Federico Mandato

This setup is meant to ideally recreate David Gilmour’s sound from the mid-1970s to the early 1980s, spanning the period between the release of The Dark Side of the Moon and The Final Cut.

American Special Stratocaster MN Candy Apple Red

Die überarbeiteten RockBoard® MODs V2 sind einfache all-in-one Patchbays für die RockBoard Pedalboard Series mit einem neuen, überarbeiteten Design und einem kompakten Gehäuse. Passend für alle neuen RockBoards® (außer der DUO-Serie) mit einem MOD-Slot, bieten sie als komfortable Patchbay verschiedene Kabelverbindungen, um eine weite Reihe von Bedürfnissen abzudecken. Mit den RockBoard® MODs kannst du deine Pedale dauerhaft unter dem Board verkabeln und alle Verbindungen zu und von deinem Effektsetup in einem praktischen Modul organisieren. Die RockBoard® MODs bieten einen zentralen Zugangspunkt vom Instrument zum Verstärker sowie eine praktische und einfache Stromversorgung des Boards über einen IEC- und einen 2,1 x 5,5 Barrel-Through-Stromanschluss. Das RockBoard® MOD 1 V2 ist eine Pass-Through-Box, die speziell für Gitarristen und Bassisten entwickelt wurde. Du kannst das MOD 1 V2 nutzen um mehrere Pedale deines Setups im Front End und im Effekt-Loop des Verstärkers zu postieren (4-Kabel Methode) oder die vier TRS-Anschlüsse als zentralen Zugang und Ausgang des Boards nutzen. Die XLR-Through-Verbindung kann als Signalausgang vom Pedalboard zum Mischpult oder zur PA verwendet werden.
- All-in-One Patchbay für Pedalboards
- passend für MOD slots in RockBoard Pedalboards
- kompatibel mit einer weiten Reihe and anderen Pedalboards
- fungiert als zentraler Zugangspunkt zu deinem Effekt Setup
- etabliert klare Kabelwege zum und vom Pedalboard
- abnehmbare Frontplatte für Montage auf oder unter Pedalboards
- 5 x 6,3 mm TRS thru
- 1 x XLR thru (männlich vorne / weiblich hinten)
- 1 x DC 2,1 x 5,5 mm barrel thru
- 1 x AC IEC thru (male front / female back)
- alle Anschlüsse gespiegelt auf der Rückseite
- Abmessungen exkl. Frontplatte (B x T x H): 160 x 60 x 33 mm
- Abmessungen der Frontplatte (B x H): 175 x 48 mm
- Gewicht 450 g
- inkl. Montageschrauben, Kontermuttern und TX Schlüssel

The improved RockBoard® MODs V2 are simple all-in-one patchbays for RockBoard pedalboards with a new, refreshed design, and compact housing. Utilizing the MOD slot on all new RockBoards® (except the DUO series), they provide various cable connections to fit a wide variety of needs as a convenient patchbay. With the RockBoard® MODs, you can permanently connect your pedals underneath your board and organize all connections to and from your effects setup in one convenient module. The RockBoard® MODs provide a central access point from your instrument to your amp, as well as your power supply via IEC, and a 2.1 x 5.5 barrel thru power connector. The RockBoard® MOD 1 V2 is a pass-thru box especially designed for guitar and bass players. It can also be used to run several pedals from your board through the effects loop of your amp, or as a central access point to your pedalboard via its 4x TRS thru connections. The XLR thru connection can be used as signal output from your pedalboard to the console or PA.
- all-in-one patchbay for pedalboards 
- fits MOD slots in RockBoard pedalboards
- compatible with a wide variety of other pedalboards
- acts as the central access point to your effects setup
- establishes clean cable paths to and from the pedal board
- detachable front plate for mounting on top or underneath pedalboards
- 5 x 6,3 mm / ¼" TRS thru
- 1 x XLR thru (male front / female back)
- 1 x DC 2,1 x 5,5 mm barrel thru
- 1 x AC IEC thru (male front / female back)
- all connections mirrored on the backside
- dimensions excl. front plate (W x D x H): 160 x 60 x 33 mm / 6 19/64" x 2 23/64" x 1 19/64"
- dimensions of the front plate (W x H): 175 x 48 mm / 6 57/64" x 1 57/64"
- weight 450 g / 0.99 lbs
- incl. mounting screws, counter nuts, and TX wrench

All-in-One TRS & XLR, IEC & Barrel Patchbay

DG 70s pedalboard

 T20/10 Head (left amplifier)

 Silver Starfinder 112 Cabinet 1x12 (left cabinet)

 T20/10 Head (right amplifier)

 Silver Starfinder 112 Cabinet 1x12 (right cabinet)

Antonio Mariano

Das PastFx TD-Y ist eine originalgetreue Reproduktion des mittlerweile nicht mehr erhältlichen Buffalo FX TD-X Equalizer- und Gain-Booster-Pedals, das wiederum von einem beliebten Röhren-Overdrive inspiriert wurde, der in den 1980er- und 1990er-Jahren bei mehreren namhaften Rockkünstlern sehr beliebt war. Das TD-Y wurde in einem kleineren, pedalboardfreundlichen Gehäuse hergestellt und mit der gleichen Liebe zum Detail und den gleichen hochwertigen Komponenten wie das Pedal, auf dem es basiert, gefertigt. Es ist ein hochgradig anpassbares und nützliches Werkzeug zur Klangformung, das als leistungsstarker Equalizer, als Clean- oder Dirty-Boost oder als angenehm satter und komplexer Overdrive eingesetzt werden kann. Es steht reichlich Headroom zur Verfügung, sodass Spieler allein mit dem Pedal oder in Kombination mit ihrem Verstärker großartige Sounds erzeugen können. Das PastFx TD-Y reicht von wunderschönen, blühenden Low-Gain-Sounds bis hin zu Medium-Gain-Distortion und den Charakteristika früher britischer Verstärker, insbesondere in Kombination mit dem Charakter eines Verstärkers und der Spielumgebung.

The PastFx TD-Y is a faithful reproduction of the now discontinued Buffalo FX TD-X Equaliser and Gain Booster pedal, which itself was inspired by a popular valve-powered overdrive favoured by several notable rock artists during the 1980s and ‘90s. The TD-Y has been produced in a smaller, pedalboard-friendly enclosure, and made with the same careful attention to detail and high-quality components as the pedal upon which it is based. It is a highly tweakable and useful tone sculpting tool that can be set to act as a potent equaliser, a clean or dirty boost, or as a satisfyingly rich and complex overdrive. There is plenty of headroom on tap to allow players to generate great tones from the pedal alone or by using it to push their amplifiers over the top. The PastFx TD-Y can go from beautiful, blooming low gain creaminess all the way up to medium gain distortion and early British amp characteristics, especially working in tandem with an amplifier’s character and playing environment.

PastFx

Product Page

Demo by Mustafa Can Kaya

Demo by The Pedal Picassos

TD-Y Overdrive

QuickMount Type A

Pedal-Montageplatte für Standard-Einzelpedale

Pedal Mounting Plate For Standard Single Pedals

Lasse Lund Elmer

Kompression gleicht Lautstärkeunterschiede aus, indem laute Töne abgesenkt und leise angehoben werden. Über den Attack-Regler des CS-3 legst du fest, wie schnell die Schaltung diese Anpassung vornimmt. Durch das Drehen im Uhrzeigersinn bleiben Saitenanschläge stärker erhalten und sorgen für einen knackigeren, perkussiven Klang. Je mehr du den Regler gegen den Uhrzeigersinn drehst, desto mehr werden die Signalspitzen abgesenkt. Der Sustain-Regler steuert die Stärke der Kompression und sorgt für einen straffen Sound und ein natürliches Sustain ohne Verzerrungen.
Das CS-3 basiert auf einer leistungsfähigen VCA-Schaltung, die eine stabile und gleichmäßige Kompression mit minimalem Grundrauschen ermöglicht. Mit seinem charakteristischen, ausgewogenen Ansprech- und Kompressionsverhalten sorgt das Pedal für einen transparenten Klang über alle Spielstile hinweg. Ob knackige Country-Licks, druckvolle Power-Chords oder singende Soli – das CS-3 überzeugt als unverzichtbares Werkzeug für einen besseren Sound.
Mit dem Tone-Regler wird das CS-3 noch vielseitiger. Hierüber kontrollierst du den EQ des komprimierten Signals. Stärkere Einstellungen betonen die hohen Frequenzen und für einen schärferen, schneidenden Sound – perfekt für glockenklare Arpeggi, funkige Rhythmen und Passagen, die besonders herausstechen sollen. Je mehr du den Regler zurückdrehst, desto softer werden die Höhen, was einen warmen, weicheren Sound erzeugt, der sich besonders für Genre wie Jazz und Neo Soul eignet. Ganz egal, ob du eine Extraportion Biss oder Samt benötigst – mit dem CS-3 kannst du deinen Sound flexibel an deine Musik anpassen.

Compression evens out volume differences by lowering loud sounds and raising quiet ones. The CS-3's Attack knob lets you set how quickly the circuit makes this adjustment. Turning it clockwise preserves string attacks more strongly and creates a crisper, more percussive sound. The more you turn the knob counterclockwise, the more the signal peaks are reduced. The sustain knob controls the strength of the compression and ensures a tight sound and natural sustain without distortion.
The CS-3 is based on a powerful VCA circuit that provides stable and consistent compression with minimal noise. With its characteristic balanced response and compression characteristics, the pedal delivers transparent sound across all playing styles. Whether crisp country licks, powerful power chords, or singing solos, the CS-3 is an indispensable tool for better sound.
The tone control makes the CS-3 even more versatile. It lets you control the EQ of the compressed signal. Stronger settings emphasize the high frequencies and create a sharper, more cutting sound—perfect for crystal-clear arpeggios, funky rhythms, and passages that need to stand out. The more you turn the control back, the softer the highs become, creating a warm, softer sound that is particularly suitable for genres such as jazz and neo soul. Whether you need an extra dose of bite or velvet, the CS-3 lets you flexibly adapt your sound to your music.

BOSS

Review by Gitarre&Bass

Manual

Demo by Reverb 

Demo by SweetWater 

CS-3 Compression Sustainer

PedalSafe Type E1

QuickMount Type E

Pedal-Montageplatte für Standard-Boss-Pedale

Pedal Mounting Plate For Standard Boss Pedals

Schutzabdeckung & RockBoard-Montageplatte für BOSS Compact Serie, RC3 LoopStation & RC5 LoopStation Pedale

Protective Cover & RockBoard Mounting Plate For BOSS Compact Series, RC3 LoopStation & RC5 LoopStation pedals

Schutzabdeckung & universelle Montageplatte für BOSS Compact Serie, RC3 LoopStation & RC5 LoopStation Pedale

Protective Cover & Universal Mounting Plate For BOSS Compact Series, RC3 LoopStation & RC5 LoopStation pedals

Tester

Pulse™ is an open cabinet revolving speaker emulator, inspired by Pink Floyd’s legendary rotary speaker Doppola and Gibson’s® Maestro Rover RO-1. 

Revolving speaker cabinet is one of the highest revered musical devices, but recreating it soundwise in the pedal form is quite a challenge. We spent countless hours on R&D, measuring every detail on a real physical model and using advanced math to emulate its complex sound image along with all the physics and mechanics behind it. And it’s all in there - a realistic three-dimensional sound that swirls as the speaker accelerates, exact spatial modulation and the feel of the air moving with every spin.

It is modeled upon classics to become a classic.   

Dawner Prince

Review by Fractal Audio Forum

Review by The Gear Page

Review by Premier Guitar

Demo by gilmourish

Demo by Electric Mojo Guitars

Pulse

Philippe Godde

A key component of many guitar sounds is a string of tasteful delay, which is just one of the things 2290 P provides. It is a time-based effect generator that - apart from delay - also offers chorus, flanger, tremolo, vibrato, phaser, panning, ducking and compression. 

And that is the essence of 2290 P: it is a faithful recreation of the original 2290, equally suited for adding delay to lead guitar tones and rhythmic patterns that can be used to build up powerful and inspirational walls of guitarscapes with or without additional modulation. In other words, 2290 P allows you to really dive in and carefully program it to meet all of your sonic ideas.

It simply evokes a distinct classic vibe from the past in a contemporary setting.

TC Electronic

Review by guitar pedal X

Review by musicradar

Demo by Pedal Platform

Official Product Video

2290p

Ahmet Ebrinç

Der PastFx 18V Power Booster ist eine pedalboardfreundliche Nachbildung und Weiterentwicklung des klassischen Buffalo FX Power Booster, inspiriert von der legendären Schaltung des Colorsound Power Booster. Er kombiniert Boost, EQ, Overdrive und leichtes Fuzz mit intuitiven Reglern für Gain, Level, Bass, Mild und Treble zur Klangformung. Das Pedal verfügt über einen dedizierten Master-Lautstärkeregler, externe Gain-Kontrolle und einen einstellbaren internen Gain-Schalter für unterschiedliche Verzerrungsgrade — von sauberem Boost über krustigen Overdrive bis hin zu leichtem Fuzz — und fügt dem Gitarrenton Farbe hinzu, ohne diesen zu dominieren. Es läuft bei 9 V bzw. intern verdoppelt auf 18 V für mehr Headroom.

The PastFx 18V Power Booster is a pedalboard-friendly recreation and expansion of the classic Buffalo FX Power Booster inspired by the legendary Colorsound Power Booster circuit. It combines boost, EQ, overdrive, and mild fuzz characteristics with intuitive controls for Gain, Level, Bass, Mild, and Treble to shape your sound. The pedal offers a dedicated master volume, external gain control, and adjustable internal gain switch for varying levels of grit — from clean boost to gritty overdrive and light fuzz — while adding tonal colour without overpowering your core guitar tone. It runs from 9 V to internally doubled 18 V for increased headroom.

Demo by MustyGuitar

Demo by  TheSuperFunAwesomeHappyTimePedalShow

18V Power Booster

The Dyna Comp Compressor is famous for its first-rate, no-nonsense approach to tightening up your guitar signal and creating rich, full-bodied sustain. Like the Phase 90, this little red gem is a legend among its kind. The pedals produced in the mid-'70s are particularly prized for their unique sound and performance. The Script Dyna Comp Compressor combines that old school sound with a couple upgrades for modern gigging convenience. Spec'd from our own 1976 Dyna Comp Compressor, this pedal is built around the rare CA3080 "metal can" integrated circuit (IC), which yields quieter operation, greater transparency, and increased dynamic range. Thanks to its bypass status LED and AC power jack, you can put this pedal right on your board without worrying about whether the pedal is on or about to lose power.

Product Page 

User Manual 

Product Demo 

CSP102SL Script Dyna Comp

The MXR Uni-Vibe Chorus/Vibrato delivers the same lush, chewy textures that players have used since the late '60s. Updated with modern gigging players in mind, this effect now it comes in a standard MXR housing—a fraction of the size and weight of the original—with true bypass switching.

With its simple three-knob interface, you can dial in the effect to your taste in short order. First, use the VIBE switch to select either Chorus Mode—dry signal mixed with pitch-shifted signal—or Vibrato Mode—only pitch-shifted signal. Then, use the LEVEL control to set the effect volume, the SPEED control to set the sweep rate, and the DEPTH control to set overall intensity.

Put the MXR Uni-Vibe Chorus/Vibrato on your board and expand your tonal palette.

Demo by jumdunlopusa

M68 Uni-Vibe Chorus/Vibrato [small box]

Lee Atkin

Often imitated but never duplicated, the elusive vintage "script" Phase 90 is at the top of the list for pedal collector's world-wide. The original version—available from the company's inception to the late '70s—practically defined the classic phase shifter sound, and was heard on everything from hard rock, jazz-fusion, to funk hits. The MXR Custom Shop Script Phase 90 brings back the headroom and clarity of the original, along with its ultra warm and smooth phasing and reduced midrange swell. And it comes dressed in the original smooth orange paint job and script logo with an LED and AC power jack, direct from the MXR Custom Shop.

Review by reddit.com/r/guitarpedals

Review by Ultimate Guitar

Demo by Sweetwater

CSP101CL Script Phase 90 LED

When it was introduced in 2010, the original POLYTUNE forever revolutionized the way musicians tune their instruments. Praised by professional and amateur players, guitar tuning instantly became as simple as Strum - Tune - Rock! So how do you make the best-selling polyphonic tuner even better? You take it to the next level by: providing multiple tuning modes, including polyphonic, chromatic, strobe and a variety of altered tunings; adding an onboard BONAFIDE BUFFER to preserve your tone over long cable runs and pedal board signal paths; and upgrading the LED display for even higher tuning accuracy. Say hello to your next tuner – POLYTUNE 3.

Review by Charleston Classical Guitar

Demo by American Musical Supply

Demo by Addicted to Gear

Demo by realbeal

Polytune 3

PedalSafe Type G

QuickMount Type G 

Pedal-Montageplatte für Standard TC Electronic Pedale

Pedal Mounting Plate For Standard TC Electronic Pedals

Schutzabdeckung & RockBoard Montageplatte für Standard TC Electronic Pedale

Protective Cover & RockBoard Mounting Plate For Standard TC Electronic Pedals

Schutzabdeckung & universelle Montageplatte für Standard TC Electronic Pedale

Protective Cover & Universal Mounting Plate For Standard TC Electronic Pedals

akai map

Electro-Harmonix

Ram's Head Big Muff Pi

PedalSafe Type A1.1

Schutzabdeckung & RockBoard-Montageplatte für MXR® Standardgröße und Dunlop® Echoplex Delay Pedale

Protective Cover & RockBoard Mounting Plate For MXR® standard size and Dunlop® Echoplex Delay pedals

Schutzabdeckung & universelle Montageplatte für MXR® Standardgröße und Dunlop® Echoplex Delay Pedale

Protective Cover & Universal Mounting Plate For MXR® standard size and Dunlop® Echoplex Delay pedals

Deluxe Electric Mistress

PedalSafe Type C

QuickMount Type C

Pedalmontageplatte für große vertikale Pedale

Pedal Mounting Plate For Large Vertical Pedals

Schutzabdeckung & RockBoard-Montageplatte für große vertikale Pedale

Protective Cover & RockBoard Mounting Plate For Large Vertical Pedals

Schutzabdeckung & universelle Montageplatte für große vertikale Pedale

Protective Cover & Universal Mounting Plate For Large Vertical Pedals

RockBoard

ISO Power Block V9 IEC

Für 9-15 FX-Pedale, 1 MOD-Slot - **622 x 330 mm / 24.49" x 12.99"** - erhältlich mit Gig Bag oder Flight Case

For 9 - 15 FX pedals, 1 MOD slot - **622 x 330 mm / 24.49" x 12.99"** - available with Gig Bag or Flight Case

The PastFx New Division Is a faithful recreation of the 1970’s / 80’s MN3007 EHX Clone Theory. We have also incorporated some of the features of the 1st 1970’s Reticon Sad1024 version, while adding new options that address some of the flaws of the original circuit.

Peter Hook (New Order /Joy Division) is probably the most well-known artist associated with these early models. The 1970’s Sad1024 version incorporates an “Edge” (Bright switch), however when the Bucket Brigade chip was replaced with the MN3007, the bright switch was removed and a VIB/Flange switch was added.
The Heart of the New Division is its Chorus effect.

Review by reddit /guitarpedals

Review by delicious audio

Demo by Pedal Experiments

Demo by Leon Todd

New Division - Chorus/Flange/Vibrato

The PastFx Patriarch fuzz is a faithful recreation and expansion of the Buffalo FX Patriot MKI and MKII, which was modeled after the Sovtek “Civil War” (Blue & Grey) Muff famously used by David Gilmour during Pink Floyd’s 1994 Division Bell tour and timelessly captured in their acclaimed live album Pulse. It is our highest gain offering within the Spectrum Collection. The Patriarch is characterised by booming low end, cutting lead tones, and jaw-dropping sustain and power, all while maintaining a surprisingly quiet noise floor. It is a heavy, girthy Muff-style fuzz that blasts through the mix and offers punishingly brutal note definition and natural compression that makes for extremely satisfying high gain fuzz tones. The Patriarch is more naturally “mids present” than most other Muff-derived circuits. To further exploit this, the pedal boasts a “Mids” knob that allows users to bring more or less into the mix, as well as a “Lows” cut knob that tames the substantial low end as it is turned clockwise. There is also an internal micro switch for exploring more tone sculpting options for determining the pedal’s mids and EQ response. With the Level rolled down or turned up, the Patriarch can deliver bite, grit, and presence, with a refined fire-breathing attitude that gloriously pummels the senses and rains down sweet muffy goodness at any setting.

Demo by aornic

Patriarch

Der PastFx Hot for Flanger ist ein analoger Flanger-Effektpedal des australischen Herstellers PastFx, der vom klassischen 1970er-MXR M117 Flanger-Sound inspiriert ist, aber mit modernen Features und einem kompakten Gehäuse erweitert wurde. Er verwendet einen NOS MN3007-BBD-Chip, der klassische Jet-Plane- und modulierte Sweep-Sounds liefert, sowie Regler für Speed (Rate), Width, Manual, Regen (Feedback) und Blend zur Mischung von trockenem und Flanger-Signal. Ein spezieller Waldo/EVH-inspirierten Timing-Schalter verändert die Clock/Modulationscharakteristik, und eine zweifarbige LFO-LED zeigt die Modulationsgeschwindigkeit an. Das Pedal wird mit 18 V DC (Negativ-Tip) betrieben und bietet True Bypass.

The PastFx Hot for Flanger is an analog flanger effect pedal from Australian builder PastFx, inspired by the vintage 1970s MXR M117 Flanger sound and circuit but modernized with extra features and a compact enclosure. It uses an NOS MN3007 bucket-brigade delay (BBD) chip, providing classic jet-plane and swooshing modulation tones alongside controls for Speed (Rate), Width, Manual, Regen (feedback) and Blend for wet/dry balance. A unique Waldo/EVH-inspired clock/timing switch adds a different voicing or faster clock range, and a dual red/blue LFO LED gives visual feedback on modulation rate settings. The pedal runs on 18 V DC (negative tip) for optimal headroom and BBD performance, and is equipped with true bypass switching.

Demo by Michael Nielsen

Hot for Flanger

Das PastFx Poly Chorus ist ein rein analoges Multi-Modulationspedal, das vom originalen Electro-Harmonix Poly Chorus der 1980er Jahre inspiriert wurde. Es erzeugt bis zu fünf Effekte, darunter Slapback oder Double Tracking, Chorus, Vibrato, Flanger und Filter-Matrix, in einem kompakten Gehäuse. Es verfügt über True Bypass, eine LED-Modusanzeige, einen Blend-Regler zur Mischung des Effekts sowie interne Threshold- und Lautstärke-Trim-Regler. Das Pedal verwendet zwei Vintage-Panasonic-BBD-Chips für authentische analoge Modulation. Die Schaltung behält einige Vintage-Eigenschaften bei, die zu seinem charakteristischen Klang beitragen.

The PastFx Poly Chorus is an all-analog multi-effect modulation pedal inspired by the original 1980s Electro-Harmonix Poly Chorus. It produces up to five effects including slapback or double tracking, chorus, vibrato, flanger, and filter matrix, all from a single compact pedal. It features true bypass, an LED mode indicator, a blend control for effect mixing, and internal threshold and volume trim controls. The pedal uses two vintage Panasonic BBD chips to deliver authentic analog modulation. The circuit retains some of the vintage characteristics that contribute to its unique sound.

Polychorus

18V Power Booster von PastFx