cuulguit@r

No Amp needed here. The IR-2 serves as pedal platform and cab sim. In front, there are 5 gain stages, a compressor, an auto wah and the Plethora X1 (used as A Vibe and B Phaser).  Chorus & Ocean Machine are in the insert of IR-2 (Stereo). Photos show an older configuration. Usually used with headphones for noodling around.

Noodle Board

Alessandro Pintus

When using a regular guitar amplifier, getting consistent tones in different performance situations can sometimes be a challenge. With the compact and versatile IR-2 in your rig, you’re always ready to deliver your signature sound directly to a house PA or recording setup when needed. Choose from 11 premium amp types paired with Celestion Digital IRs and instantly tweak your sound via simple controls. Use the mono/stereo loop for post-amp effects and plug in headphones for monitoring and quiet practice. And with onboard USB-C, you can easily interface with music software and load in your favorite cab IRs.

BOSS

Product Page

Review by The Gear Page

Review by reddit /guitarpedals

Review by bonedo

Review by Guitar

Manual

Official Product Video

Demo by  Nick Bowcott 

IR-2 Amp & Cabinet

PedalSafe Type E1

QuickMount Type E

Pedal-Montageplatte für Standard-Boss-Pedale

Pedal Mounting Plate For Standard Boss Pedals

Schutzabdeckung & RockBoard-Montageplatte für BOSS Compact Serie, RC3 LoopStation & RC5 LoopStation Pedale

Protective Cover & RockBoard Mounting Plate For BOSS Compact Series, RC3 LoopStation & RC5 LoopStation pedals

Schutzabdeckung & universelle Montageplatte für BOSS Compact Serie, RC3 LoopStation & RC5 LoopStation Pedale

Protective Cover & Universal Mounting Plate For BOSS Compact Series, RC3 LoopStation & RC5 LoopStation pedals

Tester

O1 Tube Squasher von Thomas Blug mit FET-basierten Overdrive-Schaltkreise entworfen, die O1 realistisch emuliert die glatte Overdrive-Eigenschaften eines guten Vakuumröhrenverstärkers. Beim Spielen ist sein Klang wie ein Röhrensound. Der Tube Squasher ist ein sehr leistungsstarkes Tone-Shaping-Tool und ein interner Versorgungsspannungs-Step-up, der mehr Dynamik und Headroom mit engen Bass-Tönen ermöglicht. Es ist auch eine große niedrige bis mittlere Verstärkung Overdrive und super sauberen Boost.

O1 Tube Squasher designed by Thomas Blug with FET-based overdrive circuitry, the O1 realistically emulates the smooth overdrive characteristics of a good vacuum tube amp. When played, its sound is like a tube sound. The Tube Squasher is a very powerful tone shaping tool and an internal supply voltage step-up that allows for more dynamics and headroom with tight bass tones. It is also a great low to medium gain overdrive and super clean boost.

Xvive

Demo by Tone Works

Demo by Greg Kocis

Review by MusicRadar

Review by Amazona

O1 Tube Squasher Overdrive

Xvive designed the Golden Brownie to dish out ’80s style high gain hard rock dirt. It’s basically a Marshall JCM800 in stompbox form, so you’ll definitely find a lot of British valve flavor in the Golden Brownie’s tones, which can go from subtle breakup to balls to the wall distortion. Two EQ knobs, marked Tone and Presence, complement each other to let you dial in a wide array of pleasing dirt tones with loads of sustain.

Official Website

Review by Musiker-Board

Demo by Scan Pro Audio

Demo by thejay

T1 Golden Brownie Distortion

Xvive DynaRock T2 ist ein offenes, dynamisches und warmes Pedal, das dem natürlichen Klang von Röhrenverstärkern sehr nahe kommt. Seine ultrahohe Verstärkung und sein großartiger Ton sind zwei Begriffe, die nicht oft verwendet werden, um ein einziges Gerät zu beschreiben. Seine Verzerrung ist anders: Es braucht nicht nur viel mehr Aufwand, um sie zum Schreien zu bringen und trotzdem harmonisch zu klingen, sondern bringt auch einen großartigen fetten, schweren Verzerrungston. Mit einem ausgewogenen Gain-Regler, können Sie jede Saite hören perfekt spielen Klassiker wie die Who, LED Zeppelin, AC/DC. DynaRock ist nicht nur ein großartiges Boost-Pedal, sondern kann dir auch einen großartigen Soloton mit seiner MID BOOST-Funktion liefern.

Xvive DynaRock T2 is an open, dynamic and warm pedal which comes so close to the natural tone of tube amplifiers. Its ultra high gain and great tone are two phrases that aren’t ofen used to describe a single unit. Its distortion is different: it not only takes a lot more effort to get it screaming but still sounding harmonically rich, but also brings you great fat heavy distortion tone. With a balanced gain control, You can hear each strings perfectly play classics like the who, LED Zeppelin, AC/DC.
DynaRock is not only a great boost pedal but also can bring you great solo tone with it MID BOOST function.

Review by Musicanza

Review by Blogspot /stompboxsteals

Demo by Kennis Russell

Demo by Chris Benton

T2 Dynarock

● 100% Analog Envelope Filter/Auto Wah von Picking Dynamics.

● Entwickelt für Gitarre und Bass mit schnellem und präzisem Tracking.

● Wide Range Funky Tone Shaping mit 4 nützlichen Knöpfen.

● True Bypass Footswitch sorgt für einen sauberen Signalweg.

● Arbeitet mit 9V Center Negative Regular Pedal Power Supply (nicht enthalten).

● 100% Analog Envelope Filter/Auto Wah by Picking Dynamics.

● Designed for both Guitar & Bass with Fast and Accurate Tracking.

● Wide Range Funky Tone Shaping with 4 useful Knobs.

● True Bypass Footswitch keeps a clean Signal Path.

● Working with 9V Center Negative Regular Pedal Power Supply(not included).

Sonicake

Demo by SeanPierceJohnson

Demo by The Pedal Picassos 

Demo by Pedal Platform 

Review by Talk Bass.com

Crybot

Gabriel Gomes

Sonicake Source Comp ist ein Compressor-Pedal, das auf einem weltberühmten 1176-Studio-Kompressor basiert. Es ist vollgepackt mit dem ultimativen Ingenieursverständnis und Design von Kompressoren sowie mit dem ultimativen Streben von Künstlern nach Klang und Dynamik. Wir zollen ihm durch unsere innovativen Konzepte erneut Tribut. 100 % analog, gepuffert-durchgeschleift.

Sonicake Source Comp verfügt über eine Vielzahl von Reglern, mit denen das Signal präzise verarbeitet werden kann, um ein gutes dynamisches Feedback und einen vollen Klang zu erzielen.

Es hat ein robustes Metallgehäuse, das Verschleiß standhält, sowie einen langlebigen Metall-Fußschalter und eine LED-Anzeige für Ein/Aus.

Sonicake Source Comp is a compressor pedal based on a world-famous 1176 studio compressor, it is full of engineers' ultimate understanding and design of compressors and artists' ultimate pursuit of sound and dynamics. We pay homage to it once more with our innovative concepts. 100% analog, buffered-bypass.

Sonicake Source Comp has a wealth of knobs to adjust, it can sensitive signal processing, so as to achieve good dynamic feedback and fuller sound.

It has a hard metal casing that is able to withstand wear and tear. Also a heavy-duty metal footswitch and on/off status LED. 

Demo by The Guitar Effect

Demo by Alex Price

Source Comp

Das CE-5 Chorus Ensemble ist das ultimative kompakte Chorus-Pedal von BOSS. Es deckt einen weiten Frequenzbereich ab und verfügt über Hoch- und Tiefpassfilter. Damit können Benutzer jede Art von Chorus-Effekt erzeugen – vom sanften, natürlichen Chorus bis hin zum klaren und durchdringenden Stereo-Chorus-Effekt, der in der zeitgenössischen Musik beliebt ist.

The CE-5 Chorus Ensemble is BOSS' ultimate compact chorus pedal, covering a wide frequency range and featuring high- and low-cut filters. This lets users create any kind of chorus effect—from a mild, natural chorus to the clear and penetrating stereo chorus effect popular in contemporary music.

Demo by Ryan Lutton

Demo by Octoplod

Review by Guitar Gear

CE-5 Chorus Ensemble

Gatekeeper is a lightning fast, studio-quality noise gate that locks out unwanted noise from any rig.
Featuring Threshold and Release knobs, Gatekeeper provides 100% attenuation with unprecedented
response time and utilizes ultra high-speed J-FET circuitry to completely eliminate hum, hiss, buzz
and any other intrusive non-musical sounds from your signal path. Its wide range Threshold control
combines with exceptional headroom to deliver smooth transient response previously available only
in rackmount, studio-oriented noise gate processors. The addition of the Release knob allows the
user to control how long it takes gate to slam closed.

Pigtronix

Review by GUITAR WORLD 

Demo by Pigtronix

Demo by WMusicDistribution 

Gatekeeper Micro

OnionBelt

PLETHORA X1 is a dedicated TonePrint loader that covers the entire range of TonePrint pedals. Sonic stompbox-sized flexibility is simply an understatement. Depending on your needs and current projects, let PLETHORA X1 be an ambient and flavorful reverb - until you need it to be a slapback echo for an upcoming rockabilly gig.  

Effects include: Hall of Fame 2 Reverb, Flashback 2 Delay, Helix Phaser, Viscous Vibe, Sub n Up Octaver, Brainwaves Pitch Shifter, Corona Chorus, Hypergravity Compressor, Mimiq Doubler, Vortex Flanger, Pipeline Tap Tremolo, Quintessence Harmony, Sentry Noise Gate and Shaker Vibrato. 

TC Electronic

Review by guitar pedal X

Review by Synth Anatomy

Plethora X1

Das Ginean GD28 Hairy Show Fuzz ist ein Fuzz-Pedal, das von der legendären DOD Carcosa-Schaltung inspiriert ist. Es bietet eine große Bandbreite an Fuzz-Klängen von dichten, schweren Sounds bis zu scharfen und aggressiven Texturen. Das Pedal verfügt über Regler für die Fuzz-Intensität, Feedback und einen Hochtonfilter zur Formung der oberen Frequenzen. Ein Kippschalter wählt zwischen den Modi Demhe und Hali, die entweder vollere oder hellere Fuzz-Sounds betonen. Mit einstellbarer Transistor-Bias und rauscharmem Betrieb liefert es sowohl sanften Vintage-Fuzz als auch wilde, gesplittete Effekte. Das GD28 Hairy Show Fuzz ist für Musiker konzipiert, die flexible und ausdrucksstarke Fuzz-Klänge in einem kompakten Format suchen.

The Ginean GD28 Hairy Show Fuzz is a fuzz pedal inspired by the legendary DOD Carcosa circuit. It provides a wide range of fuzz tones from thick, heavy sounds to sharp and aggressive textures. The pedal includes controls for fuzz intensity, feedback and a high-cut filter to shape the top end. A toggle switch selects between Demhe and Hali modes, which emphasize either fuller or brighter fuzz responses. With adjustable transistor bias and low-noise operation, it delivers both smooth vintage fuzz and wild gated effects. The GD28 Hairy Show Fuzz is designed for players who want flexible and expressive fuzz tones in a compact format.

Ginean

Demo by googaboogaloo

Demo by 

GD28 Hairy Show Fuzz

Vin Venture

Der Sonicake Trio Rider ist ein klassisches Overdrive-Pedal im Centaur-Stil. Für alle Gitarrist:innen, die auf der Suche nach der besten Nachbildung des legendären "Centaur"-Overdrives sind, ist der Trio Rider genau das Richtige – er vereint die drei Blutlinien des Centaur in einem Pedal. 100 % analog, mit gepuffertem Bypass.

Sonicake Trio Rider is a Centaur-style classic overdrive pedal. For all the guitarists who are in seek of the best replica version of "Centaur" type of overdrive pedal, this Trio Rider that combines the three centaur bloodlines will be the one. 100% analog, buffered-bypass.

Demo by  The Pedal Picassos

Trio Rider

Designed and developed over two years in collaboration with Devin Townsend, the Ocean Machine is a high fidelity professional Delay, Reverb and Looper unit which brings together the best available hardware on the market and very complex algorithms to create lush, heavenly effects. MOOER has worked very closely with Devin Townsend to meet all of his own personal requirements while also ensuring that the "Ocean Machine" is versatile and enjoyable for musicians from all walks of life.

A multitude of programmability and control options makes the ocean machine ideal for all different kinds of guitarists from bedroom beginners to industry professionals and is easy to integrate into all different kind of setups. MOOER has brought all of this together into a small, stylish and highly competitive, cost efficient package.

MOOER

Demo by  Guitar Interactive Magazine

Demo by  Premier Guitar

Review by Joe Gore, premierguitar.com

Review by Michael Astley-Brown, musicradar.com

Review by Johannes Krayer, amazona.de

Ocean Machine

Mosky

ISO 10 power supply

Für 5-10 FX-Pedale, 1 MOD-Slot - **522 x 236 mm / 20.55" x 9.29"** - erhältlich mit Gig Bag oder Flight Case

For 5 - 10 FX pedals, 1 MOD slot - **522 x 236 mm / 20.55" x 9.29"** - available with Gig Bag or Flight Case

filip Božičić

Die RockBoard® PowerMODs sind speziell entwickelte Class D Transistorverstärker mit denen Lautsprecherboxen direkt und ohne zusätzlichen Verstärker vom Pedalboard angesteuert werden können. Die PowerMODs bieten einen 3-Band EQ, eine schaltbare Cabinet Simulation für Fullrange Lautsprecher sowie eine Mute Funktion. Die PowerMODs können in den MOD Slots in allen RockBoard® Pedalboards (mit Ausnahme von DUO 2.0, 2.1 und 2.2) oder auf den Pedalboards von anderen Herstellern installiert und so Platz sparend in jedes denkbare System integriert werden.


- kompakter Verstärker für Pedalboards
- kann direkt auf allen RockBoard Pedalboards installiert werden, die mit einem MOD Slot ausgestattet sind, sowie auf Pedalboards von Drittanbietern
- Class D Transistorschaltung
- Leistung (@1% THD): 118 W an 4 Ohm / 70 W an 8 Ohm
- 3-Band EQ
- frontseitige Regler für Volume, Low, Mid, High
- frontseitiger Cab-Sim Schalter
- frontseitiger Mute Schalter
- frontseitiger 6,35 mm Lautsprecherausgang
- frontseitiger 3,5 mm Kopfhörerausgang
- frontseitiger 3.5 mm AUX IN Eingang für externe Audiosignale
- frontseitiger symmetrischer XLR DI Ausgang
- rückseitiger Anschluss für beiliegendes Netzteil
- rückseitiger Instrumenteneingang
- inklusive 220 - 240 VAC Netzteil, Ausgang 36 VDC, 4,16 A
- Abmessungen (L x B x H) 175 x 116 x 47 mm
- Gewicht 1,2 kg (einschließlich Netzteil)

The RockBoard® PowerMODs are specially designed Class D transistor amplifiers that can drive speaker cabinets directly from your pedalboard without an additional amplifier. The PowerMODs feature a 3-band EQ, switchable cabinet simulation for full-range speakers, and a mute function. The PowerMODs can be mounted directly into the MOD slot (available on all RockBoard® pedalboards except the DUO series) or onto pedalboards from other manufacturers, allowing for space-saving integration into any system.

- compact amplifier for pedalboards
- can be directly mounted on into all RockBoard pedalboards equipped with MOD slots or on third-party pedalboards
- solid-state design, class D amplifier circuitry
- power (@1% THD): 118 W at 4 Ohm / 70 W at 8 Ohm
- 3-band EQ
- front panel controls for Volume, Low, Mid, High
- front-mounted Cab-Sim switch
- front-mounted Mute switch
- front-mounted 6.35 mm (1/4") speaker output
- front-mounted 3.5 mm (1/8") headphone output
- front-mounted 3.5 mm (1/8") AUX IN input for external audio signals
- front-mounted balanced XLR DI output
- rear-mounted connection for included power supply adapter
- rear-mounted instrument input
- including 220 - 240 VAC power adapter, output 36 VDC, 4.16 A
- dimensions (L x W x H) 175 x 116 x 47 mm / 6.88" x 4.56" x 1.85"
- weight 1.2 kg / 2.65 lbs (including power supply)

Kompakter 150W Pedalboard Verstärker

Compact 150W Pedalboard Power Amp

Sandbox Pedal Board

Ob er nun alleine durch den Blues fegt oder mit Black Country Communion rockt – Joe Bonamassas Spiel ist feurig, tiefgründig und kraftvoll. Und wenn er sich in einem Solo so richtig ausleben will, tritt er auf ein Cry Baby Wah. Deshalb haben wir bei Dunlop gemeinsam mit Joe das Joe Bonamassa Signature Cry Baby entwickelt, das speziell darauf ausgelegt ist, sich perfekt in Joes System einzufügen – vom Aussehen bis zum Klang. Äußerlich besticht es durch eine edle Kupferoberseite mit einem schwarz lackierten Korpus. Im Inneren verfügt es über große Durchsteckkomponenten im Vintage-Stil, einen Halo-Induktor (für zusätzlichen Obertongehalt), einen Ausgangspuffer (um Impedanzunterschiede bei Vintage-Fuzz-Pedalen zu verhindern) und einen Schalter für True-Bypass- oder Non-True-Bypass-Betrieb (Joe bevorzugt Non-True-Bypass, da dieser die Höhen abdunkelt). Mit seinem enormen Klangspektrum ist dies eines der ausdrucksstärksten Cry Babys aller Zeiten und Joes Werkzeug der Wahl, um jeden gefühlvollen Bend und jeden bluesigen Wail zu betonen. „Das erste Pedal, das ich mir je gekauft habe, war vor 25 Jahren ein Cry Baby“, sagt er. „Ich fühle mich sehr geehrt, dass mein Name auf diesem Pedal steht, und hoffe, dass es euch genauso viel Spaß bereitet wie mir jeden Abend auf der Bühne.“

Whether he's blazing through the blues on his own or rocking with Black Country Communion, Joe Bonamassa's playing is fiery, deep, and powerful. And when he really wants to express himself in a solo, he steps on a Cry Baby wah. That's why we at Dunlop worked with Joe to develop the Joe Bonamassa Signature Cry Baby, specially engineered to fit in perfectly with Joe's system, from the way it looks to the way it sounds. On the outside, it sports a classy copper top with a smooth-finish black body. On the inside, it features large, vintage-style thru-hole components, a Halo inductor (for added harmonic content), an output buffer (to prevent impedance imbalance with vintage fuzz pedals), and a switch for true-bypass or non-true-bypass operation (Joe prefers non-True Bypass as it darkens the high end). With its huge vocal sweep range, this is one of the most expressive Cry Babys ever, and it's Joe's tool of choice to accentuate every soulful bend and bluesy wail. "The first pedal I ever purchased was a Cry Baby, 25 years ago," he says. "I am so honored to have my name on this pedal and hope it brings you as much fun as it brings me every night on stage."

Dunlop

Review by guitartest.de

Review by Premier Guitar

Demo by Peach Guitars

JB95 Joe Bonamassa Cry Baby Wah

QuickMount Type M

Pedal-Montageplatte für Dunlop Cry Baby Wah-Pedale

Pedal Mounting Plates For Dunlop Cry Baby Wah Pedals

Márcio Lima

Der AT-07 ist ein chromatischer Pedal-Tuner in einem Vollmetallgehäuse mit hochauflösendem Farbdisplay, das Notennamen, Stimmungsanzeige, Kalibrierung, Tonhöhe und Flat-Einstellungen anzeigt. Er bietet A4-Kalibrierung (430–450 Hz), vier Halbton-Flattenstufen (b, bb, bbb, bbbb), True-Bypass-Fußschalter und Standard-¼″-Mono-Ein-/Ausgänge für Gitarre oder Bass.

The AT-07 is a chromatic pedal tuner in a full-metal shell with a high-definition color screen showing note names, tuning meter, calibration, pitch, and flat settings. It features A4 pitch calibration (430–450 Hz), four levels of flat tuning (b, bb, bbb, bbbb), a true-bypass footswitch design, and standard ¼″ mono input/output jacks for guitar or bass.

Tomsline Engineering

TUNER AT-07

The GEB-7 is a seven-band equalizer created specifically for the frequency range of the electric bass. Since the frequency range extends down to 50Hz, the GEB-7 is also great for adjusting depth and bottom end of an upright bass with pickups.

GEB-7 Bass Equalizer

zach hultstrand

HeadRush Core enthält eine riesige Bibliothek mit realistischen und reaktionsschnellen Gitarreneffekten, Verstärkern, Boxen und Mikrofonemulationen und bietet eine praktisch unbegrenzte Anzahl von Impulsantworten sowie die Möglichkeit, den Klang Ihres eigenen wertvollen analogen Equipments mit der „Smart Cloning“-Technologie einzufangen. Für Sängerinnen und Sänger, die eine ergänzende Vocal Processing Unit benötigen, bietet der Core außerdem eine komplette Suite von Vocal FX, einschließlich des branchenführenden Antares Auto-Tune® und eines erstklassigen Loopers.

Containing a huge library of realistic and responsive guitar FX, amps, cabs and microphone emulations, the HeadRush Core provides virtually unlimited impulse response loading, and the ability to capture the sound of your own precious analog gear with ‘smart cloning’ technology. For the singers who need a complementary vocal processing unit, the Core also features a full suite of vocal FX including the industry-standard Antares Auto-Tune® and a best-in-class looper.

HeadRush

Demo by Guitar Bonedo

Review by mixdownmag

Quick Start Guide

Core

Für 9-15 FX-Pedale, 1 MOD-Slot - **622 x 330 mm / 24.49" x 12.99"** - erhältlich mit Gig Bag oder Flight Case

For 9 - 15 FX pedals, 1 MOD slot - **622 x 330 mm / 24.49" x 12.99"** - available with Gig Bag or Flight Case

Breandan Malone

Pedalboard set up for use with the the Cover Band "Yeah The Boys" 

Die überarbeiteten RockBoard® MODs V2 sind einfache all-in-one Patchbays für die RockBoard Pedalboard Series mit einem neuen, überarbeiteten Design und einem kompakten Gehäuse. Passend für alle neuen RockBoards® (außer der DUO-Serie) mit einem MOD-Slot, bieten sie als komfortable Patchbay verschiedene Kabelverbindungen, um eine weite Reihe von Bedürfnissen abzudecken. Mit den RockBoard® MODs kannst du deine Pedale dauerhaft unter dem Board verkabeln und alle Verbindungen zu und von deinem Effektsetup in einem praktischen Modul organisieren. Die RockBoard® MODs bieten einen zentralen Zugangspunkt vom Instrument zum Verstärker sowie eine praktische und einfache Stromversorgung des Boards über einen IEC- und einen 2,1 x 5,5 Barrel-Through-Stromanschluss. Das RockBoard® MOD 1 V2 ist eine Pass-Through-Box, die speziell für Gitarristen und Bassisten entwickelt wurde. Du kannst das MOD 1 V2 nutzen um mehrere Pedale deines Setups im Front End und im Effekt-Loop des Verstärkers zu postieren (4-Kabel Methode) oder die vier TRS-Anschlüsse als zentralen Zugang und Ausgang des Boards nutzen. Die XLR-Through-Verbindung kann als Signalausgang vom Pedalboard zum Mischpult oder zur PA verwendet werden.
- All-in-One Patchbay für Pedalboards
- passend für MOD slots in RockBoard Pedalboards
- kompatibel mit einer weiten Reihe and anderen Pedalboards
- fungiert als zentraler Zugangspunkt zu deinem Effekt Setup
- etabliert klare Kabelwege zum und vom Pedalboard
- abnehmbare Frontplatte für Montage auf oder unter Pedalboards
- 5 x 6,3 mm TRS thru
- 1 x XLR thru (männlich vorne / weiblich hinten)
- 1 x DC 2,1 x 5,5 mm barrel thru
- 1 x AC IEC thru (male front / female back)
- alle Anschlüsse gespiegelt auf der Rückseite
- Abmessungen exkl. Frontplatte (B x T x H): 160 x 60 x 33 mm
- Abmessungen der Frontplatte (B x H): 175 x 48 mm
- Gewicht 450 g
- inkl. Montageschrauben, Kontermuttern und TX Schlüssel

The improved RockBoard® MODs V2 are simple all-in-one patchbays for RockBoard pedalboards with a new, refreshed design, and compact housing. Utilizing the MOD slot on all new RockBoards® (except the DUO series), they provide various cable connections to fit a wide variety of needs as a convenient patchbay. With the RockBoard® MODs, you can permanently connect your pedals underneath your board and organize all connections to and from your effects setup in one convenient module. The RockBoard® MODs provide a central access point from your instrument to your amp, as well as your power supply via IEC, and a 2.1 x 5.5 barrel thru power connector. The RockBoard® MOD 1 V2 is a pass-thru box especially designed for guitar and bass players. It can also be used to run several pedals from your board through the effects loop of your amp, or as a central access point to your pedalboard via its 4x TRS thru connections. The XLR thru connection can be used as signal output from your pedalboard to the console or PA.
- all-in-one patchbay for pedalboards 
- fits MOD slots in RockBoard pedalboards
- compatible with a wide variety of other pedalboards
- acts as the central access point to your effects setup
- establishes clean cable paths to and from the pedal board
- detachable front plate for mounting on top or underneath pedalboards
- 5 x 6,3 mm / ¼" TRS thru
- 1 x XLR thru (male front / female back)
- 1 x DC 2,1 x 5,5 mm barrel thru
- 1 x AC IEC thru (male front / female back)
- all connections mirrored on the backside
- dimensions excl. front plate (W x D x H): 160 x 60 x 33 mm / 6 19/64" x 2 23/64" x 1 19/64"
- dimensions of the front plate (W x H): 175 x 48 mm / 6 57/64" x 1 57/64"
- weight 450 g / 0.99 lbs
- incl. mounting screws, counter nuts, and TX wrench

All-in-One TRS & XLR, IEC & Barrel Patchbay

YTB Bass Pedal Board

Logan Norcliffe

The Justin Chancellor Cry Baby Wah is a multi-tool of sonic craftsmanship, combining three separate effects into a single pedal: the fluid expressiveness of a custom midrange filter, the bright aggression of a custom wah circuit, and the chainsaw grind of a vintage fuzz. It's the perfect complement to bass player Justin Chancellor's multi-dimensional role in the band Tool. Whether opening up soundscapes with chords and harmonics or syncing up with guitarist Adam Jones to perform arresting single-note unison runs, Justin goes above and beyond the traditional boundaries of his instrument to help compose the band's multi-layered tunes. He is, without a doubt, one of the modern pioneer users of effects on bass, and he keeps a carefully configured pedalboard at his disposal for crafting tones and exploring sounds. This custom Cry Baby Wah combines some of his favorite ways to do just that—filter, wah, and fuzz.

Demo by The Bass Channel

Demo by Nate Navarro

JCT95 Justin Chancellor Cry Baby Wah

Bîrleanu Bogdan

Electro-Harmonix

Hell Melter

PedalSafe Type D3

QuickMount Type D

Pedal-Montageplatte für große horizontale Pedale

Pedal Mounting Plate For Large Horizontal Pedals

Schutzabdeckung & RockBoard-Montageplatte für WAMPLER Paisley Deluxe, HotWired & Dual Fusion Pedale

Protective Cover & RockBoard Mounting Plate For WAMPLER Paisley Deluxe, HotWired & Dual Fusion pedals

Schutzabdeckung & universelle Montageplatte für WAMPLER Paisley Deluxe, HotWired & Dual Fusion Pedale

Protective Cover & Universal Mounting Plate For WAMPLER Paisley Deluxe, HotWired & Dual Fusion pedals

Nano Battalion

PedalSafe Type A1.1

QuickMount Type A

Pedal-Montageplatte für Standard-Einzelpedale

Pedal Mounting Plate For Standard Single Pedals

Schutzabdeckung & RockBoard-Montageplatte für MXR® Standardgröße und Dunlop® Echoplex Delay Pedale

Protective Cover & RockBoard Mounting Plate For MXR® standard size and Dunlop® Echoplex Delay pedals

Schutzabdeckung & universelle Montageplatte für MXR® Standardgröße und Dunlop® Echoplex Delay Pedale

Protective Cover & Universal Mounting Plate For MXR® standard size and Dunlop® Echoplex Delay pedals

The MXR Bass Envelope Filter delivers classic analog envelope filter sounds in an easy-to-use and compact pedal designed specifically for bass. Separate Dry and Effect controls let you dial in the perfect mix of effected and direct signals, so you can bring the funk without losing the low end. Its wide range of filter tones can be shaped with the Decay and Q controls, and a simple twist of the Sensitivity knob can tailor the pedal for your attack—as well as adjust for passive or active basses. The Bass Envelope Filter's power supply circuitry is designed to withstand over-voltage or polarity mishaps, and its true-bypass switching preserves your tone in bypass mode. It's all packaged in a durable, lightweight, Phase 90-size aluminum housing for the ultimate in portability and pedalboard space-saving dimensions.

Demo by The Bass Chanel

Demo by Bass Whisperer TV

M82 Bass Envelope Filter

Ein Chorus-Pedal mit eingebauter Frequenzweiche. Das CEB-3 Bass Chorus-Pedal bietet einen Split-Frequency-Chorus-Effekt, der in der Lage ist, warme, satte Chorus auf die höheren Frequenzen anzuwenden, ohne die Bässe zu vermatschen. Es ist das perfekte Chorus-Pedal für Bassisten.

A Chorus Pedal with Built-in Crossover.
The CEB-3 Bass Chorus pedal offers a split-frequency chorus effect capable of applying warm, rich chorusing to the higher frequencies without muddying up the lows. It's the perfect chorus pedal for bassists.

Demo by Bass Stuff

Demo by the wetter bass

CEB-3 Bass Chorus

Much more than just a direct box, the SansAmp Bass Driver DI is capable of dialing up big vintage tube tones, bright modern slap sounds, gnarly distortions, and all in between. Three different outputs to drive power amps, recording desks, PA mixers, or simply enhance your current rig. Controls include Presence for definition and upper harmonic content; Blend to combine the proportion of direct signal and SansAmp circuitry; and active EQ specifically tuned for bass with 12dB of cut or boost.

VERSION 2
With the popularity of 5- and 6-string basses going beyond fad status and becoming mainstream, we added a switch to adjust the bass frequency to extend into those lower registers. We also added a mid-range control and a switch to adjust its frequency. The core of the SansAmp Bass Driver and all of its tones remain true to its original design.

Tech 21

Review by Bass Musician

Review by Guitar Interactive Magazine

Demo by Philip Brennan

Bass Driver DI, Bass Driver DI v2

PedalSafe Type D2

Schutzabdeckung & RockBoard-Montageplatte für große horizontale Pedale

Protective Cover & RockBoard Mounting Plate for Large Horizontal Pedals

Schutzabdeckung & universelle Montageplatte für große horizontale Pedale

Protective Cover & Universal Mounting Plate For Large Horizontal Pedals

M292 Carbon Copy Deluxe

The Laney Digbeth DB-PRE is designed to give you the freedom to take your bass sound with you anywhere you go. Featuring both FET & TUBE signal paths and with incredible tone shaping capabilities, the DB-PRE is loaded with comprehensive ins/outs allowing it to be your main standalone bass tone as well as part of any existing bass rig. Perfect for the versatile bass player who wants total control over their sound.

Laney Amplification

Review by Gitarre & Bass 

Demo by Andertons 

Demo by PMTVUK

Demo by The Bass Channel 

Digbeth DB-PRE

Der EBS MultiComp Blue Label ist ein analoges Hochleistungs-Kompressorpedal, das speziell für Bassgitarre entwickelt wurde. Es bietet drei verschiedene Modi: Tubesim, MultiBand und Normal, die eine vielseitige Dynamikkontrolle von Vintage-Wärme bis hin zu moderner Transparenz ermöglichen. Die Blue Label-Version führt einen Sensitivity-Regler und eine reduzierte Grundfläche im Vergleich zu ihren Vorgängern ein. Er ist weithin bekannt für seine "Solid-State"-Zuverlässigkeit und Kompression in Studioqualität in einem kompakten Gehäuse.

The EBS MultiComp Blue Label is a high-performance, analog compressor pedal designed for bass guitar. It offers three distinct modes: Tubesim, MultiBand, and Normal, allowing for versatile dynamic control from vintage warmth to modern transparency. The Blue Label version introduces a sensitivity control and a reduced footprint compared to its predecessors. It is widely recognized for its "solid-state" reliability and studio-quality compression in a compact enclosure.