch shifting, time stretching and hold functions that you can combine in creative ways. Slow down, speed up and rewind in real time. Stretch or compress time with no pitch change. Loop, overdub, and randomly slice phrases up to 9.4 seconds (4.7 seconds in stereo). Intelligent randomization adapts to the knob settings. The results range from occasional CD skips, stutters, and rhythmic repeats to random slicing and erratic pitch shifts. Both foot switches have momentary and latching modes to inject pitch jumps, glitches, or instantly rewind what you just played. The Tensor is in a pedalboard-friendly enclosure with all jacks on top. All controls are immediately accessible with well-spaced knobs for live tweaking, and USB MIDI for recording and sequencing.

Red Panda

Official Product Page

Red Panda Tensor - Demo Video - Knobs

Red Panda Tensor - Demo Video - Reverb

Red Panda Tensor - Demo Video - aBunchOfPedals

Tensor

James Morse

The greatest pieces of studio gear are the ones that add something special to the sound of an instrument, going beyond the job they were designed for and enhancing anything that passes through the circuit. One such piece is the UA 610 preamp, which was the inspiration for the DCX Boost. This retro console preamp is famous for adding vintage, analogue colour to a signal, as well as precise control of level and EQ. Push the level harder and you get rich, harmonic saturation of the kind that makes analogue hardware a must-have in any present-day studio.

The DCX Boost reimagines this classic preamp as a tone-shaper and drive pedal for guitar, with a wide range of clean and overdrive tones, EQ frequencies optimised for the instrument, and our Adaptive Circuitry providing a treble response that reacts to playing dynamics. It’s a signal-boosting, tone-enhancing pedal straight from the studio!

Origin Effects

Review by Guitar World

Demo by AndyDemos 

Demo by Peach Guitars

Demo by Pete Thorn

DCX BOOST

HP-2 is a distortion device, based on the harmonic percolator. A genuinely unusual design that is instantly recognizable. Known as a sonic doomsday device, but can easily be dialed down to add just a touch of harmonic richness. Harmonics (H) controls the input level and Balance (B) controls the output level. Rocker switches in and out the clipping section. Switch left for 1970s. Switch right for absolute destruction.

Land Devices

Review by Premier Guitar

Demo by Goofy Ears

Demo by ambienttrash

HP-2

Deco brings this original inspiration back, giving you these vintage tape effects from the earliest recording studios, right on your pedalboard.

Deco’s Tape Saturation smooths out your sound with familiar and delicious tape compression and saturation, while fattening it with subtle tape-driven transparent overdrive. The Doubletracker provides the power to shift your sound in many ways, easily allowing you to achieve syrupy slapback tape echoes, psychedelic tape flanging, and gorgeous tape chorusing sounds.

Demo by strymon

Deco - V1

This is a digital reverb mini-pedal, simple to use, but giving a whole selection of unique – and very useful – new sounds. It comes with an Igor expression pad for real-time control. ‘Size’ adjusts the length of the effect, and ‘Level’ the amount of it you hear (the original guitar signal is always present).

Rainger FX

Review by Get Offset

Review by AMAZONA

Demo by collector//emitter

Demo by Knobs

Reverb-X

Jason Donenfeld

Pico Pitch Fork

PedalSafe Type L

Schutzabdeckung & RockBoard-Montageplatte für MXR, PIGTRONIX, XOTIC, XVIVE und viele weitere Pedale mit Mini Gehäusen

Protective Cover & RockBoard Mounting Plate For MXR, PIGTRONIX , XOTIC, XVIVE and many other effect pedals in mini enclosures 

Schutzabdeckung & universelle Montageplatte für MXR, PIGTRONIX, XOTIC, XVIVE und viele weitere Pedale mit Mini Gehäusen

Protective Cover & Universal Mounting Plate For MXR, PIGTRONIX , XOTIC, XVIVE and many other effect pedals in mini enclosures 

Mariano del Moral

The Cali76 FET Compressor is a studio-grade compressor pedal inspired by the world-famous Urei® 1176® studio compressor, heard on many of the greatest studio recordings since the 1960s. The Cali76 FET Compressor uses uncompromising all-analogue circuitry to make these distinctive, ultra-fast FET compression tones available to the modern guitarist.

Review by Compressor Pedal Reviews

Review by Gearnews

Review by OVNI LABS

Manual download

Cali76 Fet Compressor (Brushed Aluminium)

Charlie Foxtrot is a digital buffer/granular pedal with both autocapture and manual-capture of the input signal. Playback and capture can be manipulated through several parameters: The six knobs control the size of the buffer, duration of repeats, pitch mode, threshold, mix, and preamp level. Any combination of Size, Duration, Pitch Mode, and Trigger Threshold settings, both positive and negative sweep can be controlled with an expression pedal or through CV inpu

Malekko

Charlie Foxtrot

Demo by tokiony

Das Digitech Freqout Natural Feedback Creator Effektpedal gehört zu den eher exotischen Vertretern im Pedalboard. Es widmet sich der Erzeugung von Rückkopplungen, die zwar zum Repertoire jedes gepflegten (Rock-) Gitarristen gehören, aber üblicherweise nur mit entsprechender Lautstärke und der Interaktion zwischen Amp, Box und Gitarre möglich sind. Mit dem E-Bow, der seit Mitte der 70er Jahre erhältlich ist, gibt es bereits ein Werkzeug, das die Saiten per Magnetfeld beliebig lang in Schwingung versetzt, indem es über die gewünschte Saite gehalten wird. Oder den Sustainer von Fernandes, ein Pickup, der ebenfalls die Saiten zum Schwingen bringt, wenn er per Schalter dazu aufgefordert wird. Und natürlich muss beim Umbau der Gitarre einer der vorhandenen Tonabnehmer dem Sustainer weichen.

The DigiTech FreqOut Natural Feedback Creator allows you to get sweet, natural feedback at any volume, with or without distortion. The FreqOut is perfect for situations where volume must be controlled like in the studio, with in ear monitors, or low-volume performance and practice. However, the FreqOut can also be used at gig volume to focus out-of-control feedback on a preferred harmonic at any stage position. The FreqOut uses a 9VDC power supply to easily integrate into your existing pedalboard.

Review by Bonedo 

FreqOut

A True Strobe Tuner in a Mini Stompbox Format

Sonic Research

Review by Anatomy of Guitar Tone

Demo by fiveightandten

Demo by Adam White

St-300 Turbo Tuner Mini

Maximilian Krainz

• Analoger Signalpfad – digitale Steuerung
• High-End-Preamp mit diskreter Class-A-Eingangsstufe
• 120 dB Dynamik dank 30-V-Technologie
• Magnet-Sensor-Technologie ohne mechanischen Verschleiß
• Präzise Lautstärkeregelung durch analogen VCA
• MIDI via USB
• Optimierte Größe und Gewicht

• Analogue signal path – digital control
• High-end preamp with discrete Class-A input stage
• 120 dB dynamic range thanks to 30 V technology
• Magnetic sensor technology, without mechanical wear
• Precise volume control from analogue VCA
• MIDI via USB
• Optimised size and weight

LEHLE

Review by reddit /guiterpedals

Review by Haiko Heinz, bonedo.de

Mono Volume S

Ojai

Zuma

Für 15-25 FX-Pedale, 2 MOD-Slots - **820 x 424 mm / 32.28" x 16.69"** - erhältlich mit Gig Bag oder Flight Case

For 15 - 25 FX pedals, 2 MOD slots - **820 x 424 mm / 32.28" x 16.69"** - available with Gig Bag or Flight Case

Mini von Smallsound / Bigsound