Ursprünglich wurde das PETE CORNISH ST-2™ für die Effektboards von Pink Floyd's David Gilmour entwickelt und wird seit langem von professionellen Rockmusikern als wesentlicher Bestandteil ihrer selbstgebauten PETE CORNISH™ Effektpedalboards und Racksysteme bevorzugt.

Der ST-2™ verfügt über eine überragende RFI-unterdrückende Eingangs- und Bypass-Pufferstufe, die einen diskreten Class-A-Transistor-Mehrstufenverstärker speist, der über eine sorgfältig kontrollierte Gain-Struktur mit zusätzlichen einstellbaren Gain- und Tone-Korrekturschaltungen verfügt, die von den aktiven Rockmusikern von heute benötigt werden. Der ST-2™ verfügt über einen weiten Bereich von „GAIN“-, „TREBLE“-, ‚BASS‘- und „VOLUME“-Reglern, und wir empfehlen, einige der unten gezeigten Einstellungen auszuprobieren und während des Spielens kleine Anpassungen vorzunehmen. Die „neutralen“ oder „Einheits“-Einstellungen der Regler sind: Bass/Treble - 12 Uhr; Gain - ganz gegen den Uhrzeigersinn; Volume - 3 Uhr.

Originally designed for inclusion in the range of Effects Boards created for Pink Floyd’s David Gilmour, the PETE CORNISH ST-2™ has a long history of preference by professional rock musicians as a vital part of their custom built PETE CORNISH™ Effects Pedalboards and Rack Systems.

The ST-2™ features a superior RFI rejecting input and bypass buffer stage feeding a discrete Class A transistor multi-stage amplifier that has the carefully controlled gain structure with added adjustable Gain and Tone correction circuitry needed by today’s active rock musicians. The ST-2™ has wide range “GAIN”, “TREBLE”, “BASS” and “VOLUME” controls and we recommend that try some of settings shown below, making small adjustments as you play. The “Neutral” or “Unity” settings of the controls are: Bass/Treble - 12 o’clock; Gain – fully counter clockwise; Volume - 3 o’clock.

Review by Aion Fx

Review by The Gear Page

Product Page

Demo by La Chitarra e

Demo by shnobel

ST-2

Our low noise discrete component Class A pre-amplifier has been specifically designed to overcome the problems often encountered with amplification of Electric Instruments fitted with magnetic transducers.

A frequent cause of these problems is the mismatch of the impedance in the electrical circuit between the pickup and subsequent equipment: this mismatch has been completely eliminated with the introduction of our LD-1™ Line Driver.

The input impedance is identical to a high quality tube amplifier and our Class A Pre-amplifier also features a highly effective RF filter which will help prevent interference from nearby radio transmitters.

Review by Z-Talk

Review by La Revolution Deux

Review by The Fretboard

LD-1

Der PETE CORNISH G-2™ wird als der am originellsten klingende Verzerrer für Gitarristen in der Rock-Arena gepriesen. Er verfügt über eine vierstufige übersteuerte diskrete Transistor-Class-A-Schaltung mit zusätzlichen Germanium-Komponenten, die viel wärmer klingende Obertöne erzeugen als alles andere auf dem Markt. Innerhalb des riesigen Tons, der von diesem Gerät erzeugt wird, sind der ursprüngliche Gitarrensound und die Dynamik vorhanden, was einen viel musikalischeren Effekt als bei jedem anderen Distortion-Pedal erzeugt.

The PETE CORNISH G-2™ has been hailed as the most original sounding distortion unit available to guitarists in the Rock Arena. It features a four stage overdriven discrete transistor Class A circuit with additional Germanium components that generate much warmer sounding harmonics than anything else on the market. Within the huge tone generated by this unit, the original guitar sound and dynamics are present creating a much more musical effect than any other distortion pedal.

Review by Pedal PCB

Review by Audiofanzine

Demo by Simone Gianlorenzi

Demo by Simon Gotthelf Music

Demo by MICK HAYES MUSIC TV

The BD-1™ is not a variant of any existing product but an entirely new and original design. Initially designed for Bass Guitar, the BD-1™ has also proved very popular with Baritone Guitars and dropped tuned Guitars when heavy overdrive is required at the lower frequencies of these instruments. With Germanium components for added musicality, this new design features full Bottom-End retention and is flat down to below the bottom B on five string basses.

The tone controls are very powerful and feature an active boost and cut with a combined range of 34dB at maximum settings. Being active, the two-tone bands can be both cut and boosted as desired, with the zero or neutral point being 12 o'clock on each control knob. I have included a second linear boost stage after the tone circuit to compensate for any reduction in overall volume when the tones are in “cut” mode.

The benefits of this active tone circuit, compared to the usual passive (Cut only) tone circuit, is that the two bands are completely independent and there is no interaction between the Bass and Treble tone controls. An output Master Volume is included to allow for perfect matching between bypassed and overdriven and EQ’d signal level and there is plenty of signal headroom available to overdrive amp inputs if required.

My well established Class A input buffer and radio frequency suppressor are, of course, included and the output buffer impedance is low to easily drive long cables or other loads without loss of signal or tone.

Demo by Simon Gotthelf Gear Demos

BD-1

Der Eingang dieses einzigartigen Geräts ist unser allseits gelobter Hochimpedanz-Puffervorverstärker der Klasse A mit seiner überragenden RFI-Unterdrückungsfunktion (zur Eliminierung von Radiosenderstörungen) und dem niederohmigen Audioausgang.

The input to this unique device is our universally acclaimed High Impedance, Unity Gain, Class A, Buffer Preamp with it's superior RFI rejecting capability (to eliminate Radio Station interference) and Low Impedance Audio output.

RockBoard Artists

Aktivitäten Übersicht

News

ABC Box

Beschreibung

Media

Reviews

Links

Technische Daten

Weitere Pedals von Pete Cornish

Pete Cornish

ST-2

Pete Cornish

LD-1

Pete Cornish

G-2

Pete Cornish

BD-1

Produkte

Bau dein Board

Services

Community