Domingo  Buleto Delgado

Actual board 2

Tester

Den Leslie-Effekt mit rotierenden Speakern kennt man von der Orgel, er gehört in der modernen Musik zum Standard. Mit dem Pinwheel verwirbelst du jetzt auch deinen Gitarrenklang auf diese Art. Zur Wahl stehen drei verschiedene Rotary Speaker Voices inklusive Vibratone, jeweils auf Slow/Fast umschaltbar. Der integrierte Overdrive verleiht dem Sound eine cremige, üppige Textur. Die Intensität steuerst du intuitiv per Anschlagsdynamik – je härter du spielst, umso stärker hörst du den Effekt.

The Leslie effect with rotating speakers is familiar from the organ and is standard in modern music. With the Pinwheel, you can now swirl your guitar sound in the same way. There is a choice of three different rotary speaker voices including vibrato, each switchable to slow/fast. The integrated overdrive gives the sound a creamy, lush texture. You can control the intensity intuitively via velocity - the harder you play, the stronger you hear the effect.

Fender

Demo by Pedal Experiments

Official Product Video

Product Page

Review by mixdownmag

Review by The Gear Page

Review by bonedo

Review by Harmony Central

Manual

The Pinwheel Rotary

Kim Ulmer

Ein Buffer zur Verringerung des Klangverlusts

Truetone

Pure Tone

John Barker

Part of the made in Japan MINI pedal series, The FZMINI's circuit is based on our legendary OD850 fuzz pedal. The mini version features two smaller knobs for Tone and Level, as well as a significantly larger Sustain knob in the middle. True bypass switching provides the shortest, most direct signal path, as well as the cleanest tone, while 100% analog circuitry helps add a natural, organic character to the sound. The FZMINI offers a warm, vintage fuzz tone, all while saving significant space on your pedalboard.

Ibanez

Demo by TomoFujitaMusic

Demo by Don Carr

Review by Musiker-Board

Review by musicradar

850 Fuzz

Stephen Killick

Review by Tone Pedia

Review by guitar pedal X

Demo by  エフェクターボードが好き

PHMINI Phaser

TRMini Tremolo

Caleb Chandler

Simpel, robust, und kraftvoll gibt sich der 2B Booster von Fulltone. Hierfür wurde das Pedal mit lediglich zwei Reglern für Gain und Dynamics versehen, wodurch die Bedienung des Boosters spielend leicht von der Hand geht. Der Gain Regler agiert als Level Control, welcher grade im Overdrive die extra Portion Sustain liefert.

Als Clean Boost agiert der auf den Supa-Trem bzw. True-Path-ABY Modellen basierende Preamp äußerst klangneutral und ist im Gegensatz zu vielen anderen Boosterpedalen angenehm zurückhaltend in den Höhen.

Dank unverwüstlichem Metallgehäuse und der kompakten Größe ist der Fulltone 2B Booster mehr als roadtauglich!

The Fulltone 2B is an amazing boost pedal, born from the “Boost” channel in our FD3 pedal. Soon after the FD3 came out I started getting a steady flow of emails asking if I could “please make that into a single channel Boost pedal!” So I crammed the circuit into the smallest possible enclosure 4.5" x 2.1" x 2.3" with battery tucked tightly inside and even engineered space-saving rear-mounted IN, OUT, and DC power jacks, and added an important feature not offered in the FD3.

Fulltone

Demo by  Guitar World

Review by Robby Mildenberger, bonedo.de

2B Boost

The Maxon AF9 Auto Filter takes the most desirable auto-wah and swept filter effects and offers them up in a compact, user-friendly package. Opto-coupler circuitry produces the shimmering, watery filtering of legendary vintage units. Threshold and Peak sliders control the degree of effect; while Range and Drive switches determine range and direction of the filter sweep. Three selectable filter types (Low Pass, Band Pass, and Hi Pass) and a frequency range of 100 Hz – 4 kHz allow the AF9 to function with virtually any instrument or input signal.

Maxon

Review by Marcels Guitars

Review by Talk Bass.com

Demo by Pedal of the Day

Demo by GodlykeInc

AF9 Auto Filter

PedalSafe Type F

QuickMount Type F

Pedal-Montageplatte für Standard Ibanez TS / Maxon Pedale

Pedal Mounting Plate For Standard Ibanez TS / Maxon Pedals

Schutzabdeckung & RockBoard-Montageplatte für Standard Ibanez TS / Maxon Pedale

Protective Cover & RockBoard Mounting Plate For Standard Ibanez TS / Maxon Pedals

Schutzabdeckung & universelle Montageplatte für Standard Ibanez TS / Maxon Pedale

Protective Cover & Universal Mounting Plate For Standard Ibanez TS / Maxon Pedals

The T-Rex SHAFTER is our best shot at a genuine new-generation wah-wah pedal. With loads of adjustability, a much wider frequency sweep, quieter operation, greater durability and 3 completely different “wah” characters, it addresses all the weaknesses of the classic wah point by point. We think it’s the best wah-wah ever made, and we know you’ll love how it sounds and performs.

T-Rex

Review by Guitarist, musicradar.com

Review by Bassel Hallak, bonedo.de

Demo by Eitdrian

Demo by American Musical Supply

Shafter Wah

DIVA was built to enhance your sound—not replace it. No matter how much gain you add, no matter how you choose to beef up your low end, DIVA will respect your musicianship, your gear and your personal tone. Use it for that subtle “one more notch” effect. Or lay on the gain for some serious, punchy bite. Any way you use it, you’ll sound amazing, just like you.

Demo by Crank my amp

Demo by The Guitar Effect

Review by Effects Database

Review by Thomas Dill, bonedo.de

Demo by Premier Guitar

Diva Drive

PedalSafe Type A1.1

QuickMount Type A

Pedal-Montageplatte für Standard-Einzelpedale

Pedal Mounting Plate For Standard Single Pedals

Schutzabdeckung & RockBoard-Montageplatte für MXR® Standardgröße und Dunlop® Echoplex Delay Pedale

Protective Cover & RockBoard Mounting Plate For MXR® standard size and Dunlop® Echoplex Delay pedals

Schutzabdeckung & universelle Montageplatte für MXR® Standardgröße und Dunlop® Echoplex Delay Pedale

Protective Cover & Universal Mounting Plate For MXR® standard size and Dunlop® Echoplex Delay pedals

Du wünschst dir einen richtig brutalen High-Gain-Tone, den du vielseitig feintunen kannst? Das Full Moon Distortion Pedal zaubert dir abgefahrene Verzerrungs-Varianten. Unter dem Texture-Schalter stecken symmetrische/unsymmetrische Clipping-Effekte. Der Bite-Schalter liefert den nötigen Biss und verschiebt die oberen Mitten und Obertöne, damit man deinen Anschlag mit dem Plektrum deutlicher hört. Für den Feinschliff sorgt der 3-Band-EQ, wobei du die Höhen zusätzlich mit dem Regler für Hi-Treble abstimmen kannst. Mit dem zweiten Fußschalter bekommst du bei Bedarf knurrige +12 dB am Ende des Signalwegs dazu.

A high-gain distortion featuring an always useful boost with separate footswitch (delivering up to 12db of gain), this pedal sports a lot of tone shaping goods, including a four way EQ section (with a “Hi Treble” knob on top of your regular Treble one, which is a low pass filter that can tame the sizzling highs) and Bite and Texture toggle switches – the latter delivering symmetrical and asymmetrical clipping for the true tone connoisseurs.

Demo by Chicago Music Exchange 

Demo by Ola Englund 

Demo by  Slumber_Joe

Demo by PMTVUK

Review by mixdownmag.com

Review by reddit.com/r/guitarpedals

Review by musicradar.com

Review by bonedo.de

Full Moon Distortion

Der Pigtronix Quantum Time Modulator erzeugt mit nur drei Reglern und einem einzigen Schalter ein Paralleluniversum analoger Time-Stretching-Effekte. Als Verkörperung der Grundprinzipien der modernen Atomphysik in Pedalform kann der Pigtronix Quantum an unzähligen Orten gleichzeitig sein und verändert sich sowohl als Reaktion auf das Eingangssignal als auch auf die Beobachtung. Der Pigtronix Quantum nutzt mehrere Bucket-Brigade-Verzögerungsleitungen mit unabhängigen Takten, die durch eine stufenlose Mischung aus Hüllkurven- und LFO-Quellen moduliert werden. Die entsprechenden Regler für Empfindlichkeit, Geschwindigkeit und Quelle werden durch einen Chorus-/Vibe-Schalter ergänzt, mit dem der Nutzer zwischen reinem Effekt und einer Mischung aus sauberem Signal und moduliertem Audio wählen kann. Diese äußerst flexible und dennoch benutzerfreundliche Konfiguration bietet in Kombination mit einem TRS-Stereoausgang zahlreiche Klangfeldkonfigurationen für Mono-, True-Stereo-, Wet/Dry- und Wet/Dry/Wet-Setups.

Pigtronix Quantum Time Modulator produces a parallel universe of analog time stretching effects with only three knobs and a single switch. Reflecting the fundamental principals of modern atomic physics in pedal form, the Pigtronix Quantum can be in any number of places at once and will change in response to both input and observation. Pigtronix Quantum utilizes multiple bucket brigade delay lines with independent clocks modulated by a continuous blend of envelope and LFO sources. The corresponding sensitivity, speed and source controls are augmented by a Chorus / Vibe switch which allows the user to choose between pure effect or a mix of clean signal and modulated audio. This eminently flexible, yet easy to use configuration, combined with a TRS stereo output provides numerous sound field configurations for mono, true stereo, wet / dry and wet / dry / wet rigs.

Pigtronix

Review by Premier Guitar

Manual download

Demo by The Tone King

Demo by Prymaxe

Quantum Time Modulator

ch ray

Der BOSS SDE-3 Dual Digital Delay ist ein kompaktes Stereo-Delay-Pedal, das den klassischen Klang und Charakter des Roland SDE-3000 Rack-Delays in ein pedalboardtaugliches Format bringt. Es bietet reichhaltige vintage digitale Delay-Töne mit kreativer Kontrolle über Verzögerungszeit, Feedback, Modulationstiefe und Rate sowie einen High-Cut-Filter zur Formung der Echo-Wiederholungen. Die Offset-Regelung erzeugt eine zweite Verzögerungslinie für polyrhythmische und Stereo-Texturen. Der Pedal verfügt über vielseitige Ausgangsmodi einschließlich Stereo-Ein/ausgängen und Wet/Dry-Routing, Tap-Tempo, MIDI-Sync-Eingang, Expression-Pedal-Steuerung und einen gepufferten Bypass mit Carryover für natürliche Ausklänge.

The SDE-3 fuses vintage digital character and wide-ranging versatility into one unique and inspiring BOSS compact pedal. Experience the genuine sound and core features of the Roland SDE-3000, an iconic ’80s-era rackmount delay favored by some of the most influential guitarists of all time. Flow into any creative setup with a slate of modern features. And twist the powerful Offset control to explore an array of colorful dual-delay textures.

BOSS

Instagram Channel

Review by Guitar World

Demo by The Studio Rats

SDE-3 Dual Digital Delay

QuickMount Type E

Pedal-Montageplatte für Standard-Boss-Pedale

Pedal Mounting Plate For Standard Boss Pedals

DM-2W Delay (Waza Craft)

PedalSafe Type E1

Schutzabdeckung & RockBoard-Montageplatte für BOSS Compact Serie, RC3 LoopStation & RC5 LoopStation Pedale

Protective Cover & RockBoard Mounting Plate For BOSS Compact Series, RC3 LoopStation & RC5 LoopStation pedals

Schutzabdeckung & universelle Montageplatte für BOSS Compact Serie, RC3 LoopStation & RC5 LoopStation Pedale

Protective Cover & Universal Mounting Plate For BOSS Compact Series, RC3 LoopStation & RC5 LoopStation pedals

Giordano Rivolta

Made in Japan, the ADMINI features two smaller knobs for Repeat and Blend, and a significantly larger Delay time knob in the middle. The range of delay time is 20ms to 600ms. True bypass switching provides the shortest, most direct signal path, as well as the cleanest tone. 100% Analog circuitry produces the warm tone that players look for in analog delays. With the ADMINI, you'll enjoy a warm, classic, and exceptionally clean delay, all while saving some space on your pedalboard.

Review by reddit /guitarpedals

Review by AMAZONA

ADMINI Analog Delay

QuickMount Type UV

Universal-Pedal-Montageplatte für vertikale Pedale

Universal Pedal Mounting Plate For Vertical Pedals

MOOER

Macro Power S8

Für 9-15 FX-Pedale, 1 MOD-Slot - **622 x 330 mm / 24.49" x 12.99"** - erhältlich mit Gig Bag oder Flight Case

For 9 - 15 FX pedals, 1 MOD slot - **622 x 330 mm / 24.49" x 12.99"** - available with Gig Bag or Flight Case

MORPH ACROSS THE SPACETIME SPECTRUM.
Years in the making and the first of its kind, Cosmosis is a stereo, high-fidelity ambient reverb that allows musicians to tailor three original spaces—Theatre, Temple, and Cosmos—as well as manipulate them in real time. In addition to controls for the size of the reverb, wet/dry blend, and filtering, Cosmosis features a unique Morph function that allows musicians to alter their reverb settings in real-time by pressing the left footswitch. The three space algorithms found inside of Cosmosis are all-original and truly unique. Theatre puts the player in a variable room that ranges from cozy to highly reflective using multiple parallel short reverberators. Temple occupies a dramatic, large indoor space by implementing numerous long reflections in both parallel and series. And Cosmos creates an enormous spectrum of heavenly reverb derived from the harmonic content it’s fed. The Morph feature found in Cosmosis provides a simple way for players to trigger a gradual change to various reverb parameters over a specified amount of time set by the accompanying Morph Rate knob. Players can set both “red” and “green” values on their Tone, Blend, and Size knobs, then engage the Morph footswitch to oscillate between the two reverbs at their desired rate. Any combination of knobs can be assigned to morph. Create elegant morphs for subtle movement or sweeping, cinematic morphs for dramatic sound design effects. Save up to four custom reverb presets, including morphing. Cosmosis runs on standard 9VDC power.

Demo by Pigtronix

Review by

Cosmosis

Star Eater

Universal Remote

Resotron is an analog filter pedal that brings the sound of 70s keyboard synthesizers to the world of envelope pedals for guitar, bass and beyond. The filter at the heart of the Resotron is based on the SSM2040 chip found in the legendary Prophet 5 and Octave CAT synthesizers. This 24db/octave, state-variable filter provides the full gamut of familiar envelope filter sounds with Up and Down sweeping modes, as well as a Sensitivity control to dial in the response of the effect based on how hard you play. In addition to these vintage-correct filter tones, the Resotron incorporates an analog pitch-tracking system to move the cutoff frequency of the filter up and down. The pitch-following filter effect found in the Resotron moves around based on the notes you play instead of how hard you play. The attack time and rate of filter motion can be adjusted using the Glide knob to dial in how long it takes for the cutoff to travel between pitches.

Demo by  PJ and the Beard

Review by Music Player Network

Resotron

Erfahre mehr über das Quantum Time Modulator Chorus, Vibrato, Modulation, Vibe-Pedal von Pigtronix auf PedalPedia – der umfassendsten Online-Ressource für Effektpedale ▶️ Offizielle Spezifikationen, Handbücher, Produktvideos und mehr

Quantum Time Modulator von Pigtronix | PedalPedia | RockBoard