A+ CabZone X is the new generation of our digital IR-based cabinet simulator. The Impulse Response Convolution technology provides a realistic sound and preserves the unique character of the cabinet and microphone used to record the impulse. We have taken into account user feedback to create a new version of a simple and convenient device that would allow you to play and record without having to use unwieldy cabinets and complex signal chains.

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CabZone X

The Olympic MkIIIS is the newest revision of Shift Line's bass preamplifier that combines the classic tube sound with modern audio processing technologies, creating a true "Swiss Army knife" for bass players as a result. Sculpting your signature sound and taking it anywhere you go has never been easier.

The Olympic MkIIIS is a compact, fully-featured tube preamplifier with a warm, deep and characteristically compressed sound. The device's universal connectivity allows to use it even in the most complex setups.

The cabinet simulation is based on the Impulse Response Convolution technology, which provides a realistic and detailed sound while preserving the character of the power amp, cabinet and microphone used to record the impulse.

The device comes with two built-in cabinet impulses: SUNN 200s 2х15 and AMPEG SVT-810E 8х10. The microSD card slot allows users to upload their own cabinet impulses.

Olympic MkIII

The A+ Prism II is a new version of the Prism-9 complex effect pedal. Combining multiple techniques in a single unit, the device employs an outside-the-box approach to sound processing. The Prism II is comprised of subtractive and additive synthesis elements along with reverberation and various types of modulation (frequency, temporal and spatial). Rather than being lined up in a typical linear fashion, all parts of the system form a single "organism", allowing multiple parameters to be tweaked simultaneously. You could try and replicate it by using a chain of multiple time-synced effects — but that would be no easy feat, as the Prism II has 3 pitch shifting sections, 4 multimode filters, 2 modulation blocks, and a single reverb section. All the elements are organized in two identical chains (as the device works in stereo) with a separate mix section at each stage. The pedal's four LFOs provide extensive control over the stereo field and filter automation. The Prism II can be controlled via the TAP footswitch or synced to an external clock. Additionally, the device offers an expression pedal simulation mode along with a DETUNE function.

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A+ Prism II

The A+ Everest II is the result of the Everest M evolution. Aside from the new enclosure, stereo mode and tap tempo, the new pedal has got a new architecture with completely reworked algorithms. The combination of reverb and delay in a single compact pedal allows for otherworldly atmospheric textures along with classic spatial sound processing. The pedal is suited for use with any kind of instrument: guitar, bass, synths, drums, or anything else.

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Everest II

The A+ Astronaut V is the newest addition to the Astronaut space reverb family. Based around the ARM ® processor, the Cortex ® technology and the Analog Devices codec, the new pedal is the most advanced and impressive-sounding Astronaut space unit to date!

The Astronaut V offers 22 unique sound-processing algorithms, each with flexible controls. The best algorithms featured in the previous versions have been reworked in order to utilize the new processor to the fullest. The Astronaut V can do anything from traditional reverb sounds to complex soundscapes, effects and arpeggios.

With the fully updated UI, each algorithm now saves user settings into the device's memory. The Astronaut V is a collection of 33 extensively tweakable presets, allowing you to focus on the music!

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