Arnold Hablewitz

Die überarbeiteten RockBoard® MODs V2 sind einfache all-in-one Patchbays für die RockBoard Pedalboard Series mit einem neuen, überarbeiteten Design und einem kompakten Gehäuse. Passend für alle neuen RockBoards® (außer der DUO-Serie) mit einem MOD-Slot, bieten sie als komfortable Patchbay verschiedene Kabelverbindungen, um eine weite Reihe von Bedürfnissen abzudecken. Mit den RockBoard® MODs kannst du deine Pedale dauerhaft unter dem Board verkabeln und alle Verbindungen zu und von deinem Effektsetup in einem praktischen Modul organisieren. Die RockBoard® MODs bieten einen zentralen Zugangspunkt vom Instrument zum Verstärker sowie eine praktische und einfache Stromversorgung des Boards über einen IEC- und einen 2,1 x 5,5 Barrel-Through-Stromanschluss. Das RockBoard® MOD 1 V2 ist eine Pass-Through-Box, die speziell für Gitarristen und Bassisten entwickelt wurde. Du kannst das MOD 1 V2 nutzen um mehrere Pedale deines Setups im Front End und im Effekt-Loop des Verstärkers zu postieren (4-Kabel Methode) oder die vier TRS-Anschlüsse als zentralen Zugang und Ausgang des Boards nutzen. Die XLR-Through-Verbindung kann als Signalausgang vom Pedalboard zum Mischpult oder zur PA verwendet werden.
- All-in-One Patchbay für Pedalboards
- passend für MOD slots in RockBoard Pedalboards
- kompatibel mit einer weiten Reihe and anderen Pedalboards
- fungiert als zentraler Zugangspunkt zu deinem Effekt Setup
- etabliert klare Kabelwege zum und vom Pedalboard
- abnehmbare Frontplatte für Montage auf oder unter Pedalboards
- 5 x 6,3 mm TRS thru
- 1 x XLR thru (männlich vorne / weiblich hinten)
- 1 x DC 2,1 x 5,5 mm barrel thru
- 1 x AC IEC thru (male front / female back)
- alle Anschlüsse gespiegelt auf der Rückseite
- Abmessungen exkl. Frontplatte (B x T x H): 160 x 60 x 33 mm
- Abmessungen der Frontplatte (B x H): 175 x 48 mm
- Gewicht 450 g
- inkl. Montageschrauben, Kontermuttern und TX Schlüssel

The improved RockBoard® MODs V2 are simple all-in-one patchbays for RockBoard pedalboards with a new, refreshed design, and compact housing. Utilizing the MOD slot on all new RockBoards® (except the DUO series), they provide various cable connections to fit a wide variety of needs as a convenient patchbay. With the RockBoard® MODs, you can permanently connect your pedals underneath your board and organize all connections to and from your effects setup in one convenient module. The RockBoard® MODs provide a central access point from your instrument to your amp, as well as your power supply via IEC, and a 2.1 x 5.5 barrel thru power connector. The RockBoard® MOD 1 V2 is a pass-thru box especially designed for guitar and bass players. It can also be used to run several pedals from your board through the effects loop of your amp, or as a central access point to your pedalboard via its 4x TRS thru connections. The XLR thru connection can be used as signal output from your pedalboard to the console or PA.
- all-in-one patchbay for pedalboards 
- fits MOD slots in RockBoard pedalboards
- compatible with a wide variety of other pedalboards
- acts as the central access point to your effects setup
- establishes clean cable paths to and from the pedal board
- detachable front plate for mounting on top or underneath pedalboards
- 5 x 6,3 mm / ¼" TRS thru
- 1 x XLR thru (male front / female back)
- 1 x DC 2,1 x 5,5 mm barrel thru
- 1 x AC IEC thru (male front / female back)
- all connections mirrored on the backside
- dimensions excl. front plate (W x D x H): 160 x 60 x 33 mm / 6 19/64" x 2 23/64" x 1 19/64"
- dimensions of the front plate (W x H): 175 x 48 mm / 6 57/64" x 1 57/64"
- weight 450 g / 0.99 lbs
- incl. mounting screws, counter nuts, and TX wrench

All-in-One TRS & XLR, IEC & Barrel Patchbay

New Pedal Board

DA-50

Tester

Das TC Electronic Thunderstorm Flanger Pedal bietet einen Vintage Stil Flanger-Effekt, ausgestattet mit einer Bucket-Brigade-Schaltung für einen hervorragenden Klang. Das innovative Design ermöglicht Ihnen eine einfache Bedienung, indem Sie einfach den Regler drehen, bis Sie Ihren perfekten Flanger-Ton gefunden haben

The TC Electronic Thunderstorm Flanger is a fully analog bucket-brigade based flanger pedal effect. It perfectly captures the classic vintage tones from the legendary days at an affordable price. From the guitar sounds that made the ´80s and all the way back to the classic ´60s psychedelic riffs, or just for creating experimental tones – The TC Electronic Thunderstorm Flanger is a lot of fun!

TC Electronic

Product Page

Review by Talk Bass.com

Review by Bass Musician Magazine 

Manual

Official Product Video

Demo by EytschPi42

Thunderstorm Flanger

40 years ago, in a tiny town in Denmark, two brothers planted a sonic seed – and the SCF STEREO CHORUS FLANGER was born!
A chorus pedal so great and so far ahead of its time – that it single-handedly shaped the destiny of TC ELECTRONIC.

In celebration of our 40th anniversary – and to honor this legendary piece of kit – we’ve created a special limited run of the CORONA CHORUS (only 2,000 units), which sees the CORONA take on the sleek, iconic look of the original SCF pedal.

To ensure it doesn’t just look the part, we’ve meticulously recreated the lush, all-enveloping chorus, pitch-mod and flanger tones of the original, now available as TonePrints, ready to beam to your CORONA CHORUS – absolutely free of charge!

Review by

Demo by TC Electronic 

Demo by CS Guitars 

Corona Chorus

Der NS-2 eignet sich hervorragend, um Signal-Rauschen und lästige Brummgeräusche zu eliminieren, wobei der Klangcharakter des originalen Eingangssignals unberührt bleibt. Attack und Hüllkurve des Signals werden in keinster Weise beeinträchtigt, dank eines von BOSS entwickelten, einzigartigen Noise Detection-Schaltkreises, der den Gitarrenklang präzise von sämtlichen Störgeräuschen zu separieren vermag.

The NS-2 Noise Suppressor eliminates unwanted noise and hum without altering an instrument's natural tone. It's the perfect pedal to quiet down any pedalboard or effects setup.

BOSS

Demo by  Charly G.- Sound & Demo

Demo by Riffs, Beards & Gear

Review by Musiker-Board

Review by The Gear Page

Review by reddit /guitarpedals

Review by Pedal Authority

NS-2 Noise Suppressor

PedalSafe Type E1

QuickMount Type E

Pedal-Montageplatte für Standard-Boss-Pedale

Pedal Mounting Plate For Standard Boss Pedals

Schutzabdeckung & RockBoard-Montageplatte für BOSS Compact Serie, RC3 LoopStation & RC5 LoopStation Pedale

Protective Cover & RockBoard Mounting Plate For BOSS Compact Series, RC3 LoopStation & RC5 LoopStation pedals

Schutzabdeckung & universelle Montageplatte für BOSS Compact Serie, RC3 LoopStation & RC5 LoopStation Pedale

Protective Cover & Universal Mounting Plate For BOSS Compact Series, RC3 LoopStation & RC5 LoopStation pedals

Manual Page

MT-2 Metal Zone

There has been a recent surge of orders for the Dirty Tree due to it gaining some attention from some notable individuals. Once again please be patient as I am getting through the hundreds of orders.

Pepers Pedals

Review by delicious audio 

Demo by Robin Flink 

Demo by Louis Torres 

Demo by Riffs, Beards & Gear 

Dirty Tree Boost

Das Shroot II ist ein vielseitiges Overdrive- und Distortion-Pedal im „Amp-in-a-Box“-Stil, das eine Weiterentwicklung der ursprünglichen Shroot-Schaltung darstellt. Es basiert auf der Krusher-Plattform der Marke und verfügt über eine einzigartige Zwei-Band-EQ-Sektion vor der Verzerrung, die für eine umfassende Klangformung vor der Gain-Stufe ausgelegt ist. Der „Kick“-Regler fungiert als aktive Bass-Kontur um 100 Hz, während der „Punch“-Regler die Mitten vor dem Drive bei etwa 1 kHz für „Chainsaw“-Texturen steuert. Diese Version führt eine relaisbasierte lautlose Umschaltung ein und ist so konzipiert, dass sie einen anschlagsdynamischen Gain liefert, der die natürliche Tonalität von Gitarre und Verstärker beibehält. In Oregon handgefertigt, fungiert es effektiv als eigenständiger Drive oder als dedizierter Vorverstärker.

The Shroot II is a versatile "amp-in-a-box" style overdrive and distortion pedal that serves as an evolution of the original Shroot circuit. Built on the brand's Krusher platform, it features a unique pre-drive two-band EQ section designed for significant tone shaping before the gain stage. The "Kick" control acts as an active low-end contour centered around 100Hz, while the "Punch" control manages pre-drive midrange at approximately 1kHz for "chainsaw" textures. This version introduces relay-based silent switching and is designed to provide touch-sensitive gain that maintains the natural tonality of the guitar and amplifier. Handcrafted in Oregon, it functions effectively as a standalone drive or a dedicated preamp.

FuzzImp

Demo by ArnoldPlaysGuitar

Shroot II

Die Radial Engineering Pro DI ist eine kompakte, passive DI-Box, welche sich sehr gut für Keyboards, Drumcomputer und Digitalpianos eignet. Die eigens dafür entwickelten Audioüberträger entsprechen dem außergewöhnlichen Qualitätsmaßstab, der durch den Industriestandard Radial Engineering JDI etabliert wurde.

The ProDI is a passive direct box designed for use on stage or in home recording studios, with the ability to handle high output instruments without distortion, and a transformer-isolated output to eliminate noise from ground loops

Radial Engineering

Review by Guitar Gear 

Demo by Audio University

Review by Audiofanzine

ProDI

Alcmene® is a great Klon-style Overdrive pedal that will revolutionize your guitar tone! Alcmene® offers you the same genuine features that made the legendary Klon Centaur famous, and it perfectly captures its core characteristics.

Steel Panther

Review by Delicious-Audio 

Demo by All-Pedal

Demo by Kyle Bull 

ALCEMENE

Airis Effects

Airis Effect Website

HM808

Fortin Amplification

Hexdrive

The MXR Uni-Vibe Chorus/Vibrato delivers the same lush, chewy textures that players have used since the late '60s. Updated with modern gigging players in mind, this effect now it comes in a standard MXR housing—a fraction of the size and weight of the original—with true bypass switching.

With its simple three-knob interface, you can dial in the effect to your taste in short order. First, use the VIBE switch to select either Chorus Mode—dry signal mixed with pitch-shifted signal—or Vibrato Mode—only pitch-shifted signal. Then, use the LEVEL control to set the effect volume, the SPEED control to set the sweep rate, and the DEPTH control to set overall intensity.

Put the MXR Uni-Vibe Chorus/Vibrato on your board and expand your tonal palette.

Demo by jumdunlopusa

M68 Uni-Vibe Chorus/Vibrato [small box]

Das BOSS HM-2 Heavy Metal wurde von 1983 bis 1991 produziert und ist bis heute eine Legende unter den Distortion-Pedalen. Alle Regler auf Anschlag – so entsteht der Signature-Sound, der untrennbar mit dem schwedischen Death Metal verbunden ist. Doch auch in "sanfteren" Einstellungen überzeugt das HM-2 auf unzähligen Mainstream- und Shoegaze-Tracks. Seit Jahren erreichen uns Anfragen von eingefleischten HM-2-Fans – nun ist es endlich soweit: nach drei Jahrzehnten wird der legendäre Bodentreter in einer speziellen Waza Craft-Edition neu aufgelegt. Das HM-2W liefert den authentischen analogen Klang des Originals, erweitert um zahlreiche moderne Funktionen und Details für eine nochmals verbesserte Performance.

Produced from 1983 to 1991, the BOSS HM-2 Heavy Metal is a true legend in the history of distortion pedals. Its signature “chainsaw tone” with all knobs maxed is the defining voice of Swedish death metal, and the slightly milder sides of its personality can be heard on tracks from mainstream to shoegaze. After years of requests from hardcore HM-2 fans, the iconic stomp is now reborn three decades later in a special Waza Craft edition. The HM-2W delivers the authentic analog sound of the original in all its glory, coupled with lots of modern refinements for enhanced performance.

Demo by Guitar Bonedo

Demo by Reverb

Official Website

Review by Premier Guitar

Review by Guitar World

HM-2 Heavy Metal

“Floating above your head, delicate and elusive yet dreamy and sweeping. Always in motion until it dissolves and merges with the all immersive atmosphere around it. Just close your eyes and let the KMA Machines’ CIRRUS Delay and Reverb carry you across the open sky, onto its sonic cloudscapes.”

The CIRRUS Spatial-Temporal Modifier was KMA Machines’ first step into the fully digital realm. But we didn’t just want to do a regular and run-of-the-mill type of product. No, what we came up with is a truly special and versatile, dynamically modulated combined Delay and Reverb pedal that will forever change your perception of time and space.

KMA Machines

Review by Sound on Sound

Demo by Rabea Massaad

Demo by The Pedal Zone

Cirrus

The Zuul®+ takes everything that made the original Zuul® legendary and adds multiple new, essential, features. The first thing we wanted to do was expand the ‘Key In’ functionality (that makes the gate active after OD/Boost pedals, reacting to the pure guitar signal), Zuul®+ now boasts a ‘Key Thru’ (complete with ground lift switch), that eliminates the need to split the signal externally. We have also added all new Hold and Release controls that give you everything you need to ensure you have pristine gating response in your rig.

Demo by Professor Killertone

ZUUL+

KORG

Website 

Pitchblack

Tommy BOUCHEROT

Morley

George Lynch Dragon 2 Wah

Der DigiTech Whammy bietet Ihnen dieselben haarsträubenden „Dive Bomb“-Effekte, packenden Pitch Bends und blitzschnellen Harmoniewechseln, die Sie suchen, sowie einige neue Überraschungen. Verändern Sie ganze Akkorde mit der neuen Einstellung für die Tonhöhenverschiebung von Akkorden und führen Sie klassische Single-Note-Bends aus.

The DigiTech Whammy brings you the same hair-raising “dive bomb” effects, gripping pitch bends and lightning harmony shifts you are looking for plus a few new twists. Bend entire chords with the new chordal pitch shifting setting, and execute classic single note bends.

DigiTech

Review by HORN FX

Review by musicradar

Demo by S19NAL C14AIN

Demo by Leduc's Own Music Shop

Sweetwater Exclusive Product Page

Whammy V

Für 10-20 FX-Pedale, 2 MOD-Slots - **828 x 330 mm / 32.60" x 12.99"** - erhältlich mit Gig Bag oder Flight Case

For 10 - 20 FX pedals, 2 MOD slots - **828 x 330 mm / 32.60" x 12.99"** - available with Gig Bag or Flight Case

Karl K

Acoustic Board

Out to FOH/Mixer

Steven Gonzalez

We know there's only so much room on your pedalboard. Here's a no-nonsense mini pedal that will get you ready to rock in seconds...

FAST & ACCURATE: Experience speedy tuning with A1 precision. Housed in a mini pedal that's designed to fit on any pedalboard, the TinyTune lets you to spend less time tuning and more time playing.

EASY-TO-READ DISPLAY: The color display is large, clear, and has excellent visibility under any lighting. So whether you are playing at home, on a dark stage, or outdoors, this pedal has you covered!

ZERO NOISE: The TinyTune completely mutes the input signal when you're tuning, and directly routes the signal to the output when you're not. No tone coloring, or annoying "pop" and "hum" noises here.

BUILT TO LAST: With rugged aluminum on the outside and quality components on the inside, this pedal will perform night after night, stomp after stomp. So that you can sound your best every single time.

KLIQ

Demo by guitarlancer

TINYTUNE

The Empress buffer was designed to be the complete I/O interface for the pedal board, while maintaining the highest fidelity to your guitar's signal.
Signal loss due to long, un-buffered cable runs is an issue that has plagued guitar players for decades. The primary goal of the buffer is to eliminate this signal loss, ensuring that your tone is unchanged by your cables.

Empress Effects

Buffer

Thiago Damasco

ZOOM

A1X Four

Für 5-10 FX-Pedale, 1 MOD-Slot - **442 x 236 mm / 17.40" x 9.29"** - erhältlich mit Gig Bag oder Flight Case

For 5 - 10 FX pedals, 1 MOD slot - **442 x 236 mm / 17.40" x 9.29"** - available with Gig Bag or Flight Case

Vadim Repin

Die überarbeiteten RockBoard® MODs V2 sind einfache all-in-one Patchbays für die RockBoard Pedalboard Series mit einem neuen, überarbeiteten Design und einem kompakten Gehäuse. Passend für alle neuen RockBoards® (außer der DUO-Serie) mit einem MOD-Slot, bieten sie als komfortable Patchbay verschiedene Kabelverbindungen, um eine weite Reihe von Bedürfnissen abzudecken. Mit den RockBoard® MODs kannst du deine Pedale dauerhaft unter dem Board verkabeln und alle Verbindungen zu und von deinem Effektsetup in einem praktischen Modul organisieren. Die RockBoard® MODs bieten einen zentralen Zugangspunkt vom Instrument zum Verstärker sowie eine praktische und einfache Stromversorgung des Boards über einen IEC- und einen 2,1 x 5,5 Barrel-Through-Stromanschluss. Das RockBoard® MOD 3 V2 ist eine Patchbay für Sänger und Akustik-Musiker. Über die zwei XLR-Ausgänge kannst du ein Stereo-Signal von dein MOD senden und an den XLR-Eingang lässt sich ein Mikrofon anschließen. Mit drei TRS-Through-Verbindungen lässt sich das MOD 3 V2 außerdem als zentraler Zugang und Ausgang des Boards nutzen um zum Beispiel Effektpedale in den FX-Loop eines Verstärkers einzuschleifen.
- All-in-One Patchbay für Pedalboards
- passend für MOD slots in RockBoard Pedalboards
- kompatibel mit einer weiten Reihe and anderen Pedalboards
- fungiert als zentraler Zugangspunkt zu deinem Effekt Setup
- etabliert klare Kabelwege zum und vom Pedalboard
- abnehmbare Frontplatte für Montage auf oder unter Pedalboards
- 3 x 6,3 mm TRS thru
- 2 x XLR thru (männlich vorne / weiblich hinten)
- 1 x XLR thru (weiblich vorne / männlich hinten)
- 1 x DC 2,1 x 5,5 mm Hohlstecker thru
- 1 x AC IEC thru (männlich vorne / weiblich hinten)
- alle Anschlüsse gespiegelt auf der Rückseite
- Abmessungen exkl. Frontplatte (B x T x H): 160 x 60 x 33 mm
- Abmessungen der Frontplatte (B x H): 175 x 48 mm
- Gewicht 450 g
- inkl. Montageschrauben, Kontermuttern und TX Schlüssel


The improved RockBoard® MODs V2 are simple all-in-one patchbays for RockBoard pedalboards with a new, refreshed design, and compact housing. Utilizing the MOD slot on all new RockBoards® (except the DUO series), they provide various cable connections to fit a wide variety of needs as a convenient patchbay. With the RockBoard® MODs, you can permanently connect your pedals underneath your board and organize all connections to and from your effects setup in one convenient module. The RockBoard® MODs provide a central access point from your instrument to your amp, as well as your power supply via IEC, and a 2.1 x 5.5 barrel thru power connector. The RockBoard® MOD 3 V2 is a pass-thru box designed for use by vocalists and acoustic players. The 2x XLR outputs allow you to send a stereo signal from your MOD and the 1x XLR input can be used to connect your microphone. You can also use it to run several pedals from your board through the effects loop of your amp, or simply use the MOD as a central access point to your pedalboard.
- all-in-one patchbay for pedalboards 
- fits MOD slots in RockBoard pedalboards
- compatible with a wide variety of other pedalboards
- acts as the central access point to your effects setup
- establishes clean cable paths to and from the pedal board
- detachable front plate for mounting on top or underneath pedalboards
- 3 x 6,3 mm / ¼" TRS thru
- 2 x XLR thru (male front / female back)
- 1 x XLR thru (female front / male back)
- 1 x DC 2,1 x 5,5 mm barrel thru
- 1 x AC IEC thru (male front / female back)
- all connections mirrored on the backside
- dimensions excl. front plate (W x D x H): 160 x 60 x 33 mm / 6 19/64" x 2 23/64" x 1 19/64"
- dimensions of the front plate (W x H): 175 x 48 mm / 6 57/64" x 1 57/64"
- weight 450 g / 0.99 lbs
- incl. mounting screws, counter nuts, and TX wrench

All-in-One TRS & XLR Patchbay for Vocalists & Acoustic Players

Sandbox Pedal Board

Ein Chorus-Pedal mit eingebauter Frequenzweiche. Das CEB-3 Bass Chorus-Pedal bietet einen Split-Frequency-Chorus-Effekt, der in der Lage ist, warme, satte Chorus auf die höheren Frequenzen anzuwenden, ohne die Bässe zu vermatschen. Es ist das perfekte Chorus-Pedal für Bassisten.

A Chorus Pedal with Built-in Crossover.
The CEB-3 Bass Chorus pedal offers a split-frequency chorus effect capable of applying warm, rich chorusing to the higher frequencies without muddying up the lows. It's the perfect chorus pedal for bassists.

Demo by Bass Stuff

Demo by the wetter bass

CEB-3 Bass Chorus

Das MXR Carbon Copy Analog Delay verfügt über einen vollständig analogen Signalweg für einen besonders satten, warmen Delay-Sound – ein Ergebnis, das nur durch die klassische Bucket-Brigade-Technologie möglich ist. Dieses Design bietet eine beeindruckende Delay-Zeit von 600 ms mit optionaler Modulation über einen Schalter auf der Oberseite sowie ein einfaches Layout mit drei Reglern, die Delay-Zeit, Mix (Dry/Wet-Mischung) und Regen (Delay-Wiederholungen) steuern – und das alles in einem Pedal, das nicht größer ist als ein Phase 90. Darüber hinaus bieten zwei interne Trimmpotis eine vom Benutzer einstellbare Breiten- und Geschwindigkeitssteuerung der Modulation für noch mehr Klangoptionen. Das Carbon Copy führt Sie mit einem Dreh am Regler von knackigen „Badezimmer“-Slap-Echos zu epischen, Gilmour-artigen Delays. Ein echter Hardwire-Bypass, der Betrieb mit einer einzigen 9-Volt-Batterie und bühnenreife blaue LEDs runden das Paket ab.

Übersetzt mit DeepL.com (kostenlose Version)

The MXR Carbon Copy Analog Delay features a completely analog audio path for the ultimate in rich, warm delay-made possible only by old-school bucket brigade technology. This design boasts an amazing 600ms of delay time with optional modulation via a top-mounted switch and a simple, three-knob layout that controls Delay time, Mix (dry/wet blend), and Regen (delay repeats)-all in a pedal no bigger than a Phase 90. In addition, two internal trim pots offer user-adjustable width and rate control of the modulation for even more tonal options. The Carbon Copy will take you from crisp “bathroom” slap echoes to epic, Gilmour-esque delays with a twist of a knob. True hardwire bypass, single 9-volt operation, and stage-ready blue LEDs round out the package.

Demo by Marty Music

Carbon Copy Analog Delay M169 

QuickMount Type A

Pedal-Montageplatte für Standard-Einzelpedale

Pedal Mounting Plate For Standard Single Pedals

The beauty of the RAT2 lies in its versatility.  Used as a primary distortion, it excels at arena rock rhythm tones and soaring leads.  Do you have a powerful amp with too much headroom for the gig?  Let the RAT2 be your dirty channel.  Maybe you already love your amp’s distortion.  Use the RAT2 as a boost for solos and get the extra kick you need.
The RAT2 features the legendary RAT filter control.  Turn it to the right to roll off brittle high-end frequencies.  Having trouble cutting through the mix?  Turn it to the left and allow the natural brightness of your instrument to shine through.

ProCo

Review by the JHS Show

Review by delamar

Review by Guitar Chalk

Demo by intheblues

Demo by PMTVUK

Rat 2

Syd Duning

Das Power Fuzz Wah ist ohne Zweifel einer der großen Morley-Klassiker. Die 20/20 Version kommt in einer kompakten, Pedalboard-freundlichen Größe und bietet zusätzlich ein schalterloses Design zur Aktivierung des Wah Effekts. Das 20/20 Power Fuzz Wah bietet Morleys breitesten Frequenzbereich für den Wah-Sweep und erzeugt in Kombination mit der Fuzz-Schaltung einen monströsen Fuzz Wah-Sound, der andere Wah Pedale erzittern lässt.

The Power Fuzz Wah is without a doubt one of the great Morley classics. The 20/20 version comes in a pedalboard friendly size and features the acclaimed switchless activation. The 20/20 Power Fuzz Wah offers Morley's widest frequency sweep and when combined with it's Fuzz circuit delivers monstrous Fuzz Wah tone that will send other Wah pedals into hiding.

Morley MTPFW - 20/20 Power Fuzz Wah - Demo / Review Video - Sweetwater

20/20 Power Fuzz Wah

David Litaba

Dunlop

DVP5

Carrying on the POLYTUNE legacy, POLYTUNE 3 MINI packs an unprecedented amount of tuning power into a tiny footprint without sacrificing essential features, such as always-on mode and our audiophile BONAFIDE BUFFER circuit for uncompromised tones – making it ideal for fully-loaded pedal boards where every inch counts!

Review by AMAZONA 

Review by GUITAR World 

Review by bonedo 

Demo by Guitar World 

Polytune 3 Mini

QuickMount Type L

Pedal-Montageplatte für Standard-Mini-Pedale

Pedal Mounting Plate For Standard Mini Pedals

The new Foxy Tone Box from Warm Audio is a hyper-accurate recreation of one of the most sought-after and beloved fuzz pedals of all time - used in the early seventies by legendary tone masters Billy Gibbons and Peter Frampton, and in the present day by folks like Adrian Belew, Nine Inch Nails and Beck. Covered in thick velvet just like the vintage pedal, the Warm Audio Foxy Tone Box faithfully recreates the vintage circuit and brings you the huge tone, octave-up sounds and look of the original…without having to pay crazy vintage prices!

Warm Audio

Review by Guitar.com

Review by bonedo

Foxy Tone Box

Das TC Electronic Sentry nimmt sich als Noisegate-Pedal den Problemen an, von denen vor allem Singlecoil-Spieler sowie Hard- und Heavy-Gitarristen ein Lied singen können. Die Rede ist natürlich von unerwünschten Nebengeräuschen, die gern in Form von Einstreuungen oder stärkerem Rauschen auftreten und uns das Leben schwer machen.

The TC Electronic Sentry is a noisegate pedal that addresses the problems that single-coil players and hard and heavy guitarists in particular can tell you a thing or two about. Of course, we're talking about unwanted noise, which often occurs in the form of interference or stronger noise and makes life difficult for us.

Review by Gitarre & Bass

Review by Bonedo 

Demo by Science of Loud

Sentry Noise Gate

QuickMount Type G 

Pedal-Montageplatte für Standard TC Electronic Pedale

Pedal Mounting Plate For Standard TC Electronic Pedals

Der Studio Bass Compressor ist für den professionellen Bassisten entwickelt worden, der auf der Suche nach verbessertem Sustain, einem akzentuierten Picking-Sound und einem ausgeglichenem Klang beim Einzelnotenspiel keine Kompromisse eingehen möchte. Der Studio Bass Compressor ist sehr flexibel. Er kann von einer dezenten Kompression für leichte Dynamikanpassungen bis hin zum souveränen Ausgleichen von unangenehmen Pegelspitzen beim Slapping eingesetzt werden. Rock-Bassisten verlassen sich auf die durchsetzungsfähigen Mitten des Pedals ohne Volumen im Bassbereich zu verlieren. Bassisten, die klassischere Sounds bevorzugen, können einen hervorragenden, ausgeglichenen Mix im Tief-, Mitten- und Hochtonbereich erzeugen.

The Studio Bass Compressor was designed for professional bassists looking for a compressor that can provide increased sustain, accentuated picking and can even out single-note runs. The Studio Bass Compressor is incredibly versatile: you can easily go from a subtle compression that gently smooths things out all the way to a high compression that balances the dynamics in slap-style playing to keep each note from being too harsh or overbearing. Rock players can effortlessly summon powerful midrange punch while maintaining a fat bottom end. Bassists who prefer a more vintage sound can dial in a nice even mixture of top, mid and bottom frequencies.

Seymour Duncan

Seymour Duncan Studio Bass - Demo Video - Guitar Interactive

Seymour Duncan Studio Bass - Demo Video - ProGuitarShopDemos

Seymour Duncan Studio Bass - Review by Tone Report [EN]

Seymour Duncan Studio Bass - Review by Bonedo [DE]

Seymour Duncan Studio Bass - Review by Bass Quarterly [DE]

Seymour Duncan Studio Bass - Review by Muzikus [CZ]

Seymour Duncan Studio Bass - Review by TopGuitar [PL]

Studio Bass Compressor v2

The A+ Astronaut III is more than just another reverb pedal. It is the third generation of an atmospheric powerhouse which boasts a rich tonal palette and a huge range of flavors: from traditional reverb algorithms to complex acoustic structures and arpeggios.

The pedal contains 22 varied algorithms — including extended versions of some from the Astronaut, Astronaut V.2 and Shift Line Force — as well as an infinite sustain mode (Infinity Mode). Among other nice features are top-mounted jacks, switchable tails, a soft bypass switch, and a full-range wet/dry mix with an option to go 100% wet. Just like the previous generations, the Astronaut III is flexible, easy to use, and very musical. With this inspiring device, crafting complex soundscapes is a breeze!

Shift Line

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Astronaut III

The Olympic MkIIIS is the newest revision of Shift Line's bass preamplifier that combines the classic tube sound with modern audio processing technologies, creating a true "Swiss Army knife" for bass players as a result. Sculpting your signature sound and taking it anywhere you go has never been easier.

The Olympic MkIIIS is a compact, fully-featured tube preamplifier with a warm, deep and characteristically compressed sound. The device's universal connectivity allows to use it even in the most complex setups.
The cabinet simulation is based on the Impulse Response Convolution technology, which provides a realistic and detailed sound while preserving the character of the power amp, cabinet and microphone used to record the impulse.

Demo by  IvanBassist

Review by reddit /basspedals

Olympic MkIIIS

Shift Line presents the A+ Buzz V.2 bass drive.

Bass and distortion go hand in hand — at least, that's what we believe, and many bass players seem to agree. The A+ Buzz has found its place in bass pedalboards all over the world, and now it's time for a new and improved revision: the Buzz V.2 bass drive.

The new version builds up on what made the Buzz so popular. The strong core sound, great dynamic response, and simple controls with a wide sweet spot are all present in the Buzz V.2 — but now they are joined by an improved EQ section along with separate volume controls for the dry and distorted signal. And due to the top-mounted jacks, it's now even easier to fit into your pedalboard!